SABARMATI ASHRAM
AHMEDABAD, INDIA
ARCHITECT – CHARLES CORREA
By-
Kapil Singh
Aniruddh Dubey
Abhishek Sharma
DESIGN CONCEPT
:- The main concept is that each building group in causal meandering pattern,
creating a pathway along which the visitors progresses towards the centrality of
the water court.
PLAN OF SABARMATI ASHRAM
:- The site on the Sabarmati river bank. it is the part of the larger ashram
complex and is integrated into its garden.
:- Correa took the words of mahatma Gandhi, “I don’t want my house to be
walled on all sides and my windows to be stuffed. I want the cultures of all
the lands to be blown about my houses as freely as possible but I refused to
be blown off my feet by any of them.”
Site plan Plan
RAIN WATER HARVESTING
Sectional Elevation SYSTEM
LOUVERS
Sectional Elevation
ARRANGEMENT
:- Five Interior Rooms Contain The Collection Of The Museum.
:- The Rooms Are Enclosed By Brick Walls And Wooden Louvered Screens
:- All Five Rooms Are Part Of 6mt Square Module. Correa’s
Subtle Changes Of The Enclosure Allow For Variety In The Module’s
Lighting, Temperature’ And Visual Permeability.
:- A Square, Uncovered Shallow Pool Is Located Between The Five
Rooms.
1. LETTERS Water body
2. OFFICE
3. MEETINGS
4. BOOKS Closed space
5. PHOTOS AND PAINTINGS
CONSTRUCTION
:- The materials used in the construction are similar to the other
buildings in the ashram: tiled roof, brick walls, stone floors and
wooden doors.
:- The only additions are the RCC channels which act as beams and
as rainfall conduits and which permit additional construction to be
added in future.
:- No glass windows are used anywhere in the building; light and
ventilation being provided by operable wooden louvers.
:- THE MUSEUM USES A SIMPLE BUT DELICATELY DETAILED POST AND BEAM
STRUCTURE.
:- LOAD BEARING BRICK COLUMNS SUPPORT CONCRETE CHANNELS, WHICH ARE
BOTH SUPPORT THE WOODEN ROOF AND DIRECT RAINWATER.
:- BOARDS ARE NAILED UNDERNEATH THE JOIST AND TILES ARE PLACED ATOP
THE JOINTS.
:- THE FOUNDATION IS CONCRETE AND IS RAISED ABOUT FOOT FROM THE
GROUND.
:- WOODEN DOORS, STONE FLOORS, BRICK COLUMNS AND CERAMIC TILE ROOFS
ARE THE PALETTE OF THE BUILDING.
Vaastu in Sabarmati Ashram
1. Square grid – Square is the sacred shape and is used
wherever Vaastu is applied. Various other shapes can be
derived from square like rectangle (from two squares), circle
(by rotating square towards infinity). Distorted 11x11 grid is
used and each square measures 6x6 m.
2. Courtyard – As in Vaastu Purusha Mandala Lord Brahma
resides and that is why courtyard or water body is provided
in centre of the building.
Vaastu in Sabarmati Ashram
Directions according to Vaastu
1. North East – Books as a symbol of positive energy are
placed in north east direction. Light reaches at around 3 am-
6am. This time is well suited for jobs like meditation and
concentration. Best suited for pooja, yoga, study room. This
part is under the reign of Ishana.
2. North West and West – This is the house of wind and
water god that’s why toilet is provided in this region and
open gallery and louvered windows are provided in this
direction.
Vaastu in Sabarmati Ashram
Sabarmati river
Directions according to Vaastu
3. East – This direction is ruled by Sun god and as Sabarmati
river flows in east and south east and is believed the morning
sun purifies water and water is germ free that’s why building
placement is accordingly.
4. South East – Dedicated to god of fire and snack shop is
proposed in this portion.
5. South – Office portion is in this portion south monsoon
provides excellent ventilation.
Vaastu in Sabarmati Ashram
Sabarmati river
Directions according to Vaastu
3. South West – Dedicated to ancestors or Pitru. This part of
building is for store or living space and hence building entry
and open gallery starts from this direction.
4. SITE ENTRY IS FROM WEST ALONG WITH FAMOUS ASHRAM
ROAD NORTH TO WEST
Vaastu in Sabarmati Ashram
SITE ENTRY BUILDING ENTRY SABARMATI GHAT
Vaastu in Sabarmati Ashram
SITE ENTRY BUILDING ENTRY SABARMATI GHAT
PHOTO GALLERY
PHOTO GALLERY
