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Mujeres Divinas Partitura y Letra Oficial PDF

This document appears to be sheet music containing lyrics and musical notation. It discusses mujeres divinas (divine women) and describes a scenario where the singer is at a gathering and is asked to sing some songs. He sings two songs that are somewhat in opposition to others there. A man then approaches and asks the singer not to speak of the women present. The singer responds that they are simply talking about what they were paid to discuss.

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Michael Corleone
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0% found this document useful (0 votes)
1K views4 pages

Mujeres Divinas Partitura y Letra Oficial PDF

This document appears to be sheet music containing lyrics and musical notation. It discusses mujeres divinas (divine women) and describes a scenario where the singer is at a gathering and is asked to sing some songs. He sings two songs that are somewhat in opposition to others there. A man then approaches and asks the singer not to speak of the women present. The singer responds that they are simply talking about what they were paid to discuss.

Uploaded by

Michael Corleone
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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MUJERES DIVINAS

Martín Urieta Solano

 
Ranchera

q = 142 (Huetamo, Michoacán, México 1943-)

    
                 
       
             
  

        


Piano

        
     

p 

               
7


        
               
   
             
     
       

     
13

                      


Ha - blan do demu - jer - es y trai

             


   
      

   

    

20
    
               
       
       
cio - nes, se fue - ron con - su - mien- do las bo - te - llas pi -


             
      
   
    
 
26

                       
   
die - ron que can - ta - ra mis can - cio - nes y yo can -té_unas dos en con - tra
            
         
    
   
Editado por Ney Borba - Toronto 2013 - [email protected] http://sites.google.com/site/pianoyfolklore
       
2

Mujeres divinas
32
  
             
         
 
de_ellas. De pron - to quese_a - cer - ca_un ca - ba - lle - ro, su
       
                

        

   

38

               


        
pe - lo yapin - ta - ba_al - gu - nas ca - nas, me di - jo: le su - pli - co com - pa
           
             
       

      
  
44


              
       
ñe - ro que no_ha - ble_en mi pre - sen - cia delas da - mas. le
        
           
       
   
50
        
     
                        
   
di - je que no - so - tros  sim - ple - men - te ha - bla - mos de lo
        
     
 
      
       

55
         
 
                       

mal que nos pa - ga - ron que si_al - guien o - pi - na - ba di - fe -
        
          
      
Editado por Ney Borba - Toronto 2013 - [email protected] http://sites.google.com/site/pianoyfolklore
3

Mujeres divinas

            
60


                       
ren - te se - ría por - que ja - más lo trai - cio - na - ron que

          
                  
     
  

       
66
 
                       
si_al - guien o - pi - na - ba di - fe - ren - te se - ría por- que ja - más lo trai - cio

           


                
     
   

    
72
 
1. D.C. 2. Para Fin

         
 
na - ron rar - las

       
              
   

     
76
  
     

 

      

Fin
    
             
  
Editado por Ney Borba - Toronto 2013 - [email protected] http://sites.google.com/site/pianoyfolklore
MUJERES DIVINAS
Ranchera
Letra y Música de Martín Urieta Solano
Hablando de mujeres y traiciones,
se fueron consumiendo las botellas,
pidieron que cantara mis canciones
y yo canté unas dos en contra de ellas.

De pronto que se acerca un caballero,


su pelo ya pintaba algunas canas,
me dijo: le suplico compañero
que no hable en mi presencia de las damas.

Le dije que nosotros simplemente


hablamos de lo mal que nos pagaron,
que si alguien opinaba diferente
seria porque jamás lo traicionaron,
que si alguien opinaba diferente
seria porque jamás lo traicionaron.

Recitado: Amigos: si los hieren las mujeres


no es bueno que se desquiten.
Ellas nos dieron la vida
¡pues ellas que nos la quiten!

Me dijo: yo soy uno de los seres


que más ha soportado los fracasos
y siempre me dejaron las mujeres
llorando y con el alma hecha pedazos.

Mas nunca les reprocho mis heridas,


se tiene que sufrir, cuando se ama;
las horas más hermosas de mi vida
las he pasado al lado de una dama.

Pudiéramos morir en las cantinas


y nunca lograríamos olvidarlas,
mujeres ¡oh mujeres tan divinas!
no queda otro camino que adorarlas,
mujeres ¡oh mujeres tan divinas!
no queda otro camino que adorarlas.

Editado por Ney Borba para Piano y Folklore (http://sites.google.com/site/pianoyfolklore)

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