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Don't Change Horses

This document provides a bass line transcription for the song "Don't Change Horses" originally performed by Tower of Power. It includes musical notation for the bass line over 3 sentences describing the origin of the song from the album "Back to Oakland" and recommending purchasing the original recording for easier study of the bass line.

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Alejandro Marti
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0% found this document useful (0 votes)
733 views3 pages

Don't Change Horses

This document provides a bass line transcription for the song "Don't Change Horses" originally performed by Tower of Power. It includes musical notation for the bass line over 3 sentences describing the origin of the song from the album "Back to Oakland" and recommending purchasing the original recording for easier study of the bass line.

Uploaded by

Alejandro Marti
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Don't Change Horses

Bass Line originally played by Francis '' Rocco '' Prestia As recorded by Tower Of Power

                     

Transcription by Pierre Verger, 1984 Composer : L. Williams & J. Watson
For an easier study, my advice to you is to buy the original recording From the Warner Bros album '' Back To Oakland ''
1 = 96 2 3
Bass Organ Intro

[ ---- 4 ----]

     
                     
5

 6

 
7

 
           
         
8

    9

10

 
                       

11 12

                             
13 14 15

   
                     
16 17 18
sl.

               
19 20 21



   
22

 
  
      
23



    
 24

 
25


                          
26 27

                    

        
28 29 30

Not For Sale - Free bass transcription for the studies and private use only
                             
31 32 33


     
                      

34 35 36

       
                      
37 38 39

  
                         
40 41 42
sl.

                
43 44 45


46


 
       
  
      
47

  

  
 
 48


49

 
                        
50 51

                         
52 53 54

                         
55 56 57


58

     
                         59 60

                            
61 62 63

Not For Sale - Free bass transcription for the studies and private use only
       
                  
64 65 66
sl.

               
67 68 69


70



    
  
  
71

    

    

72


73

 
                        
74 75


76


                
77

            
78

               
              
79 80 81

   
                      

82 83 84

                           
85 86 87

                           

88 89 90
sl.

               
91 92 93


94


 
     
  
 
95

       
 96
Vamp & fade With Some Variations

Not For Sale - Free bass transcription for the studies and private use only

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