TECHNICAL PRODUCTION RIDER

2017 v2

This rider is updated regularly and pursuant to Production Manager’s advance. Please check that you
have the latest version, and disregard any previously released versions or “word of mouth” information,
other than information sent only by those authorized by Nile Rodgers Productions.

Any possible options and alternative for the following equipment, other than what is listed herein, must
meet Chic Production Manager’s approval.

Pages included on this document:

1. Cover, contents and presentation
2. P.A system and FOH requirements
3. Monitor requirements
4. Microphones/D.I.boxes and accessories
5. Backline and band requirements
6. Miscellaneous consumables, risers, required personnel
7. Input and Channel list
8. Stage plot
9. Lighting Design & requirements
10. Lighting plot 1 (truss fixtures)
11. Lighting plot 2 (floor fixtures)
12. Visuals Requirements (where applicable)

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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Upon request, Chic Production may recommend our preferred audio/lighting rental company.

P.A. System Requirements

P.A. System: Professional quality, preferably flown, stereo four-way speaker system (three way + sub-
woofers), capable of delivering 110 db distortion-free, wide band audio, evenly distributed throughout the
venue, plus full range front fills and delay systems where needed. Software/hardware control for the sound
system must be available at front of house position and operated by a qualified systems engineer,
available to assist our FOH engineer during setup, sound check and show time. Preferred audio systems
are (quantity depending on venue/audience capacity and subject to Production Manager’s
approval):

• ADAMSON Energia E15, E12 or Y18 or Y10 or Spektrix (for small venues)
• Funktion One Vero
• L-Acoustics K1, K2 or V-Dosc or DV-Dosc
• D&B Audiotechnik J Series

Note: If you don’t have a preferred supplier, we may provide contacts for professional local dealers where
available.

FOH Control Requirements

FOH Mixer: One professional digital audio mixer with minimum 24 input faders + VCA’s on main
layer. Chic FOH engineer has show files for the following acceptable models:
• Allen & Heath dLive S7000
• AVID Profile (minimum 3 DSP)
• Digico SD5, SD7, SDTen
• Yamaha PM1D, PM5D-RH

Our FOH sound engineer travels with show memory cards for quick recall and setup ONLY for any of the
above listed mixers. No other digital mixers are acceptable when sound check is not possible. Please
arrange for firmware version compatibility with our sound engineer before arrival.

Note: Sharing of mixers with other productions is possible ONLY if the specified digital models are provided.
In events where limited time is granted for line check or sound check, these mixers are mandatory, and no
analog mixing desks will be acceptable.

FOH Mix position: The front of house mixing position will be located facing the stage, ideally at the
center of the Venue or directly in line with one side of the main PA system, no closer than 80 feet (25
meters) and no further than 115 feet (55 meters) from stage. There must be no visual obstruction
between the stage and the FOH mixing position and between the main PA hang and the mixing position.
The FOH position at indoor venues will not be located in booths, side corridors or under balconies, unless
equipped with near field monitors, compatible and time-aligned with the main sound system. Proper
protection (security barriers etc.) and lighting is necessary for the FOH work space and seating
arrangements must be taken in advance to allow sufficient space for the equipment and the FOH engineer
to operate safely.

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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MONITOR Control Requirements
MONITOR Mixer: One professional digital audio mixer. Chic monitor engineer has show files for the
following acceptable models (not in order of preference):
• Allen & Heath dLive S7000
• AVID Venue S6L 32D
• CADAC CDC6, CDC7, CDC8
• Digico SD5, SD7, SDTen
• Soundcraft Vi6/Vi4
• SSL Live 500+
• Yamaha PM1D, PM5D-RH

Our monitor engineer travels with show memory cards for quick recall and setup ONLY for the above listed
mixers. No other digital mixers are acceptable when sound check is not possible. Please advise on firmware
version compatibility with our sound engineer before arrival.

Note: Sharing of mixers with other productions is possible ONLY if the specified digital models are provided.
In events where limited time is granted for line check or sound check, these mixers are mandatory, and no
analog mixing desks will be acceptable.

MONITOR Mixer position: Mixer will be on an off-stage wing, stage left, with full access and visibility of
stage and musicians. There will be no curtains or physical obstructions in the monitor engineer’s line of
sight. Proper lighting for this workspace is necessary. Possibly avoid using this area as passageway to
dressing rooms.

Monitor Wedges: (MUST ALL BE THE SAME MODEL, WITH IDENTICAL AMPS/PROCESSORS)
14 (fourteen) high quality bi-amped monitor wedges, in order of preference (Quantity includes monitor
engineer’s cue wedge plus a spare wedge): (please, must be all the same!!!)

• Meyer - MJF212A
• D&B Audiotechnik - M2/M4/MAX15 (with D12/D80 amps – NO D6)
• L-Acoustics - 115XT-HiQ/MTD115b (with LA8 amps)

1 (one) subwoofer, 2 x 15 or 1 x 18 inch speakers (for Drum Fill), of the same series listed above. This
may have the same aux send as drummer’s wedge, but on separate EQ. The sub cabinet must deliver
40Hz at -3dB.

In Ear Systems:
6 (six) Wireless IEM systems, Sennheiser SR2050/SR2000/EW300G3 or Shure PSM1000/PSM900.
Please provide minimum 2 Shure SE535 + 4 Sennheiser IE4 earpieces.

Note: all the IEM systems must be connected to a dedicated antenna combiner (same brand/series) with
unidirectional/circular polarized/helical antenna (like Sennheiser A5000CP or Professional Wireless RHCP).
NO omnidirectional antennas.

MONITOR MIXES – see stage plot (order may change depending on the available mixing desk):
01 drum wedge + sub, (aux send 14 if separate)
02 bass wedge
03 Nile wedge
04 piano SL wedge
05-06 keyboards SR IEM (stereo)
07 sax wedge
08 trumpet wedge
09 vocal 1 wedge
10 vocal 2 wedge
11 riser vocals wedge
12 guitar tech IEM (mono)
13 down stage external wedges (2 wedges, 1 mix)
14 drum sub (if separate - preferred solution)
15-16 Nile IEM (stereo)
17 -18 vocal 2 IEM (stereo)
19-20 piano SL IEM (stereo)
21-22 spare IEM (stereo)
24 reverb (internal FX)
John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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MICROPHONES & D.I. Boxes
All vocal and horn microphones (hardwired and wireless) must have the same capsule model,
except where specified on the attached channel list. Please advise if any of the microphones
are not available as per channel list. Any alternative choices must be approved.

4 (four) wireless handheld microphones (2 main + 2 spare), Shure UHF-R/Axient series with Beta58
capsules, tuned on four different and clean frequencies. Make sure to have new batteries plus sufficient
spares. All batteries must be DURACELL/PROCELL/ALKALINE.

2 (two) D.I. boxes at monitor mixer position (for show intro, 47-48 on the channel list).

MISCELLANEOUS accessories

Mic/boom stands: All mic stands must be in perfect working order, sturdy and with no rust or sharp
edges. Please provide (See input channel list for exact amount and type of microphone stands):

2 (two) vertical mic stands with heavy round base (mandatory). Please also
1 (one) 12”/14” gooseneck extension rod for drummer’s vocal mic stand with 90° XLR/F cable or
extension.

IMPORTANT!!
Shout System (connected between monitor and FOH desk positions) Please provide 2 (two) small
active speakers, with volume control, + 2 (two) dynamic microphones with on/off switch.

Comms: The comms will include a 2-station intercom on a separate channel, with beacon lights for silent
call, connected between monitor and FOH desk positions for exclusive use by our sound crew.

Please do not hesitate to contact our Tech Production Manager/FOH Sound Engineer for any
questions, comments or suggestions regarding this Tech Rider. Once you have the final audio
supply, please send a detailed and itemized confirmation to John Ryan at:
[email protected].

International cell: +39 3469487082 - - - Italy cell: +39 3289173405

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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BACKLINE and BAND Requirements
A professional English speaking drum tech is always required, hired locally or provided by the backline
supplier, at no cost to Nile Rodgers Productions or Chic Management. Chic Tech Production Manager may
recommend our preferred backline rental company and/or tech upon request.
Nile Rodgers – Guitar & vocals
02 - Fender Hot Rod DeVille (Please 4 x 10” only) – leave on wheels or lift 25cm (9”)
01- Fender Stratocaster made in USA (white or black) as backup + strap with new (009-042) strings
01– Set of D’Addario electric guitar strings, nickel wound, 009-042 gauge or NYXL0942
01- Boss tuner (spare)
01- Shure UR4D wireless unit (double receiver unit)*
03 - Shure UR1 instrument body packs*
03 - Shure WA302 or WA304 jack-mini Cannon* (NO angled jack, provide with straight ¼” jack only)
*NOTE: Only Shure UR4D with UR1 body packs. NO Shure Axient/NO Sennheiser.
Jerry Barnes – Bass & vocals
Jerry Barnes is an Aguilar endorsed artist. If you have problems supplying the following equipment, please contact:
Justin Huth – Artist Relations Manager – Aguilar Amplification LLC +1 212 4319109 ext. 113 –[email protected]
02 - Aguilar DB751 heads
02 - Aguilar DB410 cabinets
01- Fender Jazz Bass 4 string, with strap and new strings as backup
01– set of D’Addario EPS165 pro steel ROUND WOUND strings
Rich Hilton – SR Keyboards & vocals
01- Roland RD700GX + Roland sustain pedal with long wire (no other option is possible)
01- Roland RD800 + Roland sustain pedal with long cable
01 - spare sustain pedal with long cable (keyboard player is standing)
01- QuikLok double X keyboard stand with extender for top keyboard mount (never two separate stands)
Russell Graham – SL Piano & vocals
01- Roland RD800
01- Roland RD800 or Roland RD700GX + sustain pedal (spare backup)
01- QuikLok single X keyboard stand
01- QuikLok laptop stand
01 - Shure B57 on boom stand with 3ft XLR
Ralph Rolle – Drums & vocals (drum plot attached)
Ralph Rolle is a Yamaha endorsed artist. If you have problems supplying the following kit, please contact:
Shinnosuke "Danny" Natsume - International Drum Artist Relations - YAMAHA CORPORATION JAPAN
Web：http://www.yamaha.co.jp/english/product/drums：[email protected] OR
[email protected] TEL +81-53-460-3102 FAX +81-53-460-3125 or Cell +81-90-7310-5130
Yamaha Absolute Custom Nouveau or Maple (please match exact sizes and heads)
01 - 22” kick drum (Remo Power Stroke Pro clear or Powersonic Clear)
01 - 14” x 5.5” Yamaha Dave Weckl snare (Remo Powerstroke 3 Coated)
01 - 14” x 3.5” brass piccolo snare drum (Remo Powerstroke 3 Clear)
01 - 8” x 7” tom (Remo Pinstripe Clear)
01 - 10” x 7.5” tom (Remo Pinstripe Clear)
01 - 12” x 8” tom (Remo Pinstripe Clear)
01 - 16” x 16” floor (Remo Pinstripe Clear)
01 - Roland SPD-SX Drum pad with Roland PDS stand and APC33 clamp – MUST BE SPD-SX
02 – DW 9000 kick pedal (one is for backup)
02 - snare drum stands
01 - metal tambourine with clamp
01 - hi hat stand (please, this must have a short center rod or it will have to be cut off)
10 - boom cymbal stands
02 - Rock and Sock Drum stools with large square seat
01 – drum carpet
Cymbals-Zildjian
01 - 10” A custom splash
01 - 10" K Splash (on top of 18" K)
01 - 14” A custom Z combination hi hats
01 - 14” ZXT Trashformer
01 - 16” A custom fast crash
01 - 16” A custom medium crash
01 - 17” K custom hybrid crash
01 - 17” K china
01 - 18" K Crash or Crash of Doom
01 - 20” A custom ride
01 - Zildjian Oriental China Trash

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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MISCELLANEOUS Backline & Consumables
01 - Ultracase GSX-6 (Guitar Boat)
02 - standard drum Stools
01 - high bar stool with back rest
02 - guitar Stands
06 - 6mt (20ft) Instrument cables (Reference Laboratory RIC-01 preferred)
08 - 3mt (9ft) Instrument cables (Reference Laboratory RIC-01 preferred)
12 - Duracell or ProCell 9 Volt Batteries (per show)
12 - Duracell or ProCell AA Batteries (per show)
02 - Rolls Gaff Tape non glossy (white and black – per show)

IMPORTANT!!!
3 - 45cm (16”/18”) Box Fan – black if possible

Risers – 3 separate rolling risers must be supplied when changeover between acts is expected.
(d x w x h) Risers must be safe, sturdy and equipped with safety connectors, steps, brakes on wheels
and covered with black carpet and black skirts draped on the sides.
- Drums: One 2mt x 3mt x 60cm (8ft x 10ft x 24 inches) + with steps behind the riser.
- Horns: One 2mt x 2mt x 30cm (8ft x 8ft x 12 inches)
- Vocals: One 1mt x 2mt x 30cm (4ft x 8ft x 12 inches) + 6 inch step on stage left side.
- Note: If possible, please provide 2 “skids” to help move the keyboard rigs.

Please do not hesitate to contact our Tech Production Manager/FOH Sound Engineer for any
questions, comments or suggestions regarding this Tech Rider. Once you have the final
backline supply, please send a detailed and itemized confirmation or copy of the work order to
John Ryan at: [email protected].

International cell: +39 3469487082 - - Italy cell: +39 3289173405

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
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INPUT AND FOH CHANNEL LIST
splitter FOH SOURCE MIC/D.I. notes
1 KICK Audix D6 Heavy Short boom stand
2 SNARE TOP Shure SM57 Short boom stand
3 SNARE BOTTOM Shure Beta98A or SM57 Shure A98D clamp or short boom
4 SNARE 2 Shure Beta98S or SM57 Shure A98D clamp or short boom
5 HI HAT Audix ADX51 or AKG C451ck1 Boom stand
6 RACK TOM 1 Audix M1245 or Shure Beta98A * Audix DC Clamp or Shure A98D clamp
7 RACK TOM 2 Audix M1245 or Shure Beta98A * Audix DC Clamp or Shure A98D clamp
8 FL TOM 1 Audix M1245 or Shure Beta98A * Audix DC Clamp or Shure A98D clamp
9 FL TOM 2 Audix M1245 or Shure Beta98A * Audix DC Clamp or Shure A98D clamp
10 OVERHEAD (Stage Center) Audix CX112 or AKG C414 or AT4050 Boom stand
11 OVERHEAD (Stage Right) Audix CX112 or AKG C414 or AT4050 Boom stand
12 OVERHEAD (Stage Left) Audix CX112 or AKG C414 or AT4050 Boom stand
13 CLAP MACHINE 1 L d.i.
Stereo channel if available
14 CLAP MACHINE 1 R d.i.
15 TAMBOURINE SM57 Short boom stand
16 (please leave empty)
17 BASS d.i. Short boom stand
18 BASS MIC Shure Beta52 or Audix D6 or D4 Audix Cab Grabber or Short boom
19 GUITAR Shure SM57 Audix Cab Grabber or Short boom
20 GUITAR SPARE Shure SM57 Boom stand
21 TRUMPET Shure Beta58 Boom stand
22 SAX Shure Beta58 Boom stand
23 KBRD 1 L (stage right - top) XLR
Stereo channel if available
24 KBRD 1 R (stage right - top) XLR
25 KBRD 2 L (stage right - btm) XLR
Stereo channel if available
26 KBRD 2 R (stage right - btm) XLR
27 PIANO L (stage left) XLR
Stereo channel if available
28 PIANO R (stage left) XLR
29 VOCODER L d.i. Stereo channel - 1 x Beta57 on boom
30 VOCODER R d.i. stand with short XLR cable
31 RICH KBRD VOCAL (SR) Shure Beta58 Boom stand
32 RALPH DRUM VOCAL Shure Beta57A or Audix OM7 Boom stand with goose neck
33 JERRY BASS VOCAL Shure Beta58 Boom stand
34 RUSS PIANO VOCAL (SL) Shure Beta58 Boom stand
35 NILE VOCAL Shure Beta58 Boom stand
36 KIM VOCAL 1 (SR) Shure Beta58 UR or Axient series Round base straight stand
37 FOLAMI VOCAL 2 (SL) Shure Beta58 UR or Axient series Round base straight stand
38 RISER VOCAL 1 Shure Beta58 or SM58 Boom stand
39 RISER VOCAL 2 Shure Beta58 or SM58 Boom stand
40 SPARE VOCAL 1 Shure Beta58 UR series
41 SPARE VOCAL 2 Shure Beta58 UR series
42
43
44
45
46
47 INTRO MUSIC L d.i. at monitor desk
48 INTRO MUSIC R d.i. at monitor desk

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 14: SUB

1: TOP

CH 17 d.i. SPARE
8 x 8 x 12”
CH 18 mic
HORNS CH 21-22 4 x 8 x 12”
BASS BK VOCALS
10 x 8 x 24” CH 38-39
DRUMS CH 1 – 16
VOCAL CH 32 11
BASS
VOCAL CH 33

8 7 NO CABLES
MAIN GT SPARE GT
CROSSING HERE
CH 19 CH 20

IEM
5-6

2
SL KBRDS
GUITAR WORLD

PIANO CH 27-28
VOCODER CH 29-30 IEM 12
VOCAL 34

800
page 8/12
2017 v2

MAX 13 FEET
SR KBRDS
TOP CH 23-24 AMPS TO MIC
SPARE RF

GX
800
BTM 25-26 STAND MICS
VOCAL CH 31 IEM 4
CH 42-43
19-20
STAGE PLOT & MONITOR LAYOUT
TECHNICAL PRODUCTION RIDER

ALL DRAWINGS BELOW ARE NOT IN SCALE

VOCODER

International cell: +39 3469487082 - - Italy cell: +39 3289173405

IEM IEM
15-16 17-18
RF IEM WORLD
RF MIC WORLD

NILE FOLAMI
MONITOR WORLD

KIM
RF CH 36 CH 35 RF CH 37

13 9 3 10 13

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
CUE
 TECHNICAL PRODUCTION RIDER
2017 v2
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LIGHTING Design & Requirements (where applicable)

This lighting rider is intended for use when appearing as the headlining Artist with CHIC Production’s LD.
Depending on the size of the venue or festival appearance, this design may be resized and equipped with
alternative fixtures to fit smaller stages, but only after approval by Chic Tech Production Manager. In most
cases, we will adapt to festival lighting rigs, operated by the local operator.

A secure and safely flown truss rig is required. Dimensions will depend on stage/venue capacity. The truss
design is distributed in three (3) separate horizontal trusses, each with separate motorized units, enough
to support the weight of each truss, including fixtures and cables.

UPSTAGE:
01 (ONE) 12mt x 40 x 40cm truss, 6mt high from stage floor
MIDDLE:
01 (ONE) 12mt x 40 x 40cm truss, 6,50mt high from stage floor
DOWNSTAGE:
01 (ONE) 12mt x 40 x 40cm truss, 7mt high from stage floor

Rigging points and distance between trusses will depend on venue’s availability and characteristics.

MIXER (if we travel with our LD):

01 (ONE) Grand MA Light with two (2) 17 inch flat monitors

MOVING LIGHTS:
20 (twenty) 1200W spot (14 hanging + 6 on stage floor) MAC 2000 Profile
20 (twenty) 1200W wash (14 hanging + 6 on stage floor) MAC 2000 Wash

LED:
12 (twelve) Moduled/bar 40°

CONVENTIONAL LIGHTS:
03 (three) 2500W follow spots and operators, hired locally. No less than 2 follow spots please.
22 (twenty two) ETC Source 26° 575/750W
28 (twenty eight) PAR 64 100W CP61
08 (eight) Bars of 4 x PAR ACL 250W, 28V
14 (fourteen) Thomas 2-Light Moles Fay
60 (sixty) channel dimmer

EFFECTS:
02 (two) DF50 DMX controlled hazers (used sparingly during the show)
02 (two) DMX controlled fans (for the hazers)
01 (one) Large DMX controlled rotating mirror ball (flown center on downstage truss)

COMMS:
05 (five) intercom stations: 1 at FOH, 1 at house lights control, 1 at dimmer rack, 2 at follow spots.

For questions, comments and further explanation, please contact our Tech Production
Manager, John Ryan at [email protected].

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
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2017 v2
EUROPEAN PRODUCTION LIGHTING DESIGN
page 10/12

LARGE LIGHTING PLOT

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Massimo Tomasino – Lighting Designer - Nile Rodgers & Chic Production – [email protected]

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John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 !
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TECHNICAL PRODUCTION RIDER
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2017 v2
EUROPEAN PRODUCTION
page 11/12LIGHTING PLOT

STAGE FLOOR VIEW

!
SIDE VIEW FROM STAGE RIGHT

Massimo Tomasino – Lighting Designer - Nile Rodgers & Chic Production – [email protected]

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John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405
 TECHNICAL PRODUCTION RIDER
2017 v2
page 12/12

Visuals Requirements (where applicable)

If not supplied locally, we suggest hiring our preferred supplier and operator to discuss any details of this
package and to offer the full visual content of the show. For further details please contact Ian Woodall at
[email protected].

If LED walls are available and our visuals team cannot be on site, some minor visual content may be provided by Chic
Tech Production Manager.

If agreed per contract: Our Live Video show consists of live mixed visuals, treated and mixed by Chic Visuals Director,
Ian Woodall. When agreed with local production, we may carry a Video Control System with HD input and output. Where
possible, we will take a feed from the house camera system to mix with our visuals.

Artist Video Control (AVC) - We require approximately 6x4ft (1,80 x 1,20mt) floor space for control setup of our
Visuals Director, side of stage, opposite audio monitor world, or F.O.H, where he may see the screen and the band.
Proper protection (security barriers etc.), AC outlets and lighting is necessary for the control work space and seating
arrangements must be taken in advance to allow sufficient space for the equipment and the operator to operate safely.
Please provide a table suitable for this workspace.

** PLEASE NOTE THAT OUR PREFERRED POSITION IS AT FOH NEXT TO THE SOUND ENGINNER **

DVI or HDSDI feed to the screen: supplied at our AVC. Direct feed to screen with the minimal latency (frame delay)
possible.

LED Walls:
 We have a Resolume system to map custom LED, map lighting LED fixtures, output to video strips etc.
We require details of the screen resolution, layout mapping, processor requirements and processor location in relation to
the screen DVI or HDSDI feed to the screen supplied at AVC. Direct feed to screen with the minimal latency (frame
delay) possible. If there are any other Video elements on or around stage we would like to use them.

Upstage LED Wall: (backdrop) with a high resolution pixel pitch suitable for live HD cameras with HD video input. We
would like to achieve the maximum size possible (stage and reasonable common sense permitting) therefore please
provide stage dimensions in addition to the LED screen configuration.

Please supply all camera and LED system information at the earliest time possible and please discus all visuals related
info at the earliest time possible to Ian Woodall [email protected]

NOTE:

In case we should not travel with our full video production, a minimal video content package may be downloaded upon
request. Please contact John Ryan.

John Ryan – Tech Production Manager/FOH Engineer - Nile Rodgers & Chic Production - [email protected]
International cell: +39 3469487082 - - Italy cell: +39 3289173405