Violin I

West Side Story

Extraits
Ouverture - Tonight - Maria - I like to be in America - Mambo
Leonard Bernstein
q = 154 A "Quintet" (Ouverture) Arr. Ph. Marillia


           
        
f mf

            
8

      
 

14
   
                           
      


B
18
          
   
          
mf

26
                  
    
   
  

34
     
          
           
mf

     
40

        
        

    
43

        

f mp
 West Side Story - Extraits
2 Violin I
C "Tonight"

          
46

    
mf

  
     
      
52

 
mp

           
57

                    

   
          
61

      
    mf

              
 
66

 


           
72

      
mf f

79
                   
   

85
          
rall.
 
  
 
 West Side Story - Extraits
Violin I 3
D q = 70 "Maria"

  
3 3
          
3 3

               
p
poco rit.
 
96

   
3 3 3 3 3 3
  
                              
E q = 120
   3  3    
100

   
    
        
mp

   3  3         

105

          

               3   
110
  3 
  
p subito


115 poco rit.
       
3 3 3 3
              
F A tempo q = 120
            
119

       
p

 3  
124
        3 
      


      3      3   3   3  
131

      
pp

    
q = 80

rall.
 
136
  3

            
pp


  3   3           
140

 
V.S.
 West Side Story - Extraits
4 Violin I
G "I like to be in America"

   
144 q = 170

           
mf p mp
       
          
151

    

          

158

    
    
mp
p

  
165

   

     

mf

                  
171

   


        
176
  
      

p f
H
                        
182

 

                  

         
188

 

                
           
193

 

                    

   
199

   
I
   
  
              
203 3
3
      
f
 West Side Story - Extraits
Violin I 5

              
             
207

    
J
        

212

        
p mp

               
220

   
 
   
K

       
226

 
p
L
            
232

       
      
f

            
237

         
ff

                    
242

 
gl
 
is s

.
M q = 270 "Mambo"
246
       
         
foot tap
 
  
       

ff
  
 
    
251

           
      
p

 
                    
256

  


           

261
    
       
foot tap

f V.S.
 West Side Story - Extraits
6 Violin I

           
     
266

   
p
 

          
       
270

      
 
f


      2x

       
274 3x

        

mf

279 2x
          
 
       


O
              
283 2x

    

286               2x
      

  
                     
290
P

f p

                     
295


mp cresc.

         
 
300


f

    
303 3x
     
     
6'46"
 Violin II West Side Story
Extraits
Ouverture - Tonight - Maria - I like to be in America - Mambo
Leonard Bernstein
A Arr. Ph. Marillia
q = 154 "Quintet" (Ouverture)

             
f p
        
p
    
f
6

 
                           
11

 
       
 
             
15

      
  
       
    
18
B
 
      
   
                      
mp


25

              
                    


32

                    
               

    
39

                 
     
mf


      
43

         
        
f mp
 West Side Story - Extraits
2 Violin II

48C "Tonight"
      
                             
p

                     
52

  
        
mf

   
57
      
     

   
63

                  
      
mp mf


68

                     
mp

             
73

      
          

           
77

               
f

             
84

 

87

rall.  
        
p pp
 West Side Story - Extraits
"Maria" Violin II 3
D q = 70

         
    
pp  
E q = 120
  
98 poco rit.

  
                
mp

104

             
 

 
111

     

    3     
  
p subito

 
115 poco rit.

       3 3
           
F A tempo q = 120
      
119

                 
p

                    
124

    
3 3
      

   
129

           3      
  pp

  
134 rall.
 
3
                

138 q = 80
 
          
3 3
   
pp
 West Side Story - Extraits
4 Violin II
"I like to be in America"
144
G q = 170

                            
mf
    p
  mp

     
150
        
          
156

                        
     
p mp

 
      
161

           
3
166

            
3
  
mf

    
172
        
            

     
177

       
            
p f
H
                    
182

       

          
188
    
       
 
 
     


194

                           


200
                
          
  
  
 West Side Story - Extraits
Violin II 5
I
                      
204


      
f

  J
   
210

          

  

  
  
   
    
p

      
215

                  
  mp
3
 
220
  
3

                    

K
  
226

          
  
p
L
       
232

                   
  
f
238
   
               
ff
gl
 
242 iss
      
      
.
         
246
M "Mambo"
q = 270
 
            
foot tap
    
       
           
ff

    
251

           
       p

           
256

     
      
 West Side Story - Extraits
6 Violin II

           
    
262

       
foot tap
  
f

            
267

                 
     
p

272 

3x

                  
  

f mf


    
276 2x 2x

              
  

  
280

                         

O
                    
284 2x 2x

       

P
                       
290


f p

                       
296


mp cresc.

            
302 3x

     
f 6'46"
 Viola
West Side Story
Extraits
Ouverture - Tonight - Maria - I like to be in America - Mambo Leonard Bernstein
Arr. Ph. Marillia
q = 154 A "Quintet" (Ouverture)
                         
           
f p p
f
6

                    
                       

11

             
                        

16

         
   
    

  
  
21
B
             
                  

   
mp

28

           
      
   
        

35
 
                     
  
mf

41
   
            
        
mf

44       
         

f mp
 West Side Story - Extraits
2 Viola

48
C "Tonight"
                             
p
     
52
           
                         
  
56

                           
mp

60
       
                          

64
           
                         

68

                            
  
72
 
                            
     
mp

76
                    
        

f

83          
        


87 rall.
 
        

p pp
 West Side Story - Extraits
Viola 3
"Maria"
D q = 70
                
 
pp

98 poco rit. E q = 120

               
mp

105

               
p subito

112 poco rit.

3
           
      


F A tempo q = 120
118 3 3

                       
p mp p

123

               

130 rall.
        3

         
pp

137 q = 80
3 3
      
     
pp

140

     
 
  
 West Side Story - Extraits
4 Viola
G
144 q = 170 "I like to be in America"

                           
      
mf p mp
150
    
               

156

                            
      
mp
p
162

            
 
168

          

mf
174
   
                     
  
180 H
                           

p f
185

         

      
    

191

                            

197
       
              
    
202
I
  
          
   f
 West Side Story - Extraits
Viola 5

207     
                     

J
212

                            
      
p mp
218
 
       
        
224
K
         
            
p
229  
           
        
L
234
                   
       
f
240

                
ff
243
   
            
gli

  
ss .

M q = 270 "Mambo"
246
       foot tap   

      
             

ff
251
      
                
 p
256
           
          
V.S.
 West Side Story - Extraits
6 Viola
261
   
  foot tap
                     
 
f
266
     
                   
   p 
270
             
           
f
274

  3x  2x
                   
mf

278    2x 
               

281

                  

O
284 2x

                       
 
288 2x
P
        
                
f
293
  
                   
mp
298


    
           
     
cresc.
302
        3x 
            
f
6'46"
 Violoncello
West Side Story
Extraits
Ouverture - Tonight - Maria - I like to be in America - Mambo Leonard Bernstein
A "Quintet" (Ouverture)
q = 154 Arr. Ph. Marillia

                     
             
8 f dim. mp
 
                     
             
15
     
                         
   
21
B

 
                  
mp
31
     
                
        mf
40
 
           
   
  
            
 
f
mp
45
C "Tonight"
       
              
p
50
             
          
55    
               
 
         
mp
60      
     
   


            
     
65      
                 
     
        
 West Side Story - Extraits
2 Violoncello
70
     
        
      
             
mp
75  
 
      
            
   
f
83 rall.
  
                 
   
D q = 70 "Maria" E q = 120 p
 poco rit.    

  
   
 
      
pp  
103
mp
     
                           

108
     
            
      
p subito poco rit.
113
     
             
     
118 F A tempo q = 120
      
                 
 
p
      
123
     
                        
 
128
      
        
          
133 rall.
     
   
            

pp
138 q = 80
  3   3    
 
  
 pp
 West Side Story - Extraits
Violoncello 3
G "I like to be in America"
144 q = 170
                     
 
    
    
mf p mp
150
             
              
155
    3       
  
   
   
 
   
p mp
161
   
           
      
167
    
   
               
 
mf
173
           
       
      
177
  3            

           
 p  f
182
H
       
             
   
188
     
                   
    
194
    
 
                   
 
199
        
                
 V.S.
 West Side Story - Extraits
4 Violoncello
I
204
      
                            
f   
210  J
               


            
     
 p
216
        
       
     
mp
221
                
  
 

226
K
         
                    
p
232
L
              
   
        

f
237
           
       
             

ff
gliss
242 .
               
 
    
 

M q = 270 "Mambo"
246         
 foot tap    
        
  
   
 
ff
251  
              
 
       
p
256
           
       
   
 West Side Story - Extraits
Violoncello 5

261
          foot tap
     

     
 
f
266    
    
             
   p

270             
       
 
f

274 
      3x
      2x

          
mf
278 2x        
       
   
281
                  
 

284
O
    2x       2x
            

290
P
            
f p
       
296
              
    cresc.
  
mp
301 3x
     

 
 
   
f
304
      
   
6'46"