Golden Ratio
Golden Ratio
DESCRIPTION
The golden ratio, also known as the golden proportion, golden mean, golden
section, golden number, and divine proportion is the division of a given unit of
length into two parts such that the ratio of the shorter to the longer equals the
ratio of the longer part to the whole or, when a line is divided such that the ratio
of the longer part of the line to the whole is exactly the same ratio as the shorter
part of the line is to the longer part.
Just as Pi is the ratio of the circumference of a circle to its diameter, Phi is simply
the ratio of the line segments that result when a line is divided in one very special
and unique way.
The figure of a golden section illustrates the geometric relationship that defines
this constant. Expressed algebraically:
This equation has as its unique positive solution the algebraic irrational number
Shapes proportioned according to the golden ratio have long been considered
aesthetically pleasing throughout many cultures, and is still used frequently in art
and design, suggesting a natural balance between symmetry and asymmetry.
The ancient Pythagoreans, who defined numbers as expressions of ratios (and not
as units as is common today), believed that reality is numerical and that the
golden ratio expressed an underlying truth about existence.
The Golden Ratio seems to get its name from the Golden Rectangle, a rectangle
whose sides are in the proportion of the Golden Ratio.
The theory of the Golden Rectangle is an aesthetic one, that the ratio is an
aesthetically pleasing one and so can be found spontaneously or deliberately
turning up in a great deal of art. The front of the Parthenon can be comfortably
framed with a Golden Rectangle. Additional classic subdivisions of the rectangle
align perfectly with major architectural features of the structure.
The Golden Rectangle can be used to create a spiral, the Golden Spiral. Starting
with one Golden Rectangle, a second Golden Rectangle can be attached to the first
using the longest side of the rectangle, side A as the shortest side B of the next
rectangle. To this end the second rectangle is constructed 90 degrees
perpendicular to the first rectangle. If this process is continued, called the spiraling
of the Golden Rectangle, a curved line can be drawn through the corners of the
rectangles creating the Golden Mean spiral. The spiraling of the Golden Mean spiral
continues indefinitely in inward and outward directions, it's getting smaller and
smaller spiraling inwards and getting bigger and bigger spiraling outwards.
The Great Pyramid of Giza's dimensions are also based on the Golden Ratio. If we
take a cross section of the Great Pyramid, we get a right triangle, the so-called
Egyptian Triangle. The ratio of the slant height of the pyramid (hypotenuse of the
triangle) to the distance from ground center (half the base dimension) is 1.61804
... which differs from phi by only one unit in the fifth decimal place. If we let the
base dimension be 2 units, then the sides of the right triangle are in the proportion
1:sqrt(phi):phi and the pyramid has a height of sqrt(phi).
Leonardo Da Vinci exhibited the golden ratio in many of his paintings and
illustrations calling it the De Divina Proportione or 'divine proportion'. He
conducted an entire exploration of the human body and the ratios of the lengths
of various body parts.