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Life of Morihei Ueshiba
Special Daito-ryu Interview
Master Swordsman Miyamato Musashi
Aikido Doshu Kisshomaru Ueshiba
Gozo Shioda Biography
Minoru Mochizuki Essay
Kiyoshi Nakekura Interview
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AIKI NEWS
CONTENTS
+ Stanley Pranin
EDITORIAL 4
+ Tth Dan Kyoju Dairi
KATSUYUKI KONDO INTERVIEW 6
+ 9th Dan Swordmaster
KIYOSHI NAKAKURA INTERVIEW (2) 16
+ Doshu and Daitokan Views
RESPONSE TO JOHN STEVENS (2) 6
+ Language Study
JAPANESE FOR AIKIDOKA (8) %
+ Minoru Mochizuki Sensei
ESSAY ON JIGORO KANO OF JUDO 37
Kanemoto Sunadoma
MORIHEI UESHIBA BIOGRAPHY (8) 42
Tokimune Takeda Sensei
SOKAKU TAKEDA BIOGRAPHY (6)
Gozo Shioda Sensei
“AN AIKIDO LIFE"
48
4
+ Miyamoto Musashi
ESSAY ON “GORIN NO SHO" 0
+ News, events, announcements
HEARD IN THE DOJO “a
+ Readers’ Views
LETTERS TO THE EDITOR 0
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by Stanley Pranin
DAITO-RYU AIKI JUJUTSU: THE PRESENT STATE OF AFFAIRS
This issue will be of particular interest to a large
segment of our readers. Several of the featured arti
cles in this number deal with the art of Daito-ryu Aiki
Jujutsu and its history. I would like to clarify some of
the reasons for this focus on Daito-ryu, the main
precursor art to Aikido. The first and foremost reason
is a historical imperative imposed by the fact that
most of Aikido techniques have as their origin the
techniques of Daito-ryu Aiki Jujutsu. The second is
the fact that the major role of this traditional jujutsu
school in the development of Aikido has been largely
ignored or minimized in treatments of Aikido history.
Regular readers of this publication will know that
the techniques of Daito-ryu were widely disseminated
in Japan beginning in the early 20th century by
Sokaku Takeda Sensei. Over a period of some 40
years he taught in literally thousands of locations es-
pecially to persons of high social standing. Following
his death in 1943 he was succeeded by his son,
Tokimune Takeda, who had been prepared for this
role from an carly age. Among Tokimune Sensei’s
important contributions to the preservation and
spread of Daito-ryu are the assignment of individual
names to the 118 core techniques of the Hiden
Mokuroku which has greatly facilitated the learning
process and the establishment of some 60 branch
dojos throughout Japan. His efforts have yielded
fruits as Daito-ryu is the most widely practiced of tra-
ditional jujutsu schools in Japan
MAIN TRENDS IN DAITO-RYU TODAY
Present day Daito-ryu has evolved in several diree-
tions, The main line is represented by Tokimune
Takeda Sensei who is based in Abashiri, Hokkaido,
and his recently designated representative, Katsuyuki
Kondo Sensci. Of close affinity in a technical sense is
the Takumakai organization in Osaka which was
originally established by Takuma Hisa Sensei an
presently under the direction of Hakaru Mori Sensei.
86-year old Yukiyoshi Sagawa Sensei, a direct stydent
of Sokaku Takeda represents another tendency
Daito-ryu which includes many technical innovations
but is taught on a very limited scale to only a few stu-
dents. The Daito-ryu Aiki Jujutsu Kodokai and Daito-
ryu Aiki Jujutsu Roppokai headed by Yusuke Inoue
Sensei and Seigo Okamoto Sensei, respectively, both
trace their roots back to the teachings of Kodo
Horikawa Sensei, another one of the senior students
of Sokaku Takeda. As in the case of Sagawa Sensei,
the Kodokai and Roppokai have developed technical-
ly along different lines from that of the main tradition.
Also, the Kodokai, principally through the efforts of
Katsumi Yonezawa Sensei, has set up a network of
branch dojos in the United States.
The main tradition, operating organizationally as
the Daitokan and overseen by Tokimune Takeda
Sensei, is now in a transitional phase due to the ad-
vanced age and frail health of the Headmaster. As a
result, many of the leadership duties in connection
with the operation of the Daitokan have fallen upon
the shoulders of Tokyo-based Katsuyuki Kondo
Sensei, holder of the 7th dan and the subject ofthis is-
sue’s featured interview. Kondo Sensei, the only living
kyoju dairi or certified instructor, was recently
entrusted with the title of Soke Dairi or official repre~
sentative of the headmaster by Tokimune Sensei,
‘Among his duties will be periodic visits for instruc-
tional purposes to branch dojos in Japan and the task
of supervising the overseas development of the
Daitokan tradition of Daito-ryu including the award-
ing of dan ranking certificates.
SHIMBUKAN DOJO OF KONDO SENSEI
The Shimbukan dojo of Kondo Sensei in Tokyo is
quite unique in several respects. It is directly attached
to the construction company he operates and many of
his employees also practice Daito-ryu. The result is a
closely knit group of practitioners, a number of whom
have been training side by side for 20 years, The walls
of the dojo are graced with several remarkable pieces
of calligraphy by the famous 19th century Zen priest,
swordsman and calligrapher, Tesshu Yamaoka. An-
other rare work displayed in the dojo are the charac-
ters Buyu (martial valor) penned by Admiral Isamu
Takeshita, an avid practitioner of Aiki Budo and early
supporter of Morihei Ueshiba.
Despite the historical reluctance of the Daito-ryu
school to reveal its techniques to the general public,
there has been a recent trend toward a more open
stance regarding dissemination of the art. For exam-
ple, Kondo Sensei will be making his first US. tour in
1989 and the first video tape introducing Daitokan
techniques will be released shortly. He is also opening
the doors of his Tokyo dojo to foreigners wishing to
engage in serious training in Daito-ryu for extended
periods. Kondo Sensei explained to me that he viewed
Daito-ryu as representative of a Do or Path and one
of any number of appropriate vehicles for conveying
Japanese culture. This too can be regarded as a wel-
come form of diplomacy for cementing positive ties
between Japan and foreign countries in this ever-
narrowing world
Kondo Sensei speculates that modern Aikido would
not exist if it were not for Sokaku Takeda and I be-
lieve there is no question but that this is true. I, more-
over, believe that the survival and present vigor of
Daito-ryu in contrast to the disappearance of
hundreds of traditional jujutsu schools is directly due
to the efforts of Morihei Ueshiba and his success in
creating and spreading Aikido. mAPYLFS=Y
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A young Katsuyuki
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AIKI NEWS: Would you describe Daito-ryu Aiki
Jujutsu for our readers who are unfamiliar with the
ant?
KONDO SENSEI: It would be difficult to explain
the whole history so I will just touch upon a few
points. About 800 years ago there was a man named
Saburo Yoshimitsu Shinra residing in the Daito
Mansion of the Aizu clan, It is said that he was the
Founder of Daito-ryu. The art of Saburo Yoshimitsu
Shinra was then transmitted to the Minamoto Fam-
ily and then to the Takeda family in Kai (present-
day Yamanashi Prefecture). After that it was hand-
ed down through the Takeda family as a gotenjutsu
(martial art for use inside the palace). On the other
hand, in the time of the fourth Tokugawa
Shogunate, Ietsuna, Masayuki Hoshina of the Aizu
clan, the fourth son of Hidetada, entered the Edo
castle as an instructor to the Shogunate family and
completed development of the art which came to be
known as oshikiuchi. Therefore, the Daito-ryu of the
‘Takeda family and the oshikiuchi of Lord Masayuki
Hoshina were transmitted separately. Then in the
Meiji period Sokaku Takeda Sensei perfected
Daito-ryu by combining the school originated in the
KATSUYUKI KONDO INTERVIEW
ARMCARH, CO.
Takeda family and the school of the Aizu clan.
Thus, Sokaku Takeda Sensei is the father of Daito-
ryu and should not be omitted from the history of,
the art.
AIKI NEWS: What are the main differences be-
tween Daito-ryu and Aikido?
KONDO SENSEI: I don’t think there is any dif-
ference, In Daito-ryu too practice begins and ends
with courtesy. And its final goal is the spirit of love
and harmony.
AIKI NEWS: How about technically?
KONDO SENSEE: I do not think that there is much
difference technically, either. However, there
technique named ikkajo in Daito-ryu which consists
of 30 different movements of which ten are seated
techniques, five hanza handachi (equivalent to
hanmi handachi in Aikido) techniques, ten tachiai
techniques and five ushirodori techniques. These 30
techniques have individual names. In Daito-ryu the
first technique you learn is called ippondori which is
a difficult technique where you receive barehanded
the shomen attack of your opponent. In the tradi-
tional martial arts, one of the secret techniques is
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teach a difficult shinkendori technique at first. This
ippondori, | believe, is ikkyo in Aikido and also is
related to techniques like shomenuchi ikkyo,
katatedor’ ikkyo, ryotedori ikkyo, and so on, Ikkajo
has 30 techniques and only the ippondori technique
became ikkyo in Aikido. There are 29 other techni-
ques such as gyaku udedori, kurumadaoshi,
Koshiguruma, and so on. Nikajo, also has 30 techni-
ques and only one of them is called nikyo in Aikido.
And the case is the same for sankyo. Yonkajo in-
cludes 15 techniques and one of them is called
yonkyo in Aikido. Gokajo has 13 techniques and
one of them is called gokyo in Aikido. Therefore,
there are 118 different techniques from ikkyo to
gokkyo in Daito-ryu, which are called the Hiden
‘Mokuroku (catalogue of secret teachings) and only
five of those techniques were included in Aikido. I
would like to clarify these points to avoid any mis-
understanding.
The difference between Aikido and Daito-ryu in
the eyes of the general public is that in techniques of
Daito-ryu you must break the balance of your op-
ponent the instant you touch him. This is because
there is aiki in the technique. Using aiki we break
the balance of the opponent. This is a major charac-
teristic of Daito-ryu. Another characteristic is its use
of atemi, This atemi is also a part of aiki in Daito-
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ryu. Although it is often said that Daito-ryu looks
unrefined or is lacking in magnificence, Daito ryu
has aiki no jutsu (53 techniques) and they are really
wonderful.
AIKI NEWS: We understand that you began train-
ing at a young age and have had three Daito-ryu
teachers. Would you tell us a little bit about how you
{got started and your training background?
KONDO SENSEI: The first teacher I studied under
‘was Tsunejiro Hosono Sensei, one of the advanced
students of Sokaku Takeda Sensei. He was living in
Edogawa, Tokyo and his dojo was called the
Shin’eikan, When Tokimune Takeda Sensei came to
the Shin’eikan dojo I was taught by him as a student
of Hosono Sensei. That was the first time I met him.
At that time I didn’t know even the meaning of the
term soke (headmaster) and I just remembered hav-
ing met someone great. However, Tokimune Sensei
later said to me that he remembered me clearly
from among the many students present. He said,
"Mr. Kondo, you were sitting in such and such a
position from the left, weren’t you?" He even de-
scribed my physique. T'was really surprised. I didw't
think I was that conspicuous then.
Around 1963 before Fosono Sensei passed away I
went to see him in the hospital. There Hosono
Sensei said, "After practicing under Sokaku Takeda
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PUURL te MBER, AAR ORL, AMIESensei, I studied under Kotaro Yoshida Sensei.
Kondo, you must study under him now.” Then I
went to visit Yoshida Sensei. At that time he was
living in a place called Namekawa in Mito, Ibaraki
Prefecture. I was still a student so I went there every
Saturday afternoon. Since I went to Sensei’s house
by taxi from Hitachi station, he found me pretty un-
usual. Yoshida Sensei was paralyzed on one side.
Although he had no difficulty speaking, his left side
was paralyzed. I signed my name in his enrollment
book and trained not in his house but in his garden.
Sensei sat in the room and taught from there. When
I didn’t understand something, Sensei would show a
technique with his right hand. However, since he
could not use his left hand, he couldn’t execute a
complete technique. So I had to do it by myself. In
the beginning I was training there alone but I found
it inconvenient and decided to train there with one
cof my fellow students, Mr, Tomabechi. When T was
training under Hosono Sensei I paid on a monthly
basis but Yoshida Sensei charged for cach techni-
que. For example, after we learned the kotegaeshi
technique, we needed to pay for the next technique.
‘When the time came to move to the next technique,
Sensei would tell us to change. There were no other
students other than Tomabechi and myself. I think it
‘was a very unusual practice method. Sensei taught
us very conscientiously.
‘There were many names written in the enrollment
books of Yoshida Sensei. For example, the name of
Masutatsu Oyama Sensei of Kyokushin Karate ap-
pears. However, it is not certain whether Oyama
Sensei actualy studied with him or just talked to
him. Yoshida Sensei had another scroll which was
not from the Daito-ryu school. Representative of his
personal techniques were the tessenjutsu (iron fan
techniques). Daito-ryu also includes fessenjutsu in
the emonodori techniques, but they are not separate
techniques. I believe the fact that Yoshida Sensei
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had his own fessenjutsu scroll was proof that he con-
ducted thorough research into the use of this
weapon after having studied with Sokaku Sensei
Yoshida Sensei taught us how to use the iron fan
and move the wrists emphasizing that this was the
important thing in the beginning stage of our train-
ing. Using the iron fan you can break a sword with
just the movement of the wrist, So, Sensei was really
strict about how we moved our wrist. I still have the
iron fan Yoshida Sensei gave me for practice.
AIKI NEWS: How much did he charge for one
technique?
KONDO SENSEE | don’t remember at all. 1 was a
university student and didn’t have much money and
so I don’t think it was that expensive. It was quite a
trip to Hitachi though. We went over to Sensei’s
house on Saturday and had a little practice that
night and then we stayed in an inn and practiced on
Sunday beginning in the early morning and then
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Kateuyuki Kondo Sensei with members of the Shimbukan Dojo
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to study after that. I spent the weekend that way.
AIKI NEWS: How long did you train there?
KONDO SENSEE- I guess it was about two years. I
started the "Daito-ryu Aikido Club” at Chiba Kogyo
University in 1964 and invited Kotaro Yoshida
Sensei to become an adviser. Naturally, since Sensei
could not physically come, I was only borrowing his
name. Although I didn’t receive any rank from
Kotaro Yoshida Sensei, I was given a shikishi
(square piece of stiff paper used for writing poems)
which says Aiki Budo, He said when he presented it
to me that I was receiving it as his last student and
that he would teach me everything. However, I don’t
think he meant everything including all of the
menkyo kaiden techniques or anything like that, I
only studied under him for a short period and I don't
think I learned very advanced techniques from
Yoshida Sensei. But I still keep this shikishi with
Aiki Budowaritten on it,
Since I learned from Yoshida Sensei that the soke
of Daito-ryu was living in Abashiri City in Hok-
kaido, later I decided to train there and wrote
Tokimune Sensei a letter. I went up to Abashiri in
1966 and stayed there for about ten days. It was the
first time I was seriously taught by the Soke. Since
hhe was working for a company then, I practiced with
him from four to seven o'clock in the morning and
KATSUYUKI KONDO INTERVIEW
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then during lunch time for a short while. Then again
starting at six o’clock in the evening I practiced with
members of the dojo. After the members left the
dojo, the Soke again conducted a special class until
12o’clock midnight! At that time there was a person
man Shinpachi Suzuki who was a kyoju dairi
(certified instructor) of Daito-ryu living in the
Daitokan Dojo. I practiced with this Suzuki Sensei
and the Soke, just the three of us. I trained there for
a full ten days. By the time I returned to the inn it
was already about 12 midnight and I was almost,
crawling. The training was that severe. When I was
not training, I just slept like a dead man. At night I
could not sleep because of the pain in my body. The
Soke was at that time around 50 years old. His wrists
were as thick as logs.
What I felt when I trained there was how little
ability I had. In those days I started the Aikido club
in the university and was teaching there. I was only
in my twenties and I think I was also very conecited.
That was the kind of person I was and I actually
cried in the Soke’s dojo. Before then my techniques
used to work on anyone whether at the university or
in the dojo. However, they didn’t work at all on ei-
ther the Soke or Suzuki Sensei. I realized my weak-
ness and really cried as I was mortified. It's still true
now, but I felt that there was a world of difference
between my ability and the Soke’s ability. Therefore,
1 am embarassed to call myself Soke Kyoju Dairi
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(instructor certified by the headmaster) or Soke
Dairi (official representative of the headmaster). Al-
though I have been practicing Daito-ryu for over 30
years, my technique is still powerless against the
Soke. Objectively speaking, I really believe my
ability is far inferior to his. The Soke has been prac-
ticing for more than 60 years, you know. And his
practice was not haphazard at all. Even now, he
swings a thick log every morning. Although he suf-
fered a stroke which left him partially paralyzed, he
began rehabilitation on his own ignoring the doc-
tor’s advice to the contrary and overcame his
paralysis. He trained that hard. This is the reason he
doesnt lose physical power.
AIKI NEWS: We understand that you actually
briefly met and trained with Morihei Ueshiba
Sensei, Would you tell us about that experience and
your impressions of the Founder of Aikido?
KONDO SENSEI: I believe it was around 1967 that
I met Morihei Ueshiba Sensei at the old Hombu
Dojo. This was through the introduction of Soke
Tokimune Takeda and I was fortunate to have had
an opportunity to train with Morihei Sensei. He was
holding a jo in his hand then. I mean he was doing
jodoritechniques. Morihei Sensei talked to me ina
friendly way and told me to hold the end of the jo he
had in his hands, The moment I touched the jol was
thrown, It was a beautiful throw. Since I was putting
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a lot of power into my grip of the jo, all of the that
power was directed back at me and I was thrown
far. Then I talked to Morihei Sensei about various
things.
AIKI NEWS: Did Ueshiba Sensei talk about
Sokaku Takeda Sensei then?
KONDO SENSEI: Naturally, he talked about
Takeda Sensei but not in detail. He said something
like he ad studied Daito-ryu too. I thought that
Morihei Sensei was a great teacher,
AIKI NEWS: The figure of Sokaku Takeda is a very
fascinating one and surrounded in controversy.
Would you summarize his importance for Japanese
martial arts of the 20th century?
KONDO SENSEI: I consider Sokaku Takeda
Sensei to have been an unparalleled master. T be~
lieve that without Sokaku Sensei, Aikido would not
exist now. In other words, Sokaku Takeda Sensei of
Daito-ryu should occupy a position of importance in
Aikido history. According to one book I read
recently, Daito-ryu didn’t have much of an influence
on Aikido and Morihei Ueshiba Sensei only studied
the art for a short period. This is incorrect since
Morihei Sensei actually studied the art for a long
time, from 1915 to 1937. Moreover, he received in-
structor certification in the art, that is, the kyoju
dairi license and also the goshin’yo no te scroll,
— KATSUYUKI KONDO INTERVIEW
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those days. If you consider these facts, you cannot
say that 20 years of practice is a short period of time.
20 years out of one’s life is quite long. Although the
Omoto religion was also naturally related to the re-
markable progress of Morihei Sensei in Aikido, I
am sure that it is no exaggeration to say that without
Sokaku Takeda Sensci, Aikido as we know it today
‘would not have come into being.
AIKI NEWS: Sokaku Takeda Sensei was really a
unique martial artist in the sense that he traveled
around Japan for many years instructing only per-
sons of high standing such as judges, police and mili-
tary officers, ete. What is more, he recorded all of
this. I think this is unprecedented.
KONDO SENSEI: I believe you are referring to the
cimeiroku (enrollment register) and sharciroku
(payment received ledger) he kept. As you pointed
out, Sokaku Takeda Sensei taught, even from the
early 1900s, people like police and military officers,
judges and influential persons in the town he hap-
pened to be in, Before that the art belonged exclu-
sively to the Aizu clan and was never allowed to be
shown to outsiders. However, Sokaku Sensei started
to teach it to people in general for the first time.
Unlike today, at that time it was considered to be a
sign of great status to teach at a military institution
or a police department. This is because they consid-
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AIKI NEWS: Despite the fact that Sokaku Sensei
taught Daito-ryu at police departments in the old
ays, we do not hear much about the art of Daito-
ryu in police departments today. Is this because he
didn’t develop instructors?
KONDO SENSEI: I believe that the reason for this
is that Sokaku Sensei taught only periodically and
also because he did not give individual training. He
was in the process of training himself while t
in various places. He was a real martial artis
sense, Although I have heard recently that there is
somewhere, perhaps Sendai, in the Tohoku region
where Daito-ryu is taught, I believe that realistically
such places are few and far between. Since the art
‘was taught in those places starting in the Meiji Peri-
04, I think Daito-ryu should have been transmitted
up to the present. However, itis true that instruction
was halted prematurely. We have to take into con-
Katsuyuki Kondo Profile |
B. in Tokyo, in 1945. First learned Daito-ryu Aiki
Jujutsy trom Tsunejizo Hosono and Kotare Yoshida.
Later studied under Tokimune Takeda, son of Sokakti
‘Takeda. Currently operater Shimbukan dojo ia Tokyo.
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sideration the fact that the structure of the police
changed greatly following the war. Sokaku Sensei
also taught judges, prison officers, justices and pub-
lic prosecutors, but no dojo has survived today. I
think things changed considerably after the war.
AIKI NEWS: What is your opinion of the rela-
tionship between Sokaku Takeda Sensei and
Morihei Ueshiba Sensei?
KONDO SENSEI: This is just my personal opinion,
but Morihei Sensei studied Daito-ryu for over 20
years and served Sokaku Takeda Sensei as hi
master and Sokaku Sensei looked after Morih
Sensei as his student in various ways. There are
many stories about such aspects of their rela-
tionship. In any case, those stories are based on the
courtesy of a student towards his master and the af-
fection of a master towards his student. This kind of
relationship continued for a period of time and at a
certain point Morihei Sensei began to seek his own
path and eventually created modern Aikido. There-
fore, I think that Morihei Sensei was a great person.
Tbelieve that anybody who can be called great al-
‘ways exceeds his master. I do not know that Morihei
Ueshiba Sensei exceeded his master, Sokaku
Takeda Sensei, in terms of real ability, but I think
that realistically speaking, Morihei Sensei far ex-
ceeded Sokaku Sensei in terms of number of stu-
dents and also the extent of his reputation.
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‘This is the second of a two-part
interview with Kiyoshi Nakakura
Sensei, 9th dan hanshi in both
Kendo and Iaido and one of
Japan’s top swordsmen. It was
conducted on December 23,
1987 by Editor Stanley Pranin at
the residence of Nakakura Sensei
in Higashi M Murayama City.
School and the Military Police
School?
NAKAKURA SENSEI: Yes, he
also the Naval Staff College
sometimes but he did not receive
a monthly salary from them, He
ved an honorarium every
1 visited these places
AIKI NEWS: We understand
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that Admiral Isamu Takeshita
studied under Ueshiba Sensei for
along time.
NAKAKURA SENSEI: While I
was at the Ueshiba Dojo, he was
an adviser to the Kobukan or
something of the sort. T met him
many times and also visited his
house. He was present at my
wedding as well. He also prac-
ticed at the dojo. I understand
that he left some 2,000 pages of
notes of Ueshiba Sensei's techni-
ques.
AIKI NEWS: Of course we now
call the art “Aikido” but in those
days a different name was used, I
believe.
NAKAKURA SENSEI: The art
was called "Daito-ryu” because of
the connection with Sokaku
‘Takeda, Then a few years later it
was changed to Aikido, It seems
that while I was there, various
names were used for the art. For
example, "Aioi-ryu” or "Aiki
Budo” and so on. I'think that the
name "Aikido" was used quite a
bit later. The dojo was built be-
fore I enrolled but its name was
changed to the Kobukan while I
was there, probably around 1932
or 1933, The land used to be part
of a mansion called the
"Tsugaru” which was owned by a
lord of Aomori Prefecture. The
Ueshibas used to rent a section
of about 100 tsubo (one tsubo
3.954 sq. yds.). 1 think it wa
around the time I was leaving the
dojo that they were asked to buy
the land and they
AIKI NEWS: How did Admiral
Takeshita support Ueshiba
Sensci?
NAKAKURA SENSEI: When I
was there Ueshiba Sensei never
received money from him or any-
thing like that. Sensei used to
receive a gift during the tradi-
tional bon summer period and
the end of the year from Admiral
‘Takeshita and that was all. There
was an association named the
“Harada Sekizenkai’ which con-
tributed funds to places like the
Ueshiba dojo and a man called
Osumi who was an admiral was
the president, Admiral Takeshita
told Mr. Osumi about the
Ueshiba dojo and the dojo used
to receive 100 yen per month
from this association. 100 yen at
that time was quite a sum, I im-
agine that Admiral Takeshita
‘was around 70 years old then.
AIKI NEWS: | belicve there
were navy officers practicing at
the dojo who had connections
with the Omoto religion such as
Admiral Seikyo Asano.
NAKAKURA SENSEI: The
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Omoto religion did have a posi-
tive influence on Mr. Ueshiba as
well as on Aikido. However,
there were some negative aspects
too. I think it is because Mr.
Ueshiba was an Omoto believer
that he created such divine tech-
nigues and also came to hold
such a faith, So these are pluses.
However, from our standpoint, a
religion responsible for an inci-
dent of lese-majeste is
questionable. Actually, though, I
don’t know now whether the ac-
tivities of the religion were really
disrespectful to the Emperor or
not
AIKI NEWS: We understand
that the second Omoto incident
of 1935 (where the pre-war Japa-
nese military suppressed the
Omoto religion destroying much
of its property) put Ueshiba
Sensei in a very difficult situa-
tion. Do you know anything
about the matter?
NAKAKURA SENSEI: In the
Omoto im ent of 1935,
Onisaburo Deguchi Sensei as
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well as his wife, the second suc-
cessor of the religion, were ar-
rested. Also, the Osaka police
department was ordered to ar-
rest Ucshiba by the Ministry of
Internal Affairs, At that time he
was instructing police officers in-
cluding a Mr. Kenji Tomita who
was then the chief of the
Sonezaki Police Department and
who later became the head of the
Criminal Law Bureau. Mr.
Tomita knew that Mr. Ueshiba
was not the sort of person who
would involve himself in a lese-
majeste affair. Mr. Tomi
sisted that if they were going to
arrest Mr. Ueshiba, they would
have to arrest him first. It was
because of his efforts that Mr.
Ueshiba was not detained.
AIKI NEWS: Was Ueshiba
Sensei in Osaka at that time?
NAKAKURA SENSEI: That's
right. His wife, Hatsu, was also
there. I was in Tokyo. Kis-
shomaru was here also. In the
Ueshiba dojo there were shrines
dedicated to Omoto deities and
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many framed calligraphic works
by Reverend Onisaburo Deguchi
hung on the wall. They were
things which Mr. Ueshiba valued
highly. However, I tore all of
them down and burned them.
The live-in students were sur-
prised and asked me if it was all
right for me to do so. However, it
had nothing to do with being
right or wrong. To hang up or
display such things was a lese-
majeste affair, you see. If Mr.
Ueshiba’s wife was present then,
I don't think I could have done
such a thing. I could only do it
because nobody was there.
AIKI NEWS: How many cal-
ligraphic works by Onisaburo
Deguchi were burned then?
NAKAKURA SENSEI: There
were about four. There weren't
many works by Onisaburo
Deguchi in Tokyo. That was be-
cause Admiral Takeshita disliked
the Omoto religion.
AIKI NEWS: We understand
that Ueshiba Sensei went to in-
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Kodansha Publishing Company.
There were many photos taken
at this Noma dojo which have
survived.
NAKAKURA SENSEI: Actual-
ly, Ueshiba Sensei never went to
instruct at the Noma dojo. The
son of Seiji Noma (founder of
the Kodansha Company), Mr.
shi Noma, used to train at
the dojo in Wakamatsu-cho. I
think Ueshiba Sensei
demonstrated Aikido there rath-
er than taught it. It seems that
Seiji Noma practiced Kendo in
is youth but he was no longer
doing it when we came to know
him. He apparently was putting
his energy into his son, Hisashi.
He didnt even have his son go to
middle school but insisted he
would educate his own child by
himself. He thought that it would
be a problem if his son was edu-
cated poorly and so he had tutors
come to his house to have him
study with them. Therefore,
Hisashi Noma only graduated
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from elementary school.
AIKI NEWS: We understand
that Mr. Hisashi Noma partici-
pated in the Tenranjiai (ourna-
ment in the imperial presence).
NAKAKURA SENSEL: He won
the event in 1934. He was a stu-
dent of the Yushinkan dojo. He
‘went to train there when he was
a child and was one year older
than me. He died of cancer of
the rectum at the young age of
30. He was a great man. If he
were still alive he would be the
president of the Kendo Federa-
tion now.
AIKI NEWS: Do you know any-
thing about Sokaku Takeda
Sensei?
NAKAKURA SENSEI: Sokaku
Takeda Sensei would never fail
to contact Ueshiba Sensei if he
didn't send him money for living
expenses. That was the reason
Mr. Ueshiba used to send him
money. One time when Ueshiba
Sensei happened not make a
payment, Sokaku Sensei came to
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visit him at the Kobukan. I was
there then. I heard something
that sounded like an argument
going on at the gate and went out
of the dojo to find Takeda Sensei
pushing a taxi driver into a gut-
{ert It seems that the driver said
something about money to
Sokaku Sensei and so Sokaku got
‘mad at him and pushed him into
the gutter. (Laughter) So T
apologized and paid the driver
his money explaining that
Sokaku Sensei was just an old
martial artist. Then, Sokaku
Sensei asked me where Ueshiba
Sensei had gone and I replied
that Sensei had gone down to
Osaka. Next he asked where in
Osaka he had gone and I ans-
wered that he went to instruct at
the Asahi Newspaper dojo.
Sokaku Sensei immediately went
down to Osaka. This was around
1933. Mr. Ueshiba returned to
Tokyo because Sokaku Takeda
Sensei went there. After Mr.
Ueshiba returned to Tokyo no
one was left in Osaka to teach.
So Sokaku Sensei decided to stay
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