Beating The Anti
Beating The Anti
Playing Black in Indian systems without c2-c4: a repertoire for the ...g6 and
the ...e6 player
A. Colle System
o Black plays ...g6 against the Colle
Polugaevsky-Gufeld, 1979
Hills-Webb 1995
o Black plays ...e6 against the London System
Risky 4...Qb6
Passive 5. Qc1
Aggressive 5. Nbd2
Positional 4... cxd4
Bronstein-Ward, Maidstone 1994 /0-1
D. Trompovsky
o Black plays ...g6 against the Trompovsky
E. Systems with g3
o Black plays ...g6 against g3
Arkell-Nunn/London 1992
o Black plays ...e6 against the g3 system
A. Colle System
1. d4 Nf6 2. Nf3 and 3. e3
White will play slowly for the e2-e4 break, opening up the game.
The Colle proper is a system which follows 1. d4 d5, which is not the Indian move-order, but
you may end up in the line below:
4. c3
8. b4=
Since
[8. e4 dxe4 9. Nxe4 cxd4 10. Nxd4 Ne5 11. Nxf6+ Bxf6 12. Be2 Bd7 is =+]
Now e2-e4 just loses a tempo on the Pirc, if that's in your repertoire (which it should be! White
has more than one way to try and transpose...). Otherwise White can try to get into a main line as
below:
Belavanets - Bronstein 13th USSR semi-final, 1941
The Qa5 is not typical, but we can see several themes here:
More over-protection
19. cxd6 Bh3 20. Bh1 Qf5 21. Ne2 Nd5 22. b5 Bg4
23. Kf1
Of course 3...e6 gives Black a problem developing the Bc8. It can hold back and wait for ...e6-
e5, but it is more natural to develop it either on the long diagonal or immediately (after ...d5 and
before ...e6).
"The Queen's Indian formation against the Colle-Zukertort has a reputation for reliability; Black
indeed had a good plus score in the games examined." TRENDS
4. Bd3 e6 5. O-O c5
6. Nbd2
[6... cxd4 7. exd4 Be7 8. Re1 O-O 9. a4 a6 10. Nf1 d6= Kovacevic-Hulak, 1985 (BCO)]
[6... Nc6!? 7. b3
[7. a3 Be7 8. Re1 O-O 9. b3 d6 10. Bb2 Re8 11. c4 Nb8 Yusupov-Sax, 1988 (1/2-1/2, 63)]
7... cxd4 8. exd4 Nb4 9. Be2 Rc8 10. c4 d5 Yusupov-Chernin, 1987 (1/2-1/2, 18)]
Example Game:
1. d4 Nf6 2. Nf3 b6 3. e3
3... Bb7 4. Nbd2 e6 5. Bd3 c5 6. O-O Nc6 7. c3 Be7 8. e4 cxd4 9. Nxd4 O-O 10. Qe2
10... Ne5 11. Bc2 Qc8 12. f4 Ba6 13. Qd1 Nc6 14. Rf3
14... g6 15. N2b3 Nxd4 16. Nxd4 Bb7 17. Qe2 Bc5 18. Rh3 Qc6 19. e5 Nd5 20. Qf2
20... Bxd4 21. cxd4 Rac8 22. Bd1 f6 23. Qh4 Rf7
24. Bf3 Qc4 25. Be3 Nxe3 26. Bxb7 Nf5 27. Qe1 Rc7 28. Be4 Qxd4+ 29. Kh1 fxe5 30. Bxf5
exf5 31. fxe5 Re7 32. Re3 Qxb2 33. e6 dxe6 34. Rxe6 Kf7
White is two pawns down with still the worse position, so:
0-1
B. London System
1. d4 Nf6 2. Nf3 and 3. Bf4
White holds the centre and develops quickly, attacking on either side as the opportunity arises.
3... Bg7 4. e3 d6
[4... d5 is recommended by Varnusz, but may not sit easily in the repertoire of a KID player. Also
anecdotal evidence suggests that ...d5 may suit a London player's style]
5. h3
To preserve the Bf4, but it has at the moment little scope and its position even invites ...e5. We
will look at an example game:
Polugaevsky-Gufeld, 1979
5... O-O 6. Be2 c5 7. Nbd2 cxd4 8. exd4 Nc6 9. O-O Bf5 10. c3 Rc8=
11. Bh2 a6 12. a4 Re8 13. Nc4 d5 14. Nce5 Qb6 15. Ra2 Ne4 16. Nxc6?!
[16. g4!?]
An unusual exchange!
20. Bxe5
20... f6 21. Bh2 c5 22. f3 Ng5 23. h4 Nf7 24. Re1 Bb5 25. b3 cxd4 26. cxd4 Rc3 27. Kg2 e5 28.
Bxb5 Qxb5 29. Rae2 Rd3
30. Rd2 Rxd2+ 31. Qxd2 Qxb3 32. Re3 Qb5 33. g5 Nd6 34. Re1 Nc4 35. Qf2 exd4 36. Rxe8+
Qxe8 37. gxf6 Ne3+ 38. Kg1 Qb5 39. Be5 Qb1+ 40. Kh2 Qf5 41. Bg3 Qc2 42. Qxc2 Nxc2 43.
Be5 Kf7 44. Kg2 d3 45. Kf2 d2 46. Ke2 Ne3
0-1
White's poor Bishop could do nothing about the Black attack, and finally dies on what should
be its best square!
Hills-Webb 1995
5... Nbd7
6. Be2
6... O-O 7. c4
[7. c3 and Nbd2 is a slower way to play the system; Black can play the Bc8 to b7 as in the
game.]
or
7... c5
8. Nc3 cxd4 9. exd4 b6 10. O-O Bb7 11. Qc2 Rc8 12. b3
12... a6
/\ ...b5
13. a4 Re8 14. Rfd1 Nb8
/\ ...Nb8-c6-b4
15. d5 Nxd5
10. Be3 Qa5 11. Bd2 Qd8 12. Nd4 Be4 13. e3 Nc6 14. Nde2 Bd3 15. Nf4 Bxf1 16. Kxf1 O-O
17. g3 e6 18. Kg2 d5 19. cxd5 exd5 20. Qf3 d4 21. Ncd5 Nxd5 22. Qxd5 Qe7 23. Rhe1 Rad8
24. Qc5 Qd7 25. e4 Ne5 26. Red1 b6 27. Qc7
29... Qxa4 30. bxa4 gxf4 31. gxf4 Nd3 32. Rc6 Nb2 33. Rdc1 Nxa4 34. f5 Rfe8 35. f3 Ra8 36.
Kh1 Nc5 37. Rg1 Kh8 38. Rc7 Rf8 39. Bf4 Rac8 40. Re7 Rce8 41. Rc7 Nd3 42. Bd6 Rg8 43.
Rxf7 Be5 44. Rxg8+ Rxg8 45. Rd7 Nf2# 0-1
[3... d5 4. e3 Bd6 5. Bg3 c5 6. c3 Ne4 7. Bxd6 Qxd6 8. Nbd2 Nxd2 9. Qxd2 Nc6 = Osmanovitch-
Lputian, 1983]
4. e3 Bb7 5. Bd3
5... Be7 6. h3 O-O 7. Nbd2 c5 8. c3 d5 9. O-O Qc8 10. Re1 Ba6 11. Bc2 Rd8 12. Ne5 Nc6 13.
Bg5 h6 14. Bh4 Qc7 15. f4 Rac8 16. Qf3 Ne4
3... Bg7
White can try and fiddle c2-c4 or Nb1-c3 with 4. e3, but this forgoes e2-e4.
4. Nbd2 c5
5. Bxf6 or
5. c3:
9... Nc6 10. Qd2 d6 11. Nc3 Be6 12. e4 Qb6 13. Rd1?!
16. Nd5 Bxd5 17. Qxd5+ Kg7 18. O-O Rac8 19. b4 Qxb4 20. Rb1 Qa3 21. Rxb7
21... Kf6!!
...but they are all one-move deep, and this stops the lot!
22. h4 h6
31. Rd1 Ke7 32. Qc2 Rb8 33. Qa4 g4 34. Qa3 Qc5 35. Qc3 g3 36. Rf1 gxf2+ 37. Rxf2 Rb1+
38. Bf1 Qe3 39. Qxe3 fxe3 40. Rc2 Nxc4 0-1
5... cxd4
This capture is best and common in these systems after Nbd2, since White cannot play Nb1-c3
6. cxd4 Nc6 7. e3 O-O 8. a3 h6 9. Bh4 d6 10. Bc4 Bf5 11. h3 Rc8 12. O-O e5 13. e4 Bd7 14.
dxe5 dxe5 15. Ba2 g5
with the e-pawn fixed, the light-squared Bishop lacks access to f5 and related squares, so this is
quite safe here.
Black's position is harmonious with central control; White's pieces lack scope by contrast. White
would like to sink a Knight into f5 but it's going to have to be the one on f3, which is going to
give Black the d4 point.
18. Nh2 Be6 19. Bxe6 Qxe6 20. Nhf1 Rd3! 21. Re3
21... Rd7 22. Qb3 Qe7 23. Nf3 Rfd8 24. Rae1 Nh5 25. Rc3 Qf6 26. Ne3 Nd4
A nice example of over-protection, the Knight cannot be left, and the exchange will give Black's
pieces extra scope.
30. fxg3 Rc7 31. Nf2 Rdc8 32. Re2 Rc1+ 33. Kh2 h5 34. Qxb7 Be5 35. Qd5 R1c5 36. Qd7 h4
37. Nh1 Rc1 38. Rf3 g4
Mate is threatened
0-1
An interesting tempo-loss
Black is fine here: his dark-squared Bishop is better than White's, has control of e4 and can enjoy
the discomfort of White's King, which is at least three moves from castling.
10. Be3 Qa5 11. Bd2 Qd8 12. Nd4 Be4 13. e3 Nc6 14. Nde2 Bd3 15. Nf4 Bxf1 16. Kxf1 O-O
17. g3 e6 18. Kg2 d5 19. cxd5 exd5 20. Qf3 d4 21. Ncd5 Nxd5 22. Qxd5 Qe7 23. Rhe1 Rad8
24. Qc5 Qd7 25. e4 Ne5 26. Red1 b6 27. Qc7
27...Qc7 Qb5 28. Qxa7 g5 29. Qa4
29... Qxa4 30. bxa4 gxf4 31. gxf4 Nd3 32. Rc6 Nb2 33. Rdc1 Nxa4 34. f5 Rfe8 35. f3 Ra8 36.
Kh1 Nc5 37. Rg1 Kh8 38. Rc7 Rf8 39. Bf4 Rac8 40. Re7 Rce8 41. Rc7 Nd3 42. Bd6 Rg8 43.
Rxf7 Be5 44. Rxg8+ Rxg8 45. Rd7 Nf2# 0-1
3. ... c5
...b6 systems tend to be upset by d4-d5
4. e3
[4. e4 Wagner Gambit, a sharp line 4... cxd4 5. e5 h6 6. Bh4 g5 7. Bg3 Nh5 8. Qxd4 Nc6 9. Qe4
Bg7 Marshall-Nimzovitch, Berlin 1928. /\ ...Nxg3 and x e5]
[7. Bxf6 gxf6 8. e3 d5 9. Nc3 Bd7 10. Be2 Be7 11. O-O O-O 12. Na4 Qc7 13. Nc5 Rfc8 14. Nxd7
Qxd7 15. Qa4 Ne5 16. Qxd7 Nxd7 17. Rfc1 Nb6=/+ "Black's Knight is more powerful" -
BELLIN Larsen-Portisch, Tilburg 1980]
7... Bb4
[7... Nxd4]
"By now you should realise that this game lacks quality" - Daniel 11. a3 h6 12. Bxf6 gxf6 13. b4
Rc8 14. Rfc1 f5 15. Qe2 O-O
16. Na4?
After the main line with 4. e3, Black has two alternatives:
Risky 4...Qb6
4... Be7 5. Nbd2 Nc6 6. c3 cxd4 7. exd4 O-O 8. Bd3 b6 9. O-O Bb7 10. Re1 h6 11. Bxf6 Bxf6 12.
Ne4 Be7 13. Bb1 d5 14. Ng3 Bc8= R Ye-J Ye, Jakarta 1994
Risky 4...Qb6
4... Qb6
"This is undoubtedly the most critical variation of the Torre Attack" - BELLIN.
5. Nbd2,
5. Qc1.
Passive 5. Qc1
5. Qc1 Ne4
[5... Nc6 6. c3
[6. Bxf6 gxf6 7. c3 d5 8. Nbd2 Bd7 9. Be2 Rc8 10. O-O cxd4 11. exd4 Bh6= Holmov-Anikayev,
Tbilisi 1976]
6. Bf4 d5 7. c3 Nd7
[7... Nc6]
(This type of move often leaves White free to ignore the centre and attack elsewhere)
11. g4 Nxd2 12. Qxd2 Ne4 13. Qc2 Bxe5 14. Bxe5
14... f../strong>
Aggressive 5. Nbd2
5. Nbd2
5... d5
[5... Qxb2 This looks unwise. 6. Bd3 cxd4 7. exd4 Qc3 8. O-O d5 9. Re1 Be7 10. Re3 Qc7 11.
Ne5=/and with a nice position for the sacrificed pawn.]
6. Bxf6 gxf6 7. c4 cxd4 8. exd4 dxc4 9. Bxc4 Nc6 10. O-O Bd7 11. d5
Although Black has played a safer line I would say that this position is good for White. The
problem for Black after 5. Nbd2 the Knight on f6 can no longer go to e4, and therefore Black is
likely to end up with doubled pawns.
4... cxd4
5. exd4 Be7 6. c3 b6 7. a4 O-O 8. Na3!? Nc6 9. Bd3 Bb7 10. O-O Nd5 11. Bd2 Rc8 12. Re1
Qc7=
This position is equal, although the first thing that struck me was that White's position looks a
little easier to play. Perhaps Black can leer at the Knight on a3 and work in a raid based on ...Bd6
and ...Nf4. I don't know how the game went, but Black won.
Summary
If you think that your opponent will defend the pawn with 5. Qc1 then 4...Qb6 is clearly
worth a try. However, after 5. Nbd2, White is likely to achieve a better position because no
time has been wasted. This is not to say that you can't take the b-pawn, if you are looking
for a sharp game. For those who prefer a more positional type of game, then 4...cxd4 is
ideal.
D. Trompovsky
1. d4 Nf6 2. Bg5
An even earlier Bishop move, and now only 2...e6 and 2...Ne4 can stop White from kicking a
hole in the Black pawn formation. In the 'seventies Hort and Jansa often adopted it with a
positional approach, but a more brawling style has been characteristic of Hodgson's revival of the
line in the 'nineties.
2... c5
is the sort of move that might appeal to a KID player, particularly if you have a quick look at
3. Bxf6! e.g.
[5... d6]
6. c3
[6. e3]
[6. g3]
I recommend
2... Ne4
3. Bf4
Alternatives:
[3. Bh4 g5 4. f3 gxh4 5. fxe4 is the old theory on this line: White will struggle to hold the dark
squares]
3... c5
[3... d5 4. f3 Nf6 5. e4 dxe4 6. Nc3 is a Blackmar-Diemer Gambit a tempo ahead for White!]
[4. d5 e5!]
[4. Nf3!]
/\ ...Bg7]
After 3...c5:
4. f3 Qa5+ 5. c3 Nf6
when
6. d5
transposes above.
3. e4
Now
3... h6
[3... c5
is almost entirely untested. One known example went
4. e5
[9... Bxd6!?]
10. Qxd6 Bxd6 11. Nc3 Nc6 12. Bd2 Nd7 13. O-O-O Ke7 14. Nb5
After 3...h6:
4. Bxf6 Qxf6
5. Nc3
[7... c5 8. e5 Qd8 9. Be4 Qc7 10. O-O Be7 11. Re1 O-O 12. dxc5 bxc5 13. Bxb7 Qxb7 14. Nc4
Lots of pawn moves, but he must have thought White couldn't rush the centre.
[6. Qd2 c5 7. a3 Bxc3 8. bxc3 d6 9. f4 O-O 10. Nf3 Nc6 11. Bb5 Na5 12. Bd3 b6 13. O-O Bb7
Hodgson-Yudasin, ??]
6... d6 7. Qd2 Nd7 8. a3 Ba5 9. Bd3 O-O 10. O-O c6 11. b4 Bc7 12. Ne2 e5 =
I believe 3...c5!? is well worth a try, in order to try and transpose into the Torre. Of course,
White can go for a Torre immediately with 3. Nf3, and it will be interesting to see how
many White players opt for this. 3...h6 is also OK, although Karpov sank rather against
Korchnoi in the game given in the Custer's Last Stand handout.
E. Systems with g3
1. d4 Nf6 2. g3
Transpositional except against the King's Indian where the double fianchetto system is known
(with b2-b3).
Against the ...e6 systems it usually transposes into the Catalan, where Black may have problems
whether the centre is closed (Botvinnik) or open (Keene).
9. Qd2
]
[9. c4 Re8 10. h3 Nh6 11. Nc3 dxe5 12. e4 c6 13. Qc2 f6 Holmov-Gufeld, about equal]
9... Ngxe5?!
[9... Re8! 10. h3 Nh6 11. Na3 dxe5 12. Nc4 f6 which is probably OK for Black]
[12. Ba3+/= ]
8... dxe5
11... Qe7
[11... a5 Marovic]
1-0, 39
Of course, White might sidle over into the main line with g3:
Arkell-Nunn/London 1992
5... d6
6. c4
[6. c3]
12. Ba3 Qe7 13. Rad1 Nc5 14. b4 Nce4 15. Nxe4 Nxe4 16. b5 c5
17. Ne2
17... Bf5 18. Qb3 h4 19. Nf4 Qe5 to prevent Bb2 20. Rd5 Qf6 21. g4 Bxg4 22. f3 h3
23. Bh1
[23. Nxh3]
[23. Bxh3]
23... Nc3 24. fxg4 Qh4 25. Rd3 Qxg4+ 26. Kf2 Bd4 27. Rxc3 Qxf4+ 28. Ke2 Qxh2+ 29. Kd1
Bxc3 30. Qxc3 Re5 31. Bb2 Rae8 32. Bd5 R8e7 33. Qd2 Qxd2+ 34. Kxd2 Rf5
35. Rxf5 gxf5 36. Ke2 h2 37. Kf2 Re6 38. Bc1
2. g3 e6
3. Nf3
3... c5
[We looked at 4. dxc4 in the Custer booklet: the only other independent line is]
which is the English Opening: g3 systems have become fashionable against the Nimzo and so
they are another one to slot into your repertoire
6. Bg2 and now 6... d5 is the Tarrasch Defence to the Queen's Gambit
6. Nc3 Qb6!?
7. Nb3
7... Ne5
8. e4 Bb4 9. Qe2
with a complex position that is given in few Nimzo books! DR has played either side with
pleasure, and some lines he recalls go:
9... a5 10. f4
[10. Be3]
Even if White has c2-c4 lines in their repertoire, it may reduce Black's options to delay this, e.g.
in the Catalan.
This is a transpositional device and your main openings books should help you here.
G. Stonewall Opening
1. d4 2. e3 3. Bd3 4. f4
1. d4 d5 2. e3 Nf6 3. Bd3
[3. f4 is sometimes played to avoid the 3...Nc6 line, but then Black can always play ...Bf5]
1... g6 2. e3 Bg7 3. Bd3 d6 4. c3 Nd7 5. f4 e5 6. Nf3 Ngf6 7. fxe5 dxe5 8. dxe5 Ng4 9. e6 fxe6
10. Nd4 Nde5 11. O-O
[11. Be2 O-O 12. Bxg4 Qh4+ 13. g3 Qxg4 14. Qxg4 Nxg4=/+ ...1/2-1/2 Jordan,D-
Regis,D/Devon vs.Glos 1995]
11... Rf8 12. Rxf8+ Kxf8 13. Qf1+ Kg8 14. Bc2 c5 =+
Black plays ...e6 against the Stonewall
2. e3 d5
[2... e6 immediately has no special virtues, unless you really want to play a ...b6 system]
3. Bd3 c5
4. f4
[4. c3 e5!]
4. c3 Nc6
[4... e6 5. f4]
5. f4
5... e6
5... Bg4 6. Nf3 e6 7. Nbd2 Bd6 8. h3 Bh5 9. b3 cxd4 10. cxd4 Rc8
when Black is comfortable
This is another system emphasising piece play - again with the threat of doubling the f-pawns, or
reserving King's-side chances.
3...Bf5 and
3...c5
e.g.
[3... Bf5 4. f3
[4. e3]
[4. Bxf6]
4... Nbd7 5. Nxd5 Nxd5 6. e4 h6 7. Bh4 N7b6 8. exf5 Ne3 9. Qd2 Nxf1 10. Kxf1=/+ ]
[2... c5 is another idea again, which might appeal to the KID/Benoni player]
Black offers a Pirc. If White declines we probably get a Torre where the move Nc3 forgoes some
of White's best ideas, like Nbd2 and moves of the c-pawn.
Black plays ...e6 against the Veresov
1. d4 Nf6 2. Nc3 e6
3. Bg5 d5
3...c5
You will find White players who head for the French here, as pure Veresov ideas like 4. e3 and
4. Nf3 look insipid. These are all playable, particularly at club level (what isn't!).
Credits:
Dan composed the repertoire for the ...e6 player.
Dave typed it up, and is responsible for all mistakes that are not the responsibility of the other
authors