| THE | . oe aeerery RaB Songs WNT) eae ARLS BARKLEY MARIAH CAREY OLETA ADAMS CHRISTINA AGUILERA JUSTIN TIMBERLAKE WHITNEY HOUSTON NELLY FURTADO TONI BRAXTON LUTHER VANDROSS INDIA. ARIE 50 CENT THE PUSSYCAT DOLLS AALIYAH THE OJAYS BEYONCE FRANKIE J JENNIFER LOPEZ KANYE WEST NEXT. BARRY WHITE MONICA TREY SONGZ BOW wow DONELL JONES and many more...IANO + VOCAL CHORDS: a Alifed Publishing Co, ine ‘16229 Roscoe BNA, Suit 100 (Alfred : SN) 22.80 10003 D4) van nus, cA 91410-0003 alfred.com ‘Copyright © MMI by Alfted Pubiising Co, inc All rights reserved. Printed in USA, ISBN-10: 0.7390-4764.7 ISBN-13: 978-0-7390-4764-4CONTENTS TITLE ARTIST Another Sad Love Son «Toni Braxton. Baby Mao FAM Si econ Be Without You. Mary). Blige. Beep.. _-The Pussycat Dolls Best Friend. . 50 Gent & Divia. Can't Get Enough of Your Love, Babe Barry White... Crazy. ance with Wy Father. Ditemma - Dirrty. Oreamiover. Fos You | Wil. Get Here Auther Vandross. Gotta Bo... Hold You Down. How to Deal 1 Am Not My Hair... 1 Turn to You. o ''m Your Baby Tonight (Dronez Mix). tL Just Friends (Swany), ‘ops (Oh My)... Promiscucus.. Shake It Of Stickwitu.. Too Lite Too tate TOUCH tHE SKY. rus Un-Break My Heart... Usta Be My Girt. What Goes Around. Where | Wanna Be Where My Girs At? WHEY. ere You Make Me Feel Brand New.. oni Braxton. The Olays Justin Timberlaké Comes AroundANOTHER SAD LOVE SONG By DARYL SIMMONS Moderately slow and BABYFACE Am? Em7 Dm9 an = oR Dm7/G Am? Em? Dm 108: We, vm ee Dm7/G AmS An? a ‘an a g ne Ey Since you been gone I been Since you been gone 1 keep. JF aesee sed ove Song 5-1 (© 1993 WARNER-TAMEALANE PUBLISHING CORP, BOOBIE-LOO MUSIC, SONY SONGS INC. an ECAF ‘ight on behalf of BOOBE-LOO MUSIC Aaminierea by WARNER: TAMERLANE PUBLISHING CORP 'AI Fights on Sohal of SONY SONGS INC. and ECAF Administered by SONY MUSIC PUBLISHING [AI ights ReservedSS SS — 3 ze i | begs is 8s ind tte = win my mind mested op Gnesi 8s Bowes you be Ges me "al Ghoked Up SS Jumped in my car, tried to clear my mind, did-n't help 1 guess V'm “This hea Of mine Keeps dreamin’ of you and its era,” Zybabe, you'd think I'd all messed up_now, ba- by. ” Soon as 1 jumped in = to my: side, had e - mough, yeah. As soonas 1 get_—_you out my head, Tm A. song comes on, Just one re quest from5 Eb9 Abmaj7 Dm9/G & fe" Fl the ra- di- 0, and there | u are, ba- by, once. «a= gain ts . wosrdie RE ke get Ske Rate an tiLL Ui a Zz er sad love song rack-in’ my brain- like cra Guess I'm all tom up. Be it LL — < 7 7 37% ! . does-n't let go—— or shake- me. ‘And it's all you. be- cause of you. oe LLU Pf ED tr f — Er ate case OF By () WUE I) — eeeEm! Dmg 0, e rack-in’ my brain— like cra zy. it er does-n’t let go— or shake — me, Hem come Se srings, then some = bod- y sings, on = ly takes a beat and then it siars El-p’ me darlin’ b —. — = — —— aS t hands up, look himright in the eyes, and tell himwe'vebeen Hands up, la-dies, let him know he’s got you locked.) © Coda KI — your bs by. Gm Be wanautvon 8-5Bhnaj7 = =SS=—, = yy 2 ste Sse 1 wan-na be with you, got-ta be with you, need to be with you fe ot, a2. 24 $ —— ——$ =| a = f = = —— SS SS i= = Repeat ad lib, and fade Gm? c Al == rere "ER Aas wan-na be with you, got-ta be with you,need 1 be with you gt ee — SS a4 Verse 2: ve got a question for you, (See, already know the aaswer.) Still, wanna ask you: Would you lie? (no) Make mie ery? (1 Do somethin’ behind my back and then try to cover it up? ‘Well, neither would I, Baby. My love is only your love, (yes) Til always be faithful. (ves) Tm for real (yes) ‘And with us you'll always know the deal (To Chorus:)18 BEEP Words and Music by - WILLIAM ADAMS, KARA DIOGUARDI, Moderately ¢= 104 and JEFF LYNNE FIA Gm hahaha haha, Hahaha haha hahaha ha, Chorus: ‘Will.1.Am: 1's funny how aman only thinks about the... You got a real big heart, but I'm looking your... You got eal big brains, bu I'm looking at your. x Beep-8-1 {©2008 WILLIAM MUSIC, INC, KSTUFF PUBLISHING. CHERRY RIVER MUSIC CO. ‘aid EM SLAGKNOOOD MUSIC, IN. ‘Highs Roserea a— SaaS} Set there ain't no pain in me looking at your... I don’t give a... keep looking at my... ‘Cause it don’t mean a thing if you're looking ar my. = ome do my thing while you're playing with your. Ev - ‘ry boy's the same been in sev-enth grade. They been uy’n’ to get with me, try’ to haha ha, hahaha. They al-ways gota plan to be_ my20 Ss e — fone and only man, want to hold me with theirhands, want to ha ha ha, ha ha ha = = Esmaj7 Dm “a Ht ane He 1 Keep turn-ing them down, but they al-wayscome a-round, ask-ing me to go a-round, That's not the —— ri Gm? Eamaj7 Se way its go-ing down. ‘Causethey only want, on - ly want my ha ha ha, hahaha, % Chorus: Dm Gm a = ‘Will.1.Am: =, = + ——— = Only want what they want but nah ah sh, wah ah ah 1s funny how a man ony thinks about he Beap-8-32 big heart. but I'm looking your... You got real big brains, but I'm looking at your... Girl, there ain't no pain in me looking at your. To Coda® keep looking at my... "Cause it don't mean a thing if you're looking at my... I'm-a do my thing while you're playing with your. ha ha hha ha 2 you know that “no” don't mean. “yes! It means “no.” So, just holdup, wait aGm fe bicil let se put my two cents in it One, just be patient, don't be sush-ing like you're an - xious, and, =} a Do you know get your ah you're just too ag - gres-sive try'n” to Ebmaj7 Dm @ that 1 know? want to go Gm Esmaj7 2S aa Beep -8-5, < e fon - ly want, on - ly want my ha ha ha, hahaha, On Ty want what they want but,I's funny how a man only thinks about the... You got a real big heart, but I'm looking your. Serene big brains, but 'm looking at your... Girl, there ain't no pain in me looking at your... Idon’t give a.. keep looking at my. don't mean a thing if you're looking at my... I'm-a do my thing while you're playing with your. 7, oe 7 7 WilLL.Am: Boom bovm boom boom boom boom boom.24 Ss | you got it a . Boom boom boom boom boom boom boom. Ooh, (Will. LAm cone) You want it tad. Dude, what you DS. al Coda Fi Be Beeo-8-7Gm Coda = ¢ = =—_== == -= = © = = Haha ha ha ha ha he, WAR: 1's fny how aman only thinks abou he. St 8 —— oe — = = = = SS SSS Dm veal big hear, bu 'm looking your. You gor real big brains, bu 'm looking at your. Girl, here ain't no pain in me looking at your. 8: or SSS — = + eeee wees ee ve oe "give a. keep looking at my... ‘Cause it don't mean a thing if you're looking a my. Tynca do my thing while you're playing with your 2 8 ob a — SS — =e wees TS = i wee F FIA Nc. oe i == SSS Ha hahaha ha haha g Po = ae \ \ \ ¥ —— SS * ve de 3 + aBEST FRIEND Words and Music by JOSEPHINE ARMSTEAD, NICKOLAS ASHFORD, Moderately slow J = 92 VALERIE SIMPSON and CURTIS JACKSON Domaj7 C7 Em cr. Em tr ie — Ooh, ‘50 Cent: Yeah, irs my take, man, 8 (Piana ad lib 7 Bm Dsmaj? Tvewait-ed, I've wait-ed, and time went. by Listen to my take, end piano aa lib.) Bin? Cm? Bim? Cm? Domaj7 DBs was your best ‘est Fen -7-1 (© 2005 COTLLLON MUSIC ING. WALDEN MUSIC, INC. and SO CENT MUSIC ‘Al ighfor 80 CENT MUSIC Admnisired by UNIVERSAL MUSIC CORP (Cor Sarr SLE AIT DEEN ANISTEN® EONAR VALEME SNPEON BESTLION MUSE NE Ps MALDEN MUSE NC) ‘AIighs Reserea& Chorus 1. Bam? Cm? Domai? fe ee — friend, Bim7 say he’s just . t Td want you ‘round you'll prom - ise Cm? all__ you'l Bbm7 3 the time, Cm7 ‘ap Cm? Dsmaj7 2 fa Could T Bim m7 Dimaj7 4 be your best Cm? m7 Please, cm? Demaj7 Tap 7 Bit ae a friend Nox, ——————————————— sil, oo ler not pre - tend Fi-ther he To Coda @ cm? Dimaj7 em? Bon Cm Doma? cm ae qe ge TP fap? ieee ae f I ! Bia : HEE Hn he ain't your man, Please say he's just a friend, If Twas your bestVerse: Bim? wey. — = friend 2. See additional lyrics cm? Bim? Cm? Domaj7 ah ta C7 i. First, we get 10 salkin’ hem we get to Sowchin’ Uf we get past the phone games we'l be, kiss like the French do, put my tongue in your ear, doit like the dogs do it, gir, and pull on your hair — . . — ee = = Se = —S = Bim? cm? Dina? ca? Ba? cm? Dinai cm > Pee an ae ian , eg b4 _* Fes = S & = SS —_= + a co : ——* A= as = z == = = i? m7 Dsmaj7 Bin? cm? smaj7 cn as Pe ‘i pase e For mea different scenery just means a different position, in the tub or on the sink, Timprovise, now, listen, SF i . ey i aes = s = s _ eS Se 3 7 = z Bia? Cm? Dimaj7 cm Bim? Cm? Domai? cm be - ep = eo (On the chopper, on the je, join the mile-high club, ee . A IE = i — $= : a= x 7 » SS 2 — Bost Fend-7-329 Bins? mn? Dymsj7 Ca Bgl Cm? Dima? mit me tap fe = > Tee SSS = ==. | weer ep te eee oe fi: You suid that I could call you when-ev - or 1 need-ed some-one to lis ten to me, —————— 2 2, Cm? Dimnaj? Bin? m7 Dbmaj7? nn = That's why I'm here, stand-ing vy your side, ‘cause you all - ways come through for me. Boma? Cm? Dinai7 Cm? Bom? Cm? Domaj7 el 2 Hes 2 3 time i Hi vous try to be where you are, but they just want-ed to So man-y_ oth-ers throw me, Cm? Dsmaj7 Cm? Dimaj7 oa ce ie 3 Ee fF Clie youwere my best.30 Chorus 2: Bien? m7 Dimay7 cm? Bim? m7 Dimaj7 a i 2 BE Could 1 be jour best ———————————————— Dimaj7 cm? Birn? Cm7 Dsmaj7 co? fa ig i cmt e@ T promise, boy, Cm? Dsmaj7 a Cm? Bin? Cm? Dimaj7 2 said__he’s_just__a by _its Ei-ther he Cm? Dimnai7 e ———— SS eee Te ee is_or_he ain't my tan, 1 said he’s just a _friend,_ was your best fet Fend 7-5Bridge 31 Cm? Dsmaj7 Cm7_Dsmaj7 cm? i ae of said he's just a friend We've been bet - ter than friends Cm? Dimnaj7 cmt Cm. Dimaj? cmt ie for a long cine Ain't no need to pre = tend, Bin Cin? Dsmaj7 Cm? Bim? Cm? Dimnaj? cmt ze you'll al - ways be mine, We've been bet - ter than friends m7 Dimaj7 Pe Cm?_Dimaj7 for 8 longtime Ain't no flip = pin’ or fak.D.S.% al Coda @ Coda Cm? Domai? Cm? Bom? Cm? Domai? cm Sit) = 2 ig ‘aps you'll al- ways St 1) wasyour best. be mine say he’s just. a friend. IFT was your best Bhn7 m7 Dimaj7 cm? Bom? Repeat ad lib. and fade m7 — Domaj7 Cm? Bom? Cm? Dbmaj7 cm7 3 ™ Aa am ape Best Friend 7-7 Verse2 (50 Cent): While you in your bubble bath, 'llcome washin’ your back, ‘When you puttin’ on your lotion, Ican help you with that [sit and think of things (0 say that may make you smile, Or give you gifs from the hear to reflect my style. The slang I use when we build may change how you talk, And if I'm focused while I'm strokin’, I could change how you walk. There's a swagger that you come with when you come from New York, I'ma hustler, I just hustle in the things that I bought. (Olivia:) I'm not aftaid to explore my body, ob, give me that feelin’. ‘Then we can watch some TV or play a CD, Maybe that “Sexual Healing.” You try to sing t0 me, you're never on the key, But you do it just to appease me Td rather spend my tine wasting time with you, Ooh, you make it so easy. (To Chorus 2)33 CAN’T GET ENOUGH OF YOUR LOVE, BABE Words and Music by BARRY WHITE ‘Moderate dance groove Bbmaj7 Am? HE poten) Ive heard people say tn Bit to much of any - of SF thing is not good for you, baby, but, 1 don't know about that, Fmaj7 Gm7 Am7 Bbmaj7 fe 8 —== ‘As many times _as_ we've loved, shared love and made love, Fmaj7Gm7 Am Bhmaj7 i —— it doesn't’ seem to me like it’s ever, ever _ enough, ee ff @ [cerca eneugh of Your Low, Babe-9-1 (© 1974 nawod) UNICHRPPELL MUS, INC. ana SAVETTE MUSIC.CO, ‘I Rights Aemisteed by UNICHAP®EL MUSIC INC "AU ighs Roserod34 Bbmaj7 Bomaj7/C Foo Am? Dm7 Bhmaj7 Am? = Gm? Gmc i if a fi itt can't get enough of your Am? Dm Bomaj? Am? = Gm7 Gmc 2 8 ae 8 @ F ‘Gan Get Enough of You Love, Babe -9-235 F Am? Dm7 Bomaj7 Am? Gm7 Gmc me if Ee 8 He T can't get e-nough of your— don’t know, I don’t. know why F Am7 Dm7 Bomaj7 Am? = Gm Gmc ie ee EB @ —S Fo Am? Dm? Bbmaj7 Am? = Gm7_— Gm7iC eB gee @ things I can't. get used _ to no mat- ter how. 1 try. I could on - ly makeyou see and make you un - der-stand. F Am? Dm? Bhmaj7 Am? = Gm? Gm/C a i qe & It seems the more_ = Boy, your love — [eee rough ot YourLove, Babe 9-236 Am? Dm? Bomaj7 Am] Gm omic # io & @ & —T you give. the more. I want and, ba - by, that’s.no fie, — for me is all I need now, and more than I can stand. - = > 3 9 3 Bhmaj7 Am? = Gm7 Gmiic 2 oe #4 i a Bomaj7 what am { gon - na do?__ all__ the things. I feel? > g a J: 7 So How should I when ey - ‘ry~ thing is you, —you,__you? You've giv-en meso Boy, it's so um-reat, un - real, un - real. ‘Cait Gat Erouah of Your Love, Baba 9-4 a7 Bbmaj7 is this that you're giv - ing me? you more and more. each — time. ‘What kind of a love Well, 1 keep lovin i ie Is it in your kiss. or_ Just -be- cause_you're sweet, sweet? Boy, what am I gon - na do ’eause you blow my mind, — mind. — You're all 1 know___ and ev-'ry time you're near I got thesame old feel - ing evry time you're —_ near,| a some - thing’s _ mov - cate Enough Yow Love, Babe-9- 5‘What ya got me do FR Am7 Dm? Bhmaj7 Am? = Gm7)— Gm. | ie , Dar - ling, I, a can't get e-nough of your_ Ba = by, it did-n't take all of my iife__ to find__ you___ (Cat Gat Enough of Your Love, Babe 9-6Am? Fmaj?_ Gm? Am? ate = ———= aw {+ SS and it sure ain't gon-natake the rest of my life to Bonuaj7 keep you, yeah, keep you___ hap - ———_—— = SS R WW tl jar - ling, darting, dar = ling,——— Get Enough of Your Love, Babe -@-740 Gm7/c Gm? Gm7Ic Gm7 Gmric mic BHC Bomaj7 Am7 = Gm7 | Het i can’t get enough of your_ F Amy Dm7 Bomaj7 Am? = Gm Gm7c fe EE fd ie (Gan Get Enough ot Yur Lowe Baba = 9-841 F Am7 Dm7 Bomaj7 Am? Gm? GmT/C a ORR fe fe don’t know, I don’t know, I don’t know why 1 can’t get enough of your_ F Am? Dm7 Bomaj7 Am7 = Gm7 Gm7ic =o & 8 i Eo — love, ba - by. Oh, my Bomaj7 Am7 = Gm7 Gmc i if a _— — love, your love, your love, _ ‘woo, hoo, Am7 m7 Bomaj7 Am? Gm7 Gma/c EY Repeat and Fade Can't get e-nough, can’t get e-nough, can’t get enough, can’t get e-nough. Get Brough of Your Love, Babe --9CRAZY Words and Music by THOMAS DECARLO CALLAWAY, BRIAN JOSEPH BURTON, GIANFRANCO REVERBERI and GIAN PIERO REVERBERI Verse: cm Moderately J = 112 Ebmaj7 ‘member, 1 re-mem-ber When 1 Jor my mind. AH) aS Some-thing so spe-citl_ a ~ bout that pace ven your e-mo-tions had an z es Fae = I SS === + oe ca-8-1 {© 2008 WARNERICHAPPELL MUSIC PUBLISHING LTD, Ccuraysaus nusie 17 ana SMG RIGOR MUSIC PUBLISHING SpA Al Rights tor WARINERICHAPPELL MUSIC PUBLISHING LTD. in he U.S, and Canada Adley WARRER TAMERLANE PUBLISHING CORP. “Graay"contanssampes rom “Last Man Standing” ty GIANFFIANCO REVERSERT and GUN PIEAO REVERGERI ‘a Figs Reserved43 ax ——¥ = = = r + =— y+ 0 insomuch space Mm, = = — —= SS = =~ = — = # ——— ==: am ————— mm, mm, Andwhen you're out _ there with out 23.See additonal iyrcs = 8= = = SSS S53 z = 2 Eomaj7 A pee=! re ——==—7 yeah, Twas ott of touch And it = 5 ;s — — = za == nn a = tte fot ne 6 ot = SE = wasn't bev cause [didn't know @ = nough % De = eS Z ———= = = + SS4 c é H 2. =* a SSS) o ne = Ti ie too mich mm _Doesthat make me er Ge = E = ; ——_— vse * a | " = +- SSS SS = Chorus: ca Does that make me era 7 Poe sh bn on s —— G92. SER I= 4S SS 2s SS SS SSS oe Ges To Coda® Ho = A fae == = And Thope that you are hav-4s AAS) te HE LZ pee en pe ge pg ; c= ae == tS i ing the time. of _ your life. Butthink twice. eS g — —— _ z a Gsus =f a oe 2, DS.& al Coda! — = = ——SSE Mm. SS =S5 2 ee& i mm, woo, - crany 8-5, Verse 2: Come on now, who do you, she do you, Who to you, cha do you think you are? Ha ha ha, bless your soul, You really think you're in control Chorus 2 Well. I think you're crazy. think you're erazy. think you're erazy, Just like me. ‘My heroes had the heart to lose their lives out on a limb, And all Iremember is thinking I want to be Tike them Verse 3: Ever since I was litle, ever since I was little it looked like fun. And it’s no coincidence I've come, ‘And I'can die when I'm done, Chorus 3 But maybe¥'m crary, Maybe you're crazy, Maybe we're crazy, Probably. (To Coda)47 DIRRTY Words and Music by BALEWA MUHAMMAD, CHRISTINA AGUILERA, JASPER CAMERON, DAYNA STINTON and REGGIE NOBEL (Spoken:) Dirrty, filthy, nasty. Too dirrty to clean my act up. If you ain't dirrty, you ain't here to party. Ne. Moderate dance beat J = 100 La - dies, movel Gen-tle-man, move! some vie eo bod-y ring the a-lorm, a fire om the roof Ring the a- lam and I'm throw-in’ el - bows = o = Ring the a - lam, and I'm throw-in’ ef - bows Ring the - lam, and I'm throw-in’ el» bows. (© 2002 Universal - PolyGram lnemationl Tune, ne aga Jens Muse, Xtra Musi, Osta! Mus, ‘Wamerclamarane Puslenng Corp, Dayna Day Musie ana asy Nabe Progucone ‘nights fr Jaraae Joints Mle Asrnitered by Unvetsal PolyGram international Tunes, [A Fights for Dayn's Day Pukering Acmisered by Warner Taneriane Pushing Cars. "Al Fighis ReservedVerse Ne. = —— e re = — ee 4 ©’ 1. 00h, © ver = ave, 2, See additional lyrics Paid my dues, _— —= ss SS ae | S a. and the girls wan-na shake the room Sspin-nin’, show your hands._ eo evs get diret-y. That's my. jam T need that to get ome of — wry -7-2Gm? o in’ till my clothes come off. 2 Still jump - in’, the mom ~ in’ time_ for some ac rupt, Gonna get 49 oe plo - sive, speak - ers are thump ~ in = e Ta - ble dane - in’, glass - es are crash - in’, —= we ture’s up, (can you feel it?) girls Get your boys,Chorus: —- - + — SS fae SS ee i ee make some noise. Gon-na get row = dy. Gon-na get a iit~tle un x —: ———— SS SS = Z SS sae) ——_- = —— Get it fred up in a hur = ry Wan-na get dirty Ws a-bout time that T came to start the par yy. Sweat drip-pin’ 0 - ver my ev SSS === =; SS es 7s = = es = bod = Dincsin’ gettin’ jst 9 t= magh =, Wan-na get cietySI Its a-bout time Bridge: V2. z 7 for my ar - tiv - al Ws a-bout time for omy ar = iy = ah comes, it's the one you been wait - in’ on Get up, here we go, yo, that's what's vp. Giv- in’ just what you want 7 = = ++ ve to the max - i> mum Uh = oh, (Uh-oh) here we go. (Here we go.) What we 7 ¥ ee ve do whenthe mu - sic starts to drop that's__when we take it to the park - ing lol And Iee veeeere” See ° bet you some-bod-y's gon-na call the cops. Ub - oh, (Uh-oh) here we go. (Here we go, here we Chorus: Gm? Gon-na get + ay Gon-na get a ——— Get it fired up in a hur = Wan-na get dirrt - y. ae SSS = Diey 7-6 ee ———33 Ws about time that T came to start the ‘Sweat drip-pin’ 0 - ver my Dancin’ get-tin’ just a lit- tle nauigh - ty Wan-na get dirt ~ y. % It’s a-bout time for my ar = tiv - al. about time for my ar- rival Ugh, wet Verse 2: Ah, heat is up, so ladies, fellas, drop your cups. Body’s hot from front to back, Move your ass Ilike that. ‘Tight hip-huggers, lov. fo" sho’ Shake alittle somethin’ on the floor, Tneed that to get me of ‘Sweatin’ tll my clothes come oft Let's get up and cause 2 commotion. ‘We sil goin’ eight in the mornin’ ‘There's no stoppin’, we keep it poppin’. Hard cockin’, everyone's talkin’ Give all you got, just hit the spot. Gonna get my girls get your boys. Gonna make some noise. (To Chorus:)DANCE WITH MY FATHER Words and Music LUTHER VANDROS Slowly J= 80 and RICHARD MAR 1. Back when ‘my moth was a child,> SS 2S J ———— be + foe life re moved all the in 0 = canoe to gt omy ay, would un rom teh Bs Fs a i - SSS z ——S= => wae SSS my ta = ther would it me high Hed make ime laugh just to) com nme a _ x == = 2 eo — 7 and nal ‘with make dance ly, my just and what my ma and shen. said a B al a -—- _ SSS a oe aod h = 2 ¢ 3S Oe = = = e ed - ‘ance Win My Father 6.956 EyniGs _——— ———————— ——— o ——— SS ¥ then up the stairs he © would car ny me, and 1 knew. me Yet dol = lar un = der my sheet. Nev - er dreamed_ a ee F Esus , &€ = —= ==> : SS 7 = for sure Twas loved u from me. it would be gone. T could gee 1 could steal an - er chance, one fi nal glance, — & cm Gm mi ~ _# mp gy SS a SS = = = — ee ees == SSS nih eh dance— with Bim Brg play a song that would nev Fra tows BOSE pe ee GS $ ors + el Set = = — Dance With My Fatner-6-3‘Some-times, {lis - ten out - side her door, and Td hear how omy — moth = er cried for him —_ See wen My Faor- 6-458 iy Ha a 7 of = SSeS FIA Gn c om Am know Tm pray - ing for much too much, but could you send back the Dance win Wy Father 8-539 Dm Am eo g i e only man_— she loved? 1 know you don't do itu su-al -Iy, but, dear Lord, — to dance with. my c ne "ey night I fall a-sleep, and this is all 1 ev-er dream60 Words and Music by KENNY GAMBLE, BUNNY SIGLER, CORNELL HAYES and ANTOINE MACON Moderately slow 4 = 84 Gm C Ae? Bo An? Dm om f fr ie fi gf gf © (Kelly:) = ~ ~ ee oe An) T Jove you, and 1 Ab. (Sung falseto:) (Ab. e nf Se Gmq love you, == need you. Nelly, L Chorus: Gm think a - bom is you E-ven mat - ter (© 2000 WAREVER-TAMERLANE PUBLISHING CORP, JACKIE FROST MUSIC, MG SONGS, INC. ang SUA SHACK MUSIC. ‘Dilemma conn slots Love, Noe’ an Want You" by Kenny Gamble and Bunny Siar © Werra-Tamerane Pblhing Cop. “highs Reserea6 Gm? Amt Dm = SSS SS ———$ | my boo, boy, you know I'm cra = zy © ver you. No mat - ter what 1 do, all 1 think a= bout is you E-ven you know I'm era - ny 0 ver you. (Nelly) 1.1 met this chick and she just moved right up the block from me, and See additional lyrics62 Am bm get S a # a & a oo 3 + = $ she got the hots for me, IRE finest thing my hood did see. But oh, no, oh, no. she got a man and = = = = — = tS HW Ao it | { Dm Gm c # = ae & —S == eee: a son, though, oh But that’s o- kay, "cause I wait for my cue and just lis-ten, play my po-si-tion, like a T bet I make this one,am? Dm o 3 there's some-thin’ "bout ba - by git I. just can’t leave a-lone, So tell me, ma, what’sit gon -na_be?_ She said, 8 3 No, ‘iy "You don't know what you mean to B-ven when I'm boy, you know I'm No mat = ter64 ant bm on © He ith i ie £ == SS eS Sa a Uhink abo you ven when Pm wi my boo. you &n0w Fm ==: =, SSS = yO > ver you. And I love you, and need you.— Neti, La sho. === — — ; a = SSS SS SS . ns love you, 1 do, and it’s more than you'll SS —= : oa === = = Gm c Ant Dm You can Diemma-8-5 Wa65 Am? Dm oe we al ~ ways count on my love. East coast, I know you shak-in’ right. oe West coast, I know you walk-in’ right. mat - ter what 1 do, Se $53 - . - Down South, I know you boune- in’ right. = r | ° id Mid - west 1 se6)0U swing-in Fight (Kelly) You don't know. what” you mean to me No all 1 think a - bout66 ver you, No my boa boy, ou know I'm cra = ayo Gm Dm mat = ter what. 1 do, all 1 think a= bout is you E- ven ¢ Ag? Dm when Tm with_ my boo you know I'm cra Get Am? D (Nelly:) East coast, 1 know you shak-in’ right. Down South, I know you boune-in' ight. g 2 2 ~ Diamine 0-72 7 West coast, I know you walk-in’ right, Mid - west... I see you swingin’ right. You don't know what you mean” to me East coast, you still. shak-in’ right. Down South. I see you boune-in’ right Ant pm Repeat ad lib. and fade te HH H =~ T know you walk-in’ right Mid - west, you still swing-int ight. (Kelly) You don't know what you” mean t0 me No Verse 2: I see a lot and you look and I never say a word. | know how nigenz start actin’ trippin’ out here about they girls ‘And there's no way Nelly gon’ fight over no dame, as you couid see, But Like your steez, your style, our whole demeanor. The way you come through and holla and swoop me in his two-seater. Now that’s gangstah and I got special ways to thank ya. Don't you forget it but, it ain't that easy for you to pack up and leave him. But you and dirty got ties for different reasons. respect that and tight before I tura to leave, she said, “You don't know what you mean to me.” (To Chorus:)68. DREAMLOVER Words and Music by DAVE HALL and MARIAH CAREY Moderately Fmaj9 Gm7 Fimaj9 if z Gm7 Fmajg Gm? Fmaj9 Gm7 Fmaj9 I need a over to give— Idon't want it, no, not too ten- Dreamiover-$-1 ‘Si Pgh on bent ot STONE JAM PUBLISHING Thi Fights on benaito! AYE SONGS Aamnet ‘ai Figws Fecane | nsGm7 Fmaj9 Gm? 69 tet sy —— a =, + 5 = r = —— Ss = o Fe —— me the kind of Jove that- ll last- al = ways, — der te dis il - Iu- sion me one. more time. 1 need some-bod- y up-lift - ing to take me a- way, babe. oh yeah. Whis- per - ing words of for-ev - er, playing with my mind, ne, ba by. — 1 wan- na lov- er who knows. me, — 4 need some- one to hold on 10, in - side — Some-one {0 com-fort and hold a> way Just want some-one to be- long— who un- der-stands how 1 feel. thekind of love that won't fly70 Gm Frmaj9 i @ through the long lone ly nights to the dawn but won't you take me a-wa ev - ery day. of my life, al - ways—— to come and take me a-way. Fiaj9 Gm Fmaj9 lov-er, come res-cue me. Take me up,—— take me down, take me an- Gm7 Fmaj9 Gm7 y-where you want need you so des- perate-ly.__ Won't you please— —— come a-round,—— ‘cause 1 want to share for- ev - er with you, ba eai Gm7 Fmaj? Gm7 1. Fmaj9 Gm7 Fmaj9 Gm7 Do do do do do do do. Do do do do do do do. Fmaj9 Gm7 Fmaj9 Dream - lov-er, come res-cue_ me.— Take me up, take me down, take me an-72 Gm7 Fmajd Gm? i a a NSU y-where you Want me, ba-by, now. 1 need you so des~perate-Iy.— Won't you please —— come a-round,—— ‘cause I want to share for- ev - er with you, ba : by — Gm Fimaj® Gmt Fmaj9 No chord come a-round,— ‘cause 1 want {0 share for- ev - er with you, baB FOR YOU I WILL Words and Music by DIANE WARREN Be FIA Gu Dm? Slowly .=72 eS D it i A wee 1. When you're feel-ing lost inthe heart from the rain, — when you feel your T won't let no Gm? + ee es _*=* world just ain't right, call on me, 1 willbe wait harm come your way. Oh, these arms. mo a a ey 7 So Se jing Count on me,— tet, mo, these arms. (© 1006 REALSONGSWS MUSIC CORP (ASCAP) Ol Pines eseneecm car Be pa 3 ae: cy oe = ae =f a _ - _— ~ == == SS ————— = ee ce 7 ve #3 we = wort BE yu a hitb BY "e towfin Smoke Pit move tat é yo: ao veg 3 tS + ge * a= === == = = Gut BG Sa 2 ao _# & Eta = = fs SSS a best aiyt € = nough,— Tbe the one to snake tat = te, moun - ain for your Tm here tor you Tm her for-ev > et ———— aS [ps - 2 Abaj7 om? & = SSS toe a= ——s ; 3 e veces 2 ——— fo MH be these to po-tect you, see you throug Les TMi Bee ae, ted rong m ———— ——= oe eee ee ee ru ang. there Til stand be there, be keep you safe, noth-in de you, ve wont. Twill eross the So. wrong } eee o SSS SS = eee — ee Sa re SS For You! Wi-5-2 eee eaeBb FA Gm Der orus: ie fe ee — o-cean for you I will goand bringyouthe moon, willbe your he - r0, your you need. I willbe the sun in your sky— I will light your way for alltime, promise you, To Coda @ (1. Bb 3 1 will for you, 2.1. will shield your —_ lay my life on the tineFor you Tl ee fight, will die 0 oy oes 4 a ca = = = ee SSS SS ee SS give my word. I'll give it all D.S.% al Cod ee Put your faith in me, = y= thing Twill cross the oe Forvou Wit 5-4DG 7 o-cean for you, ¢ a you need, 1 will be the I will go and bring you the soon, GiB Iwill beyour he - ro, your 8 jn your sky, for you, prom - ise you, 1 will light your way for all CS Prom-ise you, strength, ise you,B GET HERE Words and Music by BRENDA RUSSELL Slowly sus? es = =p 2fe . 7 pS & =e = = Pedal throughout cm, cotle ebsus2 EEE omtt ‘You can reach me by at Hore-5-1 © (980, 1991 WS MUSIC CORP. and RUTLAND FOKD MUSIC IAI ght Adriteea by We MUSIC COFP. ‘A Right Reserved el9 you can reachme by wail way. You can reach me on an air - plane, you can reach me with your mi ‘You can reach me by we bwu2 Br cba So At — how you get here, just get here if you can You can reach me by 380 Ebsus2 % sail - boat. climd a wee and swing eae rope to rope. ‘Take a sled and slide Inserumencal’ z mf cmTled5F) take me up ona car pet ride, You ean make it in @ tr == — big balloon a Ser ‘but you bet = ter make_ it 3 - eS these arms__of mine, __— ToCoda = = SS = = eee crs te border na Hem of te Ton ee co be deren ean in Tame SSS SS SS ttage — how you get here, just Gat Hore-5-3 ‘There are hills and moun - tainseh Dm? at — be. tween us,— al-ways some thing to geto = ver. had my way, sure-ly you would be clos-er. [Smaiary i 7 ‘pemifeaaFy | te. CmaF a cmir ERE DS. % ai Coda I need you clo- ser I need you clo- ser. ‘You can wind - surf in - Coda Ome) % Ee to a — how you get here, just get here if you can,82 Gm? omzjadF) mir FREER — howyou get here, just at Her -5-5Slowly 4= 60 Verse: A ui e 1.1 don'task Z - that is you, for too man-y things baby, next to me. GIVE ME YOU o > S ly one 2 With that, Ym sat 83 Words and Music by DIANE WARREN <_? thing I real-ly need, + is - fied__ Don'tneed dia - monds, I don't need gold I things that mon - ey buys 2.1 don'tneed e se * to keep me warm when the nights ate cold, I just need yourheart next to mine, just need All [need " we do___ just whole— life (© 1999 REALSONGS (ASCAP) “Al Flghis Rleserved: some-ote here to hold, ig there in your eyes.84 bm? br - & a naa ed ve 3 ole Youdon'thave to prom-ise me the stars just prom-ise the love in-side your heart, Youdon'thave to bring the moon to me,——_just_ bring me the love, the Jove { need, pS SSS SS ; es === Bm? Be ¥ [= = o ay a a er x that’s enowgh Ba-by, that's © = ough = = Gime that’s enough Bacby, thats e = ough } Give. est / nN i = Fe == == = f= tse SF as =e ive me you, give me all of you All my nights spent ust hold-ing you = os = a —— + va —S= = ——S Se Dmaj7 Chat Bm Butie . : of #8 eh SS = =— —! SSS Se . auee FT Tow All my days be-ingclose to you. Noth-ing ele that I need. ae q ei == = Vertes nite DS.%al € Gee SS = SSS Ss SS Es os SS = (Get On Tonte-6-3coda Bridge: a1 EyBh Gaus a — Gir, if could find the words. to say. “Ive got to get = way, from a love— that sy Gin, if BX chorus: Fm “Let's go some - where and get it set ontonte-6-492. girl, but you look good if ies allright, let's. go some. CUE Where and get it on to - nite Youshouldn't have to be a-lone to - nite, Ebm CTsus Got On Tonite 6-5 I93 - pe ft To Next Strain |!2- Repeat ad lib. and fade | Fm Gir, if ies aml a pss 8% # Gin, if its all Verse 2: Now she's lookin’ at me, But keep talkin’ Oh, now she trying to ice you, Let's start walking Over on the dance floor. 1's her fault, but what can she do? Tell me, baby: If you're ready, (I'm ready) We can getit on. (We can get it on.) know Where I went wrong. (She's where you went wrong.) With you is where I belong, (To Bridge:)* GOTTA GO Words and Music by MARVIN SMITH, TREMAINE NEVERSON Slowly J= 80 and TROY TAYLOR AnBS Bpmaj9 = i Verse I: C769) ‘ANBe L.Its call - ing my bod - y, i’s call - ing my soul 1s call Esmaj7 C769) T gotta go, = SS x = ——— by iS the grind Yes 1 had # good time You == i N (Gears 1S a = simile pS SSS SS SS Got Go 7-1 (© 2005 CHAPPELL 8 00, ING, KI2ZIE MUSIC CO. WARNER-TAMERLANE PUBLISHING CORP, “APRIL'S 80 uuSic,L-C and NO GUINCYDENCE MUSIC PUBLISHING. Al igneonbeal of eet and izZie MUSIC-CO. hominstare By CHAPPELL & CO, INC. [A Fights bel es and ARIS BOY MUSIC, LLC Adriniored by WARNER TAMERLANE PUBLISHING CORR Coane cals ton "yn.0"y War i. ChaPPAL 40, Ne ang MEE MUSIC CO} Thleoghs servedEsmaj7 769) 95 =— ss = ood, and I real = ly wish I could (Q)stay a Verses 2 & 3: ANB> & Tittle bit ton - ger, love you a little bit stron - ger and go 3, See additional lyrics lit the deep =by, with you oe Since this thing is call - ing, got - ta answer, Dry your eyes . hr96 Esmaj? & Girl, don’t ex ‘cause you're mak-ing it hard for Chorus: Abmaj7/Bb Ebmaj9 but T gotta go. right now ze 769) Aba) /Bb ack to hold_ you down I don'twan-na leave, (1 don’t wan-na leave, Dut, girl, 1 got-t2 go. right now. leave) (don't wan leave. you.) sona Go 7-3 "Cause 1 don’t wan-na 1 don’t wan-n And Pil beC769) back__be - fore you_know it. C769) ‘They be call-ing my name, So, now you know. 7 12 (ll be (Streets my be calling me. Dommajo 3 ‘And when they call, o ‘m7 Gm? Abmaj? Gm? Cm7 Te (tH | HB EH mS 1 won't be gone for long. won't be gone for long.)read - y, 1 can't. wait 10 come home. you. ‘Cause T don’'twan-na — + Chorus: Abmaj7/B Eimaj9 SE leave, ut I gotta go rightnow. e C79) Abmaj7/Bb back to hold you down, I don'twan-na leave, (1 don’t wat 1 don’t wan-n Bsmaja To @ it ie, I gotta go right now. (ru be leave doo wan = na eave. you) p ee . 2 eee £ z Ss # = & $= — ==you know it) Tdon'twamta back be-fore___ you know. it.) (Spoken:) Nab, (don't wanna leave, ‘cause you know how its. Ho, baby, keep that on, Don't take it off Esmaj9 s i fT Keep iton so I can take ros when I come back. Yeah, for sure. You beter believe that. 1 don't wan-na (Idon't_wan ~ na leave.) Chorus: Abmaj7/B5 leave, bur 1 got-ta Since this thing is ing : Dry your eyes.100 go right now. — (Ooh, 1 don't wan, Abmaj7/B5 don'twan-na 1a leave.) 1 dom'twan-na leave.) (1 don't (1 don't wan-na leave. wan - na leave. you) C79) eh sow (Andt be back be fore you tow) — 4 a? £ : a+ SS SS z 4 t = Z vee So hold that thought, Doa’t you move. See,1'm coming right back, Right back for you Don’t you change your position Girl, mon a mission, ‘And, baby, trust Tl be missia’, Missin’ you. Cause I don't wanna leave, (To Chorus:) ota Go-7-7101 HOLD YOU DOWN Words and Music by JOSEPH CARTAGENA, GREGORY CHRISTOPHER, GREGORY BRUNO, MAKEBA RIDDICK, CORY ROONEY, LARRY TROUTMAN and BILLY BECK Moderately slow J=86 Bb Eb 4 —— = t+ z= = = SS = % fatty tin _ HH t e . é e_f ff § -_2_§ —t ts ¥ __ J 2s = = — = 2+ 2 s css cm ms if HH fff +, f+ 5 fy, # # a St + = o s o r + r (Optional bass throughout 8b) ees Down 7-1 (© 2005 Warne-Tamerane Publishing Corp. Jey Ang yan Musi, ne. Sony/ATV Songs LLC. Cot Titan Publishing, Gregory Christopher (Pua Casigee), Gregory Brose (Pub Deeijnes), El Ap Muse Ine, Jusin Combe Publishing, ne “Adoraie Songs Collection, Songs of Ussfada and Sa Music Co, [A ight for Joey And yan Musi, Ic: Aanstrod by WarnerTamariane Pubbshing Corp, Hold You Down” cota elements of "As We Lay"by L.Toutman and W. Bask 1© Songs of Lastada ara Saja Muse Go. and SorwiATV Songs LLC “i ate Reserves| im “ « rin - (den) Now youtve been holden’ me dow, 2.See additional tries foe fo» SS —. = ——— 7 EwF £ Gwe 7 i ao == 2 Cr aight fom the hood you've s-ways ben thre (Oe 1 tt ‘And you had my back when they, back when ev-"1y-bod-y said I was-n't am» y - thing— ee = 2 a 2 eps Eins a 5 SS SE SSS === SS SSS 1 was Held You Bown -7-2103 Bi FBS Br F Gwr j a if —— FF ES sj GSS ee you wo kept me Hold-in’ on, no matter what was £0-in7 on we Sowwhat-ev-er you needs. 1 got you. yeah a sf: SS SE 7 —, Brids FT Be ¥- — SAS (en) Now, my — Loy = al £ s i = 2 ims Bi ia r a SS ae SS SS prom - ge me that. you'll stay real just Te you are, “ease, fe 2 $+ SS ee * —S ¥ —_— SS ——— 7 cme ny HOTS FiBs i i 'H 4 ——— Fees SSS SS SS SSS © ve = ar a er baby, you don't have to change, no. (en) You don't know how much you mean {0 me : ff ¢ 2 . £ + = SSS = —- i au104 EBS EsmvB} oe Fess a a i g ne SS = i = 7 = od See pee ee eee ew ve0e se When-ev-er you're down, you know Gt you can ean on me Nomat-er ike st -U-a"" ton, boy, o #2 === ov ee don’t know how much you mean to me. £ we 2 Bb a e a e No mat-ter the sit-u-a™- tion, gil, When-ev- er you're down, you know that you can lean on me, To Coda ® Verses 3 & 4: FT By im ae Eye F a Vm gon’ hold you ftWB) Ebm/B> Bb F/Bs 105 EYF OF 0 GmwP FT Be F/Bb Le en) So ce,- mem - ber thi when-ev er ‘1 cay we go Gen) so, P done tare 8. ou Re sit Sk Son, tm zs ¢ fe ‘been__through it all. _E-ven though we have-n't spoke. in so long, ain't sa com - pli-ca - tion, "Cause ev back too far, ride for you—, lime you had my back. and all when we 2 £ 2 2 ty were Bridge: Bh 5 Ef noth in’ changed, ot damn thing, ba - by young, now you're Joey crack and all, Now my loy = al - ty will al - ways be with pe Ids . ve Z Heid You Down -7-5 ut!106 you if you just prom - ise that you'll stay real just like ba-by, you don't have to henge, no. baby, you don't have to change, be = cause... SS SS == ee a : = + 2 2s 2 2 3 © Code Be Bb FoBs EWE Po Gm FI Hols You Down 7-6107 FB Ebmv/Br Repeat ad lib. and fade Fis EWE F GmF Ey Tm gon-na hold you Verse 2 (Fat oe) Reminiscing that six train from way back. ‘Now, it's sky blue Phantoms and stretch Maybachs. From sweepin’ them floors in them Bronx apartments To “Mira, esta que on that red carpet.” When Pun died, you was the first to call me. Inever told you, but you was there for me, Whatever you need, be there for you. Crack, I got your back for real, irue tory. (To Bridge:) Verse 3 (Fat Joe:) 2005, Rakim and Jody Wiley. Waich me paint such a picture so perfect. Quite possibly The reales fresher from BX to South Beach Timea always hold you down, girk You can count on me. (Verse 3 cont. with Jen) Verse 4 (Fat Joe) Like green is to autumn, some things must stay This industry, yeah, [fought 'em, made me this way. Get between me and J.Lo, I simply state, Yau're better off sweepin’ leaves on a windy day. (Verse 4 cont. with Jen)108 Words and Music by KASSEEM DEAN, BARRY REESE, R. KELLY, BERNARD EDWARDS and NILE RODGERS. Freely Moderately | = 96 NC Kelly:) Ladies and gentlemen, you are listening tothe sounds of Swiss beats St BE £ (hand claps) Se (drum beat) We got Cassidy in here Wein our throwbacks, This is for the ladies. We got room keys. a <_s 1. will leave you my—— roam kes Gir you wan-na come to my ho - tel? ©2006 Unease Musi Corp, Suz Beate, Zombe Songs In. P Kal Fusing, no, ‘Benard Gar Mune, Weer Tamangne Pusiang Cap, ad Soy Songs LG ‘i Fights Gr Sze Boats Cond an Aart by Unioral Musi Carp. A Rights Hosonoa.109 Vm feel-in’ the way you car-ry your self, girl And I wan-na get with you, ‘cause you's a cut ~ ie. _— all__ you got-ta do is holl-er at me, — So, if youwan-na come to my ho - tel, "Cause we're hav-in’ an af - ter par = ty check ~ in’ out six in_the morn - ing — © (Six in the morn-ing) Six in the mom-ing, (Six in the morn ing, ) Check-in’ out 3 3 3110 Am Gg six in themorm- ing, (Six in. the morn-ing) Six in the morn - ing. 3 3 Am o (Rap ~See additional lyrics) 3 3 3 2 (RLa ~ dies, la dies, (Rap continues with vocal) 3 Hatel-7-: 3 <= Girl you wan-na come to my ho - tel? Ba - by, I will leave you my—— room key. 48 1m feel-in’ the way you car-ry your - self, git ‘And I wan-na_ get with you, ’eause you's @ cut - ie. — So, if__ youwan-na come to my ho - tel, all you got-ta do is holl-er at me yoU2 Am 6 F att Bosc as = a == | check - in! out sik in the mom ~ ing _ = fe — oe Am 6 E ‘te fi ra Ea — === — = = eS = = C = : —— (Gie in Ge mom ing) Six in the morn-ing. (Six in the mom ~ ing Check-in’ out 3 3 ; po Lt SSS SSS SS SS Sie inthe morn ~ ing (C2) We gon’ Chitown steppin’ cut othe ls ein’ ou , a — — — = a == = ° is ete J t = == — aS Hotel - 7-8And we gon’ sex it out till we are checkin’ out I got my chicks I'm-a bring to the tele. 3 i 3 Bridge: F Am ea rs # © We ‘bout to do the damn thing. Sing to'em, Kelly. (R)Ivs al ~ right’ = (It's al = if you 3 F FmaiZ@5) Bm705) wan - na come— with — me and ful - fill your fan = ta - sie ba - by, Am in my ho - tel suite, And its 0 kay if you wan-na ars © - kay.)14 DSB al Cod F Fraj7(b 5) Bmigs) Dm7 Em? Fmaj? G. i tH i = = " te eae =a eee a o —_= = party ight il day. wild amv ysthinge you sy, ust come tomy ho = teh t == = = =. [—- 6S oS Sa o Six in the morn - ing, 3 Am fo Repeat ad lib. and fad F E. tt iB Verse 1: (Cassidy) {I'm staying in the hotel, not the motel or the Holiday Inn Uf that girl don’t participate, well then, I'ma take her friend. Well, if Mami is witht then Mami can give it Then Mami a rider, ‘mea slide up beside her. I gota suite, you can creep on through, Tknow you tryin Tit ttall for that, yea, I ball for that, hit she mall for that, Keep it ly jor them, keep my eye on them, hot tub for them, 10 get your freak on, too. Pop bub’ for chem 1 got love for ma, yeah. (To Chorus:) Verse 2: (Cassidy) We've the new Cartel, R.Kel with the kid Cassidy Girl if you man star actin’ up, ask for hima or ask for me. ‘Cuz s¢e, we could go get it crackin’, but you know what'll happen, We be under the covers, makin’ love to each other. gota double bed, one's to sleep on, ther one's to get my freak on, i's all for them Yeah, I ball for tha, hit the mall for that, Keep it fly for them, keep my eye on them, hot tub for them, Pop bub for thems, I got love for ma, yeah. (To Chorus:)115; I’M YOUR BABY TONIGHT (Dronez Mix) Words and Music by L.A. REID and BABYFACE Dance beat J = 126 Gim F Gim FE Te a a See Baty Tonight 7-1 (990, 2000 WARNER-TAMERLANE PUBLISHING CORP, SONY SONSS. INC, ECAF and EPIC/SOLAR SONGS, INC Au fghts ttn of SONY SONGS. NC. ECAP and EPICROLAT CONS. NC. Admsoad by SONY MUSK PUBLISHING ol lane Rovere.116 You've giv - en Tm your ba = by to = night "Fm our Baby Tong 7-27 %& Verse: Nc. e ese e + ts 1. From the mo-ment 1 saw you, Tye been out of my mind 2/From the sec - ond you touched ‘me, 1 was read-y 0 die —3— 3 Though 1 nev - er be-lieved in love at first sight Tve nev - er been fa - tal You're my first time. 3 33 * 5 o But you got a mag - ic. boy that I just can’ ex ~ plain — We 1 feel like an an - gel who just Start-ed to fly. ' 3. 3 3 3 3 a - you got a, you got a way that you're mak-in' me feel I can do, I cm do an - y 2 3 3 3 3 \* = 3 we tour Beby Toniaht -7-318 = 3 = _———————— wine for yon { e x ¥ 1 will fly for you, ba - by. I —_- 3 I Hold on and en joy the ride Tm call Til be there in a hur - 1, not We can fly aff night, ba - by a 2 5 of ee eee ptt = SS ——— o na — . — ; — = === tae a Fm You Baby Tonight 7-4 EY%% Chorus: us Gim FE Gim Ft —_ your ba by f= night You've giv-en me eo. sta sy. You are my fam - ta. sy rm your ba by fe - night120 To Next Strain E Ft 4 Repeat ad lib, and fade| JE, FA ate ae ath = 5 —3— What-ev - er you a bout you, And ain't it the truth, boy. Tm help = less ly you. What else ean Tm Your Baby Tonge 7-6Fi 121 iH 2 =. 3 3 3 SS fait = SS ? SS bur be therefor you, ta by? You got you got # way tha youve makin? me Ft &, Ft nit i © feel T can, feel {can do an-y, do an-y thing, _—___ yeah (Vocal Ist time only) What -ev - er you You Baby Tonight -7-7122 HOW TO DEAL Words and Music by BRIAN MICHAEL COX and Slowly 2 = 63 FRANCISCO BAUTISTA D a Gai? A im D Bm? > Br? Gmaj7 a ry Se 1, Sometimes aman hhas to. choose and do some-thing he does-n’t want to you? 2.See additional lyrics eu cE Do I live withyou —asmy wife do 1 go on andpur- Howto Deal-6-1 (©2005 W.B M_ MUSIC CORP, NOONTIME SOUTH, 1K, BABYEOY'S LITTLE PUBLISHING COMPANY and SOULSIOK MUZIK. A igh on behalf se, NOONTINE SOUTH ING, and BABYBOYS LITTLE PUBLISHING COMPANY Reranisore by W.BM MUSIC CORP “A Fights ReservesGai A 123 ra rm — e i sue my life-time dream? I got-ta do this for me, ‘cause if 1 Bm7 G2 Bho 8 Peas don't, I'l prob-a-bly re - gret_ it, and sf I do, I'll prob-a-bly re - gret_ it, How do I cope?_ How do you cope— when, the one you love is with some-bod - y else and there's, pe. A Bm? nothin’ you can do a-bout it? How do you deal with_____ the fact that you had a ow 10 Deal -6-2124 chance but you chose to twin a + way for your ca-reer? 1 got-ta take it, Bm? Gmaj? ee though it’s heart = break + in’, Is somesthia’ that 1 had t do, But Bm? Ge a no- bod y said that it would hurt so bad. © So. how do E_live,_ deal__ with - out with — out Howto Desl-6-2Bridge: 125 NC How do you deal whenyoucan't be with the one you love and the one that you you? love is withsome-vod ele? ‘And what do you do_— when you know she don’t love him, but she loves me, but she just can’t stand lov-ing you far a - way?. (Bked. vocal:) (You just T guess I'm gon-na have to just deal with it, deal with it) I don't wan-na have to live with it (with bkgd. voc. 3x)126 I don't want no - bod-y else lov- 1 don't want no - bod-y else lov- in’ me. How do you cope_ when (you) —— the one you love is with some-bod - y else and there's nothin’ you can do a bout it? How do you deal with_____ the fact that you had a chance but you chose to tum a How lo Dea!-6-5127 Bm? EBfo way for your ca-reer? I got-ta take it, __— though its heart - break ~ in es somethin’ that I had to do, But no-bod-y said. that it would Bg G2 Repeat ad lib, and fade hurt so bad. So. how do 1 live, how do 1 deal with - out__ Verse 2: Its killing me 10 know ‘That your heart's with me, But you're with him "Cause I chose to be in this industry. Money, shows, and hoes come along with luxury and pain, It’sall you see when you think about it But this is the life that I was given, So T have (olive it to the fullest. But how do I deal in the meantime without you? (To Chorus:) Gatiited-0-0128 Verse 1: | AM NOT MY HAIR Moderately J = 100 G da da da, — da da da da Dada da ea Words and Music by INDIA.ARIE, SHANNON SANDERS and ANDREW RAMSEY toe da da da p a ——— —S—- SSS © ew eee va ev eee ee we le LLLit- tle pied with the press and curh— age eight, To gota ther = i ourh— 9-4 = z + ¥ = = hg if ; 2 5— x 3 Ez = 2 | Am Not my Hale- 8-1 ~ ©2005 WB MUSIC CORP. GOLD & IRON MUSIC PUBLISHING, SONV/ATY SONGS LLC, WANG OUT MUSIC. SONGS Gr WINDSWEPT PACIFIC and MUSIC OF COMBUSTION ‘Allright on bos of tao and GOLD & IRON MUSIC PUBLISHING Adminstored by WB MUSIC CORP "at Fight RocoredAm769) 129 aT - - Thir-teen, then I got a re- lax was the source of so much_ laugh - ter all broke off. Eigh - teen and 1 went Am765) ee + = = e SS vw 1 Feb-ru-ar - y, twothou-sand two, went on and did what I had to do, te ‘S 7 H 7 ae be-cause it was time to change my life to be-come the wom-an that I am ve veee130 Bs Am765) = Nine-ty-sev-en dread-locks all gone, T looked inthe mir-ror for the first Chorus: G cm? BL “<9 Hey! (Hey!) 1am not_my hair, 1am not this skin Am) DT G cm? 7. ex + pee ta = tions, no, no.(Hey!) Tam not my — hair, that lives time and saw — that. ve am not your am not thisAms) tS e = da da da da. W Verses 2 & 3: G - o 7 ie 7 2.Good hair_means curls and waves Bad ait meansyou look like slave See additional res Am765) - e oe . At the turn of the cen - tu - ry, it’s time for us to re-de-fine who we be. You could es132g cm? eS shave it off like a South Af-ri-can beau = ty, or get it on lock like Bob Mar - ley. BI AS) br ee ee vee e SS You canrock it straight like O - prah Win - fey, if i's not what's on your head, i's what's un - der-neav. and say ve Chorus: sf G cm? = > v Hey! (Hey!) 1 am not my a 1am not this skin, snot your Am765) 6 cm? no. (Hey!) 1 am not my hair, 1am not this Arm Not My Har =To Coda ® Arxt5) 133 = = > ee 7 ~_ ——= e os $F - De — 2 2 rg a ies Ebb Ebatiab (a= SSS si eyes 1 know, find the ge, light my reach for you 7 ee SS = Se can reach, the sky a When I'm scared, TP can do ee == SS Se tt 7 E 1m ovou-6-4 © 10, 200 REAL SONGS Me MUSIC CORP ASCAP)137 ge world is go > ing cra - zy, you can tum it all__ Tove is so a-mar- ing, coz_your love in- spi ~ wv = And when I'm down, you're there, — push-ing me tothe top. And when I need__ a ffriend,__ you're al_ = ways on my side, Zz B SS ¥ Eb? Ebmgab “ s i —s oo You're al - ways there giv-ing me all. . — eae SSS g you've. got. giv - ing me faith, tak-ing me through the____ night.138 Chorus: ‘Db Eom? DE Gmaj7 E>m7 EbmiAb and warm, to you For the strength bm? te _— to be strong forthe will__ car ty on, for ev = ‘ry thing you do, for ev - ‘ry thing that’s true, T— turn to you Wc Tun 9 You-6-3ev = "ry thing you do, to you. shel - ter through all the rain, Tem tovou-8-4140 ae f = Ob ep of | Eis = : 1 tum 10 you, For___a_shield_ Em? ENG Abmaj7 Em? SSS aS == = SSS SSS SS = SSS S| === ea ip ia Spe SS SSS Ss Tn vou 6-5Em? wra to you, — For the strength. wo be forthe - "ry thing_ you do, ev = ‘ty thing you do, ‘ry ~ thing that's true, Fin¥/Bb 141 will__" IN DA CLUB Words and Music by CURTIS JACKS ANDRE YOUNG and MICHAEL ELIZONC Moderately Fim Clove —Din7(65) Fam Chav cim ChovE —Dém7(b5) Cine, shaw -1y, Tt your birth- day. i's your birth - day. We gon’ sip = car-di like it’s your birth-day, And you know — we don't give a f*** its not your birth-day! ‘You can find me (© 2008 Univeral Music Cor, WB Music Corp, it Nothing But Funk’ Musi, Wsie ol Wedowpi ter Muse ard EMS Marto Music ‘Ags Reserved as es% Chorus: 143 cim ChE — Dim705) Fim Civ ‘ a = club, bot-tle full of bub. Ma-ma, I got what you need if you need to feel a buzz. I'm in-to hav-ing 2 Te a Se = ChE Dim7(65) sex, [ain't in-to mak-ing love, so come,.. give me a hug if you in-to get-ting rubbed. You ean find me in da ete — — 2 (simile) Dim7(65) Fim CAwE Oe a club, bot-tle full of bub. Ma-ma, I got what you need if you need to feel a buzz I'm in-10 hav-ing —- = To Coda ® CimlE Dim7(>5) ty sex, I ain't in-to mak-ing love, so come, give me a hug if you in-to get-ting rubbed. 1. When 1 pull up out ~~ 2 =» 2front, you see the Benz on dubs, When I roll oven-ty 2. See additional Iyries + x iy He Fam CtavE f fi Dre, ev-'ry-bod-y show me love Whenyou sell ke Emi - nem, you get plen-ty of group-y love, But homie, ain't noth cin cine igs) Fla ns ‘ He & change, hold down, G's up. 1 see X-zib- it in the Cutt and, man, he roll’em. If, you watch how 1 Clove Dim7(5) p-tat _——————— og tie 3 oe ¢ == ve? webb, Inde cnn-6-9145 Cin ChE Dam7(b5) fy & ChE, il hood, then the la-dies say-in’, “Fif-ty, you hot." Theylike me, I want them to love me like they love’Pac. But holl-a > A > > A Dém7(b5) Fim ChE. BS DSS 7 7 in New York fo! sho, they tell you I'm lo - co and the plan is to put the rap game. in a choke hold. Tim feel-in CivE Dim765) Fim 7 f = ai fo-cused, man, my mon-ey on mymind. I got a mill out the deai and I’m still in the grind. Now shawty ChE Dam($5) Fim Clie. Me ty 1 said she feel-in’ my style, she feel-in’ my flow. Her girl-friend wan-na get bi and they read-y 10 §0.— You can find mein the146 — 2 DS Sal Codal @ Coda Dems) Fim Cém/E Fim Dimi¢5) Chol bub. Come on, they know where we be. Youcan find me in da 5 2 Spoken: Don't try 0 act like you don't know where we be, neither We in the club all the time, i's about to pop Chive Dim7¢$5) Fim Che i Ei: B Shadly/Afermath — 2 Chive Dém76S) Fim = Cim/EFém Inde Gub-6-5147 Dim7(5) Fim = Clmv/E BS cis CivE Dém7(5) Fim) ChvE Fm fe Ee & i & i Repeat ad lib. and fade Dhm7(>5) Chnv/E Fem a Verse 2: My flow, my show brought me the dough That bought me all my fancy things, ‘My crib, my cars, my pools, my jewels. Look, homie, I done came up and I ain't change. ‘And you should love it, way more then you hate it Oh, you mad? I hough that you'd be happy I made it T'm that cat by the bar toasting to the good life. Moved out the hood, why you trying fo pull me back, right? When my junk get 10 pumpin’ in the club, i's on I wink my eye at ya chick, if she smiles, she gone, Uf the roof on fire, man, just let it burn If you talking "bout money, homie, [ain't concerned. Tma tell you what Banks told me ‘cause, go ‘head switch the style up. And if they hate, then let 'em hate and watch the money pile up. (Or we can go upside the head with a botle of bub. Come on, they know where we be. (To Chorus:)