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Audition Cheat Sheet PDF

Rob Knopper provides a 5-step guide for audition preparation for any instrument. The steps include getting organized with materials and a practice schedule, learning the notes through repetition and using a metronome, self-recording to focus on listening skills, conducting mock auditions to get feedback, and treating the actual audition like any other practice day while avoiding last minute changes.

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0% found this document useful (0 votes)
297 views

Audition Cheat Sheet PDF

Rob Knopper provides a 5-step guide for audition preparation for any instrument. The steps include getting organized with materials and a practice schedule, learning the notes through repetition and using a metronome, self-recording to focus on listening skills, conducting mock auditions to get feedback, and treating the actual audition like any other practice day while avoiding last minute changes.

Uploaded by

swegsweg
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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ROB KNOPPER

percussion: met orchestra.

the official rob knopper guide to audition prep:

the audition cheat sheet.


a 5-step guide to constructing your preparation process and optimizing it for maximum results.
for any instrument.

1. get organized.
a. make an audition packet (including 2 copies for mock auditions)
b. study the recordings and scores so you know the pieces inside and out
c. make a calendar with a plan for every practice session between now and the audition
d. make notecards for each excerpt so you can track the progress of each excerpt
2. learn the notes
a. practice at-tempo, one note at a time so you dont miss any details
b. use repetition to ingrain the excerpt into your muscle-memory
c. use a metronome to force each note into the right place
d. find the comfort zone of any passage by noticing the key tipping point when your
muscles start remembering and you can turn your brain off.
e. test your work by taking away the metronome and playing with the recording.
3. self-recording
a. eliminate multitasking - separate the activities of playing and listening so you can fully
focus on listening to how you sound
b. establish a workflow that you can repeat and drive your excerpts to their maximum
level of polish
4. mock auditions
1. crowdsource your excerpts by getting feedback from a large number of people
2. optimize your mock auditions by engaging your listener and taking comments
3. record your mock auditions and analyze how they compare to the polished versions
from the self-recording phase
4. recreate a variety of audition situations to get comfortable with the unpredictable
audition experience
5. audition day
a. make this just another day by approaching it the same way you approached every day
of your preparation
b. avoid last minute adjustments. theyre emotional in nature and not based on your
thoughtful workflow
c. record your audition (if possible) for later analysis
d. remember that you cant control everything, but if you worked correctly then youll be
more LIKELY to achieve a high level
e. learn from your experience, and use it to improve your audition process so next time
can be better
f. (alternative to previous tip: win the audition and never do another one again)

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