Quarterdeck

MARITIME LITERATURE & ART REVIEW

AUTUMN 2019

Compliments of McBooks Press

McBOOKS press
THE DESTINATION FOR NAUTICAL FICTION

www.mcbooks.com
 Quarterdeck
MARITIME LITERATURE & ART
REVIEW

T S
C

Quarterdeck is published quarterly by

Tall Ships Communications
6952 Cypress Bay Drive
Kalamazoo, MI 49009
12 269-372-4673

EDITOR & PUBLISHER

PD – Art
George D. Jepson
[email protected]

ASSOCIATE EDITOR

Contents Amelia A. Yeoman

CONTRIBUTORS
Roy and Lesley Adkins, Michael Aye,
AUTUMN 2019 Joseph Crowell, Chris Durbin, Charles Henderson,
Geoffrey Huband, Paul Garnett,
Seth Hunter, Alex Skutt, Julian Stockwin, and
Kathy Stockwin.

INTERVIEW DEPARTMENTS McBooks Press

Quarterdeck is distributed
14 JOHN DRAKE 4 SCUTTLEBUTT by McBooks Press, an imprint of
The British novelist relates the Globe Pequot
story behind his passion for 246 Goose Lane, Suite 200
22 BOOK REVIEWS Guilford, CT 06437
Robert Louis Stevenson’s char-
acters in Treasure Island EDITOR
26 MARITIME FICTION Tom McCarthy
Phone: 203-458-4500
FEATURE [email protected]
31 MARITIME LITERATURE www.mcbooks.com

7 BUCKLAND ABBY
Quarterdeck visits the home 32 MARITIME HISTORY
of Sir Francis Drake
33 MARINE ART Visit Quarterdeck on Facebook

COLUMNS Tony Fernandes

ON THE COVER:
Detail from “Trafalgar, ” an oil-on-canvas
5 By George! painting by English marine artist
Richard Woodman Geoffrey Huband, RSMA.
© Geoffrey Huband.

21 AUTHOR’S NOTES
Julian Stockwin’s Cats 7 © Tall Ships Communications

by Kathy Stockwin

3 | QUARTERDECK | AUTUMN 2019

SCUTTLEBUTT

New Book Releases

2019

US (United States)
UK (United Kingdom)
TPB (Trade Paperback)
PB (Paperback)
HB (Hardback)
EB (Ebook)
NF (Nonfiction)

OCTOBER

To the Eastern Seas (UKHB)

by Julian Stockwin
RICHARD WOODMAN
Patrick O’Brian – A Very Private Life
L ate this year, McBooks Press – an
imprint of Globe Pequot Press –
will begin reintroducing the Nathaniel
(UKHB)
by Nicholas Tolstoy
Drinkwater series by Richard Wood-
The Nugget (USHB)
man in print and eBook editions.
“A day or two after stepping into by P. T. Deutermann
my new role,” said Tom McCarthy, “I
learned we had Richard Woodman NOVEMBER
and his wonderful Nathaniel Drinkwa-
ter novels among the treasures I could Overthrow (USHB)
tap into to call attention to our new by David Poyer
venture into nautical fiction.
“‘Perfect,’ I thought, ‘and thank you Blood Will Out (UKHB)
Richard Woodman very much. My job has just become by David Donachie
eminently easier.’ There could be no
better author or no better way to announce that we have the richest The Devil in Paradise (USHB)
list and the most illustrious writers of nautical fiction available. Hands by James L. Haley
down.
"We will be reintroducing the Drinkwater series in e-book and
DECEMBER
print editions, with new covers by noted English marine artist Geof-
frey Huband, RSMA. Audio books are also under consideration as we
Baltic Mission (USTPB)
roll out the entire fourteen-book canon.”
Baltic Mission and Under False Colours will be released in Decem- by Richard Woodman
ber (see page 25) as a prelude to the official re-launch of the series.
An Eye of the Fleet, the first title in the series, will be published in Under False Colours (USTPB)
spring 2020, along with Woodman’s standalone novel, The Darkening by Richard Woodman
Sea.

4 | QUARTERDECK | AUTUMN 2019

By George!

RICHARD WOODMAN
“The sea has been the mainspring of my life”

“Mr Drinkwater! The old master, his white hair

streaming in the wind, addressed a lean youth of
medium height with fine, almost feminine features
and an unhealthily pallid complexion. The mid-
shipman stepped forward, nervously eager.”

I
n 1981, these words in An Eye of the Fleet,
Richard Woodman’s debut novel, intro-
duced young Nathaniel Drinkwater, a fledg-
ling midshipman aboard His Britannic Majesty’s
36-gun frigate Cyclops.
The Drinkwater naval ad-
ventures – fourteen volumes
published by the venerable Richard Woodman
London house John Murray
over two decades – emanated Revolution history, while “ensconced as an offi-
from Woodman’s “intense cer in the Trinity House service, serving as First
interest in the American Rev- (Chief) Officer in the second THV Patricia.”
olution and the Napoleonic While waiting for London publishers to con-
Wars.” sider the manuscript, he created Nathaniel
Nearly 40 years after An Drinkwater, placing him aboard a British frigate
Eye of the Fleet first appeared during the American War of Independence in
in English bookshops (left, 1779.
first edition cover), the “The book was written at sea in my spare time,
timeless series remains fresh with much of it’s detail, dialogue and so forth
as a sea breeze. In December, McBooks being thought out as I paced up and down the
Press will reintroduce the novels in handsome bridge on watch” Richard recalled. “It was thus a
new editions (see Scuttlebutt on page 4). rather piecemeal process, which had no proper
“The sea has been the mainspring in my life,” structure and the writing took longer than it
Richard once told me. “I have been extraordi- would have done, but I had a living to make and
narily fortunate in pursuing a career that gave me a mortgage to pay.”
several opportunities to explore different aspects John Murray VII, scion of the publishing
of seagoing . . . which inform my work as an au- house bearing his name, “very courteously reject-
thor.” ed my history, but asked if I had written any-
Richard wrote his first book, an American thing else. Eye was on his desk by return post.” †

5 | QUARTERDECK | AUTUMN 2019

By George!
The next 13 titles in the series saw Drinkwater rise to died, leaving his memoirs with Murray. Believing that
command, while Richard tied his stories to “some small the chronicle, including scandalous particulars, would
‘hook’ of historical fact.” In 1805, Drinkwater is present damage the poet’s reputation, the two-volume manu-
at Trafalgar, but as a prisoner aboard the French 80-gun script was burned in that very fireplace. Sadly, the de-
ship-of-the-line Bucentaure. And in 1811, he is caught tails were lost to history.
up in the breach in frayed relations between Britain and Richard’s writing career has paralleled his maritime
America. service with The Corporation of Trinity House, the of-
In April 1999, Richard and I arranged to meet for ficial authority for lighthouses in England, Wales, the
the first time in London. Ebb Tide, the final title in the Channel Islands and Gibraltar. It also maintains light
Drinkwater series, had just been published, and I was vessels, buoys, and maritime radio-satellite communica-
anxious to learn what he planned to write next – a ques- tion systems, and provides expert navigators for ships
tion that has been repeated many times since. trading in Northern European waters.
Amy and I were in England on a busman’s holiday to Trinity House was established in 1514 by a Royal
meet with authors and to visit maritime sites. Our Charter granted by Henry VIII. Thirty-one Elder
daughter Jane, who was working in New York, had Brethren, presided over by a Master, rule the Corpora-
flown in to join us for a few days. tion. They are appointed from 300 Younger Brethren,
At the appointed time, we stood on the corner out- who act as advisors. The Younger Brethren are appoint-
side the famed Ritz Hotel on Piccadilly. On the crowd- ed from lay people with maritime experience – naval
ed sidewalk under the hotel’s collonade, we immediately officers, ships’ masters, harbormasters, pilots, yachts-
recognized Richard walking briskly toward us. The col- men, and anyone with useful experience.
lonade appeared prominently in Notting Hill, the criti- During his maritime career, Richard commanded
cally acclaimed romantic comedy starring Hugh Grant THV Patricia III, a 283-foot multi-functional tender.
and Julia Roberts, which was released a month later. The vessel operated around the coast of England, Wales
Introductions aside, we headed for a local bistro to and the Channel Islands, aiding navigation mainte-
meet Richard’s wife Christine, a botanical artist, and nance, towing, wreck location and marking, among oth-
their daughter Abigail, who was working in London. er activities. She also served as escort to Queen
After lunch, the women left us with shopping on their Elizabeth II’s Royal Yacht Britannia.
minds. After retiring from the sea, Richard was appointed to
Richard and I walked a short distance to 50 Albemar- the body of Young Brethren and currently sits on the
le Street, the eighteenth-century tall and narrow town- court of Elder Brethren.
house where John Murray, one of Britain’s most dis- In the years after we began corresponding and peri-
tinguished literary publishing houses, had done business odically meeting in England, there was seldom a time
since 1768. when Richard had no answer to my queries. What are
Stepping inside, we were met by John Murray VII, a you writing now? What lies on the horizon?
descendent of the founder, a Royal Marine officer bear- During four decades as a published author, he has
ing the same name. Among the firm’s published authors produced nearly three dozen novels, 20 volumes of mar-
were Jane Austen, Sir Arthur Conan Doyle, Herman itime history and hosted Sea Warriors – The Royal Navy
Melville, Queen Victoria, Washington Irving, Lord By- in the Age of Sail, the video presentation featuring,
ron, and Charles Darwin. This was indeed a hallowed among others, Douglas Reeman, Julian Stockwin, Tom
setting. Pocock, and Colin White.
During our visit, Murray showed us a room with a The Nathaniel Drinkwater novels have weathered the
small fireplace, which had a history all its own. On 17 years, securing a prominent place in naval fiction’s long
May 1824, John Murray III participated in a most infa- storied history. n
mous act in literary history. A month earlier, Byron had – George Jepson

6 | QUARTERDECK | AUTUMN 2019

 FEATURE

The entrance to Buckland Abbey

Photo by George D. Jepson

Buckland Abbey
Quarterdeck visits Sir Francis Drake’s home
BY GEORGE D. JEPSON

D
EEP IN THE DEVON COUNTRYSIDE, nestled Drake sailed into
in a lush green valley – or coomb – lies a 13th Plymouth Sound
century abbey once owned by Sir Francis aboard his diminu-
Drake, England’s fabled seafarer, who owed his great tive galleon, Golden PD – Art

wealth to the plunder of Spanish treasure ships and a Hinde. The ship’s
benevolent Queen Elizabeth I. hold brimmed with
On an overcast autumn morning, we drove north Spanish silver and Sir Francis Drake at Buckland Abbey,
circa 1590 or later, by Flemish artist
from Plymouth along winding narrow lanes bordered gold pillaged during Marcus Gheeraerts the Younger
by tall hedgerows, bound for Buckland Abbey near the voyage.
Yelverton, the great stone country estate where Drake As the vessel’s anchor splashed into the waters off St
lived for 15 years when he was not at sea. His path to Nicholas Island – known today as Drake’s Island – he
Buckland began in the months after his return from a awaited word from his wife, Mary, about whether it was
three-year circumnavigation of the world in on 26 Sep- safe for him to step ashore. After being at sea for nearly
tember 1580. three years, Drake was concerned that Elizabeth and †

7 | QUARTERDECK | AUTUMN 2019

FEATURE

The total value of the booty

robbed from Spanish ships remains
unknown, but a document written
by Lord William Cecil Burghley, the
chief advisor to Elizabeth during her
long reign, estimated that approxi-
mately £264,000 was deposited in

© Tony Fernandes 2005 www.tonyfernandes.co.uk.

the Tower of London.
The queen, however, privately
ordered Drake to collect £10,000 for
himself and another £14,000 to be
divided among his crew. Suddenly a
wealthy man, he engaged his friend
Christopher Harris of Plymouth to
manage his fortune.
Harris, along with businessman
John Hele, approached Sir Richard
ABOVE British artist Grenville, an English naval com-
Tony Fernandes’s oil- mander, about purchasing his home,
on-canvas rendering of Buckland Abbey, on behalf of their
Golden Hinde.
LEFT Queen Elizabeth I
client. The agreed price was £3,400
bestows a knighthood for the abbey, its contents and 500
on Sir Francis Drake at acres of surrounding land.
Deptford in 1581 At the time, Sir Francis was land-
bound, living with his wife, Lady
Mary, in Plymouth, where he became
the city’s mayor in 1581, immersing himself in local
affairs and businesses. In addition to Buckland, he ac-
quired additional properties in Plymouth, as well as es-
tates in the countryside.
The couple moved to Buckland, while also maintain-
ing a residence in Plymouth. Sadly, Lady Mary died in
1583. In his grief, Sir Francis embraced his roles as a
city councilor and mayor, presiding over the port’s de-
PD – Art

fenses and seeing that a new supply of water from the

River Meavy on Dartmoor be diverted to Plymouth via
an aqueduct.
King Philip II of Spain, whose ships he had looted as a Alone, Drake found peace at Buckland where he
privateer under the English flag, might have cast aside made his country seat away from the tumult of priva-
their differences in his absence. teering and the day-to-day discourse within the council.
Drake’s unease was soon assuaged with a summons After Mary’s death, he remarried, this time to the fair
from the queen to attend her in London, where he was Elizabeth Sydenham, who had important and powerful
received as a national hero. The following spring, he friends.
hosted Elizabeth aboard the Golden Hinde at Deptford, Walking down a tree-lined path from the Buckland
where she rewarded him with a knighthood. car park, the abbey’s stone buildings and walled gard- †

8 | QUARTERDECK | AUTUMN 2019

 FEATURE
ens, spread out before us,
surrounded by the “green
hills of England” and thick
woodland. The morning
air was still, with only
singing birds and our foot-
steps disturbing the si-
lence.
Absorbed with the se-
rene setting, we imagined
Photos by George D. Jepson.

Sir Francis taking the air,

lost in his thoughts three
centuries after a wealthy
and titled widow devoted
her life to constructing a
monastery in this resplen-
dent valley. ABOVE The Great Barn
The abbey was founded in 1278 for is a prominent focal
point among all of the
the Cistercian order’s “white monks,” abbey’s buildings. The
who farmed the rich lands, managing majestic interior fea-
livestock, orchards and fishponds. The tures an arched cathe-
dral ceiling.
enormous tithe barn stored the fruits
RIGHT The abbey’s tow-
of their labor. er as seen from the Eliz-
In 1539, the abbey was dissolved abethan Garden, one of
and the monks pensioned off during several on the estate.
the reign of Henry VIII, becoming the
property of the Crown. In 1541, the monarch sold the
property to Richard Grenville for £233 3s 4d, a loyal
supporter whom he knighted. Grenville purchased
Buckland for his son, Roger, a member of Henry’s Privy
Chamber. In July 1545, Roger died aboard the Mary
Rose during an action against a French invasion fleet.
Old Sir Richard regained the estate, but in 1550 he
died, willing it to Roger’s son, also called Richard, who
was just shy of his eighth birthday. So his grandmother,
Dame Maude, assumed control over Buckland, but she
died a few months after her husband.
Reaching the age of majority in 1563, Richard mar-
ried, but desired a life of adventure, rather than oversee- ins, who both profited from privateering under the
ing a country estate. Turning Buckland’s affairs over to Crown. In 1571, while a member of Parliament, he
his agents, he sold land to fund his exploits. In Hunga- planned a voyage in his own ship, The Castle of Com-
ry, he fought the Turks with West Country volunteers. fort, to seek Spanish gold and rich new lands for Eng-
Then he embarked on a mission to suppress a rebellion land. Queen Elizabeth, however, thwarted his
in Ireland. ambitions, withdrawing his license as a legal freebooter.
At the same time, Richard longed to explore and reap In 1574, Richard returned to Buckland Abbey to
riches on the high seas like Drake and Sir John Hawk- create a family home. He put his own mark on the †

9 | QUARTERDECK | AUTUMN 2019

FEATURE

The land surrounding Buckland Abbey

has changed little since the Cistercians
seven centuries ago and is still worked
today by local families
Photo by George D. Jepson

former monastary, building his Great Hall under the home, but would also see additions from the Georgian
tower, a new “modern” kitchen with an immense open period: bedrooms, a new chapel, and an elaborate grand
hearth. He also converted the church’s interior into liv- staircase in the east wing. Drake’s coat of arms, which
ing space, adding three floors, petitioning them into was granted by Queen Elizabeth I after his circumnavi-
rooms. gation, remain above a fireplace on an upper
During this period, Grenville also served floor.
as Sheriff of Cornwall and chief of the Moving through the rooms in the ab-
judiciary, pursuing and punishing bey, the historic periods from the Cis-
Catholics who refused to accept the tercians to the Georgians blend,
Church of England’s rule. In Octo- giving an almost seamless appear-
ber 1577, he was knighted in recog- ance to the stone and wooden
nition of his loyal service. structure. Artifacts, including a
PD – Art

Approaching his fortieth year in replica of Drake’s Drum (see

1580, Grenville put Buckland on page 11), a legendary instrument
the market and returned to the sea, carried aboard his ships, provide
perhaps motivated by Drake’s suc- tangible ties to England’s naval hero.
cessful circumnavigation and new Strolling the paths around the ab-
found wealth. bey, we enjoyed the walled Elizabethan
By the time that Sir Francis acquired the Garden, Cider House Garden, and Herb
abbey, little change was necessary due to Sir Richard Grenville
Garden, each a lovely juxtaposition to the
Grenville’s extensive alterations. the Younger austere stone structures on the estate. Lavish
Visiting Buckland Abbey today is tanta- landscaping complements the gardens, as well
mount to traveling seven centuries through time. Gren- as the meadows and woodland encompassing the abbey.
ville and Drake would recognize much of their former Although Sir Francis adapted well to his position †

10 | QUARTERDECK | AUTUMN 2019

 FEATURE

Launch of English fireships against the Spanish

Armada off Calais, France, on 7 August 1588 by
an unknown Flemish artist (PD – Art).

“It isn’t that life ashore is distasteful to me,

but life at sea is better.”
– Sir Francis Drake

as a country squire, there is little doubt that he preferred

life at sea. So in 1585, heeding Queen Elizabeth I’s or-
ders, he sailed for Spain with a fleet of 21 ships to DRAKE’S DRUM
thwart a possible Spanish invasion. The English initially
attacked Vigo and then proceeded to raid Spanish inter-
ests in Europe and across the Atlantic.
Elizabeth again ordered him to sail against the Span-
ish in 1587, this time with a price on his head from
O n his voyages around the world Drake carried
with him a snare drum emblazoned with his
coat of arms. When he lay dying off the coast
of Panama in 1596 he expressed the wish that the
drum be taken back to Devon, promising that if any-
Spain’s King Philip II. Raids on Cádiz and Corrunna one beat on it when England was in danger he would
delayed a Spanish invasion of England by a year. But in return and lead her to victory. It is believed that
1588, with Vice Admiral Drake second in command, Drake has returned twice, reincarnated once as Ad-
the English Navy defeated the Armada. miral Robert Blake and then as Admiral Horatio Nel-
Drake sailed on his final expedition in 1595 to the son.
West Indies, a devastating mission where the Spanish The drum has been known to sound without the
help of human hands when significant national
rebuffed an English attack and sickness ravaged crew-
events take place, and there are reports that it was
men and officers alike. Sir Francis fell ill with dysentery heard at the beginning of the First World War.
and died aboard The Defiance on 21 January 1596 off Drake’s Drum now has pride of place at the Buck-
Panama. land Abbey Maritime Museum in Devon, England.
Buckland Abbey stands as a monument to his memo-
Excerpted with permission from Stockwin’s Maritime Miscellany
ry, along with his statue on the Hoe above Plymouth by Julian Stockwin

Harbour. n

11 | QUARTERDECK | AUTUMN 2019

INTERVIEW

JOHN DRAKE
British novelist returns to Treasure Island

B
RITISH NOVELIST John Pieces of Eight and Skull and Bones.
Drake is a passionate The Traitor of Treasure Island re-
dreamer, a blissful delight, veals “what really happened” in the
creating stories in his quest for the hidden fortune.
mind, with many eventually appear- The author’s initial venture into
ing in print. nautical fiction resulted in a five-
Drake’s latest book is The Traitor title series featuring Jacob Fletcher,
of Treasure Island (see review on page who is press-ganged into the Royal
–), his fourth featuring the characters Navy in Fletcher’s Fortune, which
Photo courtesy of John Drake.

from Robert Louis Stevenson’s Treas- was described by the Daily Mail as
ure Island. “Broad comedy, high drama, plenty
Over the years, Drake returned of- of action, a pinch of sex . . .”
ten to Stevenson’s classic, leaving him Four Fletcher novels followed:
with several questions, which he com- Fletcher’s Glorious 1st of June,
menced to answer in three prequels to John Drake Fletcher and the Mutineers, Fletcher
the original story: Flint and Silver, and the Great Raid, and Fletcher †
12 | QUARTERDECK | AUTUMN 2019
 INTERVIEW

and the Samurai. satisfaction; and second only to my family it is the love
Drake recently shared the story behind his journey to of my life. So, in the year 2000, I became a full-time
becoming a published author in this interview with writer.
Quarterdeck.
What had you written up until that point?
– George Jepson
I had already written my first book, Fletchers Fortune, an
What brought about your decision to write full-time? 18th century sails-and-cannon saga reporting the early
life and entry into the navy of my hero, Jacob Fletcher.
Until the year 2000 I worked for ICI Pharmaceuticals He is the only hero of seafaring fiction who didn’t want
in the film and television department. Yes, a pharma- to join the navy, who was press-ganged into it, and who
ceutical company had a film unit making medical docu- strained mightily to get out of it.
mentaries, and a TV unit broadcasting to its overseas I wrote that book at home, in the evenings using a
branches. stone-age computer, which was then the last word in
Then ICI Pharms went through name changes, a high tech. It had a daisy-wheel printer, which clattered
merger, and closed our entire department. But I left and chattered, and a screen displaying green letters on a
with a lump sum that paid off my mortgage and a pen- green background. It had a memory that was one drop
sion so generous that I could have sat comfortably idle of water, compared with the Pacific Ocean memories of
all my life. So thank you ICI, because I love you dearly. modern computers. But it was unimaginably better than
But I couldn’t sit idle because of an oddity of mind. writing by hand or typing, and I thought it was wonder-
The oddity is my compulsive habit of making up stories ful. So, I still love you too, my dear old Amstrad.
in my head. I have always done it, I can’t stop it and it Incidentally, when writing in the evening when I was
is as much a part of me as the color of my eyes (they’re tired, I had to force myself to get started. I called this
gray, since you ask). Thus a fountain of characters, plot “climbing the wall,” because I always found that once I
and events rises constantly in my head, and the writing was started – and was over the wall – the writing was
down of it into books is a consuming passion; it is total easy. Sometimes the wall was high, sometimes low, †

13 | QUARTERDECK | AUTUMN 2019

INTERVIEW

What childhood stories and au-

thors have remained with you
over the years?

Wind in the Willows obviously,

but also Stevenson’s Treasure Is-
land, Forester’s Hornblower
books, Isaac Asimov’s robot
books, everything written by Co-
nan Doyle, Rudyard Kipling, and
H. G. Wells, especially Wells’s
science fiction. Likewise, Jules
Verne’s sci-fi. Finally, and best of
all, Edgar Rice Burroughs’s Mar-
tian sagas, commencing with A
Princess of Mars.
As a youngster, I busted my
guts standing outside at night,
looking up at the stars, and will-
but it was always there and had to be climbed. ing myself to be transported – like Burroughs’s hero
John Carter – to a Red Planet of sword-play, flying bat-
Do you have a favorite fictional character? tleships, green monsters, and the loveliest women in the
Universe. What a shame. I never made it. I never met
Indeed, I do, and he is Toad – Toad as in frog – from Dejah Thoris, so Google her and you’ll see what I
Kenneth Graham’s Wind in the Willows, which was missed. But I read those Martian sagas over and over
written for children, but which suits me because the again.
writing is so elegant, sophisticated and kind. It’s set in
an elysian, late-19th century England, and the main You have alternated between historical and maritime
characters are animals: Mole, Water Rat, Badger, and, fiction? Do you find it difficult moving between differ-
of course, Toad. They are animals, but they behave as ent eras?
decent Englishmen should, except for Toad, who has
too much money, and is the boy within us all – the boy No, I don’t find it difficult at all. The process involves
within me at least – and he is lovable because it isn’t filling my mind with information, and then processing
only girls that want to have fun. that into characters, plots and events, to deliver what I
Toad has mad, temporary crazes for such things as hope is a decent tale. For me the storytelling process is
boats, Gypsy caravans, and cars, and he gets into trou- the same whatever period or genre might be. It’s like
ble, and escapes from prison, and steals a railway train. being able to juggle. If you can juggle you can juggle
Then finally – utter disaster – he loses his ancestral equally well with apples, oranges or Bowie knives, †
home, Toad Hall, to the wicked stoats and weasels who though you’d need to be careful with the latter.
lurk in the Wild Wood, waiting their chance to fall up-
on the innocent. So, my favorite scene in all of fiction, Do you write the sort of story you would like to read
is the final battle of Toad Hall, when Toad and his al- or for a particular audience?
lies knock seven bells out of their enemies. Go on Toad!
Give it ’em! It’s always the sort of story that I would like to read,
and I know that this is arrogant and selfish, so I †

14 | QUARTERDECK | AUTUMN 2019

 INTERVIEW

readily accept that since nobody asked me to write my went out and got some more, until one of the various
books, I have no right to expect people to like them. navies caught them and hoisted them up to the yard
Thus, all criticism of my work is valid, even that of -arm.
someone on Amazon who summarised one of my So, in the face of that grim truth, I wanted to invent
books with the single word “Rubbish!” That’s show a credible explanation of why Long John, and the vil-
business, and all those who can’t stand it should get a lainous Captain Flint, buried their treasure. This expla-
proper job. nation is buried in my book Flint and Silver. Interested
persons should read the book, to dig it up. But that’s
The Traitor of Treasure Island is your fourth about not all. How did Long John lose his leg? Who was the
Robert Louis Stevenson’s characters. What inspired monstrous Captain Flint repeatedly mentioned in
you to write these stories? Treasure Island, but never seen? How did Long John get
the parrot? And who was the black lady, hinted at as
Firstly, Stevenson’s Treasure Island is a superb book. Silver’s wife? I thought there was enough material for
Everyone has heard of it, movies have been made of it, several books in these and other questions, and I there-
Long John Silver is as famous as Batman or Spiderman, fore did my best to answer them.
and the book has never been out of print since 1882
when it was first published. I read it when young and Your Jacob Fletcher naval adventures are billed as
have since read it many times more – taking detailed “part Flashman and part Hornblower.” How did you
notes – in order to write my own novels. come to create this character?
But Treasure Island leaves some tremendous ques-
tions unanswered. First and biggest, why did the pirates I created Fletcher in response to C. S. Forester’s Horn-
bury their treasure? Please take careful note that there is blower, and in homage to George Macdonald Fraser’s
no proven instance of pirates ever burying treasure. I Flashman. Thus, I loved the Hornblower books for
repeat, they didn’t do it, not ever, because they had no their account of life in Nelson’s Navy, giving enough
hope of coming back for it as they lived short, brutal technical detail to create a glorious world, but never so
lives, and didn’t have a future. So they spent their loot much as to give a lecture. I loved the world, but not
on women and drink as soon as they got it, and then Hornblower himself; he was too much driven by †

15 | QUARTERDECK | AUTUMN 2019

INTERVIEW

duty, tortured by guilt,

and above all he never
made me laugh. So
when I read the Flash-
man books, which
made me laugh and
laugh, I knew that
Flashman was the char-
acter for me.
I put the two togeth-
er, aiming at “Flash-
man afloat,” except
that, unlike Flashman,
Photo courtesy of John Drake.

Jacob Fletcher is brave.

Fletcher is a huge,
strong man vastly tal-
ented as a navigator
and a gunner, but he John Drake in his attic work space.
will never admit it, be-
lieving all his life that
what he really wants is
a career in trade, build- “A new novel begins in my mind as a visual scene from
ing a business, manu-
facturing goods, buying
a story . . . I then build a plot around the scene . . .”
cheap and selling dear.
He believes this because he is talented at that too. He may be the personality oddity that I have already men-
really could have created a vast enterprise of commerce tioned: the one that never stops inventing stories. That
if only he’d had the chance. oddity is presumably genetic, and stems from some in-
The key to Fletcher is that he is, by the evil machina- herited sequence of molecules in my DNA. That’s my
tions of others, press-ganged into the navy, and tries by guess anyway.
every means to get out of it. In so doing he is like Flash-
man in that he cares nothing for the law, or telling lies, Where does your process begin when you start a
or deserting, or taking any other means whatsoever, if new novel?
only they will get him free of the navy.
Finally, like Flashman, Fletcher is irresistible to the A new novel begins in my mind as a visual scene from a
ladies, and so, without attempting to write “fifty shades story. I have been doing this so long that the images in
of seafaring gray,” I have given Fletcher plenty of action my mind are quite clear, something like the recollection
with delectable women. of a TV program viewed last night. I then build a plot
around the scene, working forward and back to explain
What has been the greatest influence on your work how the scene happened and what happens next. This is
as an author? a very absorbing process, and has two consequences.
The first is good, because it means that it is very diffi-
I am not sure that I can answer this, because I can’t cult for me ever to become bored. If I sit on a beach on
point to any event, or any person, book or movie that holiday, I don’t need a book to read, because there is
influenced me above all others. If there is an answer, it one forming in my mind. If my flight is delayed, or †

16 | QUARTERDECK | AUTUMN 2019

 INTERVIEW

“. . . I write fact-based historical novels, and my writing method is to

begin with research. It takes me roughly a year to write a novel, always
starting with about three months of research.”

I am stuck in traffic, I am not bored for the same rea- five. In the summer I vary that routine, getting up as
son. The downside is the writers’ peril of becoming early as five, to allow a decent day’s work in the morn-
detached from the world and withdrawing within the ing and early afternoon, while leaving time for that oth-
writer’s head. er process known as “life.” I do so because I take
A further and small defect is that I have little use for, warning from John Lennon who proclaimed that “life is
and no need of, music and often find it annoying when what happens when you’re busy making other plans.”
subjected to music, because it interferes with my After all, I do have a family to consider, so existence is
thoughts. On those occasions I do my best to smile, and not all about me and my writing.
come out of my head and not be a miserable blighter.
Otherwise who’d want my company? Do you ever experience writer’s block?

Do you plot out your novels before beginning to Never. Not ever. This is because I write fact-based his-
write? torical novels, and my writing method is to begin with
research. It takes me roughly a year to write a novel,
I think I have answered that. I imagine a scene and always starting with about three months of research. I
build on it. But I don’t draw up a detailed plan. I have read relevant books, I research the internet, and I take
occasionally worked from such a plan, when I persuad- notes. I stress that taking notes is vital if any informa-
ed an agent or publisher to accept my work based on a tion is to stay in my head, rather than be forgotten.
such a plan, since that is what agents and publishers ask Having made notes, I then store them in ring-folders,
for. On those occasions I found it unpleasantly restric- and index them on a computer spread sheet, a mixture
tive to be locked into a fixed plot. I prefer to let my of low-tech and high-tech, which enables me to find the
oddity drive the process. information in the notes. I suspect that the indexing
process also helps fix information in my head.
Please describe where you write? Meanwhile, I stress mightily that simply printing off
information from the internet is totally worthless as a
It’s a desk in an attic room on the top floor of my research method. You might as well put the print-outs
house. I have a small bookcase for reference books and straight in the bin. So I do indeed print out, but then I
for the files in which I keep my notes. Otherwise, all I take notes of the print-out and index them as above.
need is space to sit and type and to shuffle my papers. I So much for the process of stuffing raw materials into
type straight into a computer, and use a desktop rather the sausage-grinding machine. I then turn the handle –
than a laptop. The desktop has a screen that displays the which is to say that I write – and the sausage comes out
whole of page, which once I found a mere convenience, of the other end as a book. It’s prosaic, but it works and
but which has now become indispensable. Thus I find it the problem is never writers’ block, but “how I am go-
astonishing that writers can work from a laptop that ing to cram all this stuff into each chapter.”
displays only a fraction of a page.
How do you name your characters?
Do you have a regular writing routine?
With difficulty! I find the naming of characters very
Very much so. I treat writing as a job, and work nine to hard. I used to take author surnames off the spines of †

17 | QUARTERDECK | AUTUMN 2019

INTERVIEW
the research books in my bookcase, because the names the reason why she is invited to dinner. The best I can
were there, sitting in front of me. But I have long since do is to state that she was one of the most spectacularly
used them all. So now I turn to the index sections of lovely women of all time, lovely but sinister. She was
some of my bigger books and pick names from there. I also extremely clever, and patented a transmission cod-
suppose that an old-fashioned phone book would be a ing device that was used in the guidance system of tor-
good idea, and I keep intending to get one so that I can pedoes, so I think she would easily keep up with Noël
pick names. So thanks for this prompt and I’ll look for Coward and might even persuade him to shift his orien-
one online. If I remember. tation.
Meanwhile, to make sure I don’t use the same names Third choice: Captain Edward Smith of the White
twice or more, I keep a list on computer of all names Star Line and RMS Titanic. He would enjoy Noël’s
used in each book or series of books, cross-referencing conversation and would be awestruck by Hedy Lamarr.
them by character-type, role and such matters as who But just before sending him back to his own time, I
were shipmates aboard particular ships. This is vital to would have this brief conversation with him:
avoid confusing readers. For instance, the list for my
five Fletcher books, now contains over 630 names, and Myself: “Captain, you are a first-class seaman and
nobody can keep such numbers in memory alone. navigator.”
Smith: “You are too kind, sir.”
What are you presently working on? Myself: “But please accept this advice from a land-
man.”
I am attempting a young adult, parallel-universe book, Smith: “Which is, sir?”
roughly in the direction of Harry Potter or Discworld. Myself: “You will shortly take the liner ‘Titanic’ on
This means working straight out of such creative talent her maiden voyage.”
as I might have, and I do hope that I have some. Smith: “How did you know that?”
Myself: “Never mind, but on April 14th at 11.15
Are there other historic periods or subjects you precisely …”
would like to explore with your writing? Smith: “Sir?”
Myself: “At 11:15 precisely, go hard a-port on the
Dozens of them, topped by the American Revolution, helm.”
the American Civil War, World War I, World War II, Smith: “Why?”
etc, etc. Myself: “In the name of God, just do it!”

If you could host three historic figures at a dinner Who knows? He might.
party in your home, whom would you invite? Why?
Is there anything else you would like to share with
All three are from the 20th century, so here they come. our readers?
First choice: Noël Coward, the master of music, rep-
artee and theatrical production. I would choose Noël Only my thanks for reading through all this. Thanks
for his conversation, his captivating playing of the pian- indeed, because writers want to be read. n
oforte, and – to quote Time magazine – his personal
style of “cheek and chic, pose and poise.” All that and
his wonderful wit. In addition, I would like to ask him
if it were true that during World War II he was sent on Visit John Drake on Twitter
dangerous espionage missions for the British. or at his publisher, Endeavour Media:
Second choice: actress Hedy Lamarr. Readers should http://www.endeavourmedia.co.uk.
instantly enter her name on Google images, because any
photo of Hedy Lamarr will explain better than words,

18 | QUARTERDECK | AUTUMN 2019

 AUTHOR’S NOTES

Julian Stockwin’s
Photo by Amy Jepson.
CATS
Kathy Stockwin
BY KATHY STOCKWIN

Kathy and Julian Stockwin work closely as a creative team producing the
Thomas Kydd tales. A former magazine editor-in-chief, Kathy brings and
impressive range of skills to the table and in this fourth of a series of special
features for ‘Quarterdeck’ she writes about the relationship Julian has with
these much-loved creatures

M
ANY WRITERS have had a close association
with cats – Charles Dickens, Edgar Allan Poe,
Aldous Huxley, and Ernest Hemingway, to
name just a few. Perhaps this is because they
are often creative introverts, drawn to the independence of
the cat. Dogs love most people, but you have to earn that
from cats!
Julian Stockwin is definitely a cat man, wouldn’t have
married him else . . .

OUR FELINE FAMILY

When we lived in Hong Kong we somehow acquired five
cats – Jasper, Simba, Claude, Ra and Percy. Sadly, we could
only bring the two Siamese, Ra and Claude, with us when we
relocated to the United Kingdom, as the others were too old to
undertake a journey halfway around the world. In those days cats
had to go into quarantine for six months, a terrible fate for such in-
telligent creatures.
Julian Stockwin with Ming. Julian came on ahead to the UK to get started on a software project
Photo by Kathy Stockwin.
for NATO, and I stayed on for a few months in Hong Kong until a
replacement editor could be found. It was heart-breaking to think of
them in the kennels, but Julian visited as often as he could and spent
hours reassuring them that it was not forever. Fortunately, when they
were released they adjusted quickly to English life and both lived well
into old age.
Then, after a period of time with no miaows in the house, we found
ourselves with three more cats – Freddie, a Maine Coon, who just †

19 | QUARTERDECK | AUTUMN 2019

AUTHOR’S NOTES
wandered in one day and never left, and Ling and Chi,
two more Siamese. When those three passed on recent-
ly, once again we found ourselves bereft of feline com-
pany. Enter Ming and Mae, characterful brother and
sister Siamese. They are now a little over six months
old, with very distinctive personalities.

Photo courtesy of Julian and Kathy Stockwin.

CATS IN PRINT
Many readers have been moved by the passage below
from Julian’s first book, Kydd. The young wigmaker
from Guildford finds himself press-ganged into the
ship-of-the line Duke William, knowing nobody, des-
perately lonely, and railing at the turn of fate that had
brought him to this:

“Worn out by the trials Ling and Chi

and challenges of the day,
some instinct drove him ‘We keeps sails in here. Get your swede down there ’til
ever down to seek sur- morning, but don’t tell anyone!’ He turned on his heel and
cease in the deepest part thumped away up the ladder.
of the ship. He found Kydd felt his way into the room. It stank richly of linseed
himself in the lowest oil, tar and sea-smelling canvas, but blessedly he could feel
deck of all, stumbling the big bolsters of sails that could serve as his bed, and he
along a narrow dark crumpled into their soft resistance.
passage past the foul He lay on his back, staring up into the darkness at the
smelling anchor cable, one or two lanthorns in the distance outside that still
laid out in massive glowed a fitful yellow.
elongated coils. Cutting into his surging thoughts, his feral instincts
Kydd felt desperate- jerked him into full alert. He knew for a certainty that he
ly tired. A lump rose was not alone. His mind flooded with primitive fears; he
in his throat and raw emo- sat up, straining to hear.
tion stung his eyes; utter despair clamped in. He staggered Without warning, a shape launched itself straight at
around a corner and just at that moment the lights of a him. He mouthed a scream; but with a low ‘miaow’ there
cabin spilled out as a door opened. It was the boatswain, was a large cat on his lap, circling contentedly. Kydd
who looked at him in surprise. stroked the creature compulsively, again and again, the
‘Got yourself lost then?’ he said. contrast between its warm furry trust and his recent experi-
‘Nowhere t’ sleep,’ mumbled Kydd, fighting waves of ences overwhelming.
exhaustion. ‘Jus’ came on the ship today,’ he said. He The cat purred in ecstasy before stretching out comforta-
swayed, but did not care. bly and settling down. Kydd crushed the animal to him,
The boatswain looked at him narrowly. ‘That’s right – and first one tear, then another fell on its fur . . .”
saw you at the fore capstan. Well, lad, don’t worry – First
Luff has a lot on his plate right now, sure he’ll see you in When Julian wrote Command, he took special delight in
the morning.’ having Kydd meet Matthew Flinders – and Trim, his
He considered for a moment. ‘Come with me.’ He pulled cat – in the penal colony of New South Wales. Flinders
at some keys on a lanyard and used them to open a door in was a Royal Navy officer, navigator and cartographer,
the centre of the ship. who circumnavigated New Holland, which he called †

20 | QUARTERDECK | AUTUMN 2019

 AUTHOR’S NOTES
“Australia or Terra Australis.” look out mischievously. Kydd smiled: if this little creature
could not only brave the unknown world but actually turn
“In Investigator’s great cabin, smaller even than Kydd’s it into a place of fun and play, then who was he to com-
quarters in Totnes Castle, every conceivable surface was plain at his lot? His depression began to lift and he turned
set about with papers and charts. On one, a large black cat back to his report.
with white figuring looked balefully at Kydd before leaping Attard, midshipman of the watch, knocked timidly at
straight at Flinders, who caught him neatly. the door. ‘S-sorry to disturb, sir, but, er, have you –’
‘This is the noble Trim,’ Flinders said as he affection- ‘Under the table yonder – an’ I’ll thank ye t’ keep it for-
ately stroked the jet-black fur. ‘The butler in Tristram ward,’ Kydd growled, hiding a grin.
Shandy of course. He’s been aboard since the first, and It was amazing how such a tiny life brought proportion
must be accounted the most nearly travelled of all his tribe.’ to his own. Now he could turn his mind to a more con-
Flinders found a chair for Kydd and sat at his desk structive course. His independence was about to be checked
with the cat curling fussily into his lap.” – but then was not this at heart a falsity anyway? An ad-
miral had seniors; even the great Nelson must take orders
And who can forget from above. Nelson – now there was his example: to do his
little Sprits’l, a “volun- duty to the utmost and then when the big chance came,
teer” aboard HMS Teaz- seize it full-heartedly and without hesitation. And mean-
er in Command: while he would try to be like little Sprits’l, taking joyously
all that life had to offer of the moment . . .”
“One thing was cer-
tain, however: a report to Sprits’l would later go on to enjoy a happy retirement
the admiral would need on land with Teazer’s old sailmaker Clegg.
to be rendered. He
[Kydd] had been putt- SALUTE TO TRIM
ing it off as long as he Julian was recently invit-
could but there would ed to write the foreword
be no time to spare after to Trim, the Cartogra-
he had arrived. Kydd pher’s Cat. This delight-
sighed and took a fresh ful little tome reproduces
sheet of paper – and at Flinders’ own whimsical
the same time a dozen sharp needles clamped themselves on tribute to Trim, written
his stockinged leg. As he shot to his feet, banging his head while in captivity in the
on an overhead deck beam, his eyes flicked frantically early 1800s, as well as
down. providing informative
There was a terrified squeak and a pair of imploring background material
black eyes from a scrap of fur looked up into his. Kydd on the man and his
opened his mouth to roar for Tysoe but stopped; he bent voyages. It concludes
and picked up the warm little body, which lay trustfully in with Trim’s own views in a
his cupped hands. ‘Ye’re nothing but a tiger, young fun and fanciful observation on his premature epitaph!
Sprits’l,’ he found himself cooing. A tiny pink tongue gave The book is illustrated with delightful artwork.
a tentative lick at one finger and Kydd’s heart was lost to Thanks to the publisher Adlard Coles, we have two
the little creature. It had been years before, but he had not copies up for grabs. For a chance to win one, email
forgotten the ship’s cat of the old Duke William that had [email protected], with “Trim” in the subject
shared his first night in the Navy. line. Please include your full postal address. The dead-
The kitten let go its hold and scampered across the deck line is October 31. Trim, the Cartographer’s Cat is pub-
then disappeared under a side table, its face reappearing to lished October 17, in hardback and ebook. n
21 | QUARTERDECK | AUTUMN 2019
BOOK REVIEWS

to India and China” against marauding Tyger is drawn into a gathering storm
French men-of-war. in the Dutch East Indies.
Weighing anchor at Spithead, HMS Stockwin’s intimacy with the sea
Tyger is bound for the Indian Ocean and England’s “wooden walls,” spliced
and points beyond – an expedition that with his splendid graphic narratives,
may last years. Once again, the author’s create masterful naval fiction, painting
inventive pen illuminates a marked brilliant true-to-life maritime scenes
moment in British naval history with words.
through Kydd’s eyes.
Ahead lies the exotic Indian subcon-
tinent, “a land of fabulous treasures,”
where Pellew’s small squadron is based
at Madras, the region ruled by the
Honourable East India Company.
Arriving in the Bay of Bengal, Kydd
arranges for lodging ashore for the du-
ration of the commission. Far from
Devon and his wife Persephone, he
meets a beguiling widow, a neighbor,
To the Eastern Seas whose attentions are a welcome social
BY JULIAN STOCKWIN
distraction – and a temptation.
At Admiralty House, Pellew makes
Hodder & Stoughton, UK Hardback, £20.00 / plain to his newly arrived captain the
$14.39, Kindle challenges facing his squadron, while
OCTOBER
defending John Company’s trading
routes threatened by hostile parties.
“The enemy,” he admonishes.
S equestered in his eighteenth centu-
ry study, Julian Stockwin rumi-
nates on Captain Sir Thomas Kydd’s
“These you may accept are in their le-
gions. The French, the native princes, The Devil in Paradise
navy in the years after Trafalgar. Stim- privateers, pirates . . . And with a con- BY JAMES L. HALEY
ulated by a model of the brig sloop temptible handful of sail-o’-the-line
I’m expected to put a stop to any and G. P. Putnam’s Sons, US Hardback,
Teazer, naval prints and charts, lengths $27.00 / $5.49, Kindle & NOOK
of line from an ancient man-of-war, all o’ these adventures.” AVAILABLE NOW
and the faint scent of Stockholm tar, Tyger’s immediate mission is “to put
he chronicles his fictional hero’s life. down an ocean-going privateer,” Kydd
The release of each succeeding vol-
ume in the Kydd sea adventures is ea-
gerly awaited by faithful readers pre-
tells his officers. But this will not be
easy, as Pellew requires him to give up
his first lieutenant and forty “skilled
A brisk following breeze drives
James L. Haley’s naval fiction
chronicling Captain Bliven Putnam’s
pared to sign on for another lively voy- and capable seamen” to be spread career in the American navy during the
age back to the early nineteenth centu- among the fleet. Age of Fighting Sail.
ry. Stockwin does not disappoint. Hunting for the heavily armed Ven- The Devil in Paradise is the third
To the Eastern Seas is yet another geur with no clear idea where to begin, installment in the Bliven series. The
inventive narrative from Captain with a new premier at his side and a young officer now commands the new-
Kydd’s “biographer.” Only just re- reduced crew, Captain Kydd’s troubles ly launched 26-gun sloop-of-war
turned to Devon from his recent escape are only beginning. Rappahanock.
from financial ruin in A Sea of Gold, There are more tempests on the ho- The War of 1812, which had won
Kydd receives Admiralty orders to sup- rizon. Simmering internal unrest American sailor’s “freedom from
port Admiral Pellew in defending Eng- among Madras Army officers leads to impressment” on the high seas, and
land’s “most valuable trade route – that mutiny against their superiors, while the Second Barbary War are over. †

22 | QUARTERDECK | AUTUMN 2019

BOOK REVIEWS

President James Monroe believes “a laced with action against slavers, a new sea between 1756 and 1763. By the
navy ever increasing, ever more present breed of pirate, and an enraged sea cap- conflict’s conclusion, the British Royal
around the globe” is required in the tain seeking vengeance. An intimate Navy dominated the Seven Seas and
years to come, as he looks beyond the understanding of Hawaiian history re- would for a century and more to come.
country’s shores. counted through well-drawn, three- The Cursed Fortress, the fifth title in
Rappahanock, a small piece in the dimensional characters enriches his the series, finds Captain Edward Carl-
navy’s expansion, is ordered to the Pa- narrative. isle fully recovered from injuries suf-
cific by Commodore Isaac Hull, late of The Bliven Putnam novels bring a fered in action against Dutch pirates
the Constitution and now in command refreshing point of view to naval fic- and again in command of His Majes-
of the Boston Navy Yard. “You will tion, with a marked Yankee flavor. ty’s frigate Medina.
punish the pirates in the Malacca Strait Under new orders, Medina is bound
and open the sea-lane for our ships,” he for the French stronghold at Louis-
tells Putnam. “You will also show the bourg, Île-Royale, part of present-day
flag in various native ports.” Nova Scotia, to reinforce the British
Bliven and his wife, Clarity, contem- blockading squadron laying siege.
plate a two-year separation until she Leaving Jamaica in early 1758, with
determines to join missionaries bound Carlisle wife Chiara aboard, Medina
for the Sandwich Islands, where Rappa- escorts a merchant convoy to Hamp-
hanock will periodically call for mail ton, Virginia. Carlisle’s family seat lies
and provisions at Honolulu, allowing nearby in Williamsburg, but a reunion
them to be closer. As the Putnams sail with his father and brother is anything
separately for the Pacific – rounding but cordial.
Cape Horn – their respective stories After a brief layover, Chiara remains
evolve and eventually intertwine. in Williamsburg, as the ship and con-
Clarity and the missionary party voy carry on to Boston and then to
land first at Oahu, where two distinct Louisbourg, where the siege is critical
cultures meet, challenging newcomers to ending the French colonial era in
and natives alike. Kahumanu, the Atlantic Canada.
queen of the Hawaiian Islands, is a for- Along Medina’s course up the Amer-
midable figure. Along with her people, ican coast, she spars with a French
she is adapting to a new world with an man-of-war, encounters a veiled enemy
influx of outsiders. in Boston, and struggles with “head
Arriving in Honolulu months after
The Cursed Fortress winds, dead calms and a persistent
BY CHRIS DURBIN
Clarity, Bliven and the Rappahanocks heavy swell from the southeast” on the
relish the tropical surroundings, while Independent, US Paperback, $13.66 / final leg to Louisbourg.
the ship is provisioned. Bliven and $6.20, Kindle Durbin’s scrupulous research and
AVAILABLE NOW
Clarity rekindle their relationship and years of service in the Royal Navy com-
adjust to a life-changing event before bine to bring events vividly to life. It is
Rappahanock sails west.
Leaving the islands behind, Bliven’s
command is bound for the South Chi-
B ritish novelist Chris Durbin’s Car-
lisle & Holbrooke naval adven-
tures are firmly established in naval
not a stretch to sense incoming fire
from French batteries, the earsplitting
thunder of Medina’s broadsides, or
na Sea and Strait of Malacca Strait, to fiction, blending historic events, realis- watches in biting cold fog off a rugged
wipe out Boogis pirates preying on tic characters, and a mariner’s sense of enemy coast.
merchant shipping. At the same time, ships and the sea in enticing storylines, The Cursed Fortress is another splen-
the ship is searching for an American which are set against the background of did and bracing episode in the saga,
trader seeking vengeance for his son’s a period seldom written about. with the promise of more to come,
death by pirates, while carrying a ha- Durbin’s lively narratives cast a as the Seven Years’ War at sea unwinds
tred for natives in general. bright light on The Seven Years’ War, and unrest sets in motion a breach be-
Haley spins a rousing naval yarn a world conflict fought on land and the tween Britannia and her colonies. †

23 | QUARTERDECK | AUTUMN 2019

BOOK REVIEWS
treme stress in extraordinary circum-
Admiral Lenson now commands Task
stances.
Force 91 in the South China Sea. The
The Lenson novels are an uncom-
assault force is primed for an amphibi-
mon tour de force in naval fiction, writ-
ous landing on China’s Hainan Island
ten by a master of the genre.
to establish a base for future opera-
tions.
Aboard the USS Savo Island, the
first in a new class of cruiser, Captain
Cheryl Staurulakis oversees sea trials off
Oahu. The previous Savo Island, once
Lenson’s command and then hers, had
been scuttled after the nuclear attack
on Hawaii.
In Washington, Lenson’s wife Blair
Titus serves as under secretary of de-
fense, caught up in the give-and-take
within the government, which is at
odds over how to end the war. All the
while, she knows little of her husband’s
Overthrow fate in the war zone.
BY DAVID POYER Moving across Taiwan, Marine Ser-
geant Hector Ramos, physically and
G. P. Putnam’s Sons, US Hardback, emotionally beaten, struggles to survive
$28.99 / $14.99, Kindle & NOOK
DECEMBER in the aftermath of battle. A machine
gun chatters, a bullet whines past, and
a fellow Marine drops. This is far from The Traitor of
D avid Poyer’s brilliant modern-
day naval thrillers featuring Ad-
miral Dan Lenson foreshadow the un-
over.
On the campus of a Seattle-based
biotech company, Dr. Nan Lenson,
Treasure Island
BY JOHN DRAKE

thinkable should irrational world Dan’s daughter, is thrilled with the Endeavour, UK Paperback, $9.81 /
leaders ever unleash their massive mili- $3.99, Kindle
results of a new vaccine that just might
AVAILABLE NOW
taries, setting the globe on fire. stem the tide against an influenza
In Overthrow, the United States, sweeping through Asia and Africa.
China and North Korea remain locked Hunkered down in the mountains Treasure Island by Robert Louis Ste-
in a death struggle that is entering its of western China, Navy Master Chief venson has been a literary destination
fourth year. There are no clear winners Theodore Oberg, leads a disparate for readers of all ages since it was first
as casualties increase, economies falter, band of insurgents, none of whom he published in England in 1881 in Young
and assets erode. trusts. Ducking drones and helicopter Folks magazine under the title “The Sea
Twenty-first-century war, it turns attacks, they play their roles in the war Cook.”
out, is no different than war through against Chinese forces. British novelist John Drake first read
the ages – just more deadly and harm- Poyer’s narrative moves along at a the book as a boy and has returned to
ful to planet Earth. Earlier in the con- scintillating pace, breathless at times, as it several times over his lifetime. The
flict, a Chinese nuclear-tipped weapon events race toward an end that no one Traitor of Treasure Island is a sharp
struck a carrier battle group, instantly desires – nuclear holocaust. His famil- witted retelling of Stevenson’s tale,
killing ten thousand American service iarity with modern weaponry augments with Drake’s solitary take on the origi-
men and women, while a thermonucle- scenarios that could lead to the annil- nal characters and story.
ar attack nearly destroyed Honolulu. ilation of mankind. His characteriza- Long John Silver is treated more
After surviving a helicopter crash tions are particularly poignant, sympathetically, while Jim Hawkins is
and a raid on the enemy’s south coast, revealing humans responding to ex- portrayed as a mistrusted ne’er-do- †

24 | QUARTERDECK | AUTUMN 2019

BOOK REVIEWS
well, rather than the devoted confeder-
ate to Dr Livesey, Squire Trelawney,
and Captain Smollett. Captain Flint,
who is only referenced in Stevenson’s
narrative, appears in the flesh in this
Online Book
telling, a sworn enemy of Silver.
In his introduction, Drake says that Sources
he was inspired to write the book by a
letter dated 18 March 1790, which was
“sent by the captain of an outbound
convict ship, to his wife,” referencing
“The boy Jim Hawkins of Treasure
Island . . . grown to become the notori-
ous Sir James ‘Slippery Jim’ Hawkins,
perpetual member of parliament for
Trelawney West . . .”
The letter was among a sheaf of pa-
pers in an ancient sea chest shipped to
Drake’s door by an antique dealer fa-
miliar with his interest in the events
Paul Garnett
surrounding Treasure Island. The pa-
pers were collected by Dr David Li-
vesey, including his journal from the
McBooks Press
expedition in the 1700’s.
Based on Livesey’s chronicle, the www.mcbooks.com
“true” saga unwinds, with Flint aboard
Revenge and Silver aboard Hispaniola, Rowman & Littlefield
bound for the island and hidden trea- www.rowman.com
sure. Hawkins, Livesey, Trelawney,
Smollett and their loyal seamen are
caught between the pirate companies. Lyons Press
New revelations in Drake’s book www.lyonspress.com
include Hawkins’ secretive family his-
tory, Silver’s mysterious wife, Selena,
Sheridan House
and, of course, what really happened
on the tropical isle. www.sheridanhouse.org
The author’s detailed research into
piracy, seamanship, and social norms Amazon
in the seventeenth century, and his fa- www.amazon.com or www.amazon.co.uk
miliarity with English language in the
period result in a delightful swashbuck-
ling sea adventure. Barnes & Noble
The Traitor of Treasure Island will www.barnesandnoble.com
appeal to those who have read Steven-
son’s classic or those who are simply
The Book Depository
smitten with spirited maritime fiction
under sail. n www.bookdepository.com
Reviews by George Jepson

25 | QUARTERDECK | AUTUMN 2019

 MARITIME FICTION

Baltic Mission
BY RICHARD WOODMAN

(McBooks Press, $14.95, US Trade Paperback / $13.99, Kindle & NOOK) In

the seventh tale of the highly acclaimed Nathaniel Drinkwater series, HMS
Antigone, is ordered to the Baltic Sea in the spring of 1807, as Napoleon’s
grip has begun to reach across Europe to the borders of Holy Russia. As
country after country falls under the weight of French domination, Captain
Nathaniel Drinkwater is faced with the challenges brought about by military
disaster and diplomatic intrigue. On board Antigone, Drinkwater is threat-
ened by the seething discontent of his crew and the instability of his drunken
first lieutenant. Drinkwater’s task is to cooperate with his country’s allies and
intelligence agents. When a coded message is intercepted, his mission sud-
denly becomes one of extreme personal danger. As the fate of Europe is being
decided, Drinkwater must carry out his mission in the face of his old enemy.
This final confrontation brings him to the brink of death.
DECEMBER

Under False Colors

BY RICHARD WOODMAN

(McBooks Press, $18.95, US Trade Paperback / $13.99, Kindle & NOOK) In

1809, working undercover for the Admiralty’s Secret Department, Captain
Nathaniel Drinkwater goes ashore and mingles with the dregs of London’s
dockland. Disguised as a Merchant Marine shipmaster of low character, he
encounters a known French agent in a brothel and advertises his plans to
carry military cargo to Russia. Intended to drive a wedge between Napoleon
and his new ally, Czar Alexander, Drinkwater’s mission is disrupted by tem-
pestuous weather and a lost escort – a gun brig commanded by his friend
and protege. Reaching the British-occupied island of Helgoland, Drinkwater
takes great personal risk by resolving on a bold course of action that is not
endorsed by the Admiralty.
DECEMBER

26 | QUARTERDECK | AUTUMN 2019

MARITIME FICTION

Blood Will Out

BY DAVID DONACHIE

(Allison & Busby, $25.00, UK Hardback / $16.49, Kindle / $10.99, NOOK)

1787. Captain Edward Brazier is wounded and in desperate need of medical
attention, but those from whom he could seek help have no idea where he is
– although neither do his enemies. With his beloved Betsey currently impris-
oned by her brother Henry, who is considering committing her to an asylum
to take her off his hands, time is running out for Brazier to rescue her and
end the tyranny of the local smuggling ring of Deal once and for all. This is
the third title in Donachie’s Contraband Trilogy.
NOVEMBER

BLOOD
WILL OUT
DAVID DONACHIE

A Lawless Place
BY DAVID DONACHIE

(Allison & Busby, $12.95, UK Trade Paperback / $9.99, Kindle / $10.99,

NOOK) 1787. Edward Brazier is enlisted by Prime Minister William Pitt to
assist his investigation into smuggling activity in Deal. However, with his
love Betsey now locked into a loveless marriage with Tom Spafford, a useless
drunk, and living as a prisoner, Brazier is distracted from his mission. Having
foiled Spafford’s plan to steal Betsy away to her family-owned plantation in
the West Indies, Brazier finds himself taken captive. Only his ingenuity will
help engineer his escape and his cunning use of subterfuge will then allow
him to infiltrate the smuggling gangs of Deal in a determined bid to unmask
those in control. But with suspicion raised around him and his enemies
banding together, can Brazier survive long enough to bring those responsible
to justice? This is the second title in Donachie’s Contraband Trilogy.
AVAILABLE NOW

27 | QUARTERDECK | AUTUMN 2019

MARITIME FICTION / BIOGRAPHY

The Nugget
BY P. T. Deutermann

(St. Martin’s Press, $27.99, US Hardback / $14.99, Kindle & NOOK) Lieu-
tenant Bobby Steele, USN, is a fresh-faced and eager naval aviator: a “Nug-
get,” who needs to learn the ropes and complex procedures of taking off and
returning safely to his aircraft carrier. A blurry night of drinking lands him
in an unfamiliar bed aboard the USS Oklahoma; later that day, the Japanese
destroy Pearl Harbor. After cheating death and losing his friend in this act
of war, the formerly naive Steele vows to avenge the attack. Flying sea battle
after battle, Steele survives the most dangerous air combat in World War II,
including Midway, is shot down twice, rescued twice, and eventually leads a
daring mission to free prisoners from a secluded Japanese POW camp.
Packed with authentic military action on land and at sea in the Pacific The-
atre, featuring a memorable protagonist based on a true-life hero.
OCTOBER

Patrick O’Brian – A Very Private Life

BY NIKOLAI TOLSTOY

(William Collins, £25.00, UK Hardback / $18.24, Digital Download) English

novelist Patrick O’Brian’s Aubrey-Maturin sea novels secured his place in
literary history. Far less is known about O’Brian’s personal life, largely be-
cause he preferred to keep it that way. In A Very Private Life, O’Brian’s step-
son Nikolai Tolstoy draws upon his stepfather’s archives and papers to
faithfully capture a life dedicated to the written word. This biography covers
the latter part of O’Brian’s life, from the moment of his arrival at Collioure
in the south of France in 1949, where he wrote all his major works, to his
death in 2000. Tolstoy maps his step-father’s literary career, from its pover-
ty-stricken beginnings to the remarkable success O’Brian enjoyed later in
life. He relates how through a cruel irony of fate, just as his O’Brian’s liter-
ary career attained greater acclaim, his pleasure in this achievement began to
diminish. This truthful, warm and insightful biography is a testimony to
Tolstoy’s respect and admiration for his stepfather, one of Britain’s most
loved literary figures.
OCTOBER

28 | QUARTERDECK | AUTUMN 2019

MARITIME FICTION / BIOGRAPHY

The Ship’s Carpenter

BY D. E. STOCKMAN

(Fireship Press, $19.99, US Trade Paperback / $8.99, Kindle & NOOK)

Caught between Great Britain and France in the mid 1700’s, Abraham
struggles to pursue his passion for shipbuilding. Kings and captains inter-
rupt his quest for a peaceful life as he encounters and overcomes barriers in
two opposed and stratified cultures. From the streets of old London to the
Citadel of Louisbourg and lands between, seafaring battle action and love’s
complexities entwine to create a dramatic story centered on the carpenter
and his love, Yvette. La Renommée, the fastest frigate on the seas, links a host
of historical characters, with warriors, nobles, shopkeepers, and lovers cross-
ing paths in her wake.
AVAILABLE NOW

Under Sail
BY RICHARD WOODMAN

(Endeavour Media, $3.99, Kindle) Fresh from the momentous experiences of

his maiden voyage, merchant seaman James Dunbar is back in his native
Suffolk. Struggling to recapture the intensity of that Mexican adventure,
when he discovered his own distinctive artistic spirit, he seeks inspiration in
Julia Ravenham, an enigmatic, beautiful aesthete eager to nurture his young
talent. He falls in love, but the emotional and artistic approval of bohemian
London cannot quell the call of the sea. It is his vocation, but also his desti-
ny. In securing a berth aboard Fort Mackinac, a sailing ship bound for Aus-
tralia, Dunbar strives to build the character essential for a successful career.
Even after four years of hunger, humiliation, danger and remorseless physi-
cal labor wreaking havoc upon his mental state – but seeing his paintings of
crew life acclaimed – Dunbar’s sense of purpose remains undimmed. Yet
with the outbreak of naval operations in the First World War, his artistic
past returns in haunting fashion, provoking a desperate confrontation amid
the wilds of the South Atlantic Ocean.
AVAILABLE NOW

29 | QUARTERDECK | AUTUMN 2019

MARITIME FICTION

The Richard Delancey Novels

BY C. NORTHCOTE PARKINSON

1 – THE GUERNSEYMAN 4 – TOUCH AND GO

(McBooks Press, $18.95, US Trade Paperback / $9.99, (McBooks Press, $19.95, US Trade Paperback / $9.99,
Kindle / $9.49, NOOK) 1780 . . . Richard Delancey, Kindle / $9.49, NOOK) With his Royal Navy
ranked a midshipman, sails for New York, but the commission in hand, Richard Delancey is posted to
American Revolution and hostilities between England Gibraltar to command the sloop Merlin for convoy
and France send him back across the sea. protection in the Mediterranean.

2 – DEVIL TO PAY 5 – SO NEAR SO FAR

(McBooks Press, $19.95, US Trade Paperback / $9.99, (McBooks Press, $19.95, US Trade Paperback / $9.99,
Kindle / $9.49, NOOK) Delancey lands a secret mission Kindle / $9.49, NOOK) Disturbing rumors circulate
that goes awry, but his success thwarting the high- about Napoleon’s new weapons of war: steam-driven
stakes smugglers lands him in command of a private vessels, new explosive devices, and a secret weapon
man-of-war. which can travel underwater. Delancey’s wildly
unorthodox tactics defeat them all.
3 – THE FIRESHIP
(McBooks Press, $17.95, US Trade Paperback / $9.99, 6 – DEAD RECKONING
Kindle / $9.49, NOOK) Passed over for promotion (McBooks Press, $21.95, US Trade Paperback / $9.99,
after Camperdown, Delancey is mollified by Kindle / $9.49, NOOK) The exciting conclusion to the
command of the antiquated fireship Spitfire. Delancey series finds Captain Richard Delancey
heading for the East Indies and a rendezvous with
“Fabius” – the sadistic enemy agent who has eluded
him for years.

30 | QUARTERDECK | AUTUMN 2019

MARITIME LITERATURE

Astounding Sea Stories

EDITED BY TOM McCARTHY

(Seahorse Publishing, $14.99, US Trade Paperback / $9.68, Kindle / $10.49,

NOOK) “1789 April: Just before sun-rising, Mr. Christian, with the master
at arms, gunner’s mate, and Thomas Burket, seaman, came into my cabin
while I was asleep, and seizing me, tied my hands with a cord behind my
back and threatened me with instant death if I spoke or made the least
noise.” So began William Bligh’s explanation of the infamous mutiny
aboard the Bounty. His account of his capture and his phenomenal naviga-
tion of a small boat filled with men desperate to survive is one of the greatest
sailing stories ever told. Included are stories from Jack London, Charles
Dickens, Victor Hugo, and Sir Arthur Conan Doyle. Here also are marquee
names like Melville and Richard Henry Dana, the official report of the sink-
ing of the Titanic, a first-person account of the wreck of the Medusa, and a
story by an unknown captain written after his ship was sunk by a whale.
This eclectic collection will not disappoint armchair seafarers.
AVAILABLE NOW

Great American Sailing Stories

EDITED BY TOM McCARTHY

(Lyons Press Classics, $16.00, US Trade Paperback / $11.959, Kindle /

$10.49, NOOK) Few people would want to test their mettle in an ice-
encrusted boat with an Arctic explorer, sail the Straits of Magellan with
Joshua Slocum, or watch with Owen Chase as an angry whale sends his ship
to the bottom, thousands of miles from the nearest land. But it's quite an-
other thing to read these true accounts while settled into a favorite chair.
Slocum and Chase persevered in the face of travails that would have given
Job pause. Their stoic accounts are stronger and more dramatic for their to-
tal lack of affection, their frankness, and their lack of ego. Their gripping
stories are custom-made for the imaginative reader who seeks adventure in a
more controlled environment, safe and warm, and well fed, civilized readers
with their armchairs anchored firmly to the living room floor. Rich in dra-
ma and history, here are stories that will entertain, inform, and inspire, en-
during stories that have attracted generations of readers.
AVAILABLE NOW

31 | QUARTERDECK | AUTUMN 2019

MARITIME HISTORY

Trim – The Cartographer’s Cat

BY MATTHEW FLINDERS, PHILIPPA SANDALL AND GILLIAN DOOLEY

(Adlard Coles, $18.00, US Hardback / $12.60, Kindle / $11.49, NOOK)

Trim was the ship’s cat who accompanied Matthew Flinders on his voyages
to circumnavigate and map the coastline of Australia from 1801 to 1803.
This is a charming ode to the much-loved pet, which will warm the heart of
any cat lover. The first part of the book reproduces Flinders’ own whimsical
tribute to Trim, written while in captivity in the early 1800s, with added
“friendly footnotes” to provide some background to Flinders’ numerous lit-
erary allusions and nautical terms. Next the book discusses where Flinders
was when he wrote his tribute and why, and what his letters and journals
from that time tell us about his “sporting, affectionate and useful compan-
ion.” Finally, we learn what Trim’s views on all of this might have been, in a
fun and fanciful observation on his premature epitaph. Accompanying this
jam-packed text are beautiful maps, historical photographs, quirky original
illustrations by Ad Long and excerpts from Flinders’ original script, showing
his beautiful handwriting.
DECEMBER

Incredible Pirate Tales

EDITED BY TOM McCARTHY

(Globe Pequot / Lyons Press, $14.95, US Trade Paperback / $13.99, Kindle /

$11.48, NOOK) From Long John Silver to Captain Hook, from Blackbeard
to Captain Kidd, pirates have made off with our imaginations for centuries
with their charisma and adventurous living. Truth be told, these capricious
cutthroats are not only figures of horror, but also of vicarious delight. In-
credible Pirate Tales captures the most extraordinary stories of actual and
fictional characters who took up the “black flag” and a life on the high seas.
In these pages meet L’Olonnois the Cruel, the most notorious and wicked
pirate of his day, whose ardent cravings for plunder sailed him down a path
of treachery and brutality. Witness the rise of a pirate named Peter, who
successfully manages his career and settles in France, where he retires as a
gentleman. Learn about the exploits, arrests, and executions of infamous sea
wolves such as Jean Lafitte, Captain Charles Vane, and the Joassammee Pi-
rates of the Persian Gulf.
AVAILABLE NOW

32 | QUARTERDECK | AUTUMN 2019

MARINE ART

TONY FERNANDES

Images © Tony Fernandes.

B ������ ������ T��� F��������

began drawing and painting at
an early age. Reading Treasure
the Bicentennial Celebrations in
1988.
A painting will take anything up
Photo courtesy of Tony Fernandes.

Island at age eight “blew the lid off my to 1000 hours, not counting
world and opened up a whole new research, often in the National
horizon” he said. “Such powerful Archives at Kew or the National
words and scenes were created in my Maritime Museum in Greenwich.
mind . . . my portfolio grew to Fernandes starts with a nib-and-
encompass ships, maps and ink sketch 4’ x 3’ followed by a 6’
lighthouses.” x 5’ oil-on-canvas painting.
Honing his talent through the This recent rendering of His
1970’s and 1980’s, he first came to Tony Fernandes Majesty’s Armed Transport Bounty
international notice when the British is but one representative of
Government presented his works as part of its Fernandes’ exquisite art. To view his complete
official gift to the Australian Government during catalog, visit: www.tonyfernandesdesign.com.

33 | QUARTERDECK | AUTUMN 2019

McBOOKS press
THE DESTINATION FOR NAUTICAL FICTION

www.mcbooks.com