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50% found this document useful (2 votes)
659 views10 pages

Preview Ian Sapiro Ilan Eshkeris Stardust A Film Score Guide PDF

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esteban ardila
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© © All Rights Reserved
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Scarecrow Pi[m Score quides

Series CEcfitor: 1(ate (j)au6ney


1. Gabriel Yared's The English Patient: A Film Score Guide, by
Heather Laing.2004.
2. Danny Elfman's Batman: A Film Score Guide, by Janet K.
Halfyard.2004.
3. Ennio Morricone's The Good, the Bad and the Ugly: A Film
Score Guide, by Charles Leinberger.2004.
4. Louis and Bebe Barron's Forbidden Planet: A Film Score
Guide, by James Wierzbicki.2005.
5. Bernard Herrmann's The Ghost and Mrs.Muir: A Film Score
Guide, by David Cooper.2005.
6. Erich Wolfgang Korngold's The Adventures of Robin Hood: A
Film Score Guide, by Ben Winters.2007.
7. Mychael Danna's The Ice Storm: A Film Score Guide, by
Miguel Mera.2007.
8. Alex North's A Streetcar Named Desire: A Film Score Guide,
by Annette Davison.2009.
9. Nino Rota's The Godfather Trilogy: A Film Score Guide, by
Franco Sciannameo.2010.
10.Miklos Rozsa's Ben-Hur: A Film Score Guide, by Roger
Hickman.2011.
11.Zbigniew Preisner's Three Colors Trilogy: Blue, White, Red: A
Film Score Guide, by Nicholas W.Reyland.2012.
12.Franz Waxman's Rebecca: A Film Score Guide, by David
Neumeyer and Nathan Platte.2012.
13.Jerome Morass's The Big Country: A Film Score Guide, by
Mariana Whitmer.2012.
14.Leonard Bernstein's On the Waterfront: A Film Score Guide,
by Anthony Bushard.2013.
15.Ilan Eshkeri's Stardust: A Film Score Guide, by Ian Sapiro.
2013.
Ilan Eshkeri' s Stardust

A Film Score Guide

Ian Sapiro

Scarecrow Film Score Guides, No. 15

j
THE SCARECROW PRESS, INC.
Lanham· Toronto· Plymouth, UK
2013
Published by Scarecrow Press, Inc.
A wholly owned subsidiary ofThe Rowman & Littlefield Publishing Group, Inc.
4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706
www.rowman.com

10Thornbury Road, Plymouth PL6 7PP, United Kingdom

Copyright © 2013 by Scarecrow Press

All rights reserved. No part of this book may be reproduced in any form or by any
electronic or mechanical means, including information storage and retrieval systems,
without written permission from the publisher, except by a reviewer who may quote
passages in a review.

British Library Cataloguing in Publication Information Available

Library of Congress Cataloging-in-Publication Data


Sapiro, Ian.
llan Eshkeri's Stardust: a film score guide / Ian Sapiro.
pages; cm. - (Scarecrow film score guides)
Includes bibliographical references and index.
ISBN 978-0-8108-9165-4 (pbk. : alk. paper) - ISBN 978-0-8108-9166-1 (electronic)
I. Eshkeri, Ilan. Stardust. 2. Motion picture music-Analysis and appreciation. I.Title.
ML410.E78437 2013
781.5'42-dc23
2013013193

8'"The paper used in this publication meets the minimum requirements of American
National Standard for Information Sciences-Permanence of Paper for Printed Library
Materials, ANSIINISO Z39.48-1992.

Printed in the United States of America


For Nicki and Jennie
CONTENTS

List of Figures ix
List of Tables xiii
Editor’s Foreword Kate Daubney xv
Acknowledgments xvii
Introduction xix

Chapter 1 Eshkeri’s Musical and Filmic Background 1

Chapter 2 Eshkeri’s Working Methods and Approach to Scoring 15

Chapter 3 Critical Context of the Book, Film, and Narrative 47

Chapter 4 Creation and Production of the Score 67

Chapter 5 Analysis and Readings of the Score 93

Notes 129
Appendix 145
Bibliography 147
Index 155
About the Author 163

vii
FIGURES

2.1 Reduction of the orchestral score for bars 50–55 of 4M34 21


2.2 String parts for bars 13–15 of 4M34 22
2.3 Reduced orchestration of bars 1–14 of 7M74 23
2.4 Rhythmic string ostinato from the opening cue of Centurion 26
2.5 Opening bars of 1M1 from Stardust 27
2.6a Violins from bars 17–20 of 3M29 from Stardust, which feature
the ascending tone–semitone octatonic scale. 28
2.6b Strings from bars 23–32 of 4M34 from Stardust, showing
successive sets of ascending five-note minor scales presented
over static harmonies 28
2.7 Start of Shearmur’s Johnny English theme (left) and Eshkeri’s
Johnny English Reborn theme (right), showing the use of a brief
quotation of the former in the latter 34
2.8 Trumpet and horn parts from bars 54–59 of 7M70 “Fat Witch
Dies,” showing the use of Prokofiev’s “Wolf” theme 36
2.9 Opening motif of Star Wars and the first phrase of the “Flying
Bicycles” theme from E.T. the Extra Terrestrial, both by John
Williams 37
2.10 “Todesfinale” from Ring of the Nibelungs and the start of
7M76/77 “Coronation Parts 1 & 2” from Stardust 38
2.11 Melody of Twinkle, Twinkle Little Star and one use in the Stardust
score—bars 34–39 of 7M74 “Shining.” Note how the initial
minor tonality caused by the flat sixth (D ) is countered by the
major scale that follows it. 41
2.12 Comparison of the harmonic structures of the chorus to Rule
the World and 7M78 “Coronation Part 3” from Stardust 45

3.1 Stardust’s “Magic” texture, bars 23–25 from 1M4 “Snowdrop” 64


ix

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