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Il Coro Canta Il Cinema: Fagotti

The document contains a musical score titled "Il Coro Canta il Cinema" or "The Choir Sings Cinema". It consists of: 1) Various musical notation symbols and Italian terms. 2) Multiple pages of sheet music containing staffs with notes, dynamics, tempo markings, and other musical directions. 3) The sheet music appears to be for woodwind instruments like bassoon or oboe, involving multiple parts played simultaneously.

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Angelo Palmisano
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30 views4 pages

Il Coro Canta Il Cinema: Fagotti

The document contains a musical score titled "Il Coro Canta il Cinema" or "The Choir Sings Cinema". It consists of: 1) Various musical notation symbols and Italian terms. 2) Multiple pages of sheet music containing staffs with notes, dynamics, tempo markings, and other musical directions. 3) The sheet music appears to be for woodwind instruments like bassoon or oboe, involving multiple parts played simultaneously.

Uploaded by

Angelo Palmisano
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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IL CORO CANTA IL CINEMA

Angelo PALMISANO
FAGOTTI

  
  
Adagio Poco. rit. A tempo

      

I

 


 
           a2   
rit.


24


 cresc. 
     3  3 
    
3 3

  
3

   
A tempo

           
49 I


 cresc.  

3

3
 
3
 
3 3

      
cresc.

 3 3  3  a2  
        
a 2

               
3 3
73

           
     

cresc. 3

 3 3 3 3 3

              
 
81


      
            
91

  


      
Molto rall. Vivace
   
      
101

 
  

        a 2 
 
          
                               
I

       
121

   
 cresc. a poco a poco  
           
 
    
             

131

 
2


I

                                
164

         
     
           

a2

        
                   
172

                      
     
      
      
     
 
      
    
181

        
      
             
a2

                


190

  
  
         
I

                    
199

   
  
    
                   
               
208

           
       
 
 
          
a2

         
   
217 a2

           
 

                                 
225

 

              3     
  
       
                   
     
234

 
3
3 3 3 3 
3

   
Allegro moderato

            

242 I


  
  
   
                  
  
255

         
                     
260 I

      


a2

                      
I


268

   
  espress.
                
273

 

   
            
a2

   
280

 
 3

6

                   
                                          
290

  

 
                      
 

  
I


295

      

  
              
Molto maestoso
302

       
 
  
       
Allegro moderato I

 
      
311




 
4

       
I
          
          
    
331


           
                         
        
349

             
                   


a 2   
   

                       
    
     
356

    
       
I                      
        
368


      

cresc.

         
a 2  
  
                           

  
378

             
               

     
Più vivace

                                
a2

  
384


          
                                             
391


 
                
         
         
398


                
                            
403

           
              
408 3

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