Message from Message from

the President of the Director of

Rajamangala University Poh Chang Academy of Arts
of Technology Rattanakosin
15th International Art Festival & Poh Chang Academy of Arts is the
Workshop in Thailand 2020 allows Poh Chang first art school in Thailand and has been
Academy of Arts, Rajamangala University of producing artists and art teachers for more
Technology Rattanakosin to be a center of than a century. We have annually held
exchanging knowledge and other aspects International Art Festival & Workshop in
of arts and cultures from artists of 31 Thailand for 15 years and it is widely known
countries around the world. I hope this event among artists all over the world. Organizing
can encourage art teachers, students and this event provides a great opportunity for
interested parties to appreciate and inspire by art students and teachers to perceive variety
the arts. forms of artworks from different cultures. I
On behalf of Rajamangala University of would like to take this opportunity to express
Technology Rattanakosin, I am honored to my deep appreciation to all artists who
have an opportunity to welcome all artists. participate in this event.
I would like to express my gratitude to all
artists who participate in our event and
donate their valuable artworks for us since
they are beneficial for art students, teachers
and interested audiences.

Assistant Professor Siwa Wasuntarapiwat Assistant Professor Banlu Wiriyapornprapas

President of RMUTR Poh Chang Academy of Arts
International Artist
 Andrea Hughes
[email protected]

Paint to Pattern
Paintings Photography and Sculpture: 100 x 60 cm, 2019

Concept: Exhibition Curated by Polly Hollyoak and Olga Tsara - These

works respond to the current trend of fashion houses appropriating imagery
from the arts in fashion design. The resulting garments are being shown
alongside their source artworks, together commenting on consumerism,
fashion and feminism. This exhibition transformed the gallery into a radical
‘fashion parade’ of wearable art and its inspiration.

4
 Angela Casey
[email protected]

The Fallen
Ink, charcoal and pencil on primed paper: 40 x 40 cm, 2019

Concept: Still life is the core of my multimedia practice. Angela Casey

depicts the melacholic shadow cast by socio-cultural histories and
archival trends in witty yet confronting still life compositions”. - Melissa
Pesa 2019

5
 Katy Robinson
[email protected]

Hidden History no.2

Painting and Printing Collage: 25 x 25 cm, 2018

Concept: Another work in above screens created for the Tasmania craft
Awards.

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 Pimpisa Tinpalit
[email protected]

Silence #1.2
Installation, Mixed media: 600 x 600 x 700 cm, 2019

Concept: Through figurative representation, ‘Silence’, is a highly

sensorial, emotionally evocative installation that uses objects and
sculptures to liberate feelings of unrest.
I feel it is my duty as an artist to find harmony between the moments
of absence and presence, doubt and certainty. In my creative process,
I can explore these questions and answer them through the liberation
of silence

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 Timothy Reinier de Hann
[email protected]

All seeing heart

Aerosol and acrylic: 9 x 10.5 m, 2018

Concept: My art work is heavily inspired by nature; flora and fauna are
common themes. I employ abstraction, pattern and symbolism using bold
stylised line work and symnetry which are recognisable traits associated
with my approach.

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 Gina Gordes
[email protected]

Inside Out
Sculpey Clay, Acrylic, Pastel, Glass Beads, Fibers, Metals: 18 x 16 x
10 cm, 2019

Concept: Part of a new series of sculpture I’m working on, looking

at wearable and non-wearable art. Representational of the female
anatomy, this sculpture is fleshy; it evokes the visceral.

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 Helena Dias Sardenberg
[email protected]

10
 Benjian Li
[email protected]

Light and Shadow

Digital image: 80 ×120 cm, 2018

Concept: This work is based on the reflection of the bridge, through

artistic processing highlighting the effect of light and shadow.

11
 Yun Xu
[email protected]

Cloud Petticoats and Yao Clothes

Pen light color hand-painted, by using Photoshop to deal with the background: 51
x 177 cm, 2019

Concept: The most unique way to touch the surface of the paper is with the tip of
the pen between the interlace of black and white and lines, drawing the outline of
beautiful appearances of various shapes. The collision between modern and Yao
clothes cultures likes auspicious clouds as well as freedom. The depiction of clothes
in the painting is vivid and full of vitality. The relationships between black, white and
grey are richer the sense of laminated. The portraits of the figure’s posture and hair
are the best lines. Therefore, it is vivid and balanced, rich in details without losing
the sense of wholeness at the same time. The blending of modern and national
culture brings out the best in each other. It seems that a group of mysterious Yao
girls are walking towards us with a calm and brisk fashion step to tell us about the
Cloud Petticoats and Yao Clothes.
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 Mei Mei Song
[email protected]

Quiet and quiet

Chinese Painting: 35 x 35 cm, 2018

Concept: Expressing the pure and distant artistic conception

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 Ya Jiang
[email protected]

My family
Colored Pencil: 17 x 17cm, 2018

Concept: Expressing we’re a happy family, everybody works hard and do

their jobs well.

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 YAN JING LIANG
[email protected]

Splenddid- Chasing the moon

mineral color painting: 200cm×180cm. 2018

Concept: The work uses traditional Chinese mineral pigments, metal

foils and other materials, on the basis of traditional Chinese techniques,
combined with modern expressionist techniques, to express the nostalgia
for the once brilliant Dunhuang culture and art in China.

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 BORIS ROCE
[email protected]

SPIRAL 7
Stoneware, Aligator glaze, 10005C: 34 x 46 x 34 cm, 2018

Concept: Life is spiral. Full of energy. One must aspire to perfection.

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 Peter Hartwich
[email protected]

Looking through
Marble from Carrara, Italy: 38 cm, 2018

Concept: Abstract: Space is framed by marble-material, the opening

becomes part of the sculpture.

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 VAVATSIS GIORGOS
[email protected]

EARTH REFORMATION, “Moonjars”

Clay and minerals mixed body, thrown on the wheel and altered forms.
Oxidation firing 1240oC: 20 x 20 cm, 2018

Concept: Collection of minerals from certain location, that define the

roots of the ceramic work, by mixing and fire them to the state of
absolute rebirth.

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 Ifigenia Tsirou
[email protected]

Deflation
Wheel thrown, altered, fired up 1240oC: 40 cm (diam.), 2018

Concept: A need to better understand, interact and feel the power of clay,
leads me to experiment with the volume, the shape and the shades that
are finally created.

19
 Deny Tri Ardianto
[email protected]

In Between : (This video created by Deny Tri Ardianto and Manuela Buchting)
Super 8 mm film : 4:3 : 2019

Concept: The longing of two friends in different places and cultures united by
memories from the past.

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 JAZULI ABDIN MOENIB
[email protected]

Tumenggung Mask of Panca Wanda

Painting: 60 x 60 cm. 2019

Concept: Tumenggung mask is one of the Panca Wanda, this mask depicts
the adult phase and shows the meaning of power and leadership. This
Tumenggung mask is a symbol of adult and established phase and Among
the Five Wanda Cirebon Mask.

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 Nani Puspasari
[email protected]

Morning Glory
Digital Painting: 60 x 42 cm, 2019

Concept: The digital painting was born from images of the places and travel
the artist has visited. Here, rendered on paper and paint, these images
gain power more than just a photo. More than just passing through, they
peel back the surface to the underlying conversations and contexts that
make up memories of a place. This series combines travel, as the desire
for human bodies to be in a new habitat, with artistic expression, as the
bridge between recording subjective experiences and creating new ones.

22
 Rahmanu Widayat
[email protected]

The Forest
Drawing : 30 x 40 cm. 2019

Concept: Forests must be preserved to maintain the balance of nature.

Today, there is only a small amount of forest left, many trees have been
cut down, causing damage to the ecosystem, and leading to disaster.
The memory of the forest inspired me to express it in a work of art in
the form of a drawing on old magazine paper that has been discarded
to appreciate things that are considered trash.

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 Setyo Budi
[email protected]

Cosmology of Dewaruci
Acrylic on canvas : High 170 cm., wide 110 cm. 2019

Concept: Bratasena (Bima) looks for susuhing angin (wind nests) in the
Candramuka hill cave in the Tibrasara forest at the foot of the Gadamadana
mountain, and must fight the giants Rukmuka and Rukmukala are symbols
of life’s journey in space and time. While searching for the holy water
Tirtapawitrasari in the ocean, fighting with a giant dragon, and meeting
Dewaruci is a symbol that controls the intelligence of the mind and heart,
so as to achieve holy awareness, namely the union in the consciousness
of the Microcosm and Macrocosm.

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 Avan Anwar
[email protected]

Shriveling
Paper, String: Dimension Variable, 2019

Concept: In this age of heedlessness words don’t convey proper meanings

and they wither away. There will be no room for eloquent dialogue on
matters concerning the true spirit of humanity. We are living in the oblivion
of truth and our language becomes an idle talk.

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 Nehroo Schauki
[email protected]

Let’s all live together

Mixed Medium, Acrylic, Oil Pastel, Charcoal: 100 x 150 cm, 2018

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 Dr. Rushdi Anwar
[email protected]

“We have found in the ashes what we lost in the fire”, Series, 2019.
Mixed medium: 40 x 30 x 9 cm. 2019

Concept: The work reference to both recent and historical geopolitical

unrest issues that extend to generate discourse about the status of
social equity. Which exploring these issues through an investigation of
form, material and processes of making. It recalls the plight of socio-
political persecution, fundamentally expressing the necessity for care,
attention and redemption.

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 Phoumysack Synouvong
[email protected]

Sunset in Kumphawapi
Watercolor on paper: 45 x 55 cm, 2019

Concept: The artwork concept of this title is to refresh, light, clear and color
and hard brushwork to convey the excitement and impression in the value
of the livelihoods that existing in the beautiful nature

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 Sivilay Saypasert
[email protected]

29
 Danute Baublyte Garlaviciene
[email protected]

To the Other Side

High fire firing, 1280 °C: 11x11x16 cm, 20 x 18 x 17 cm (width x depth x
height), 2019

Concept: Composition consists of two parts. The mystical animals are

wondering how to get to the other side... oftentimes the road back is closed.

30
 Lem Tee Sin
[email protected]

Tiger Crossing the River

Acrylic on Recycle Canvas: 90 X 120cm, 2019

Concept: Work done with Philippines’s children, used to raise funds for
charity. A Tiger swimming on the river, through his eyes can feels the
confidence Commonly known as: “ we don’t cross the river when we
are not ready.”

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 Hugo Mathias
[email protected]

Keen Green
Oil & acrylic on canvas: 60 x 60 cm, 2019

Concept: Subjectivity. The painting explores different ways of seeing &

interpreting the same everyday object.

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 Ken Griffen
[email protected]

James King
Painting, oil pastels, pencils and acrylic on canvas: 72 x 56 cm, 2019

Concept: Portrait of Lebron James.

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 Tirelle Peter aka Peatree
[email protected]

Contouring
Illustration: 40 x 20 cm, 2019

Concept: The concept behind this work is the expression of identity and
gender and the vulnerability involved in expressing that.

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 Elmedin Žunić
[email protected]

Inverted Memoirs: The Classroom Section

Installation : 5,4 x 6,7 m. 2019

Concept: A black-board-like work saturated with words and diagrams

that point at the science and knowledge around trauma and traumatic
accounts from both personal and collective scopes. Its aim is to challenge
the standard tropes and the language structures which define the context
of the image (often graphic) of trauma.

35
 Shazia Imran
[email protected]

Glorious passages
Mixed media on canvas and wood panel: 94 x 64 cm, 2019

Concept: Spreading a message of peace and harmony through her work,

Shazia’s recent body of work is based on the mandala – representing
the wholeness and unity of mankind. Representing the universe itself,
the mandala is both microcosm and macrocosm and we all are part of
it. No matter what region, race or religion we belong to, we are all same
we are all humans.

36
 Jayawardana Vidana Gamage Mahesh Indunil
[email protected]

Aapo, Thejo, Vayo, Patawi and Akasha

Video Arts, 2018

Concept: Existence is a challenge to humans as well as animals. Therefore,

any object which is a being or not; has to bear its existence physically and
spiritually.

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 Annette Chang
[email protected]

Transparent Connection-Australian Coins

Sculpture Installation: H 280 cm x W 60 cm, 2019

38
 Annie Hsiao-Wen Wang
[email protected]

Heritiera littoralis (Looking-glass Mangrove)

Copper-encased seeds native to Taiwan, copper wire: 23(h) x 30(w) x
35(d) cm, 2019

Concept: This work, part of a series titled ‘Genesis: Taiwan’, is inspired

by the Norwegian Svalbard Global Seed Vault: a backup storage facility
for our planet’s fragile, biodiverse ecology. In this series, seeds native to
Taiwan are encased and preserved in a layer of copper, then ‘enwombed’
within a pod-like structure constructed by copper wire, which tarnishes
over time. ‘Genesis: Taiwan’ investigates ideas of preservation, survival,
and extinction, exploring our environmental issues through dichotomies of
the permanent and the ephemeral, of the natural and the man-made, and
of beauty and decay.
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 Kuo Bor Jou
[email protected]

Lotus Mirror Raise the Fragrance

Mixed Media on Canvas: 88 × 176 cm, 2016 - 2017

40
 Kuo I-Chen
[email protected]

That’s one small step for mankind, One giant leap for species
Mixed media, 2019

Concept: Use two species “Marbles Crawfish” and “Arc’teryx” to echo

conditions of human beings since the landing on the moon in 1969. The
work are produced by the species assisted

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 Dac Dao
[email protected]

Portrait of a Lady in Virtual World

Digital: W100 x H66 (cm), 2019

Concept: The traditional value versus the invasion of virtual reality

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 Lam Nhut Thanh
[email protected]

LEGEND
Acrylic: 150 x 200 cm, 2019

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 Tran Van Thi
[email protected]

Country River
Carborundum: 60 X 75 cm, 2019

Concept: Cows crawling across the river in search of grasslands

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 Thai National Artist

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 Decha Warashoon

Strokes of two shapes

Acrylic on Canvas: 80 x 60 Cm, 2019

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 Kamol Tassananchalee

Angel Music
Ceramic: 45 x 45 cm, 2019

47
 Preecha Thaothong

Memory. 72 (Bavorn). Bangkok (B.V.R)

Drawing: 100 x 250 cm, 2019

Concept: Bangkok Rattanakosin is 227 years old The writer of the

memoir is 72 years old and Bavorn is 72 years old Self Home and
family inside (B) Decent-Decent culture of social people Environmental
career (V) Learn the learning of oneself and of the people and the
(cultural, social and environmental ways (R) Bangkok Imagined area
of the Bangkok community, (Rattanakosin) Memoir is understanding,
faith and transfer.

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 Waranun Chutchawantipakorn

Morning Light
Photo

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 Thai Artist

50
 Akamol Rojanajiranan
[email protected]

October,13
Woodcut: 40 60 cm, 2019

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 Amrit Chusuwan
[email protected]

The Founder, The idol, The Devotees

Photo: 60 x 90 cm, 2019

Concept: Buddhism originally did not have an idol, neither did its forgoer, Hinduism.
After Buddha attained parinirvana, the believers of Buddhism sought to have an
item to remind them of him, or to represent the Buddha, to recount the story of the
great Teacher who searched for the end of sufferings, and shared his insights of
the enlightenment to the people and sentient beings in the world. Early Buddhists
collected dirt, water, and Bodhi branch from the Four Sacred Sites—the birthplace
of Buddha, the place where he attained enlightenment, the place where he
delivered his first teaching, and the place where he died and attained parinirvana
as sacred relics to venerate. 500 years after the parinirvana of Buddha, the Greeks,
or “Yona” as the ancient Indians called, created the first idol. Menander I or Milinda,
the Greek king, marched his army into Gandhara and expanded his conquest
throughout the northeastern region of India. At his capital city of Sagala, Milinda
encountered and had a discussion regarding the Buddha with a Buddhist monk
named Nagasena. Following the dialogues, Milinda embraced Buddhism and
ordered the construction of Buddhist architectures and sculptures in Gandhara.
The Gandhara Buddha was created for the first time. Heavily influenced by Greek
idols, the Buddha has a facial feature similar to the Greeks. Years after years later,
the Buddha image evolved as the influence of Buddhism expanded into various
regions and the devotees build the idols after the feature of the local people. When
the belief reached China, the idol has a Chinese face. When it extended to Japan,
the idol looks like Japanese. When it expanded to the Middle East, the idol owns
a feature of Middle Easterners. With the faith in the Buddha, idols were created in
each location with facial features similar to the people in that area. Since the first
Buddha idol was made until today, humanity has descended and amalgamated
across races. One can hardly tell the ethnic of a person simply by looking at their
face anymore. We now see such diverse faces of the Buddhist devotees that their
ethnics cannot be pinned down for sure. Yet we can see that they truly are devotees
of Buddhism. Hence, the idea for the faces of Buddhists in 2019, under the name
“The Founder, The Idol, The Devotees”
:Video presentation
52 :Year created 2019
 Apiruk Potituppa
[email protected]

Normal
Watercolor on Paper: 27 x 37 cm, 2019

Concept: What does life really want? Sometimes, it is just enough food
for a meal.

53
 Arnon Sungvondee
[email protected]

Utopia 18
Stamping: 60 x 52 cm, 2019

Concept: Faith and belief system of the center of Buddhism that combines
various cultures. Both the external appearance and original beliefs Formed
in the same as the beauty that occurred in the area. In which all of them
have been melted for a long time Through architectural stories culture and
traditions Inherited since the ancestors This is important as a center for
beliefs, ideas, directions, as well as the values of people in society along
the Mekong River which is an important river in this region.

54
 Banphot Shuatrakul
[email protected]

His Highness
Bronze: 19 x 35 x 61 cm, 2018

Concept: The great king who filled with love and kindness for his people
thru His Highness work with virtues of the king.

55
 Boonyarit Poonpanit
[email protected]

Bloom 1
Chinese ink and Acrylic color: 40 x 30 cm, 2019

Concept: The nature of the blossoming of flowers with imagination from

Thai Painting.

56
 Chadchawan Sahassapaht
[email protected]

Exercise
Stucco, Plastic bead: 55 x 75 x 105 cm, 2015

57
 Chaiphan Thanakornwat
[email protected]

Pak Nam Pranburi, sunny day

Acrylic paint: 40 x 60 cm, 2019

Concept: When I went to frequently write landscapes in 2017, I still liked

the feeling of seeing and interacting with nature. In writing fast forms It is
the use of skills, knowledge, emotions and feelings with places. On the
fit that the people of the specified time have been completed, no further
additions or additions. It is a pleasure to see that certain things occur while
working without any thought. Think of going back to writing a new nature in
new ways and more that we have ... should be fun.

58
 Chaiwoot Thiampan
[email protected]

Pied kingfisher
Mixed technique: 80 x 60 cm, 2019

Concept: I like to draw a picture of a bird that we know with new creative
experiences. Which aims to be an Artist for conservation because of
interest in activities related to the environment and nature. Create
interest with artistic methods.

59
 Chaiyaporn Raveesiri
raveesiri @gmail.com

“Tree#3-19”
Linocut: 23 x 30.5 cm, 2019

Concept: I have a desire to present the shape of the tree according to my

imagination.

60
 Charoen Phewnil
[email protected]

Shadow Puppet

Concept: Life style, culture and way of life of southern people are different in both
religious and dressing cultures. There are unique cultures which consist of joyful
performing arts and local recreations in each group of people. All of cultures is
considered the best folk wisdom with clear beautiful purpose and entertainment
which lead to social development. The examples are Nora (a kind of dance) and
Nang Ta Lung (shadow puppet) that has performed since Ayutthaya period. Nang
Ta Lung is an important folk play using light and shadow and perform in culture fair.
The characters are made from leather from cow and buffalo or barking deer or from
a book (only hermit) etc. Unique rhythm, shade and tracery are inspiration to create
innovative for social mental health.
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 Chayan Polasa
[email protected]

The infant
Digital Print & Hand coloring: 30 x 40 cm, 2019

Concept: I express myself using imagination as a symbol of creature and

plants which integrated to be a new imagery via digital print and hand
coloring process that is very delicate, sophisticated and profound as tools.

62
 Chayasit Orisoon
[email protected]

A New Hope
Woodcut: 160 x 100 cm, 2019

Concept: The diversity of ethnicity contribute the image of the complete way of life
in multi-culture. “Song” or “Tai-Dam” is one of all ethnic groups who settled down
in Petchaburi, assimilated with Thai people and then has a sense of patriotism.
I am the one who descended in Tai-Dam family. Therefore, I would like to
represent the past memories of my family in Tai-Dam’s cultural traditions. From
this impression, I create the printmaking of my ancestors in several surrounding
which change over the time but still continue the significance of ethnic customs
through the woodcut process: semi-figurative. By the complex of layers and the
color dimensions can indicate the imprint memories that will never fade away.
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 Chinoros Roongsakul
[email protected]

Nature
Acrylic on Canvas: 100 x 160 cm, 2019

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 Chukiat Sutin
[email protected]

THE CONDITION OF FISHER MAN’S LIFESTYLE AND SPIRIT

CHANGING

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 Danaya Chiewwattakee
[email protected]

When Nature is Dreaming

Mix media: 60 x 80 cm

66
 Dome Klaysang
[email protected]

Femel Line No. 01-05

Charcoal on Papal: 80 x 300 cm, 2019

Concept: The beauty of my woman is the lines that move her in every
post, including the curves of a smile.

67
Jarmlong Suwanchat
[email protected]

Balance of Life
Ceramics: 35 cm, 2019

Concept: A Balanced lifestyle

leads to normal life.

68
 Jaruwat Boonwaedlom
[email protected]

Landscape
Oil on Canvas: 90 x 120 cm, 2019

69
 Jirarot Sriyaphan
[email protected]

Colors
Acrylics on Batik: 90 x 110 cm, 2019

Concept: The creator made this art piece in order to express the colors
and atmosphere of the southern culture, which has been impressive for
its cultural surroundings associated with the creator’s lifestyle. With the
use of that, the creator deconstructed the old structure and reconstructed
to form a new semi-abstract structure, followed with exposing artistic
representations by using drops, lines, colors, strength and texture through
dynamic and trace of colors to unveil the joy and liveliness, referring to the
characteristics of the southerners resembling to the fruitfulness of nature
and culture.
70
 Kitti Pimsen
[email protected]

Songkhla Lake 1/2019

Acrylic paint: 60 x 80 cm, 2019

Concept: Creative works on “Creation of Two-Dimensional Images from Way of

Life of People in Songkhla Lake Basin” are based on the concepts derived from
nature and surrounding environments experienced by the creator that inspire
creativity. The information from the environments in Songkhla Lake Basin related
to traditional fishing including fish catching, fish rearing in net enclosures, making
and using fish trapping tools, and building housing around Songkhla Lake Basin, as
well as those living in the lake with a way of life that reflects simplicity, sufficiency,
abundance and happiness.

71
 Kittipan Chinwannachot
[email protected]

Form and Space

stone carving: 24 x 12 x 20 cm, 2018

Concept: The form and space are intended to study how to develop the
sculpture model. That expresses the meaning of expression in feelings and
imagination, using inspiration and impressions from the forms, therefore
bringing to work to find the form of the sculpture according to personal
attitudes and imagination that can convey meaning About relationships
Various relationships through stone carving to solve the problem of form
development, change in composition, volume and size by increasing and
reducing the form according to the imagination of the organizers in order
to convey the meaning of the changes of the objects arising from the form
72 of the sculpture.
 Kreetha Thumcharoensathit
[email protected]

Eat to live
Etching: 14 x 14 cm

Concept: Eat to live and not live to eat.

73
 Kriangkrai Kongkhanun
[email protected]

The Garden of God, Chapter 6 : Fire Lion

Acrylic on canvas: 80 x 60 cm, 2017

Concept: “The Garden of God” is a journey of the state of mind. I used

the falling state of the human mind to create a mysterious kingdom filled
with imaginative dimensions. Its shape was modified by my perceptions
of humans, monsters, plants and beasts. Inspiration was gathered from
Buddhist stories, such as the teaching in The Three Kingdoms, in order
to portray the mysterious kingdom. Thoughts of this heavenly kingdom by
men may not completely cast away the desires hidden inside them.

74
 Kunjana Dumsopee
[email protected]

Happiness in wherever you are

Tusche on wax paper and acrylic color: Ø 30 cm, 2019

Concept: Albert Einstein’s Theories of Happiness, “A calm and humble

life. Will bring more happiness than the pursuit of success and the
constant restlessness that comes with it. “

75
 Lojana Manodhaya
[email protected]

“Coexistence of Nature and Technology No.7”

Mixed media: 80 x 80 cm, 2018

Concept: Nowadays, new technologies have been discovered in supporting

an easy and convenient ways of living. At the same time, existence of
nature has been taken advantages by a certain group of people who ignore
the significance of nature. In highlighting this event, an art work entitled
“Coexistence of Nature and Technology” is initialed by using mix media
technique through symbol and material media.

76
 Muhammad Rojana-Udomsat
[email protected]

FLOWERS 1
Chinese ink on paper: 210 X
110 CM, 2019

Concept: Colors in nature keep

changing all the time. This
change and its beauty have
inspired me to create artwork
to express my feelings towards
the beauty of changes in time
by leaving out its shape and
visualizing my feeling and
the beauty of colors through
Chinese ink painting.

77
 Namon Khantachawana
[email protected]

Bloom in my dream
Painting on digital printed on canvas: 60 x 80 cm, 2019

Concept: The dream creates something that does not exist in the world of
truth as well as something that is in the real world may not be in the dream.

78
 Natima Suwannawong
[email protected]

Personal Imagination and Decorated Happiness 6

Mixed Media: 30 x 45 cm, 2019

Concept: The importance of imagination in childhood that effect to

lifestyle until present. That is relayed myself through imagination and
dream which causes by happiness in my mind.

79
 Natta Pongsuwan
[email protected]

Light movement
Mixed media on canvas: 100 x 100 cm, 2018

Concept: From the impression of natural light to unravel, resulting in the

movement of colored lights in the imagination.

80
 Norachat Choosakul
[email protected]

Trimurti
bronze: 99 cm, 2019

Concept: The great god of the universe. The giver the discourse
succeeded in all respects.

81
 Paiboon Larsomsri
[email protected]

Historical lady no.2

This hand building pottery was sculpted from Mae Rim black clay, glazed
with lignite coal fly ash, and fired at a temperature of 1250 °C –RF: 55 x
40 x 35 cm, 2019

Concept: The idea was inspired by a woman called “Mother”. She is a

beautiful, kind-hearted, selfless, and high endurance woman. She made
this world truly beautiful. Therefore, this work was sculpting into the pottery.
There was consisted of facial features and hairstyle, which represent
femininity, and become a gorgeous shape vase.

82
 Pairoj Wangbon
[email protected]

A Moment in Time
Oil on canvas: 150 x 130 cm

83
 Panuwat Sitheechoke
[email protected]

Bondage of The Mind No.2

Woodcut and ink: 120 x 100 cm, 2017

Concept: “Bondage of the Mind” reveals the structural bond between body and mind.
It is the structural circumstance of human that reacts in a restraining manner and
builds the bondage imprisioning the freedom in the soul of human beings. Even
oneself cannot stop this occurrence from the endless hunger. It makes us depressed
and aggressive in reactions. If a human accepts himself that his mind is free and
differ from the body, he definitely lives as his mind liberates from fleshly bondage and
will probably finds his true self. In addition, the materials used in this artwork affect
the art expression into two-dimentional visual art. As an artist, I am interested in the
characteristics of wood - the living material that was once a small seed growing up by
the earth, water, air and environment. The wood characters of each annual ring are
different in its hardness. The expression the texture left on the wood after carving,
grating and pressing the ink on the wood reflects traces of corroding outer surface,
leaving the intense depression of the bondage between body and soul.
84
 Papon Kamonwuttipong
[email protected]

Imagination Life
Acrylic on canvas: 60 x 80 cm, 2018

Concept: Life to complement each other, best life, complement each

other.

85
 Peboon Klangweangnar
[email protected]

Full Loves
Oil on Canvas: 186 x 136 cm, 2019

86
 Pim Sudhikam
[email protected]

Breccia Cylinder
Porcelain, wheel thrown, sugar fired cone 10: 25 x 8 cm, 2019

Concept: Breccia is a geological term refers to a type of rock. My work

is a combination of clay and mineral being heated in the kiln to become
a new kind of rock. I see this process very similar to the rock cycle in the
nature that occurs over million years.

87
 Pisit Puntien
[email protected]

City Life
Acrylic on Canvas: 60 x 80 cm, 2019

Concept: Man and Environment are the same one.

88
 Piyangkoon Tanvichien
[email protected]

Symptom 1
Collagraph: 40 x 30 cm, 2019

Concept: The creation of artwork in the title of The Reflection: The

Painfulness Therapy. The researcher conveys the experience on his
limitations affected by Herniated Nucleus Pulposus (HNP). Art therapy
is practiced as an effective tool in mental health through printmaking
creative procedure with collagraph technique in order to create
strength and encourage the researcher’s life support. The researcher
also experiments on various types of materials in order to discover the
surface specificities for the development of collagraph technique.

89
 Pongdech Chaiyakut
[email protected]

Walk carefully, the world is not safe

Etching: 60 x 85 cm, 2019

90
 Pornsawan Chansuk
[email protected]

Prayer No.6
Lino cut: 20 x 10 cm, 2019

Concept: Accepting changes in everything which is normal and the mind

that is up to date bring happiness Which is peace in the simplicity of life.

91
 Prajak Supantee
[email protected]

Untitled : 40 x 13 x 29 cm.
Material: Metal, White Rum bottle, Resin. 2019

92
 Preekamol Chiewvanich
[email protected]

Cambodi
Mixed Media Painting, 2016

Concept: Once upon a time with light present.

93
 Prasit Wichaya
[email protected]

Thought : 50 cm.
Terracotta, clear resin

94
 PREEKAMOL CHIEWVANICH

Cambodia, 2016
Mixed Media Painting

Concept : Once upon a time with light present.

95
 Roongwit Luckanathin
[email protected]

ธรรมะสัจจะ 2
Acrylic on Canvas: 51 x 71 cm, 2019

Concept: ธรรมะคือความจริงแห่งธรรมชาติ

96
 Saman Suppasri
[email protected]

Pink Dream
Digital Paint

Concept: ความฝันเป็นปัจเจกบุคคล ความฝันเป็นเรื่องราวระยะสั้น ที่ตกค้าง

อยู่ในส่วนลึกของความรู้สึก เมื่อความฝันถูกเรียกออกมา มีทั้งฝันดีและฝันร้าย
ต่างคิดจินตนาการไป ภาพนี้ถูกสร้างสรรค์ขึ้น เพื่อความฝันดี ฝันสีชมพู
เพื่อความสุขแห่งความฝัน

97
 Samaporn Klayvichien
[email protected]

Koh Petch
Printmaking: 10 x 10 cm, 2019

Concept: From the teaching of Buddhism, it is said that heaven is a

beautiful place made of jewels and pure gold, and it is a place where there
is no difficulty. It is full of light and happiness. It is a place for those who do
good. It is the ultimate desire of those who are alive and want to live after
they pass away. However, when we are still alive, what would we do to be
in heaven? Therefore, I seek the way to reach heaven on earth or create a
tangible paradise that would bring happiness to myself while living.

98
 See Saengin
[email protected]

Mountains of Illusion _ A
Paper block Print: 48 x 73 cm, 2019

Concept: It is an impression of the color of the night sky. The Moonlight

night at the mountain is the twinkle of the beautiful of imagines and that
affects the aesthetic imagination and reflection of my heart. Moonlight
shines on the mountain caused a line of shadows and reflections are
like the beauty slender chest, arms, legs, hips of young teenage girl.
The mist lying in the valleys stretching away into the distance seen at
beautiful night look like the fire of sensuality.

99
 Seree Thianjalee
[email protected]

Disorder, Functional
Terracotta: 17 x 25 x 15 cm, 2019

100
 Siraprapha Japakhang
[email protected]

Traces of time No.2

Mixed technique: 81x100 cm, 2019

Concept: This work aims to develop the dialogue between the artist and
the viewers. Once the viewers are in front of the work, it seems like the
present time stops for a while, but eye-contact, creating the dialogue
with visual elements and surfaces of works using shapes.
The story of time was conveyed through the accumulation of layers,
color overlapping and Collage technique to create different surfaces.
This building of textures evoked memories, feelings, and emotions as
expressed through these techniques and visual elements.

101
 Sirichai Pummak
[email protected]

Esthetic of Darkness 44
Acrylic on Canvas: 200 X 150 cm, 2019

Concept: I Want to Present the story, culture, and routine life of southern
people that I live over there. It is very pleasure thought the beauty of
community activities, pets, objects. Southern architecture since the past.
And environment. Happy, elegant, harmony and conservational southern
living are indicated by traditional Thai painting

102
 Siripen Thananantakit
[email protected]

Relation No. 02
Ceramic, Slip Casting, Stoneware Body: 7 inch, 2019

Concept: Relation No. 02 is a Integration of clay and glass. In order

to firing with the raku technique, the glass responds by melting. It is a
Uncontrollable aesthetic.

103
 Sorrakrai Ruangrung
[email protected]

“Irrawaddy Dolphin”
Fiberglass: 350 x 350 x 600 cm, 2019

Concept: The beauty of the Irrawaddy

dolphin in Phatthalung province.

104
 Srisilp Emcharoen
[email protected]

Light and Shade in Nature, 2019

Oil on canvas: 90 x 70 cm, 2019

105
 Suchart Vongthong
[email protected]

The Mirror of Dhamma

Acrylic on canvas: 90 x 70 cm, 2019

Concept: “Dhamma is Nature Nature is Dhamma.”

106
 Sukit Choosri
[email protected]

Small life
Tempera color and Acrylic color: 120 x 150 cm, 2018

Concept: The desire to happiness and warmth is the hope of every life.

107
 Supawita Sud-on
[email protected]

The Falling No.1

Etching, Tusche, Cinecolle: 29 X 25.5 cm, 2019

Concept: These creatives work set beginning with “Happiness” For conveying the
growing of emotional, Although happiness changes due to life experience but it
still exits, no matter how much or little. The happiness still there. I have created
the symbol of happiness which is passed into my life. “Cherry” to represent the
happiness of mine due to the bright color of this kind of fruit is compared as
my happiness which is not too much or too little. it is just the right amount. It
does feels like the growth of human life which is a mix feeling of miserable and
happiness. Therefore, I have used the sadness of this environment to represent
the suffering and Cherry” to representing the symbol of happiness.
108
 Supphachai Srikhwankaew
[email protected]

Symbol from feelings No.6

Acrylic on canvas: 90 x 100 cm, 2019

Concept: As human embodies thoughts and flesh, they are a bundle of

desires. Their desires outnumber the basic needs and are numerous
including physical survival and mental wellness as well as social
acceptance, which they scarify their life and soul to serve it. As a result,
some of them even lose their unique identities and become fake.

109
 Supphaka Palprame
[email protected]

Fruit
Ceramic: 18 x 18 cm, 2018

Concept: The Nature is always Beautiful.

110
 Suwit Jaipom
[email protected]

อาจารย์เฉลิมชัย โฆษิตพิพัฒน์ 2
Acrylic and Oil on canvas: 60 x 80 cm, 2019

Concept: ต้นแบบของศิลปินที่น่ายกย่องและเชิดชูของข้าพเจ้า

111
 Tavichon Chomtaveevirut
[email protected]

Me myself No.1
Digital painting: 40 x 60 cm, 2019

Concept: I would like to present my independence of my mind but still

within the frame of rules around me. By using shapes and colors in the
imagination that reflect from my personality.

112
 Thanarit Thipwaree
[email protected]

Portrait Odyssey II
Oil on Linen: 180 x 200 cm, 2019

Concept: Human race are currently ruling the world because we are the only species
that exist with pure confidence in our own imagination such as the existence of god.
state, money. and human rights. History begins when humans created gods, and
history will end if humans will eventually become gods themselves. The expression
of the story where he questioning himself to the long journey of the evolution from
Monkeys to Humans where nature has the same amount but the number of humans
keep increasing everyday. This creates the competition followed by the increase of
destruction to the world’s environment as well as the racial discrimination, human
rights, insulting. Killing, and fraud are still remain the some no matter how much we
have evolved from monkey. Evolution is the transferring of knowledge of science.
philosophy and religion. The objective for this is to elevate the human mind to be
more civilized than animals or it could be just a re-design of brutality and wildness
to be more ingenious.
113
 Thanistha Nuntapojn
[email protected]

Shape of attachment (House)

Darning on ceramics and hands stamping: dimension variable, 2019

Concept: Attachments, loves, desires, feelings linger, additional damages,

connections, concealed defects, loses and imperfect are comparable to
sufferings, bad moods and uneasiness. Neatly knitting or connecting broken,
bent or cracked objects such as glass or ceramic containers that are fragile and
unstable is an intention to connect the separated parts with understandings by
using threads to connect the objects or those that are smooth, hard and sharp.
This results in the creation reflecting mental treatments, hopes and desires that
the stories of the beauties of letting things go and the uncertainties of everything
in the nature. This is similar to the facts that lives have happiness and sufferings.
114
 Thatree Muangkaew
[email protected]

Message from the Universre 1/2019

Hand forming: 22 x 24 x 18 cm, 2019

Concept: Transform the beauty of art form from Acacia auriculiformis

Cunn to ceramic sculpture.

115
 Thepsakdi Thongnopkoon
[email protected]

Nude 3
Acrylic on Canvas: 60 x 80 cm, 2019

Concept: To express the beauty from the rhythm of forms in space

116
 Thosaporn Suthum
[email protected]

“Twilight” 2
Acrylic on canvas: 175 x 165 cm, 2019

Concept: Unclear moment between Darkness and sense of sight can

be wonderful emotion.

117
 Tinnakorn Kasornsuwan
[email protected]

Salvador Dali Car

Oil on Linen: 120 x 150 cm, 2019

Concept: The inspiration comes from traveling to Spain. Seeing the country,
various sceneries and cultures including Salvador Dali museum at
Figueres.

118
 Veradej Panomvan Na Ayudhaya

In the Heaven
Acrylic Color on canvas: 90 × 120 cm

119
 Watchara Klakhakhai
[email protected]

Apsara 1
Oil on canvas: 200 x 110 cm, 2019

Concept: The most beautiful woman in the world.

120
 Watchara Pongpaiboon
[email protected]

Sweet dream
Plaster: Height 19.5 cm

Concept: physical and psychological peacefulness can only be attained

once we are at sleep.

121
 Watcharaporn Yoodee
[email protected]

Universe in the Womb 1/61-05

Acrylic on Canvas: 200 X 200 cm, 2019

Concept: The mother’s womb is greater than whole universe.

122
 Wisit Pimpimon
[email protected]

Thai Dramatic No. 2 - 2019

Watercolor: 58 x 76 cm, 2019

Concept: The Artworks showed movement of color in Thai dramatics

123
 Wutigorn Kongka
[email protected]

Laocoon
Acrylic on Canvas: 120 x 120 cm, 2019

Concept: I brought the inspiration from Greek-Roman era’s sculptures
mixed
with my unique and modern style of painting.

124
 Poh-Chang Artist

125
 Anan Pratchayanan
[email protected]

24-03-2562
Acrylic, Ink Stamp, Acrylic Lacquer Spray on Canvas: 80 x 80 cm, 2019

Concept: Looking at Politics after 24 March 2019, they will return.

126
 Chaichan Jantasri
[email protected]

Space in From
Welding: 250 x 65 x 115 cm, 2018

Concept: The visual elements of art such as form, line, surface, mass
and volume, space, rhythm and direction have been applied in creating
and designing the sculptural works. The composition of art is perfectly
set up to express the beauty of visual elements sculpture, causing the
sensation of harmony and difference within the same form of sculpture,
showing the motion within the same form, reflecting the visual beauty
and delicacy on the form and expressing the individuality style of the
sculptor.

127
 Chatchai Siripant
[email protected]

Inspired by Thai style

Acrylic on Canvas: 500 X 190 cm, 2018

Concept: Inspired by Thai culture art which a part of substancial extraction

presented in the form of Thai contemporary art.

128
 Chollada Chanprasopphon
[email protected]

AFTER LIFE
Etching: 12.5 X 12.5 cm, 2019

Concept: Life after death doesn’t mean the end of one’s life but may
refer to beauty or power that changes status, location. In order to
continue the goodness and beauty of previous lives.

129
 Jenwit Choothong
[email protected]

Must I have? (Monalisa)

Woodcut: 60 x 80 cm, 2019

Concept : Is it necessary?

130
 Jiraporn Rodkum
[email protected]

The Adventure is out there

Acrylic on canvas: 80 x 80 cm, 2019

Concept: The fishes in a wonderful world that is full of beauty charm

and adventure.

131
 Kannika Phanpak
[email protected]

Creep
Oil paint: 80 x 120 cm, 2019

Concept: Imagine wanting the flowers in under water. It swaying in the

underwater.

132
 Kullapassorn Na-Ngam

What you see may not be what you think

Drawing & Mixed material: 58 x 80 cm, 2019

Concept: What you see may not be what you think.

133
 Kullathida Meesakulthaworn
[email protected]

The Relationship in Memories No.2

Photography with flatbed scanner: 8 x 12 inch, 2019

Concept: This project presents my relationships with the significant people

in my life, my parents, extended family and boyfriend. These moments
were captured with a special portrait photography technique using a
flatbed scanner. The creation process of these visuals allowed us to share
an intimate experience, under the scanner’s cover. The process intended
to capture the realness of the moment, without distortion resulting from
camera angles.

134
 Leela Promwong
[email protected]

All good
Oil on canvas: 150x150 cm, 2019

Concept: According to the cultural diversity, if you carefully consider

the situations, you would find that “authority” hide properly within our
ordinary lifestyle through the interaction, popularity, rules and exactly
for “opinion” which has been changed by time and occasion. And I want
to indicate that the most dangerous thing of all danger is when you can
live by familiarity and accustom [without any suspicion or awareness].
Social media is for powerful people to distribute their virtue in many
ways whether commercial advantage or even political views.

135
 Narongsak doylom
[email protected]

dharma cabinet : 40 x 40 x 80 cm. 2019

Concept: tech conservation gilding decorative pattern

136
 Narumol Silpachaisri
[email protected]

And then that time arrived

Wood craving mold: 20 x 30 cm, 2019

Concept: The time of farewell, even when we are happy.

137
 Nattanan Buangam
[email protected]

The Rythm
slip casting : installing 100 x 20 cm. 2018

Concept Rhythm of one moment

138
 Nattapoom Meeyen
[email protected]

ELECTRONIC WASTE AND IMAGINATION (DREAMS 4)

Mixed Media, made from other electronic components: 20 x 25 x 35
cm, 2019

Concept: Electronic devices are a common part of everyone’s life since

childhood. Unfortunately, when these devices are out of use, they are
all abandoned and disassembled. My work starts from the idea that if
these parts became a living creature in an imaginary world of electronic
objects which were completely transformed from the original setting.
This leads to the combination of thought, dream and imagination of
their own.

139
 Niroj Jarungjitvittawat
[email protected]

Consider the breath

Lacquer on wood: 100x100cm, 2019

Concept: The artist has applied techniques and processes of creating

Thai Colored Lacquer Art to create this artwork. He has combined those
techniques with his own art identity in order to express beauty, virtuousness
and truth which the artist has continuously and diligently attempted to
search for, try out and practice for long time.

140
 Noppadon Natdee

Nature “Line,Colour and Space” 2562

Acrylic on canvas : 120x120 cm. 2019

141
 Opas Charoensuk
[email protected]

Phu khao thong Field

Painting on ceramic : 45 cm. 2018

Concept : The aesthetics of field at Phu khao thong in Ayutthaya

Thailand

142
 Pakamon Tangchitiloet
[email protected]

Overlap Dimension
Digital Media: 11 x 16 inch, 2016

Concept: Dimensional beliefs that are overlapping between reality and

invisible things. Familiar to Thai people for a long time the photographer
wants to reflect Dimension of beliefs through dimensions through
presentations using digital mixed media techniques. In order for the
viewers to experience the different viewing experience

143
 Pallop Wangborn
[email protected]

Fake
Etching: 25 X 40 cm, 2019

Concept: Presenting the symbols that people in society must encounter in

modern times. Is not sincere. deceive.

144
 Phawinee Sirirot
[email protected]

Wilted
Leather: 35 x 45 cm, 2019

Concept: Leather Bag

145
 Piamchan Boontrai
[email protected]

Keep Sweet
Photography with flatbed scanner: 45 x 60 x 50 cm, 2019

Concept: The desire and requirement of human lead to the diversity of

feeling in the mind. Seem to be memorandum in the wild journey of dreams
that fulfill of dream and ambition to reach the goal.

146
 Pramot Boontem
[email protected]

Puzzle of Religious
Drawing on canvas: 80 × 100 cm, 2019

Concept: Puzzle of Religious

147
 Prasit Emthim
[email protected]

สังสารวัฎ
Bronze: High 75 cm, 2019

Concept: การเวียนว่าย ตาย เกิด ๆ ไปตามภพภูมิต่างๆตามแรงเหวี่ยงข

องกรรม หลักของพุทธศาสนาซึ่งบัญญัติไว้ 31 ภูมิ การละกิเลสได้หมกแล้ว
หลุดพ้นจากการเวียนว่าย ตาย เกิด คือจุดหมายปลายทางของหลักพระพุทธศาสนา

148
 Rata Aksornthong
[email protected]

Anthroposophy
Painting on clear acrylic sheets: 60 x 80 cm, 2019

Concept: The universality of humans. Humans have a lot of differences
in social status, nationality or ethnicity and skin color. In my perspective,
I see that everyone is the same. Everyone in the world we are the
same type of animal with the same physical structure. You can see that
we had eyes, nose, mouth, eyebrows or facial contours and we used
the word “human” has the same meaning. although every country has
different writing and spelling.

149
 Rattana Sudjarit
[email protected]

The way of Harvester no.3

Hardground, Aquatint: 61 x 119 cm, 2018

Concept: My artworks are reflecting the image of the Thai Lifestyle in

the industrial society that going through the image of the Harvester while
working in the night that is constantly driven into an image of life that
never sleeps in the Consumerism Society that seem like an object of lives
and machines, or a consumerism object of life. This implies that it is an
awakening to stimulate the consciousness of oneself and fellow human
beings in the future, expressing by a realistic way through Intaglio Printing
Techniques that can creates the complete details of “Light and Shadow”

150
 Rattanarat KhawThung
[email protected]

“Heaven in soul, the hell in the mind!”

Watercolor, Acrylic: 80 x 100 cm, 2019

Concept: Gnome “heaven in hell’s heart” means. Our people are the
key It will be a pleasure to me, it depends on our own.”Hell, no one was
built. Fire is raging in the fire, and burn a fire to occur. When any evil
intentions Fire up those points and that would burn with the fire of their
own.

151
 Sakon Malee
[email protected]

E-SAN WAY OF LIFE PAINTING NO.4.2

Acrylic and gold leaf on canvas: 110 x 95 cm, 2019

Concept: The way of life of people in the countryside, which has always
related to faith and belief in custom and culture, is an inheritance from
ancestors. Of each culture can be richly varied throughout different regions,
however, most pe0ple are sharing the same objective and heading to the
same direction. Faith and belief in Buddhism act as a bright guiding light
that encourages them to live harmoniously according to the traditional and
simple lifestyle found in the lsan region. lt is also a strategy to unite people
and develop a mutual understanding in the local community.

152
 Samathi tepmatee
[email protected]

EXHIBITION
Digital painting: 42x 59.4 cm, 2019

Concept: Architecture is my favorite. It is a place of inspiration for design

Including art.

153
 Samran Maneerat
[email protected]

Form of faith in Buddhist

Acrylic on canvas: 120 x 100 cm, 2018

Concept: Application of religious, artistic patterns and symbols aimed to

reflect elation and esteem in the Buddha’s stories.

154
 Sanga Anusil
[email protected]

Engraved metal, Rama 5

Engraved silver metal nudge: 12 x 8 cm, 2019

Concept: The exquisite beauty of the ancient craftsmanship. The

use of unique metal embossing techniques and artistic value For the
conservation of wisdom Carving work to be with the offspring

155
 Saravut Vongnate
[email protected]

Structure of Life
Ceramic: 30 X 30 cm, 2019

Concept: Something starts from a small point, develop the formation of
structure, changing and growing according to the conditions of each period.

156
 Sarita Pulkuea
[email protected]

“Time-Lai”
3D & Mixed media: 20 x 50 mm, 20x30 mm, 2019

Concept: A collection of jewelry inspired from concept about the

combination between native’s patterns and the patterns from
Vietnamese architecture

157
 Sattha sinsathitsukul

Pottery coil
Coil: 30 x 40 inch, 2019

Concept: It shows the shape of the ground.

158
 Sira Suwanasorn

Fasting Buddha
Clay: 60 x 50 x 100 cm, 2016

Concept: Within the existence of everything, it is true that it has been appearing
under the influences of suffer and decline without an absent to be avoid. Everything
confront the birth and death as an eternal life cycle. This is the fact that adapted
every states of being; the state nor condition that hope has been collapsed. With
an absent of wisdom to gain happiness and peaceful life, it bear to be sorrow.
The fragile of family issue have overshadowed the light of happiness, under the
shadow of sorrow and decline without a solution. This is the unavoidable reality to
be confront.
Within the intellectual experience from “The Three Common Characteristic”
(The Nature Regulation) of Buddha studies, “The Pali Canon” combines with the
knowledge from the art of unwealthy aesthetic. This is the archive of wisdom for
art, creative and perhaps the analysis, the synthesis to proceed the sculpture form
in able to communicate and reflect the processes of decline to simulate the feeling
of sorrow, to gain the procedure of sculpture technique and medium for originated
art work. This is the factor to communicate the feeling of sorrow combine with the
intellect of Dharma intriguing to the viewers.
159
 Siri Nudang
[email protected]

Pisorp
PENCIL ON PAPER AND COMPUTER GRAPHIC: 21 x 29.7 cm, 2018

Concept: God of rightness.

160
 Sittichok Temsawat
[email protected]

The women No.3

Painting on Apple snails: 50 x 50 cm, 2019

Concept: The cherry shell scrap is often seen in natural water sources
that have a large number of Hyacinth, based in Thailand. Especially
Kwan Phayao. In Phayao, there is a creative concept of art, which is
inspired by the northern mural of northern women. In the color of the
face with a different manner of traditional Thai painting skills. On the
shells, which express the vivid vibrancy and joy of the young woman.

161
 Sompong Punyavong
[email protected]

Khruth Nakh
Wax: 29 x 29 x 45 cm, 2018

162
 Somporn Taemprasit
[email protected]

Trace at 8.00 a.m.

Clay, Latex on Canvas: 120 x 180 cm.

163
 Somyos Kumsang

Avatar mind
Crayon on paper: 100 x 150 cm, 2019

Concept: Crayon artwork named “Avatar mind” is the base of attitude

which is researched from studying between Buddhism with the concept
of awareness and sense. Avatar is the transformation through Karmic
Laws and Psychic law of mine to insist on the way of artwork creation. I
use symbolic, prosody and splendid forms in the way of traditional art and
unwind the feeling into my own attitude (Style).

164
 Songsak Nampho
songsakaui @gmail.com

อุ่นตักแม่
Fiberglass: 43 x 30x 33 cm, 2016

Concept: Love story and warmth of family expressed by various

gestures and poses to create the simplify form to reduce the unity of
shape from attitudes and represent the passion and protection.

165
 Sorapat Sarapruet
pohchang99.9 @hotmail.com

lotus
Niello ware And Enamel. 6x5 cm. 2019

Concept : Inspiration by technique nielloware and enamel which is

meaningful history of Thailand and bring it to development technique
between nielloware and enamel cause new techniques and pattern from
lotus because it’s asymbol of goodness

166
 Sucha Silpachaisri
[email protected]

My story behind the canvas

Mixed material:
84x124 cm,
2019

Concept: I create artworks from material that have story and shape to
consider. Ask a question, answer a question about shape creation by
material that we meet in daily life. In order to add, reduce, mix those shapes
which reflect truth in life. Those material can tell the state of body that is
embedded in the subconscious.

167
 Suksan Puangklad

From the Earth element No. 2

mixed bead-lace work, Thai crafts: 42 x 19 inch, 2019

Concept: Sculpture hand forming mix jewelry. Inspiration from Thai

traditional dresses.

168
 Sumnieng Nookong
sumneang.gs @hotmail.com

Daw Phadan
Engraved, Gilded gold: 60 x 60 cm, 2019

Concept: The application of metal work to decorate the architecture with

relief sculpture is a unique art and exquisite beauty of the pattern, showing
faith and faith in Buddhism that has been stable for a long time.

169
 Sunisa Intarasuk
[email protected]

God’s eye
Yarn weaving: 40 x 40 cm, 2019

Concept: The spiritual eye to have the power to see and understand
things unknown to the physical eye

170
 Supachai Sermsukcharoenchai
[email protected]

Bird of paradise
Watercolor: 29 x 42 cm, 2017

Concept: Nature is a miracle beyond human imagination. Plants have

different styles and beautiful colors according to each type.

171
 Supamas Jiamrungsan
[email protected]

Weave for life

Hand Weaving on frame: 40 x 40 cm, 2018

Concept: It is focus on techniques the golden fabric is located at

weaving with gold threads, called Yok Thong. Secondly, improve the
pattern of contemporary fabric are the synthesis of Yok Thong textile. It
is a complex process which requires highly skilled weavers. In creator’s
point of view, for weaving of each fabric-depending on a draw frame.
To invent textile art inspiration from Yok Thong textile design to create
new works of art.

172
 Suppawit Masasai
[email protected]

Pig not Pig

Copic Marker: 29 x 42 cm, 2019

Concept: Year of pig; Year of human have to be faced with the pollution.

173
 Surachai Udommun
[email protected]

Me & Another me”

Digital print 80x100 cm. 2019

Concept: Using a life with my son. Let us get to know the love and Care
The son is like loving ourselves.

174
 Surangkana Piwmankij
[email protected]

Unexpectedly
Etching: 30 x 40 cm, 2019

Concept: Creation of work with Intaglio Printing techniques is a process

with a variety of techniques and methods causing beautiful grooves on
the mold which happened unexpectedly. They are free grooves. When
the groove has happened, using imagination to create artworks with the
process of printmaking.

175
 Suwit Vidhyachak
[email protected]

BANPHE no. 3
Oil on canvas: 40 x 60 cm, 2019

Concept: The light of morning with the life proceed of fisherman have
led me to impression and love to create my own artwork.

176
 Tamin Srisila

Buddha image
Sand stone casting: 45 X 53 inches, 2019

Concept: Copying my beloved Buddha image style in Gandhara period of

India.

177
 Tassana Kondee
[email protected]

Lesson 1 no. 3
Etching: 60 x 40 cm, 2019

Concept: Play and study is a lesson for children to learn adapt with
society.

178
 Teerasak Limthatthanakun
[email protected]

Phumtan table
New material for charcoal: 110 cm. x 40 cm, 2019

Concept: The Phumtan is the side table furniture by using wood charcoal which is
considered as wisdom. From the use of resources in the country. Come through the
creative process And designed to create new value for local materials To creating
added value And still the properties of charcoal for absorption And moisture absorption
Which will be able to help adjust the environment within the usage area as well.
From the dignity concept Which is derived from the use of wisdom And the existing
resource base The design aspect emphasizes simplicity. There is a gentleman,
emphasizing the use of charcoal physical characteristics, mainly black, unique
patterns Including natural surfaces Which will help promote the appearance of the
use to look dignified.
Creating a unique product from wisdom combined with simple materials such as
charcoal which are the base of natural resources. Create valuable products with
material properties Able to respond to the hidden usage in the new generation’s
lifestyle.
179
 Teerawut Ruangcharak
[email protected]

Buddha Image in the Action of Stopping the Rainstorm

Plasticine molding: 20 width x 85 height, 2019

Concept: Once Buddha went to spread Buddhism at Uruwaela

Seananikom district, Makot kingdom [in India] of king Pimpisan, asked
to stay in the temple of Uruwen Kassapa, the master of Jadil [a kind of
priest who worships fire] whom local people believes in. This is when
Buddha defeat Uruwen Kassapa and teach him to obey by stop the
flooding from flowing through his residence and he walks in meditation
slowly into the circle of the water storm, the Jadil surprise and accept
the power of Buddha so they asked to enter the monkhood at last.

180
 Thanatip Thipwaree
[email protected]

Happiness of Daughters & Mom

Acrylic on canvas: 100 x 120 cm, 2019

Concept: One of the easiest symbolic things to represented about every

state of mind
and feeling in life is flower. Therefore, I have no hesitation to created them
into my paintings as expressive out the currently state of my mind as how
beautiful my love and happiness kind look like when I thinking of the 2 baby
girls of my own.

181
 Thudong Sukkasem

Venus
Clay, Plaster: 10 x 15 x 13 cm, 2019

Concept: Venus is a Roman goddess, whose functions encompassed

love, beauty, desire, sex, fertility, prosperity and victory. In Roman
mythology, she was the ancestor of the Roman people through her son,
Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar
claimed her as his ancestor. Venus was central to many religious
festivals, and was revered in Roman religion under numerous cult titles.
I want to present the shape, the mass, the volume, the smooth surface,
which shows the smoothness, like a female symbol.

182
 Tossapon Ngamwilailuk
[email protected]

Light of cup fungi

Slip casting , 2019

183
 Warut Wannakeaw
[email protected]

Buddha
Fiber glass: 15 Width X 25 Height X 10.5 Depth cm, 2019

Concept: Buddha image in action of meditation, is one of the symbolic in

Buddhism, presents the morals of meditation in peaceful sitting action.

184
 Yodsaporn Juntongjeen
[email protected]

Stand for Strays

INSTALLATION ART (Mixed Media): 240 x 240 cm, 2019

Concept: CHANGE YOUR PERSPECTIVE, CHANGE YOUR LIFE

185
 Worapong Arunrueang
[email protected]

“Form of life 4”
Lithograph: 50 x 70 cm, 2017

Concept: Everything is related to each other. It may be different in some

cases, but it can be together. Anyway everything is impermanence,
suffering and non-self according to factors of changes.

186
 Peer Review

Prof. Decha Warashoon Assistant Professor Doctor Nuchnapang Keonil

Chakapong Phaetlakfa