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Corni in F I - II

This musical score contains complex musical notation for horns and other instruments. It appears to be a orchestral piece that incorporates: 1) Various tempo and volume markings such as adagio, a tempo, crescendo, and diminuendo. 2) Repeating musical phrases and motifs passed between instruments. 3) An increasing complexity and intensity of notes, rhythms, and overlapping parts throughout the progression of the piece.

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Angelo Palmisano
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89 views5 pages

Corni in F I - II

This musical score contains complex musical notation for horns and other instruments. It appears to be a orchestral piece that incorporates: 1) Various tempo and volume markings such as adagio, a tempo, crescendo, and diminuendo. 2) Repeating musical phrases and motifs passed between instruments. 3) An increasing complexity and intensity of notes, rhythms, and overlapping parts throughout the progression of the piece.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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IL CORO CANTA IL CINEMA

Angelo PALMISANO
CORNI IN F I - II
Adagio
 
         
I

     
   
 
 A tempo

                   
14 I



  espress.

                  
27

   
 
           
38 rit. A tempo

  
cresc.         


   3 3 3 3
                
3

   
51 I

       
 cresc.  3  cresc.
 3


3


3 3

     
                              
a2 3 3 3

  
73

  
   
3 cresc. 3 3 3

  
82

              
   

 
 
Molto rall.

     
Vivace

           
94

        
 

          
                                      
105

       
 
 cresc. a poco a poco
  
2

        
                                 
123

       
       
   

            
                     
139

           
           

    I    
                  
177

           
    
   
  
    a 2    
     
    
                                  
187
a2

          
  
        
        
    
                             
196

       
    
   
               
                         
210

                
               
    
    
                   
218 I

                     
    
     

    a2    3  3      3  3

                           
227

              
  
3

Allegro moderato

         
                   
236

       

3
 
3

       
            
I

   
254

 

     
     
                          
262

        
         
      

 
         
                      
I

  
267

  
        

 espress.
     
         
273


  
        
280

 
               
    
        

                           
292

                

             
           
    
Molto maestoso

       
297


I

    
   
  

   

Allegro moderato

             
306

   
        
cresc.

      
I

              
317

 
       
  

             
326

 


                   
4

                                  


344

              
                   

            
    
                               
349

           
            
        

               
                                
353

               
               
   

                       
357 I

 
           
     
 
                       
363

                  
   
                        
375

                  
           
    

       
                 
     
380

       
         
     
        
     
               
 
Più vivace

    
    
             
                
385

             
 

  
       
           
       
   
       
                                      
389

           
         
       
5

           
          
                                     
393

           
      
     
           
      
                 
                
                   
397

             
        
401              

                         
             
                   
                            
405

                   
          
 
     
     
        
      
409
3

     
    3

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