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AYCAN TEZTEL - Fantasy No 2 For Bass Tuba

The document is a musical score for solo bass tuba composed by Aycan Teztel. It consists of multiple movements or sections with musical notation written in a unique style and format. The piece explores various melodies, rhythms, and techniques for the bass tuba instrument.

Uploaded by

Istanbul Superband
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
897 views4 pages

AYCAN TEZTEL - Fantasy No 2 For Bass Tuba

The document is a musical score for solo bass tuba composed by Aycan Teztel. It consists of multiple movements or sections with musical notation written in a unique style and format. The piece explores various melodies, rhythms, and techniques for the bass tuba instrument.

Uploaded by

Istanbul Superband
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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AYCAN TEZTEL

Fantasy no 2
for solo bass tuba

Duinenburg Music
Fantasy no 2
for solo bass tuba 
Aycan Teztel
Allegro moderato
   
                         
’
  mp
f

              


5

 
   
                 

f p

  
9
         
        
     

                 


      
12

 

    
17

      
            

  
  

      


 
 
ad lib.
 
22
   
 
 
 

        
23
  
a tempo A
 
espress.

           
    
  
f mf

            

    
31
    
 
    
      
  f
  

               
   
37
  ’

             

mf
2 Tuba

  
                                
43
’
f
(2 x) p

      
           
47

 

      
mp
  

             
 

             
52
 
B
   

       
   
cresc. 

      
       
57
        
    
         
ff
fff


62
       
ad lib.

 

     

           
pp

      


          
 
A tempo

         
64
    
C
           
mf

 ’   
        
         
70
  ’
 

     
76
    ’ 
           
   
Tuba 3

               
80
   ’ 
D

        
  
82
         ’
           
          
      

 
        
86
     ’ 
     
 


sf sf

 
       

89
        ’ 
  
   
 sf   
sf sfz

94
  
E
         ’
  
’    
                    

  
 f 
mf

    
                   ’
98
   
 

100
              ’
                  

104
  
F
      
                    
f mf


ff
110
   
 
           
         
 
p
 
mp
sffz

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