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GAMABA Awardees PDF

This document profiles several indigenous artists from various tribes in the Philippines who received the Gawad sa Manlilikha ng Bayan (National Living Treasures Award) for masterfully practicing and preserving their community's cultural traditions. It describes the art forms and materials of weaving, music, dance, metalworking, poetry and more. These awardees help ensure the survival of their people's intangible cultural heritage.

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Elijah Gracilla
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2K views65 pages

GAMABA Awardees PDF

This document profiles several indigenous artists from various tribes in the Philippines who received the Gawad sa Manlilikha ng Bayan (National Living Treasures Award) for masterfully practicing and preserving their community's cultural traditions. It describes the art forms and materials of weaving, music, dance, metalworking, poetry and more. These awardees help ensure the survival of their people's intangible cultural heritage.

Uploaded by

Elijah Gracilla
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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GAMABA AWARDEES

T’boli tribe
• The Tboli are one of the indigenous peoples of South
Cotabato in Southern Mindanao.
Lang Dulay
• Textile Weaver
T’boli
Lake Sebu, South
Cotabato
1998
T'nalak
• a deep brown
abaca-based
cloth tie-dyed
with intricate
designs, is
produced by
women of
Mindanao's
T'boli Tribe.
T’nalak Weaving
• Weaving t’nalak is a tedious process that begins with
stripping the stem of the abaca plant to get the fibers.
Material of T’nalak
• Abaca fibers:
Designs
• Lang Dulay knows about a hundred kinds of T’nalak
design including
• bulinglangit (clouds)
• bankiring (hair bangs)
• kabangi (butterfly
Inabal Weaver
of Bagobo Tribe
• Bansalan, Davao del Sur
Bagobo Tribe
• The Bagobo
constitute one of the
largest groups among
the indigenous
peoples of southern
Mindanao. They are
composed of three (3)
sub-groups, namely
the TAGABAWA, the
CLATA or GUIANGAN
and the UBO
Inabal Weaving
• Material: Bagobo
Abaca Ikat
Designs
• sinukla • bandira
Binuwaya ikat design
DARHATA SAWABI
• Barangay Parang, Jolo
Sulu
• Has preserved Pis syabit
weaving tradition
• traditional cloth tapestry
worn as a head covering
by the Tausug of Jolo.
• It is a difficult art of
tapestry that creates the
traditional squares used by
the Tausug.
• Despite the conflict in Jolo,
Sawabi’s dedication to her
art enhanced the
preservation of Tausug
design.
Tausug Tribe
• "Tausug" means "the
people of the current“
• The Tausug or Suluk
people are an ethnic
group of the Philippines,
Malaysia and Indonesia.
• Tausug is part of the
Moro ethnic group.
Darhata Sawabi’s Material and Design
• Cotton thread
• Mat Weaver
Sama
Tandubas, Tawi-Tawi
2004
• the master mat weaver
among the Sama
indigenous community
of Ungos Matata
Harvesting thorny Pandan using janggat
deyum or stripper
Pinaggos or pressing of pandan strips and
dyeing process using anjibi
Dried and dyed pandan strips
Mat designs
Magdalena Gamayo
• Textile Weaver
• Ilocano
• Pinili, Ilocos Norte
• 2012
Magdalena Gamayo
• Inabel weaving using
cotton thread
Abel weaving of Ilocos
• abel-weaving of Ilocos
is a tradition.
• The abel is made from
yarns of cotton or
sagut that are sourced
from the many lands in
northern Luzon that
are dedicated to the
growing of this plant.
Patterns and designs
• traditional patterns
of binakol,
inuritan(geometric
design), kusikos (spiral
forms similar to
oranges), and sinan-
sabong(flowers),
Inuritan
Kusikos
sinansabong
Ginaw Bilog
• Poet
Hanunuo Mangyan
Panaytayan, Oriental
Mindoro
1993
• Ginaw took it upon
himself to continually
keep scores of
ambahan poetry
recorded
• To Ginaw, ambahan is
the key to the
understanding of the
Mangyan soul
• a poetic literary form
composed of seven-
syllable lines used to
convey messages
through metaphors
and images
Masino Intaray
• Musician and
Storyteller
• Pala’wan
• Brookes Point,
Palawan
• 1993
Magsino Intaray
• An outstanding master
of the basal, kulilal and
bagit
• a gifted poet
• bard artist
• Musician
• plays the aroding (mouth
harp)
• babarak (ring flute
• a prolific and pre-
eminent epic chanter
and story teller
Magsino Intaray
• has the creative
memory, endurance,
clarity of intellect and
spiritual purpose that
enable him to chant all
through the night
• for successive nights,
countless tultul (epics)
• sudsungit (narratives)
• tuturan (myths of origin
and teachings of
ancestors).
Sumaon Sulaiman
• Musician
Magindanao
Mama sa Pano,
Maguindanao
1993
• Samaon Sulaiman
achieved the highest
level of excellence in
the art of kutyapi
playing.
• dinaladay, linapu,
minuna, binalig and
other forms reaches
extensive repertoire.
• Magindanao kutyapi
music is rich in melodic
and rhythmic invention,
explores a wide range
of timbres and sound
phenomena – both
human and natural,
possesses a subtle
and variable tuning
system, and is deeply
poetic in inspiration.
• The Magindanao
kutyapi is one of the
most technically
demanding and difficult
to master among
Filipino traditional
instruments
Alonzo Saclag
• Musician and Dancer
Kalinga
Lubugan, Kalinga
2000
Alonzo Saclag
• A Kalinga master of
dance and the
performing arts
• has made it his
mission to create and
nurture a greater
consciousness and
appreciation of Kalinga
culture
Federico Caballero
• FEDERICO
CABALLERO
Epic Chanter
Sulod-Bukidnon
Calinog, Iloilo
2000
Uwang Ahadas
• UWANG AHADAS
Musician
Yakan
Lamitan, Basilan
2000
Eduardo Mutuc
• EDUARDO MUTUC
Metalsmith
Kapampangan
Apalit Pampanga
2004
• an artist who has
dedicated his life to
creating religious and
secular art in silver,
bronze and wood
• intricately detailed
retablos, mirrors,
altars, and carosas
Works of Eduardo Mutuc
Teofilo Garcia
• TEOFILO GARCIA
Casque Maker
Ilocano
San Quintin, Abra
2012
Tabungaw maker
Estelita Bantilan, 2016
• Mat Weaver from Saranggani
Igem – mainly used for mat weaving
Ambalang Ausalin, 2016

Textile Weaver
Yakan
Basilan

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