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Music Reviewer

Music history is divided into eras that reflect the dominant musical styles of each period in European history. The eras include the Medieval era from 700-1400 characterized by monophonic plainchant music, the Renaissance era from 1400-1600 distinguished by the development of polyphonic vocal music like madrigals, and the Baroque era from 1600-1750 when instrumental music became more popular and the orchestra was established.
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0% found this document useful (0 votes)
156 views6 pages

Music Reviewer

Music history is divided into eras that reflect the dominant musical styles of each period in European history. The eras include the Medieval era from 700-1400 characterized by monophonic plainchant music, the Renaissance era from 1400-1600 distinguished by the development of polyphonic vocal music like madrigals, and the Baroque era from 1600-1750 when instrumental music became more popular and the orchestra was established.
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HISTORY OF MUSIC

Musical Eras

 Music History is divided into different periods or eras

 Music History is linked closely with European History

 Each Era or period in Music history has its own set of values – aspects of music that were most
important to the musicians and composers at that time.

 The orchestra grows steadily through each Musical Era

There are Eras in Music History

1. MEDIEVAL 700-1400

2. RENAISSANCE 1400-1600

3. BAROQUE 1600-1750

4. CLASSICAL 1750-1820

5. ROMANTIC 1820-1900

6. MODERN 1900- present

(Technically, Music composed from 1990 to present is regarded as POST MODERN)

Medieval 700-1400

 Monophonic style of music

 Plain chants

 Neumes- the earliest signs of notational system (Latin)

 Three style of chants

 Syllabic

 Neumatic

 Melismatic
Types of music:

 Sacred music – church was thefocal point of social life, learningand the arts

 Gregorian Chant- from Pope Gregory the Great

 Secular music- stylistic, more diversified than plain song, it was stronger and utilized rhythm

RENAISSANCE

 IT MEANS REBIRTH- ARTISTIC GROWTH,CULTURAL AWAKENING, GREAT INTELLECTUAL ACHIEVEMENT


AND SCIENTIFIC DISCOVERY

 KNOWN AS “ GOLDEN AGE OF VOCAL POLYPHONY” “ MANY SOUNDS”

Renaissance 1400-1600

 Most of the music from this time is associated with either the church or the castle court.

 Music from this time emphasizes the vocal parts

 There were few instruments (NO orchestra)

Types of music:

 Madrigals (a song for a choir)

 Dances

 Music for the Catholic Mass

 ACAPELLA – VOICE WITHOUT ACCOMPANIMENT

 GIOVANNI PIERLUIGI DA PALESTRINA-

 ITALIAN COMPOSER

 THOMAS MORLEY

 “ THE FATHER OF ENGLISH MADRIGAL”


Renaissance – Listening Examples

Listen Carefully the following examples from Renaissance Music

1. Palestrina – madrigal

2. Instrumental music from a Medieval Castle Court

Baroque 1600-1750

 Baroque is the word used to describe the highly decorative and extravagant style of artistry at this
time

 In music, it marks the beginning of the orchestra

 Music focused on harmony and was complicated and decorative

 Instrumental music becomes more popular

Types of Music

 Cantatas (for choirs and instrumentalists)

 Concertos (for orchestra)

 Overtures (for orchestra)

 Ritornello Form (where a theme keeps returning in the music)

 Oratorios – Large musical work for orchestra

Baroque – Beginning of the orchestra

COMPOSER

JOHANN SEBASTIAN BACH

 “FATHER OF GERMAN CANTATA” – SACRED OR SECULAR NARRATIVE SONG DELIVERED WITH


INSTRUMENTAL ACCOMPANIMENT

GEORGE FRIEDRICH HANDEL

 GREATEST ORATORIO COMPOSER “THE MESSIAH”


Baroque – Listening Examples

Listen Carefully the following examples from Baroque Music

1. Hallelujah Chorus from Handel‟s Messiah

Classical 1750-1820

 A time of new ideas and new ways of thinking


 Music focuses on structure and precision, balance and control
 Piano started to take over from the harpsichord
 Music is neat, elegant with clear structures
 Orchestra begins to develop and grow

Types of music

 Symphony (music written for an orchestra)


 Sonata form (music written for a solo instrument with three sections)
 Opera (music drama written for voice and orchestra)

Classical – Growth of the Orchestra

1. Timponi 7. Double Basses


2. Flutes 8. Violas
3. French horns 9. Violins
4. Oboe 10. Conductor
5. Trumpets 11. Celli
6. Bassoons

Composer

Wolfgang Amadeus Mozart


 The Greatest Musical Genius of All Time
Franz Joseph Haydn
 Father of Symphony Orchestra
Ludwig Van Beethoven
 The Bridge to the Romantic Period

Classical – Listening examples

1. Mozart‟s piano concerto No 21 in C major


2. Haydn‟s 45th Symphony, first movement
3. A string quarter by Mozart
4. A song from Mozart‟s opera „The Marriage of Figaro‟
Romantic 1820-1920

 Romantic composers reacted against the control of the Classics


 Expression and Emotionare central to Romantic music
 Rich harmonies Massive melodies that take over the music
 Orchestra grows with more new instruments

Types of music

 Programme music
 Symphonies including

Choral Symphonies

 Tone poem (music written for an orchestra based on a poem)


 Art Songs (a poem set to music written for the voice and another instrument) including German
lied
 Ballet and Opera develop

Romantic - expansion of the orchestra

Romantic Period Orchestra Seating Chart

1. Percussion 8. Oboes
2. Harps 9. Violas
3. French horns 10. Trumpets
4. Flutes and Piccolo 11. Trombones
5. Violins 12. Bassoons
6. Tuba 13. Double basses
7. Clarinets 14. Celli

Composer

1. Frederic Francois Chopin


2. Franz Liszt
3. Pyotr Ilyich Tchaikovsky
4. Franz Peter Schubert
5. Giuseppe Verdi
6. Robert Schumann

Romantic – Listening Examples


 Tchaikovsky‟s Romeo and Juliet Overture
 Schumann‟s Lieder „Sanger‟s Trost‟

Modern – 1920 presents

 Music from the Modern Era started to experiment with sound and mix all different
types of music together
 Harmonies have clashing sounds called discords
 Fragments of melodies (a reaction against the Romantics)
 Unfamiliar sounds on orchestral instruments

Types of music
 Impressionism
 Expressionism
 Neoclassicism
 Unusual harmonies and rhythms

Listening examples: Modern Era


1. ‘The Rite of Spring‟ ballet by Igor Stravinsky.
When this was first performed there were RIOTS
outside the opera house because of its strange
harmonies and rhythms.

2. Cello Sonata by Kodaly

Modern Full Orchestra

Modern Music

 This listening example is called „Red Shoes‟ by the Irish composer Marian Ingoldsby.

Post modern era


NEW STYLES OF MUSIC
 ROCK N‟ ROLL
 R N‟ B
 NEW WAVE
 COUNTRY MUSIC
 HIP HOP
 RAP
 ACOUSTICS ETc.

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