What BPM and How Often Should I Practice Slow?
What BPM and How Often Should I Practice Slow?
A good rule of thumb I use for how often to do that is to make sure
that at least 20% of my practice time is dedicated to playing slow. It
does not matter what exactly it is that you are working on right now,
it could be:
– A new solo.
– A challenging song.
– A new chord shape and the transitions into it from other chords.
– Whatever it is, just make sure that when you practice, even though
it's very tempting to practice at the original tempo and feel like
you're playing it on stage with The Eagles, you are shooting yourself
in the leg when you do that. Instead, if you practice the solo very
slow, at about 50-60 bpm, I guarantee you will cut off about 70% of
the time it will take you to master that solo! If it's a very tough part
that you can't nail with perfect technique and cleanliness on 50-60
bpm – do it even slower!
Another good rule of thumb for finding your best BPM to practice
with is: as slow as you need to feel 110% in control of each finger's
movement in complete accuracy. This is very different for any part
that you might choose to play – easy or challenging. You need to feel
that you are perfectly in your comfort zone.
It's all about that little patience that pays itself off tenfold. It's all
about letting your finger's muscles develop the “Muscle Memory” it
takes to work in new levels of precision. What does Muscle Memory
mean? It means that if you played it very slow and your fingers now
“know” how to play that part with perfect technique – then it will be
much easier to maintain that technique as you dial up the speed.
* When I say 50-60 bpm, make sure that you play 4th notes. Don't
play 8th notes! 8th notes, also called double notes, means playing
two notes for every one beat of the metronome. Which means that
when you are doing that, you are actually playing at 100bpm instead
of 50bpm.
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Core Exercises For Your Guitar Practice Schedule – These Are The
Most Important And Beneficial Subjects You Can Work On – I
Recommend Picking At Least 3 Daily Exercises To Start With.
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Justin
This is not for beginners. See the Beginners Routines for that
(obviously?). This is more set at the intermediate level player.
Advanced players will need to consider more complex routines as
there will be many more concepts that need to be covered
thoroughly, but this would do as a good starting point for creating
your own routine.
USING A TIMER
Within each area, a few different exercises will be presented. I
strongly recommend using a timer to keep your schedule under
control. You can't spend half and hour on scales if you have only an
hour to practice. You must aim for an even development. Make sure
that your 'work out' on the guitar is even and will help you meet your
goals. Just use a kitchen timer of some sort.
Starting with just 5 minute focus sessions will help you a lot. Don't
worry if you don't get all the exercise done, just do as much as you
can in the allotted time. Focus HARD for that 5 minutes and try not
to let your mind wonder. If it drifts onto what you want for dinner or
what you are up to on the weekend try and pull it back and
concentrate on what you are doing.
GOAL SETTING
It is also very important that you understand where you want to get
to. It can be fun just to play about on the guitar, but if you want to
make serious progress then it is best to set some short term goals
and aim for them. Maybe set goals for each area of the routine,
maybe set a goal for a years time... and try and make the routine
help you get there!
This will give you left-hand strength and independence (Finger Gym),
a serious alternate picking workout (The Spider) and some
coordination work, combined with speed picking (Scale Picking).
If you are learning more techniques you might consider doing an A/B
routine where you do the above exercises on day 1 (A) and 3 new
ones on day 2 (B) and alternate them.
You could also incorporate some Aural Training into this section, but
I think transcribing is generally more beneficial - but it depends on
the individual.
This is the one area that may be better used in one block of 1 and a
half hours. Up to you. It seems a lot of effort to get everything ready
for a good transcribing session and then only stay at it for 15
minutes, but that is your call.
BBQ Songs
These are the kind of simple songs you might play at a BBQ or party,
that you can play after a few beers, for that moment when a guitar
ends up in your lap and you have to play for a group of people. If this
happens it is better to play a sing-along song and get others
involved than just to show off some flashy guitar shite. Check out
the Songs page for some examples, but try and find songs that you
like that you think your friends and social circle will like and might
sing along to. There are plenty of sites around that offer reasonable
chords for songs, from my limited experiencewww.chordie.com
seems very good (I transcribe my own stuff, and don't use such
sites..).
Solo Songs
The songs that fit into this category sound good on their own -
without the need for accompaniment or vocals. Things like my Solo
Blues 1, or any nice chord melody arrangement would be great.
Unfortunately, good ones can be hard to find. I plan to put some
more here on this site soon...
Band Songs
These are songs that you should learn to play along with the CD all
the way through. Some songs don't sound so good by themselves
and need to be played with a band. These songs are for this section.
Do make sure that you play them all the way through. Don't leave
any bits out - learn the whole thing. Work on each song until you can
play along with the CD. Be realistic and choose achievable songs,
work up to very hard stuff over time.
Advanced Songs
Once your skills are better developed and you are keen on learning
guitar songs (Joe Pass, Satriani and any other guitar gods) - this
area will replace BBQ songs - you should have plenty of them sorted
by the time you get to this. If you have not - go back and get some
easy songs down NOW!
Either work one one song in each section for 5 minutes each, or
choose a new tune to work on and focus on that for the whole 15
mins.
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As you develop your practice schedule, set specific goals for each
daily and weekly section of your guitar practice routine.
If you find that you aren’t reaching your goals, daily, weekly, or
monthly, don’t think of it as a failure.
Instead, figure out why you aren’t meeting your goals and use that
to set goals in other areas of your studies.
For example, if you’re not reaching your bpm goal for the week, it
could be a picking issue.
You would then focus on alternate picking, before coming back to
the scale exercises with your increased technical skills.
Goals are essential when learning any skill, and working towards
them maximizes your guitar practice routine.
Dear Diary…
Another essential tool for an effective practice routine is keeping a
practice journal.
When you’re working in short sections, such as 30-minute routines,
it’s hard to see results day to day.
By keeping a practice journal, you see tangible results as you record
your daily exercises and achievements.
If you don’t think you’re growing, look at your journal for the past
few months to see where you were and where you are now.
You’ll be surprised that you’ve learned a lot of new material,
increased your bpm with technique exercises, and spent less time
each day to learn new concepts on the fretboard.
On the other side of the coin, if you’re struggling to reach a specific
goal, journaling helps you figure out what’s working for other areas
of your routine.
You then apply similar techniques to the concept you’re struggling
with to overcome those roadblocks in your practicing.
Though it may seem strange at first, a practice journal is one of the
most effective ways to see progress and grow in the short and long
term.
Harmony
Melody
Technique
Soloing
Ear Training
Repertoire
Music Theory
It might seem like you need a lot of time each day to even touch
upon these concepts.
Don’t worry about cramming these skills into each practice session.
Instead, focus on touching each of these essential skills over the
course of a series of practice sessions that you repeat each week.
Having a well-rounded practice routine each week allows you to
grow as a guitarist by working short, consistent practice sessions.
As you can see in this weekly guitar practice schedule, you aren’t
working long sessions each day.
But, each week you cover a lot of ground on the fretboard.
By spreading your practice routine over a week, you use consistency
to build skills over time.
These steady, short, practice sessions produce big results over
time, especially compared to not practicing for several days and
then cramming a few times per week.
Section 1 – 10 Minutes
Section 2 – 5 Minutes
Though 15 minutes might not seem like a lot of time each day to
practice, over time this consistent practicing adds up.
With steady practice, you keep your hands and ears in shape, and
maintain your creativity on the fretboard.
It might not be ideal to only practice 15 minutes each day.
But, it’s much better to work in short, consistent sessions than not
to practice for days on end and then do a big chunk on the
weekends.
Now that you know the 7 skills, how to schedule your weekly
routine, and how to work an effective 15-minute session, you’re
ready to work the 30-minute daily practice routines.
1. Technique – 20 Minutes
Building technique on guitar makes anything you play smoother and
easier on the fretboard.
But technique doesn’t just mean playing fast.
Having strong guitar technique means building dexterity, flexibility,
strength, and speed in both your picking and fretting hands.
Because of this, work a variety of technical exercises in this section
of your practice routine to develop strong fundamentals.
Here are four examples of technique exercises that you could use in
today’s guitar practice session.
Speed drills with a metronome, steadily increasing the speed.
Legato exercises through scales or finger patterns.
Alternate picking, fingerpicking, or hybrid picking exercises.
Stretching exercises to work on fretting-hand dexterity.
2. Soloing – 10 Minutes
In your soloing practice, let your hair down and be creative as you
learn about musical concepts and the fretboard.
One thing to watch in this section, is that you don’t just randomly
solo over chords or chord progressions.
This won’t help you grow as a soloist. Instead, soloing with a
specific goal produces better results in the practice room.
I call this type of soloing practice, “constructive noodling.”
This is where you solo over a progression, but you only use one
scale fingering, one part of the neck, one outside concept, etc.
By doing so, you build your creative chops, and increase your guitar
skills at the same time.
Here are four examples of soloing exercises that you could use in
today’s guitar practice session.
Here are four examples of ear training exercises that you could use
in today’s guitar practice session.
Here are four examples of song exercises that you could use in
today’s guitar practice session.
Rest Days
Just as you would when working out at the gym, you don’t need to
completely stop studying music on rest days.
Instead, you focus on studying concepts away from the guitar in
these practice sessions.
The two most popular elements that you can study away from the
guitar are listening and music theory.
Both can be done anywhere, you don’t need a guitar or amp to work
them out in your routine.
And, they grow your ears and understanding of how music works,
even on a rest day.
So, though you’re not working your fingers, don’t think that rest day
workouts are less productive than days when you’re on your guitar.
They can be just as productive, it just takes planning in your guitar
practice schedule each week.
Listening – 30 Minutes
As you have two rest days each week, Monday and Friday, you can
spread out these concepts in your guitar practice routine.
This means spending 30 minutes of listening on Monday, and 30
minutes of music theory on Friday, for example.
When working on listening, take time to do focused listening.
You probably listen to music for hours a day, but it’s often in the
background, or you’re not really paying attention.
In this 30-minute routine, spend time listening intently as you grow
your ears and expand your musical understanding.
Here are four examples of listening exercises that you could use in
today’s rest day practice session.
Here are four examples of music theory exercises that you could use
in today’s rest day practice session.
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GUITARHABITS
10 min – SCALES
By starting your workout with practicing scales you’re opening two
locks with one key. You’re working on the memorisation and
dexterity of your scales and warming up at the same time. An
effective time saver.
If you’re new to scales start out with practicing the pentatonic /
blues scale and the major scale. If you’re an intermediate player
learn all the pentatonic / blues scale shapes and how to use them to
solo and improvise over the entire neck.
Learn the scales, and then learn to create melody with those scales.
30 min – PROJECT
Now your fingers are warmed up and loose, pick out one song, solo
or arrangement to work on. You might even want to write your own
song. Whatever it is, this going to be your main project. Something
to enjoy and make yourself proud.
Find the tablature to the song or get your tools ready to figure out
the necessary guitar parts.
5 min – CHORDS
Learn one or two new chords everyday to boost your creative
imagination, add more colour to your songs and expand your
visualisation and flexibility across the fretboard. The best way to
memorise new chords is to apply them directly to songs and keep
playing and using them in different songs. If you’re a beginner start
with the The 8 most important guitar chords for beginners.
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