Metropolitan Museum of Art, 762 F. Supp. 44 (S.D.N.Y. 1990)
1. This document discusses several cases related to cultural property and artifacts. It examines issues of ownership and whether foreign laws declaring state ownership will be recognized in other countries.
2. Specifically, it analyzes cases where cultural objects were removed from other countries, either legally but in violation of export laws, or illegally through theft. Courts had differing views on whether to treat the foreign nation as the owner and require the items' return.
3. International conventions like the 1970 UNESCO Convention tried to provide clarity on when removal of cultural property from another nation should be considered theft and require remedies under foreign laws. But issues around recognizing foreign ownership declarations remained complex.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0 ratings0% found this document useful (0 votes)
68 views4 pages
Metropolitan Museum of Art, 762 F. Supp. 44 (S.D.N.Y. 1990)
1. This document discusses several cases related to cultural property and artifacts. It examines issues of ownership and whether foreign laws declaring state ownership will be recognized in other countries.
2. Specifically, it analyzes cases where cultural objects were removed from other countries, either legally but in violation of export laws, or illegally through theft. Courts had differing views on whether to treat the foreign nation as the owner and require the items' return.
3. International conventions like the 1970 UNESCO Convention tried to provide clarity on when removal of cultural property from another nation should be considered theft and require remedies under foreign laws. But issues around recognizing foreign ownership declarations remained complex.
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
You are on page 1/ 4
1.
Protection of cultural heritage is incumbent on States; avoid international conflict;
encourage cooperation. Recommendation on International Principles Applicable to Archaelogical Excavations, Unesco 5 Dec. 1956. 2. Preserve cultural property endangered by public or private works. Rec. on preservation of cultural property endangered by public or private works, unesco 3. 2 unesco conventions that used cultural heritage. 1972 and R on protection at national level of the cultural and natural heritage, unesco 16 nov. 1972 4. Publication: unesco cultural rights and wrongs 5. Lydian artifacts from the 7th Century B.C. were returned to Turkey in 1993 after the Met admitted it had known the objects were stolen when they had purchased them. Turkey v. Metropolitan Museum of Art, 762 F. Supp. 44 (S.D.N.Y. 1990) 6. Thus, in the Union of India v. The Norton Simon Foundation United States District Court, Southern District of New York, 74 Cir. 5331; United States District Court, Central District of California, Case No. CV74-3581-RJK. , the return of stolen "Siva Nataraja" to India was postponed to enable the good faith acquirer, a United States collector, to display it for ten years. 7. US v. McClain; US v. Hollinshead; moved pots and head from Mexico; thefts under foreign laws. 8. Jeanneret v. Vichy, 693 F.2d 259 (2d Cir. 1982); Matisse painting bought cannot just become part of Italian cultural heritage. 9. US v. McClain, 593 F.2d 988 (5th Cir. 1979): Mexico passed a state ownership law in 1972. Also, Guatemala (United States v. Hollinshead, 495 F.2d 1154, 1155-56 (9th Cir. 1974), Ecuador, and Costa Rica. 10. US v. Mclain: The court in McClain held that cultural property designated as owned by a particular nation was incapable of private ownership or conveyance, and, therefore, those trafficking in such items dealt in stolen goods, prohibited by the N.S.P.A. 11. For example, the case of Autocephalous Church v. Goldberg & Feldman Fine Arts, Inc. involved mosaics removed from a Greek Orthodox church in the Turkish-controlled part of Cyprus." The Turkish government had allowed removal and exportation of the mosaics, which were ultimately imported into the United States by Goldberg & Feldman Fine Arts, Inc. in 1988.88 The Greek Orthodox church, a legal citizen of the Greek part of Cyprus, learned of the presence of the mosaics in the United States. 12. The contrast to the repatriation provisions and state-centered orientation of UNESCO 1970 is interesting. Nations and courts have demonstrated a willingness to return cultural property to groups with whom it has a clear cultural affiliation, but not to governments acting on behalf of such groups, as was the case in Ortiz94 and with the "Elgin" Marbles. Attorney-General of New Zealand v. Ortiz, 2 W.L.R. 809 (H.L. 1983), afd 2 QB. 349 (Eng. C.A. 1982). 13. In United States v. Hollinshead, 495 F.2d 1154 (9th Cir. 1974), Hollinshead was prosecuted for removing a stele from Machiquila, a Mayan site in Guatemala, contrary to Guatemalan law, and bringing it to the U.S., where he tried to sell it. His conviction under the Federal Stolen Property Act, 18 U.S.C. 2314 (1952), was made possible only because the archaeologist Ian Graham, who has spent much of his career documenting Mayan sites in Mexico and Central America, had drawn and photographed the Machiquila ruins before the stele's removal, clearly showing it in place on a critical date (after enactment of a crucial Guatemalan law). 14. Jeanneret v. Vichey, 693 F.2d 259 (2d Cir. 1982), in which the purchaser of a Matisse painting sought rescission and damages for breach of warranty of title because the painting, purchased from its owners in New York, was bought from its Italian owner and removed from Italy without an export permit. A trial judgment for the plaintiff purchaser was reversed and remanded on appeal. Jeanneret v. Vichey, 541 F. Supp. 80 (S.D.N.Y. 1982). 15. Case 1 is simple because the painting was stolen from its owner. All moral and legal systems recognize and enforce ownership and condemn and punish thieves. Rights of ownership established under the law of one nation will be recognized and enforced by the courts of another nation (subject, of course, to the possible rights of good faith purchasers and the operation of statutes of limitation or rules of prescription). The case of Kunstsammlungen zu Weimar v. Elicofon is an excellent example. Defendant Elicofon, a Brooklyn lawyer, bought two paintings in good faith, unaware that they were Albrecht Durer paintings and had been stolen from storage in Germany at the end of World War II. The owner of the paintings, an agency of the East German government, sued for their recovery in a federal court in New York and won. The East Germans won the case because they owned the Durers. It was irrelevant that Durer was a German painter or that the plaintiff art museum was an agency of the German Democratic Republic. The result would have been the same if the paintings were by a Dutch master, or if the plaintiff- owner were a private collector, or if the objects in question had been platinum ingots or computers, rather than cultural property; the law similarly protects ownership of all kinds of objects. Elicofon illustrates the imposing power of ownership: ownership impelled an American court to order two important paintings bought in good faith and held for many years in an American collection returned, without compensation, to an agency of a socialist nation. 16. In continental Europe, however, the applicable rules are generally more favorable to purchasers. See, e.g., Winkworth v. Christie, Manson & Woods Ltd., [1980] 1 All E.R. 1121 (applying Italian law in favor of good faith purchaser of painting against owner from whom it was stolen). 17. Case 2 is different. The Poussin painting was not stolen from the owner. On the contrary, the owner voluntarily sold the painting and was paid for it. The legal offense charged was not theft, but violation of a French law prohibiting export by anyone, including the owner. Courts do not routinely enforce foreign claims based on such laws; in the absence of a treaty or other special legal provision, the source nation seeking the return of a cultural object that is legally obtained but illegally exported is limited to diplomatic or executive channels. 18. King of Italy v. De Medici Tornaquinci, 34 T.L.R. 623 (Ch. 1918) (remedy granted for Medici documents that were state papers and thus the property of the Italian government; remedy denied for documents that were privately owned, although illegally exported from Italy); Attorney-General of New Zealand v. Ortiz, 2 W.L.R. 809 (House of Lords 1983), affg, 3 W.L.R. 570 (Court of Appeal 1982) (remedy denied in action by New Zealand to recover illegally exported Maori carving) 19. This is one of the reasons why the convictions in Hollinshead, 495 F.2d at 1154, and McClain, 593 F.2d at 658, caused comment. Both were criminal prosecutions under the United States Stolen Property Act. In Hollinshead, a stone stela was pried from a Mayan temple in Guatemala; in McClain, beads and pots were taken from Mexico. In both cases, a finding that the objects were stolen required that the court treat removal from the foreign country as theft. The defendants in both cases were convicted by courts that treated the foreign nations as owners. One of the arguments commonly made against United States enforcement of such laws is that they give the foreign nation a "blank check." Regardless of the merits or other facts, the nation that declares itself owner (of anything? under any circumstances?) is treated as owner. See also an Italian decision: Republica del Ecuador c. Danusso, Matta e altri, 18 Riv. di diritto internazionale privato e processuale 625 (1982). The court ordered articles illegally exported from Ecuador "returned" to the Government of Ecuador because they were its property under its generic cultural property ownership law. The facts indicate that this may have been a typical "rhetorical ownership law" since private individuals could acquire, retain, and transfer these objects under Ecuadoran law. 20. The decision of the Supreme Court of Costa Rica reported in Boletin Judicial No. 90 of 12 May 1983, in which the Court considered the Law on the National Archaeological Patrimony of 28 December 1981. Article 3 of that Law provided: "All archaeological objects that are discovered in any way after this law takes effect . . . are the property of the State." (translation of author). The court found this and other provisions of the Law unconstitutional because they attempted to expropriate private property without observing the procedures or providing the compensation required by the Costa Rican constitution. (I am indebted to the Honorable Carlos Jose Gutierrez, Anbassador of Costa Rica to the United Nations for this reference). Questions about the constitutionality of such laws or about the procedural regularity of their enactment and execution cannot ordinarily be raised in foreign proceedings as in Hollinshead, 495 F.2d at 1155-56, and McClain, 593 F.2d at 658, for example, because of the act of state doctrine. 21. The 1970 UNESCO Convention, article 7(b), deals pragmatically with the problem of the rhetorical law that declares state ownership by treating as "stolen" only objects taken from "a museum or a religious or secular public monument or similar institution . . . , provided that such property is documented as appertaining to the inventory of that institution." 22. Article 7(b)(i): It seems that a number of European states have interpreted this as meaning that they should institute customs controls at the frontiers to prevent such import.