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Concert Sound Equipment Guide

The document is a sound rider for a band called The Fellas, listing their technical requirements for a PA system, mixing console, monitors, effects processors, and microphones. It specifies needing a powerful Line Array or Funktion-One PA system covering 120dB SPL, a professional digital mixing console with at least 24 channels and compressors/gates, 5 bi-amped monitor wedges, and various microphones including Shure SM57s and SM58s. The rider emphasizes providing their sound engineer full access and high quality equipment for a professional show.

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Skua Sound
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245 views4 pages

Concert Sound Equipment Guide

The document is a sound rider for a band called The Fellas, listing their technical requirements for a PA system, mixing console, monitors, effects processors, and microphones. It specifies needing a powerful Line Array or Funktion-One PA system covering 120dB SPL, a professional digital mixing console with at least 24 channels and compressors/gates, 5 bi-amped monitor wedges, and various microphones including Shure SM57s and SM58s. The rider emphasizes providing their sound engineer full access and high quality equipment for a professional show.

Uploaded by

Skua Sound
Copyright
© Public Domain
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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SOUND RIDER

2015

After reading the rider please confirm by


email that you are able to provide all of the
equipment we require by writing to:

[email protected]
[email protected]

www.thefellasmusic.com

Contact:
Gonzales +420 777 113 670
[email protected]
PA - system
1. Please count the power of the PA system according to this: 25 Watt=1 person
in the hall
For example if you expect 500 listeners, PA system must be 12, 5 kW at lest.

2. PA system must cover the whole sound spectrum with no disturbances and
must reach min. 120 dB on SPL (sound pressure level)
Spectrum of the PA system (each amp) - SUB, LOW MID, HIGH MID, TOP SUBBASS
Please provide sufficient amount of sub-basses according to the main PA system. It must
be sufficient for loud dance music. Sub-basses should be triggered from
AUX, if thats possible.

3. We prefer the following PA systems:


***Line Array Skua Sound 1100,
Funktion-One, LAcoustics, D&B ***
Please do not use any SEMI PRO systems !!!
(Peavey, no Versarray system , Mackie, Behringer, etc). or home made PA systems.

FOH system
1. PROVIDE FULL ACCESS TO THE SYSTEM PROCESSORS
AND CONTROL PANELS FOR OUR SOUND ENGINEER !!!
2. MIX in profesional quality with 24 channels at least and quad band parametrical
EQ on all inputs + VCA options.

WE PREFER THE FOLLOWING MIXERS :


MIDAS Heritage or XL series, DIGIDESIGN VENUE SC48, or maybe YAMAHA
PMSD
If you want to use Allan Heath or Soundcraft please use the highest version only. Please
do not use either Yamaha LM7 nor LM4 or a low-budget Allan Heath or Soundcraft.

+ WE NEED HIGH QUALITY 31-band graphic EQ for each zone of the system
And all monitors (BSS, KLARK TECHNIK)
+ 9x good quality compressors (BSS, DBX, DRAWMER) do not use Behringer !
+ 3x good quality gates (DRAWMER) must have ATTACK and RELEASE buttons
+ Lexicon Effect PM81/ PM91
+ 2x Yamaha SPX 990/1000 or 2k
+ only Delay D2 no other version will be used.
+ Empirical Labs Distressor
+ Eventide 3500 or Eclipse
+ TC 2290 or D2

MONITORS
1. WE NEED 5 MONITORS AND 5 SEPARATE INTERCEPTION WAYS MINIMUM
2. Monitor must be bi-amped
We prefer Funktion One Resolution 5, LAcoustics, D&B. Please do not use a SEMI PRO
system (Peavey,Mackie, Behringer..)

Were trying to achieve a high quality show andour sound engineer is an


important component. Thank you for your maximum support! The Fellas
CHANNEL LIST
1. KICK drum - Shure SM 91
2. KICK drum - Shure BETA 52 (B52)
3. SNARE - top Shure SM 57
4. SNARE - bottom Shure SM 57
5. HI-HAT - AKG 451
6. TOM - Senheiser MD 604
7. FLOOR tom - Senheiser MD 604
8. OVERHEAD - AKG 451
9. OVERHEAD 2 - AKG 451
10. DJEMBE - Shure SM 57

11. BASS (Jamie) XLR

12. EL. GUITAR right (Jonny) Shure SM 57 - Fender BLUES Amp


13. AC. GUITAR right (Jonny) XLR
14. MANDOLIN right (Jonny) XLR - D.I. Box
15. UKULELE right (Jonny) XLR - D.I. Box

16. AC. GUITAR left (Edai) XLR - D.I. Box

17 - 18. STAGE PIANO centre (Tom) stereo XLR

19. LEAD VOX centre (Tom) AUDIX OM-11 (own)


20. LEAD VOX right (Jonny-guitar) AUDIX OM-11 (own)

21. VOX right back (Jamie-bass) Shure SM 58


22. VOX left back (Horace-drums) Shure SM 58

23. INTRO CD player

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