LEAR Play the Bass Lines of 20 Pop and Rock Songs PURO SUC tao ta 2 aeteowaR® =— EASY POP BASS LINES ASS METHOD upplement to Any Bass Method INTRODUCTION Weeene to Easy Pop Bass Lines, a collection of 20 pop and rack favorites arranged for easy bass. If you're a beginning bassist, you've come to the right place: these well-known songs will have you playing, reading, and enjoying music in no time! This book can be used on its own or as a supplement to the Ha/ Leonard Bass Method or any other beginning bass method. The songs are arranged in order of difficulty, beginning with basic concepts and progressing to more challenging rhythms and fingerings. Each bass line is presented in an easy- to-read format—including lyrics to help you follow along and chords for optional accompaniment (by your teacher, if you have one), ISBN 978-0-634-07021-1 HAL*LEONARD® ORPORATION For all wors contin heres Unauthorized copying, arranging, adapting, reorang ope perfomance fs an itingement of copyght Tnhgers eae Under ee Vit Hal Leonard Online a ‘wwwwhalleonard.comSONG STRUCTURE ‘The songs in this book have different sections, which may or may not include the following: Intro ‘This is usually a short instrumental section that “introduces” the song at the beginning. Verse This is one of the main sections of a song and conveys most of the storyline. A song usually has several verses, all with ‘same music but each with different lyrics. Chorus This is often the most memorable section of a song. Unlike the verse, the chorus usually has the same lyrics every it repeats. Bridge ‘This Section is a break from the rest of the song, often having a very different chord progression and feel. Solo This is an instrumental section, often played over the verse or chorus structure. Outro Similar to an intro, this section brings the song to an end. ENDINGS & REPEATS Many of the songs have some new symbols that you must understand before playing, Each ofthese represents a diferent of ending. 1st and 2nd Endings ‘These are indicated by brackets and numbers. The first time through a song section, play the first ending and then repeat. The second time through, skip the first ending, and play through the ‘second ending. DS. This means “Dal Segno” or “from the sign.” When you see this abbreviation above the staff, find the sign ( song and resume playing from that point. SS) earlier’ al Coda This means “to the Coda,” a concluding section in the song. If you see the words “D.S. al Coda,” return to the sigm: earlier in the song and play until you see the words “To Coda,” then skip to the Coda at the end of the song, indicated | symbol: ® al Fine This means “to the end.” If you see the words “D.S. al Fine,” return to the sign ( ) earlier in the song and play unt the word “Fine.” oe. ‘This means “Da Capo” or “from the head.” When you see this abbreviation above the staff, return to the beginning (ae of the song and resume playing.‘SONG Imagine AWiiter Shae of Pale Wonder Tonight Lay Madonna Peggy Sue Walk of Lite Tennesse Watt Toki’ Cre of Business Sutin’ US. Al he Small Things Wild Thing Come as You Are Geet Balls of Fre My Gi {Cant Help Myst (Sugar Pe, Hone Bunch) Dancing inthe Steet Fens in Low Places Coste Bom Under a Bad Sign Smoke on the Water CONTENTS RECORDING ARTIST ohn Lennon Procal Harum fie Clapton Te Beatles Bud Holy Dire Straits Patti Page Bachman-TamorOverdive The Beach Boys bink-182 The Toggs Nivana Jeny Lee Lenis The Temptations The Four Tops Marth & The Vendlias Gath Brooks Stevie Ray Vaughan & Double Touble ‘bert King ‘Deep Purple PAGE| IMAGINE Words and Music by JOHN LENNON, Yemagine teres no heawen— Intro Verse (Pian) 4 4.1-mag-ine there's no heaven. ls eas-y if you_try. No hell___ be-low us, A-bove us on-ly sky. I-mag-ine all__ the peo = Dm F G G7 living for to = day. Ah. ple. Verse 2.1 -mag-ine there's no coun - tries. It isn't hard to do. 8.1 -mag-ine no pos-ses - sions. Iwon-der if you can._ (© 1971 (Renewed 1998) LENONO. MUSIC Al Fights Controle and Administered by EMI BLACKWOOD MUSIC INC. Al igs Reserved. Intemational Copyrignt Secured Used by Permission— Noth - ing to kill___ or die for, and no re-li-gion, _ too. — No need forgreed_ orhun - ger, @ broth-er-hood of man. — —_ Imagine all the peo = ple___ — I-mag-ine all the peo - plo Bridge G G7 F G liv = ing fein’ peace. ____) shar = ing all the world, ___ You,—___________ + you may say. ut dream - er. But I'm not the on-ly one, | hope some day________ you'll join. us and the world will be as one, __ live as one,A WHITER SHADE OF PALE | Words and Music by KEITH REID and GARY BROOKER skipped the ight fan ~ dan - go, Intro c cB Am7 cle G GIF Em G7 c cB Am clG 1.We skipped the light _ fan - dan - go, 2.She sald, “I'm home on — shore leave,’ 3.She said, “There is___ no rea - son, (© Copyright 1967 (Reneves) Onward Music Li, London, England “TRO - Essex Music Ine, New York, conto all publication rights forthe US. and Canada International Copyright Secured Al ights Reserved including Pubic Performance For Profit ‘Used by PermissionF FIE Dm7 tured cart - wheels ‘eross the floor, __ through in truth we. were at sea; andthe truth — is plain to see, G GIF Em G7 Iwas feeling kind of sea - sick, so | took her by the — looking glass but 1 wan-dered through my —play-ing cards c cB Am Em the crowd led out______- for more. and forced fier ioe a gree and would not__let______her_be F DmeE Dm7 The room was hum - ming hard - er Say-ing, “You must be the mer - maid one of sik - teen ves - tal vir - gins G G/F Em G7 as the ceil - ing who took Nep - tune who were leav - ing c cB Am Em When we called out for an - oth er drink but she smiled at me so sad : y And al - though my eyes were 0 : penJ DmvE Dm7 Em j S or Se e a te wat - or bought a ay) that_my an - ger straight - way died. And sot they might just as well been closed. __ Chorus c crs Am c F a r = oe = 7. was frat lat = or as the FIE Dm7 c told his mill- er tale, at first just ghost - ly tumed a whit - er, To Coda [1 2 DC. al C c G7 c G7 shade of pale.__ pale. ) Coda ic a7 D.C. and faWONDERFUL TONIGHT Words and Music by Melody: Eric Clapton vee le in te eve = ng. — Intro G 1.lt's late inthe eve - ning. She's wond-'ring what clothes — 2.We gotoa par - and ev - 'y- one turns B.lt's time to go home____ now, _ Ive got an ach - ing D G D —— to wear. She puts on her make - up to see this beau-ti- ful la - dy head. | give her the car keys, Copyright © 1977 by Erc Patrick Clapton A Fights forthe U.S, Administered by Unichappell Music Inc Intermatonal Copyright Secured "All Rights Reserveaand brush - es is walk - in’ and she helps her long — a round me to bed, blond hair — with me. ‘And then she asks — ‘And then she asks _ And then | tell — look al "Do ya feel al’ ~ right?” And 1 say, as 1 tumout the ight, 1 say, “My To Coda [1 D G D 10 “Yes, “Yes, darlin’, you f you look feel are won = der = ful won = der = ful won der = ful to -.night."__ to - night. to = night. feel your Bridge won - der- ful be - cause I eyes. And the see __ the love _ won - der of it all__—_ is that you just dontt__re - al -ize___ how much | love you. G D c D D.S. al Coda Oh, my — dar tin’, you are Outro won - der - ful to - night.| LADY MADONNA JOHN LENNON and PAUL McCARTNEY tla - dy Ma-don - na, chil - dren at___your 2la - dy Ma-don - na, ba - by at your Bla - dy Ma-don - na, ly - ingon__ the To Coda D7 AZ D E F G feet, won - der how you man-age to. make ends meet. — breast, won - ders how you man-age to feed the rest. bed, lis - ten to the mu = sic play - ing inyour head. _ = U4. Wmo nds the mon = ey when you pay the rent_ 2 Instrumental —_ did you think that mon-ey was. heav = en sent?__ Copyright © 1968 Sony/ATY Songs LLC Copyright Renewed All Rights Administered by Sony/ATY Music Puolshing, 8 Music Square West, Nashwilo, TN 37203, International Copyright Secured All Rights Reserved 2Bridge — 1.Fti - day night ar-rives___with-out_a_—suit. case, 2. Tues - day af - —ter-noon___ is. nev - er end - ing, Sun - daymom - ing creep-ing like a nun,__ Wednes-daymom - jing pa -pers did - n't come,__ Dm G7 Mon-day's child has leaned to tie his boot - lace, __ Thurs-day night your stockings need - ed mend - ing. — D.S. al Coda c Bm7 E7sus4 E7 See how — they run. A Bm7 c Bm7 A Bm7 c Bm7 A 13PEGGY SUE Words and Music by JERRY ALLISON, NORMAN PETTY and BUDDY HOLLY Verse you knew — Peg - gy Sue, — then you'd. «= know why 1 feel blue with- out___ Peg - gy, A D A my Pa-eg - gy Sue,—___ Oh well, I love you gal,___ yess I love you Peg- gy Sue, % Bridge A E A Peg - gy Sue,— Peg - gy Sue, © 1957 (Renewed) MPL COMMUNICATIONS, INC. and WREN MUSIC CO. All Rights Reserved 4pret -ty, pret - ty, pret - ty, pret- ty Peg - gy Sue,__ Oh, oh Peg - 9. Peg - oy Sue. Oh well, | To Coda @ E love you gal, _ Guitar Solo A and 1 need you Peg - gy Sue,__ D.S. al Coda ECoda lows) you eee Peg - gy Sue, wih a love so rare andtrue,__oh__ Peg - gy, my Peg - gy Sue- + ue + ue : ue = ue = ue. Oh well, 1 love you gal, ___ and 1 want you = Peg - gy Sue. On wel, 1 love you gal, and want you Peg - gy Sue.WALK OF LIFE ety: blot SSE = MARK KNOPFLER Here comes Jom "ay aging old - ies, god =i, Intro (Guitar & kybd. Vy E A Ooh. — Ooh, Ooh. Verse 1. Here comes John = ny sing - ing old —_ies, gold - ies, 2. Here comes John = ny gon - na —tell--you the sto = Copyright © 1985 Chariscourt Li. International Copyright Secured All Rights Reserved "“Be Bop a Lu- La ba - by, what | say. my — walk : in Hand me down. (eines ames Here comes John = ony sing = ing“ got - ta wom - an,” Here comes John - ny with the power = and the glo - ry. down in. the tunnel tryin’ to. make it pay. | He - ti Back - beat the tak - in’ blues. { ee ee he got the. mo - tion, Oh, yeah, the boy can play. oO De-di-ca - tion, de-vo - tion; turm-ing all the night time in = to the day. He do the song a - bout the sweet lov - in’ 8wom -an, he do the song a-bout the knife, Well, he do the walk, do. the walk of eee Yeaht_ Interlude B7 5 A — He do the walk of fe Repeat and fade B A B7 9TENNESSEE WALTZ REDD STEWART and PEE WEE KING Tee cane no Intro dane - ing with my dar-lin’ to the Ten-nes-see Waltz, when an 2. Instrumental BI G cm F7 old friend | hap - pened to see. In- tro - duces Bb eb him to my loved one and while they = were. dancing my friend stole my —sweet-heart frome. lowe. Copyright © 1948 Sony/ATV Songs LLC Copyright Renewed [AI Rights Administered by Sony/ATV Musie Publishing, 8 Music Square West, Nashvile,TN 37203 International Copyrignt Secured’ All Rights ReservedB D7 E> mem - ber the night and the Ten-nes-see waltz, On-ly G cm F7 you know how much 1 — have lost. Yes | lost my _it-tle dar - tin’ the night they were the beau -ti- ful Chorus Ten -nes - see Waltz. | re-member the night andthe Ten-nes-see Waltz on-ly you know — how much 1 have cm F7 Bb lost. Yes I lost my little darlin’ the night they were EP F7 B> play-ing the beau - ti ful Ten - nes - see Waltz. aTAKIN’ CARE OF BUSINESS Words and Music by RANDY BACHMAN —S—= 1. They g8t up ev 97 mom ing Intro , (euler) cs Bb5 F5 > ————— ee 2 e= bee vei - —— —— 5 4-3 2 1. They get up ev-"ty mom- ing from thea - eas-y as fish - in’ you could larm clock's warn-ing. Take the eight fif - teen in-to the cit-y, There's a be a mu - si-cian, if youcould make sounds loud or —meblow. Get a BPS — ; — = f o oe P= o 7 whis- le up a - bove and peo - ple push - ing, peo - ple shoving, and the sec - ond -hand gui - tar, chane-es are you'll go far it you FS ooo pp a SSS = 7 oe ils who ty to look pret = ty. ‘And ve been get in with the fight bunch offal - tows. ‘And we've been Copyright © 1974 Sony/ATV Songs LLC Copyright Renewed ‘All Rights Administered by Sony/ATV Music Publishing, 8 Music Square West, Nastvile, TN 37203, International Copyright Secured Al Rights ReservesChorus cs BbS FS tak-ing care of busi - ness ev "ty day. Tak ing care of busi - ness tak- ing care of busi - ness ev'ry day. — Tak ing care of busi - ness cs BS ev-'y way. ve been tak - ing care of busi - ness, its all mine. Tak - ev-'ty way. We've been tak - ing care of busi - ness, it's all mine. Tak - Interlude FS cs cs = ing care of busi - ness and work-ing 0 - ver-time, work out = ing care of busi - ness and work-ing o - ver- time. BPS F5 cs 2. There's work 2 Guitar Solo cS BS FS cs Begin fade Bhs FS cs Fade outSURFIN U.S.A. Words and Music by CHUCK BERRY Intro Verse (Guitar) G N.C. 1.If ev-"ty-bod-y hadan 0 = cean_____a-cross the U. S. A. c N.C. G N.C. Then ev-'ry-bod-y'd be surf - in’ like Cal-i-for-ni = a You'd see them wear - in’ their bag 2 gies, N.C. c N.C. G7 ——Hua-ra- chi san-dals too._________ A bush-y, bush-y blonde hair - do, Verse N.C. c G ae emt Wy fe ol YOUN cobcii/omn leur: et Del Mar Copyright ©1988, 1963 (Renowed) by Arc Music Corporation (BMI) and Isalee Music nc. (BM) International Copyright Secured All Rights Reserved ‘Used by Permission aVersi ra’ County 9 ing, "= Gare eee Test = le, —___________ Australia's Narra = been, all o-verMan - hat - tan, and down Do-hen-y Way. — Ev - "ty = bod - y's gone sut + —— surf-intU, 8. A Ev - 'ty-bod-y’s gone surf - in’ Repeat and fade Nc. surfeit) USA Ev - ‘ty-bod-y's gone aALL THE SMALL THINGS TOM De LONGE and MARK HOPPUS Intro G5 FS IS = GS 35555 Meg ao oe 1. All the small things. True care, truth brings. rh take one iit. Your ride, AL = ways, —— know —_ - best trip. (© 1999 EMI APRIL MUSIC INC. and FUN WITH GOATS. ‘All Rights Contolas and Administered by EMI APRIL. MUSIC INC. [Rights Reserved. International Copyright Secured Used by Permissionyou'll be. at my _— show. Watch - ing, —_ wait - ing, $8 Pre-Chorus cs (G5) (F5) eo Say itaint so. | will not go, Tum the lights __ off Car-ry me__ Chorus c home.Na, na, na, na, na, nana, na, na. Nana, na, na, na, na, —— nana, naa Na ma, ma, nana, nana, ma, na, Interlude G5 FS To Coda ® os Na, na, na, na, na, na, rama, na, na. FS/C GS NC. FS aVerse 2.Late night, come — home. ___ Work — sucks, 1 know. She left me os - es by _ the stairs. _ D.S. al Coda G5 cs SS eo —o—_ 6 ee eo # Sur - pris - es let me know she cares. FS Gs Play 3 times ‘| Outro G5 cs 2 eee eee a SS a Say it ain't 80. 1 will not —— —_——_——. a oo. Tum the lights off Car-ty me___ home. Keep your head stil, HM be your thrill The night will goon, my fit- tle wind - mil Say it aint 50. 1 will not go. Tum the lights — oft Car- ry me home. Keep your head Gs ———— —s = -_# # ae a = | sii be your thr The night will go on, the night will go on, my lit - tle wind = mil,WILD THING elo CHIP TAYLOR Wi ting, you make my Intro Chorus Wild thing, you make my heart sing. You make ev- = 'ty= thing groov = y. Wild thing, Sverse Gsus4 AGsus4 A Gsus4 A Gsus4 1. Wild thing, 1 think 1 love you, 2. Wild thing, 1 think you move me, { A Gsus4 A Gsus4 A = — —ES = 7 t —— | but | wan-na know for sure. $0 come on and (© 1965 (Renewed 1999) EM BLACKWOOD MUSIC ING. AllRights Reserved International Copysignt Secured Used by PermissionInterlude Gsus4 A Gsus4 A A D hold me tight Nya to mal To Coda Chorus E D A D E D A D Wild thing, you make my heart sing. You make ev - ~ ty = thing croov =. Wild thing. Recorder Solo 1,28, 4, E A D E D E D.S. al CodaOutro-Chorus Begin fade A Wild thing, you make my heart sing. You make ev - —‘ty- thing groov = y._ Fade out A D 3 D A D Wild. thing. Come on, come on wild. thing.COME AS YOU ARE Moody: KURT COBAIN Intro (Guitar) NC(Fém) — &) (F#m) © (Fém) €) (F#m) Verse © N.c.(Fém) © 1.Come as youare, es you were, (Fam) ©) (Fim) -_ 2. Sete P eo? oe ete ~~ | (want you to be asa trend, = asa friend, __ as an old en = e-my_ © 1991 EMI VIRGIN SONGS, INC. and THE END OF MUSIC ‘A Rights Contalad and Acministered by EMI VIRGIN SONGS, INC, [Al Rights Reserves. International Copyright Secured. Used by Permission(Ftm) ©) e = a =" ——————— = Toke your time, hur yu 2.Come doused =n mud, soaked in leach, — (Fm) ©) (Fim) 2 oo e o Sate e000 ee ee (oe — to 9 oes SS | } So = the choice is yours, — dont be late. — oo — as | want — you tobe; — a= © (Fim) o 2 zee ee ' : = | rest. | as a friend, as an old mem o-y trend, Chorus Fim A FimBridge B And | swear that ' don't have a gun. No, | don't have a gun. ___ rt have a gun, Guitar Solo ey fe Nc.(Fim) «) «) Outro (Fim) ©GREAT BALLS OF FIRE = Yu shake my nerves and you ratte my brain Words and Music by OTIS BLACKWELL and JACK HAMMER Verse 1. You shake my nerves and you rattle my brain. Too much love drives a man in-sane.__ You broke my will, balls of ‘fire! but what a thei Good - ness gra - cious, great Verse 2.1 laughed at love ‘cause | thought it was fun - ny. (Copyright © 1057 by Chappel & Co. and Unichappell Music Inc. Copyright Renewed International Copyright Secured All Rights ReservedYou came a - long and moved me hon - ey. 1 changed my mind, this love is fine Bridge Good - ness gra - cious, great balls of fire! Kiss me ba - by, hmmm fools good. Hold me, ba - by! Well, | wan-na love ya like a~ er should. _ that you're You're fine, 3.1 chew my nails * JS zz” a cious, ner = vous you drive me cra - zy,IMY GIRL Words and Music by WILLIAM “SMOKEY” ROBINSON and RONALD WHITE Intro Nc. (C) Verse | on a cloud ~ y day. When its cold out = side, = Ive got the month of May. — (© 1964, 1972, 1973 (Renewed 1992, 2000, 2001), 1977 JOBETE MUSIC CO, INC. Ail Rights Controlled and Administered by EW! APRIL MUSIC INC. {Al Rignts Reserved. International Copyright Secured Used by PermissionChorus cs Dm - G cS Dm guess you'd say, what can make — me F G Cmajz feel this way? —_ My girl, Dm7 G7 Dm7 G7 talk - in’ "bout my— gir, —_____ my gir Oo. Nc. (C) Interlude C5 F00, ——_____ yeah. 2. 1 dont Verse Begin fade DS G DS need no money, fee) re cd lane G Ds =—*k a = s Tne — = . oe 2 y B 1 got au the teh-es, ba + by, Fade out ‘one man: can cline Well, 4| CAN'T HELP MYSELF (SUGAR PIE HONEY BUNCH) tier Words and Music by BRIAN HOLLAND, SS LAMONT DOZIER and EDWARD HOLLAND Sugar ple honey bunch, Intro N.C.(C) Verse Dm G/E = a 9 are Sree a Se Ei — + no-bod - y else. In and out my life, (© 1965, 1972 (Renewed 1999, 2000) JOBETE MUSIC CO. INC. {Al ights Controieg ang Administered by EMI BLACKWOOD MUSIC INC. on bebal of STONE AGATE MUSIC (A Division of JOBETE MUSIC CO. INC.) Internatonal Copynght Secured Used oy Permission All Rights Fe 2S aS So eee a a= ee — ee — ; eee lt ee weg pape Dm GE F picture. be- hind And | kissedit a thou - sand times. Verse G cé c 2.When you snap your fin-ger or — wink your__ eyes, | come a G Dm a Fees = a — aon ee ye en oe GE F G cé and there's noth-ing__ that | can do. - ar pie hon - ey bunch, tm weak-er than afrm fool ine lovers youleee help that, we'te through. ty (dot ou eee Wan-na tell __DANCING IN THE STREET ate: Words and Music by MARVIN GAYE, IVY HUNTER and WILLIAM STEVENSON ce got arena Intro % verse E7 + e 1.Call = ing outs a-round the world, are you In - vi-ta + tion a-ctoss the na - tion, a read - y for = a_—brand new beat? chance for folks to meet, __ There'll be Sum - mer's here and the time is right —_ for laugh - ing, sing - ing and mu - sic swing - ing, (© 1964 (Renewed 1992) FOG MUSIC, NMG MUSIC, MGIII MUSIC, JOBETE MUSIC CO, INC. and STONE AGATE MUSIC Al Rights Contoled and Administered by EMI APRIL MUSIC INC. and EMI BLACKWOOD MUSIC INC. on behalf of JOBETE MUSIC CO, INC. and STONE AGATE MUSIC (A Division of JOBETE MUSIC CO., INC.) All Rights Reserved. International Copyright Secured Used by Permission* oe eee dane - ing— in the street. Theyre danc-ing in Chi-ca = go, — danc - ing in the street. Phil - a = del- phia, P. A, oe down in New Or - leans, in New York — Cit - Baltimore and 0. C., now. Can't for-get the Mo-tor Cit - Al___ we need. is mu - sic, sweet__mu - sic. There'll __ be te oD : ‘ty - where. — Therell___be swing - ing, sway - ing and o rec-ords play - ing dane - ing in the street, __ oh,Chorus ci7 cém x: =a ——=T FE y Tf —fe—_e 6 6 oo as te It does-n't mat-ter what you wear, just as long as you are there, — Fm # < D te ee = # Ss _ 80 come on, ev = "ty gy grab gi. To Coda B7sus4 B7 E7 Ev - ‘y-where a-round, the world__they'l be “ dane - ing. D.S. al Coda e They'te dane-ing in the street. 2.This isan ) Coda Begin fade B7 E7 — the world, they're dane - ing, Fade out eeee they're dane-ing in the street. __ Way down in L.__ A aFRIENDS IN LOW PLACES . DeWAYNE BLACKWELL and EARL BUD LEE Meloy: SSS ame tal on my rote Intro ate7 Bm7 E 4. Blame it Sverse A 4°7 Bm7 and ru-ined your black— tie af -fair. all on my roots. 1 showed up in boots — guess! was wrong. | just don't be-long,—__—_but then_ I've been there be-fore.— was the the last one to show, The last one to know, — just say good-night_ and. tl show_ all right__ rH Ev-ty-thing's last one you thought you'd see there. saw the sur-prise and the Hey, | did-n't mean to cause_ ‘And to the door. my-self__ Copyright © 1900 by Careers-BMG Music Publishing, Inc. and Sony/ATV Tunes LLC All Rights on behalf of Sony/ATV Tunes LLC Administered by SonyiATV Music Pubshing, 8 Music Square West, Nashville, TN $7203 International Copyright Secured All Rights Reservedato7 Bm7 Dm6 fear in his eyes when | took his glass___ of cham-pagne, Then — a big scene, dust give me an ho - ur and then, wel, | toast-ed you, said, “Hon-ey, we may be through, but you'll nev-er hear__me com-plain.” Vi be as high as that i - vo-ty tow - er that you're liv-in’ in. ‘Chorus A =| ‘cause got tandem tow pac 68 wera the Bm7 whis-key drowns and the beer —chas_ - es my blues____—a- way,__ and Ill be os bay ee Yeah, * Tm not big on 80 - cial grac = es. Think I'll slip on down __ to theBm7 E To Coda o > a = sis, Oh, — got friends in low plac = Guitar Solo A A Bm7 E A D.S. al Coda 2. Well, | @ Coda Outro-Chorus A A es, "Cause got friends in.low plac - es where the Bm7 Yeah, Im not slip on downto. the in low—— plac - whis -key drowns __ big __ and on sis. and the beer be o chas - es my blues > kay. 80 - cial grac - es. Think I'l Oh, Bm7 got friends _ Repeat and fade "Cause 51CROSSFIRE eld Written by BILL CARTER, === RUTH ELLSWORTH, REESE WYNANS, TOMMY SHANNON and CHRIS LAYTON ‘ay by ay right at = er rion Intro N.C.(E7) Verse Play 3times N.C.(E7) = —, K z aa-8 oe oe = eet — 1. Day by day, hight af - ter night, — blind-ed by — the ne-on lights, — hur-ry here, hus - tt - in’ there, — no one’s got the time to. spare. Mon-ey’s tight, noth = in’ free. (© 199 BLAME MUSIC (BM) and MANCHACA MUSIC (BNMIV/ Administered by BUG MUSIC ‘AI Fights Reserved Used by PermissionWon't some-bod - y come and res - cue me? am strand - Chorus N.C. (E7#9) ra 2 ed caught inthe cross - fire. CC ——— caught inthe cross-fire.. Verse N.C.(E7) ee — 2. Tooth for tooth, eye for an eye, sell your soul just to buy, buy, — buy, — Beg-gin'a dol-tar, steal -in’ a dime, come on can't ya seeChorus N.C.(E7#9) ——_ i‘ : =—_—_. ee SSS am — eer — that . tim strand = ed? Caught inthe ross fire, 1am strand - caught inthe cross = fire, Bridge | need some kind of kind-ness, Chorus Begin fade G A N.C.(E7#9) some kind of sym-pa-thy._____ Oh _—_ no, we're strand-ed, Fade out caught in the cross - fireBORN UNDER A BAD SIGN ute: BOOKER T. JONES and WILLIAM BELL ~ % chorus Born un-der a bad____ sign. Been down since 1 be-gan to crawl Giz Ff7 | — ——— ———— Ht it was-n't for bad. luck, you know | would-n't have no luck at Verse ct7 ci7 all. 1. Hard luck and trou - ble 2.1 can't read, Copyright ©1967 IRVING MUSIC, INC. Copyright Renewed [Al Rights Reserved Used by PermissionD.S. al Coda been my on-ly friend, V've been on my own ev-er since | wasten._ I did-n't leam how to write. My whole — life has been one big fight. I it was- n't for bad__ luck 1 tell you fd have no luck, 7 Fiz 5 t * = t Fe oe ete segs 2 Mt it’ wasn't for bad luck, Td have no damn luck. Wit wasn't for real bad luck, Vd Just have no luck at all Outro Begin fade Fade out ctSMOKE ON THE WATER Words and Music by RITCHIE BLACKMORE, IAN GILLAN, ROGER GLOVER, JON LORD and IAN PAICE Intro (Guta) 3 G5 BS C5 G5 BPS D’5 C5 Gs BS C5 BS G5 BS c53 Gs BPS DPS C5 G5 Bs C5 BPS Verse 1. We all came out to Mon - 2. They burned down the gam - + treaux onthe lake Ge - ne : va shore bling house, it died with an aw - ful sound, © 1972 (Renewed 2000) 8, FELDMAN & CO, LTD. wading as HEC MUSIC. All Rights forthe United States and Canada Controlled and Administered by GLENWOOD MUSIC CORP. All Rights Reserved. Intemational Copyright Secured Used by Permissionrec-ords with the A Fun-ky Claude was: find an- oth-er place. run - ning in and out, But some stu-pid with a But Swiss time FS burned the place run - ning. out; to lose —JChorus G5 cs Abs —! smoke on te water, a fire. in the sky.__ ‘Smoke on the Interlude AS @5 Bs C5 G5 BPS D5 C5 @5 Bs C5 BS G5 Gs Outro-Organ Solo G5 BIS C5 G5 BPS D’5 C5 G5 BS C5 BPS Repeat and fade G5 be 2