srahmasutra By SADASIVENDRA SARASVATI, Author of Aima Vidya Vilasa ete. a aay Srirangam: SRI VANI VILAS PRESS. 1909. Copyright Registered.) [All rights reserved.Tic a FATA Ul TATA: i AAA THEATRAT THT AAT ATT RraegacadtaaesearraT sfraantrasrarvaat face | Aya staniforggraaret agizar ! 9Re8,PREFACE, HIS is a precious ancient work by Sadasivendra Sarasvati—one of the greatest of Rajayogins of © Southern India whose life-sketch appears else- where in this volume. The existence of this work was first made known to me by His Holiness Sri Jagadguru of Sringeri who commanded me to bring out a good edition of this as well as the other works of Sri Sadasivendra Saras- vati. I accordingly set out in search of Manuscripts when to my great astonishment the very next day Brahmasri Venkatarama Dikshitar of Tiruchendurai came to me with a palm-leaf Manuscript of this very work and asked me to have it printed and published. With great joy I took it to His Holiness of Sringeri who was much pleased to find me in actual possession of a Manus- eript so soon. While this Manuscript was being fair copied I was able to get two more Manuscripts, one from. Mr. Krishnaswamy Sastrigal B.A. B.L., Vakil of Tanjore, the grandson of Brahmasri Mahalinga Sastrigal of Tiruvas- anallur, and another through the kindness of Mr. K. Sun- dararama Aiyar M.A., of Kumbaconam from one of his friends Mr. Subbaier. With these manuseripts in my possession, I began the work in right earnest and I take this opportunity to thank the above-mentioned gentlemen for having helped me with the Mss. I have great pleasure in also acknowledging with thanks the readyii help rendered me by Brabmasri Rama Sastrigal, Dhar- madbikari of Mysore and of Sri Sringeri Mutt, Brahmasri S. Kuppuswamy Sastrigal, M.a., Principal, Sanskrit College, Mylapore, Pandit R. V- Krishnamacha- riax, Abhivana Bhatta Bana and Pandit 8. Subrahmanya Sastrigal of Tanjore, but for whose active co-operation it would not have been possible for me to have brought out such a good and accurate edition of the work in such a short time. Whenever there was any doubt as to the accuracy of any of the readings, it was at once taken fo the notice of His Holiness Sri Jagadguru of Sringeri and his decisions were adopted. In short, no pains have been spared to make this edition as neat and accurate as possi- ble. The Index of Sutras and Adhbikaranas will, it is hoped, add much to the usefulness of the book. SRIRANGAM. - 20th January 1909,.$ 7 He Ralasubrakmanyarm.Wait u W aaa u at fe ‘aerate’ am aegaate: Ba- Raritememitat: fraaramerateady: Pera) wacrtaragenfiea aga ra: aed, ay qed a gear; sate arg wale gaita sisas- Ragan, wiiaeiraaaitenge, we sate saad seers 4 age UT RTOTTACfAT atta, Feaager, weasels gar, vea- afrratareegat searrararrrarar a arectite fe aid agaraents aiardisht wate ez aR, wand, fad adigta geenestaa aasit aa-. faut: | gt a ReM@at aiesusarcaraat date fagititncaa otegaat seqattirea- amt argent trariareahraraasareea- wfany atramengaas gafigarara | agers stararas sneat adie caeggoiaar-(2) fra) waeaftetrrara aden anfisfizadarearr wadiga: aterm: adtagcermaatreien: stagtiitustrata: finer: crane, Fergeter- aon TSS: we, Tw. Lie afiut: oftara: ecgerfienfae:, afraraaronfeta equiva: oeaormaay:, Taran: oftea- Baaraasores weet cara THTgRA BIE I att at Faas: | ea aa Gasset + staat agiittaatrndiat faerntrarmaeagey W3- aienfeatera | erat atGrarat a ergeareny- frat feahrateso savata, gaat a- fear, gare tag, wareana a Waea: aah dadeqouacarana Preftarts | ergata yTET dorpittcathataaat Para | ate sz seq wit gt: Rergayraena Few, aigaa a As- fe: a€ waftatstt ogtoniltsere ane off ware aaraaa: | f. %. aregaerea:.SADASIVENDRA SARASVATI. A SKETCH.Sadasivendra Sarasvati. . NI ADASIVENDRA Sarasvati or Sadasiva Brahman as he is more familiarly known, was a great San- ‘yasin and was the last genuine representative of the school of Rajayogins that flourished in Southern India. He lived in the beginning of the 18th Century, more than a hundred and fifty years ago, near the modern town of Karur. For the details of bis life we have to draw ‘mainly upon tradition, but there is every reason to believe that much of it is veryreliable. For several of the inci- denis in the life of this great Sage, which we are about to narrate in this sketch, we are gratefully indebted to the gracious condescension on the part of His Holiness Sri Sachchidananda Sivabhinava Nrisimha Bharati Swami who now adorns the Mutt of Sringeri and whose high regard for Sadasiva Brahman may be gathered from his precious little work known as ‘“‘Sadasivendra Stuti”— ,® collection of stotras in praise of Sadasivendra Saras- vati— composed by His Holiness while on a visit to the great Rajayogi’s Samadhi at Nerur. Sadasiva is represented to have been exceptionally smart and brilliant in his student days. It was ab Tiruvisanallur, a village in the Tanjore District, on thebanks of the sacred stream Kaveri, embowerel among groves of mangoes and cocoanuts, that Sadasiva's siadent days were cast. This village was at the tinue peesiarly blessed in her teachers and puyuls. There was Rancsiadrn Dikshitn, a scholar of no mean repute amd the fanous author of the dramas the danuki Farinas tere was also Sri Venkatesa, vet in hin teens with all these poten tialities in hint whieh were te riper: inthe fulness of time and muke of hit a heartestirung preacher atid water, whose noble life and fersvid words bave earied fe hate the undying glory of the Snint Miving, whose Abby a»ashta, Dayasataka and other works have an earnestuesd and a pathos rarely met with elsewhere and whose tani under the more respected and famnilinr tithe of Ayvaval i ine voked even this day by hundreds of devotes in Southern India with grateful strains and uplifted bands there was Gopalakrishna, alo a student, who came tobe kuows as) Mahabhashyan: Gopalakristinn Sastri, so styled be. cause of his learned commentary on the Patanjalite Mahabhasya and who was afterwards to become the spard tual preceptor of the Tundamans of Pudukota. and there was Sadasiva, the subject of our wkoteh, a studoat yet, the most gifted of a gifted wet, the moet brilliant of glorious band of stunents, exch of whoty was afterwards to leave bin mark on earth -' foot-prints on the sande of time’-that have been a guide and an inspiration to many aforlorn heart, He is said to have been much given to arguing, to raise topiexof discussion with his teacher who invariably seenis to have come out only second beat onii these occasions. Towards the close of his student life, news came that his young wife had come of age in a dis- tant village and accordingly his happy mother was pre- paring afew extra dishes in honor of the occasion. When Sadasiva returned from his teacher’s quarters he found his dinner delayed an hour in consequence. While thus waiting for his dinner he reflected as follows, “ Married life has just shown the symptoms of dawning and I have already to pay for it with an hour’s fasting. This is but a prelude to the misery of the family life to come”. So he immediately made up his mind against the married state and accordingly went in search of a spiritual preceptor. From this day he began to display an utter aversion to the so called pleasures of the world and his heart melted for the suffering millions. His habits became cosmopolitan. He cared for neither caste nor creed. All were equal in his eyes. He would eat anything that was given him and that from the hand ofany one without distinction. On the days on which no food was offered to him he used to make a sumptuous meal from the refuse leaves thrown in the street. People did not understand the true Mahatma that was hidden behind his appearance and Sadasiva was to them only a crazy youth. He soon found his preceptor Parama Sivendra Saraswati and began under him his apprenticeship in Yoga. He made great progress alike in his studies and practice. It must have been during this period that he wrote the works and Kirtanas that are now left bebind to remind us of his mighty personaiv lity! His Kértanas ‘or'‘songs are sweetly lyrical and breathe a lofty idea. They show the trend his thoughts were now taking and show his ear for music. He soon became an adeptin’Yoga under his master’s guidance: He composed about this time a short but very sweet poem on the glory of self-realisation. This poem —Atma- vidya Vilasa— consists of 62 Stanza in Arya Metre and describes the greatness of a Yogin who has realised Self, his conquest over the passions, his indifference to praise or censure, his overflowing sympathy with all living beings and his revel in beatific bliss. Such a glorous life was now bis ideal and he expresses in the poem his ardent thirst for the realisation of his ideal which was not long in coming. Tradition has it that Sadasiva used to worry with a number of questions all persons who came to his preceptor and thus shame them into silence. This practice was so much resented by the people that they one day reported it to Paramasivendra Sarasvati who on hearing it became a bit annoyed and exclaimed “ Sadasiva, when will you. learn to keep your mouth shut?’’ The student perceived his folly and to effect- ually prevent the transgressions of that unruly member, his tongue, took thenceforth a vow of lifelong silence. He prostrated himself before his teacher, begged for- siveness for his fault, took leave of his master and went out a homeless, speechless mendicant, trying to realise in himself the lofty ideals he had set forth in the Atma- vidya Vilasa.v + Henceforth he lived the life of a wanderer never staying anywhere for any length of time, never once opening his mouth, but when absolutely necessary expressing his thoughts by gesture or by writing on the ground. Little by little he was trying to gain mastery over his natural fiery spirit. One morning he was found lying in @ field, resting his head on the embankment that divided field from field. The labourers that passed by remarked that. one who had given up the world still found it necessary to have a support for the head. Next morning the labourers passed by the same way and saw Sadasivalying in the same place but without any support for the head this time. There-upon they wondered how one who professes to scorn all earthly things, could still be so sensitive io criticism. This incident was soon after related to Sri Venkatesa who is said to have given vent to his thoughts in the following couplet. Dgwatswat aasasaaseeaany | aA FACT “Even to those who hold the world as valueless as a ‘straw and who have mastered all the secrets, even to such it is difficult to cease to be slaves to the strumpet fame. Such little failures as these were however only stepp- ing stones which led him to the highest heights of Yoga. He now finally left the scenes of his youth and spent his days on the lovely banks of the Amaravati ‘and the Kaveri in the Coimbatore District. His days he wouldvi spend in the bed of the river meditating on the Unknow- able and the Unknown. Many a time and oft would he be seen wandering aipnlessly, as it were, like a mad man with a strange far off look in his upturned eyes, his mind perfectly unconcsious of what passed around him and his energies concentrated on Self. When it was reported to Sri Paramasivendra Sarasvati that his disciple was wandering thus like a mad man, he seems to have re- gretted that such madness did not overtake himself. wareracaaearg fireq- waa see sais yor! faagarare ge: guet qa Fa crest Now would he be seen to plunge into the groves far and wide that lay stretched on either side of the sacred stream and remain lost to view for many a day Now would he be seen lying upon the white undulating sands of these rivers. Once while thus reposing on the sands of the Kaveri near Kodumudi, one of those sudden floods that often rush through the stream without notice, came and carried off the unconscious Yogin and buried him onthe sands in its onward sweep- ing course. The villagers on the banks who were the spectators of the scene were quite powerless to help the Yogin and quietly returned to their homes deerly regret- ting the calamity which they thought had befallen the great Sage whom they looked upon with awe and rever- ence. Three months passed by and when the freshes invii the river subsided and water became scarce, the village officers went to the river for erecting the usual Korambu. While one of the labourers plunged; his spade deep into the bed, lo ! it came into contact with some obstruction. The surprised workman drew out the spade and beheld with consternation a few drops of blood tripping down his tool. All the officers and workmen now gathered around him and duga deep pit round the spot and wonder of wonders! they found buried deep in the sand our great Mahatma, his several limbs lying in differ- ent directions and himself lost in Samadhi. They carefully dug him out complete and thus roused into consciousness, this mighty Saint whose ‘soul was like a star and dwelt apart’ looked about him as if just risen out of deep slumber and after afew minutes, went his way as if nothing in the world had happened to him. On another occasion in a village near Karur a certain ryot harvested his fields and as it was rather late in the day to measure the harvested paddy, he simply had it collected into a heap so that he may have it measured next morving, marked it with special marks lest it might be stolen and ordered eight of his servants to mount guard over the heap during night. The ryot of course went his way and at about midnight when it was pitch dark, our Sage in the course of his wanderings came that way and stumbled over the paddy heap. The guards, who were on the other side immediatly ran up to him .viii with sticks -in their uplifted: hands and found our-Yogin lying on the heap with “his hands outstreched. They ‘wanted to severely castigate him -but lo! such was the greatness of our Sage, they found their hands fixed with- out any motion whatever. They became absolutely powerless to move their hands- irom their uplifted posi- tion and there in that posture they stood throughout the night, mute with astonishment till their master, re- turned in the morning and found them in that sad plight. “When the master and the servants: were conversing,.our Yogin stood up and went bis way and on his departure the servants regained control over their arms. On another occasion during the superior officer's ‘camp in a certain village the village Talayaris were ordered to bring fuel for the camp. These men collected the fuel from an adjoining forest and had it tied into several bundles. Each one of them took a bundle on his head and in the end they found one more bundle remain- ing. Just at that time it so happened that our Sage was passing by that way. Finding him to be a robust person these Talayaris put that remaining bundle on his head and dragged him also along with them to the camp. There when all the bundles were heaped together, Sada- siva’s bundle was thrown over them last. ‘And that very moment the whole heap caught fire to the utter bewilder- ment of all the on-lookers. . Thus he .wasa great and.a born. Siddha though many mistook him for. an .insane person, as all greatix men are generally apt to be by the ordinary run of mankind. Children especially liked him much, for it is usual with children to play tricks round one whom they consider to be insane, especially when they feel sure that his insanity does not endanger their personal safety. One of his greatest delights was to distribute among these children whatever he received from the people in charity. On a certain day, and that was the day of Vrishabhavahanam festival in Madura, the children whose curiosity was probably excited by the description they heard at home of the grand festival, said to Sadasiva “Father, ( for that was the general term by which the children addressed the subject of our sketch) will you take us to Madura to-night. There the God Mahesa will march to-night. in a grand procession on the Bull. We wish to enjoy the sight.’’ This request was evidently offered in frolicsome derision, as the: children thought it beyond all possibility for their curiosities to be satisfied. They didn’t know that Sadasiva was a Siddha and that of a high order. He signed. to the children to mount on his head, back and shoulders and other pazts of the body. The children enjoyed the fun very much and when he wanted them to shut. their eyes for a second they did so. The next moment when they opened their eyes, lo! they beheld themselves all in Madura before the very God in procession on the Bull. Sweetmeats, nuts and all sorts of things that children Jove were supplied them in profusion by our Sage and thus the children fully enjoyed the festival. : Before iix dawn they were all brought back to their homes by the same process by which they were taken to Madura. The morning dawned. Every child began to relate to his anxious parents in sweet words its marvellous adventures of the previous night and showed the sweetmeats, some of which still remained unconsumed. On several occasions such as Mahasivaratri, Goku- lashtami ete. he was seen simultaneously in several places. While people here were observing his doings on such im- portant festival days, those that came from Benares, Muittra, Rameswaram etc. positively averred that they saw him there on those very days. A certain brahmachari, who was quite illiterate, wanted to be blessed by our Sage and so followed him wherever he went. At last the Sage got mercy on him and began to encourage him by gestures. One day the brahmachari said that he was eager to witness the Diety Ranganatha at Srirangam and our-Sage desired him to close his eyes. On re-opening the same, he found himself and the Sage standing in the presence of God Ranganatha at Srirangam witnessing the Nerajana. A moment later the Sage disappeared and the brahmachari searched for him all over the place. Not finding him anywhere he slowly returned to Nerur where he found the Sage in deep meditation. When he recapitulated his experience to the people there, they would not at first believe it since they said the Yogi did not at all leave their presence through- out those days. But in the end they believed the brah- machari and admired the greatness of the Yogi, Somexi years afterwards the Sage took compassion on the brab- machari and blessed him with some Mantras. The brahmachari immediately began to expound all the Puranas to learned audiences and became an adept in such expositions, so much so, that he was geverously rewarded by several kings and grauts of several plots of land were made to him at. Nerur for his proficiency in the Puranas. It is stated that his descendants are still enjoying these lands. On another occasion our Yogi in the course of-his wanderings entered the camp of a Muhamadan Chief. The Chief was resting in the camp with his ladies, who were all of course (tosha, and when he observed an Avadhuta entering the presence of Gosha ladies he be- came terribly enraged, rose up immediately, drew his sword and in his wrath cut off one of the arms of the Sage. The Sage did not at all mind it but went his way as usual without even noticing that his arm bas been chopped off. This behaviour of the Sage, this absolute indifference to the maiming of his own limb, greatly struck the Mahamadan Chief who immediately recognised that the object of his wrath was a mighty Saint. So he deeply repented for his folly and followed the Sage wherever he went like his owa shadow. After several days the Yogi turned hack and noticed the Mabamadan following him. When questioned as to why he was thus following, the Mahamadan regretted very much that be had com- mitted an extremely grave fault and begged for forgiveness and blessings. Sadasiva could not understand whatxii fault the Mahamadan had committed and so asked him about it. The Mabamadan implored forgiveness for his having cut off one of his arms. It was only then that’ Sadasiva found out the fact and when he passed his other arm over the maimed one, the latter also became whole. The Mahamadan became mute with astonish- ment and craved for Sadasiva’s blessings. It is: stated that Sadasiva blessed him and went his way as usual. This incident is referred to in the following Slokas of Sadasivendra Stuti. Asgrrarane: wet rads BSaasaslt 1 arafaanaareat soft gt: watt Qu qaaadaeaqaeqeeisht 7: Ga: TUT eE THAT ATT Sree: 1% saad aT Ta anhiardie a aaa ot frag 0 Sadasiva used to go to temples and while seeing the Diety there, be used to repeat the Archanas and for every Archana that he uttered a flower would of its’ own accord fall on the head of the Diety. arrargaa qe Fieakig ware wee feaarry soit ga: aaa It may be hard to believe all. these anecdotes whose number is legion (only afew of them being given here), but they persist in living. We all know that nothing is impossible fora Siddha and Sadasiva Brahmendra was undoubtedly one of the greatest of Szddhas. His mindxiii was ever and anon concentrated on the Self. He cared for nothing of this world. He always besmeared himself with mud and ashes and considered the whole Universe to be absolutely worthless—much below the mud and ashes he was wearing. His realisation of the Supreme Brahman was such that even his Guru praised and envied him. faeries frafagaraera t Aiveatases sofa ga: varias He rose above the whole Universe and was always immersed in eternal Bliss. He-cared not for food or drink. He roamed wherever he willed with none to dispute his sway. The several directions weve his clothes. In short be was living in the world, though himself always out of it, a really grand and magnificient beacon light for all time to come, for persons that banker after spiritual wisdom. A true Mahatma be was—certainly the divine manifestation of a true Siddha. Tt was about 1738 A. D. that Sadasiva roamed into the forests adjoining Tiruvarangulam afew miles off Pudukotah. While wandering in these extensive forests he was seen by the then ruler of Pudukotah State— Vijaya Raghunatha Tondaman (1730—1769) who was known by his more familiar name Sivajnana Puram Dorai. This Tondaman was a religious man and spent much of bis time in pious meditations in the forests adjoining a lake-which still bears his name. Pleased with the single minded devotion of the Tondaman who clung to the Sagexiv f. souteight years with a steadfastness which precluded all chances of evasion, Sadasiva wrote down on the sand sertain religious instructionsand by the same method Gixeeted him for further information to his fellow pupil Gopalakrishna Sastri who was then living in Bhikshan- darkoil in the Trichinopoly District. This Sastri was accordingly invited to the Court and by a copperplate Sesena dated 1738 A.D. that still exists, grants of land were made to him and other brahmans who came with him into the State. The Dusserah celebrations as well as the worship of Dakshinamurty in the Palace Temple were now instituted on the lines laid down by Sadasiva. The sand on which the Sage had written the instructions was carefully brought to the palace shrine and is still preserved there with religious veneration and worshipped as the holy relic of the great Sage. From the advent of Sadasiva followed a bright and prosperous period for the State and the Tondamans trace all their glory and eminence to the spiritual influence of tle Sage. Sadasiva did not stay long in these forests, but waudered on wherever his feet led him, spreading sunshine and happiness wherever he went. He is supposed to hare travelled even as far as Turkey in Europe. After a long life of silent meditation he, one day, told the brahmins ‘of Nerur that on a particular day (Jyeshtha Suddha Dasami in the month of Mithuna) he intended’ to attain Beatifie Union with the Supreme Being and if the villagers were prepared for the event on that day a brahmin would be coming with a Bunalinga trom Benaresxv which should be consecreated in a temple by the side of his Samadhi. They accordingly awaited the mentioned date, when to their surprise a brahmin turned up from Benares with the Banalénga. And into the pit specially dugout, the great Jivammukta descended of his own accord and merged with the Parabrahman. The people assembled performed the necessary ceremonies and had the temple erected by the side of the Samadhi and the Banalinga conseciated therein. Itis stated that this Jivanmukta attained SamadAt simultaneously in three ditferent places. Brecent art age: af resa a ars SEL < S aatraatara sod ga: agieacaa u But the Samadhi at Nerur is the only one well known in Southern India and the Tondamans of Pudu- Kotah have made extensive grants of lands for the per- formance, in a suitable style, of the religious services in this sacred shrine. All the expenses of the celebration of the sacred Anniversary day every year are defrayed even now by the Pudukotah Siate. Such was the mighty Saint, the great Jivanmukta, whom it was the fortune of Southern India to own in its midst for several years. His influence has been and still is very great on the minds of the people of Southern India. His name is revered and cherished as a family heirloom by all knowing people. His Holiness the present Sri Jagadguru of Sringeri than whom it is im- possible to come across a holier Personage, a truerxvi Mahatma, a nobler Saint anda more rigorous Ascetic— even such a marvellous Mahapurusha, divine incarnation itself as he appears to be, has this Sadasiva Brahmendra as his Ideal. He has Sadasiva’s picture always before him and it is only a copy of this picture that is given here as frontispiece. He longs for the day when he will be as free as Sadasiva. When such a mighty Personage admires Sadasiva so much, we may, without any hesita- tion, conclude that the greatness of Sadasiva is some- thing beyond the range of human expression. Sadasivendra Sarasvati appears to have composed several works but only a few of them are now. available. Of these the Brahmasutra Vritti is the most -important. There are several Vrittis onthe Brahma Sutras and several of them have been printed also. But none of them equals this Vritti in the simplicity of style, clear- ness of exposition, closeness of reasoning and subtlety of thought. The clear statement of the Purvapaksha and the Siddhanta in each Sutra, the concise presentation of the Phalabheda in the Purvapaksha and Siddhanta of each Sutra, the introduction to each Sutra showing its consistent relation with the previous Sutra, the exposition of the connection between each Pada and between each Adhyaya are all peculiarly characteristic of this Brahma- sutra Vritti. Written in a lucid style, chaste and easily understandable byall, this Vritti gives the essence of the whole of Sri Sankara’s-Bhashya in as few words as possi- ble. Useful alike to students and scholars, this Vritti would surely commend itself to all lovers of Sanskritxvii Literature. Besides this Vritti, Sadasiva appears to have written Dipikas for about a dozen Upanishads, which we hope to publish one after another at no distant date. Then we have his minor works such as Atmavidya Vilasa, Siddhantakalpavalli, Advaitarasamanjari, ete. As we have stated already, Atmavidya Vilasa is a peculiarly charming little poem of sixty two verses describing the greatness of a Yogin who has realised the Self. When we go through this work we feel as if we are reading a faith- ful description of Sadasivendra himself. Siddhanta- kalpavalli is a poetic version of the Siddhantalesa- sangraha of Appayya Dikshita. Advaitarasamanjari is a short and sweet poem of about forty five stanzas describing the essence of the Advaita Philosophy. Some say that a certain Nalla Dikshita, a disciple of Sada- sivendra wrote this poem. We reserve a discussion of this topic for a subsequent volume of the works of Sadasivendra. In all the works of Sadasiva we find a peculiar sweet- ness and melody characteristic of the harmonious mind of a true Yogin. His style is always lucid and simple, his sentiments lofty, his ideas noble and on the whole we find in all his poetical outpourings the elegant easy and emotional flow of a great soul. His songs are so lyrical, his rhythm so perfect that one is not tired of reciting them over and over again. Even without the help of the traditional anecdotes narrated above, we can, from a perusal of his poems alone, unhesitatingly say: that hé was a great Siddha of very high spiritual attainments.xviii on In conclusion we may state of him in his own words— Fas WATS dat aT aaa | ante qiagataed facacaaiqaart Fuagannt Rartigadfiaeiar | ame aaa Bra ae Fes afaez srnaaal ael Sugersea: aed: 1 atdemanadsdahed Aisa wu J. KH, Ralasubrahmanyam.aRrecorgsrahret 00 atteacongeatra u a seraiseara: vee ER POLE oa Q—ape q. Barat z . Tear ¥ 2. areata & Y. Paar, & 4. tear, ide é &. aareH aeRO cee RR 9. Ara wee RR ¢. SPRL wee RE 8. MOTTE, wee 8B ge, Tfrawrrawny see Ro QR. MAA RRTL see RR[R] © fetta: oe: vee "RUBE g, arate ROTEL wee RK 2. sary ee RB 3. Defer ee RO ¥. SETURL wee RR a, aTaahr CT, see RR a Fear see Ry . Para, vee RK ada: qe: see BRERA &. qearatracory see KR 2. arr ee OK g. saURRTL vee KR ¥. afeadiiracry wee YO DOCU CULE vee OE & aR see KR ve. Safran vee KR <. FaaTRTT wee KY PME COCUCC TUL @ vee KS[3] go, BTL a8, Sifaehraony 82. aalracanfzeareanhrscor, 83. Taare aah: Wa: © Sarre sree, aera HLM 6 BRAT TROT, qrereahrRL FEAT RCT . TEST, 2 Ta eaSTTAT RTT, fedtatseara: TAT: We: a. Baran 2. Agar, 2. Reaorahracr, Ssrexuvee RR RR RR ay ve RR-CR RR wk 9% 9X ee: oe go ER-REK CR—FOR cz eR oe[2] y. Prsrehverraory ee 4. Arerrahory sy &. STATO, go 9, SAAT MHL BR 2, See ay 8, FATT TAT RTL ay go, aatanfrReTT, Re Qk, casaaahracny 88 22, Aaereoar hr, Yoo 0, adatirrarony Rod tetra: ora: RoR—KR4 ce caer, RoR PEACE IU @ Rog 2. Tanase ; Rok PARCCICICCOUL@ see &RR De CUCC TUL @ ; are 4. Cah RRs 9; - Te see RRR oo Sareea RT RQzada: sx 2 eo 2 a” Qo, ge gr aR. RY, aK Re Qe, [4] qa: vee QRE-QUR ». Barak wee RRR araharhrrcry eee RRB 6 eT vee RRO Sars farcry, wee RR srahracory, Py » Searcy see 8BR . TeRrerareaory see 2RR . Predarercory eeeee 2 erator see RRY RERETT AT TROT, wee BBR Sra see RRR TROT wee RRO semiParenrao Teel) 14g eA RROT wee ONY aerhrrtry, see BER RAPT HLT wee 8D CRUE § eee ANEwai: ore SX ev eo after era ror, area TROT, . afer. . seatafsarhecory vee RUB RRR Ray RRR Ke RRC ” RRR ” RRR Rey sie LRO-REO wee PROWL GO[se] fear: Tra: g %, R ¥. &, & ‘S, } RS PF Kw pp . Se . Tea, . Faleearce rear, arora, . SaaS TL . Tecan . Faro, . KOTRTRTTL ata: 2 TFA ATTA, are: Sree HLT 2 ATT RTL SqIAR TLL, qarahrory, TATA TEL, RATT TTL, see 2PEY-QOD BCR gow RoR 229 RCo R88 Re RoR ves ROB-RUR Rev Qowe Ree Ro RA RR Aw ARRe, RR RR. aR. Xx, au, Ra. ge Re. aR. Re. RR RR. RR. RY. aa aa as. ara, watery seatrenrsony Sarah eration aigranreazoy madera fray, sfrantrsc arreRrarantraRT waver, eae hry SRT RTL * eaaerenraremy Tear RT rarer area afrahonfrscn Rr Re RRB RRe RRB RRR RR RRE RRO RW RRe RR RR RRR RRK ” RRR Reo RRewaar, aReartrcory satire Rea, . Saar . arta coy RBS Re Rey ave Qve Q¥es awe BAR wie RUB-REO RAY Ree Raa Ray Ree Ree Rae RRRgz g. aX. gh. ge Qe os aaa: ef Kk ww s # [ 8e ] . Prgerrarcony Re, ag. onfranienrfaa cory aferPracory eran, wera, START RTA, Beara, aharetraatrar, ate: BEAT RUT ATTA RTL, . Setar TACT . afeanaahracony, warmer,[tJ ¢. aT, wee ROD 8, aera, ee REE Qo, ATS aL see RER Q8. Tasha TTL sie Ao a2, afaerarahreory eee 23, Rersrreraacarraor wee WR gy. Zacerro RCT, esas feedta: qe: see RQR-ZoVo Q. aay see RB 2, Fac, see BBB 3. seranhrrory see BBE ¥. Bag TRaTrRcT, see RBS Pe CCE CGUCESUL@ leet a, oferta, sie Boo 8, AMPEwarhrR COT see ROR ¢. afrarnieror, see ROR 8. atta, ses ROR Qo, RL wee ROW PeMEACMIC CUE AUC § wee ROKx co 2. vw. w & [2%] anterar raReOTA, area Rey, afeehracory srfrarfearraery, araterecoT, Se area ELT, age wa x RR R. ¥. & & %. areata, atanta wartacry renter, SRT THOT, ATTRA setae TRA TE LTL I? see BoC—F2O Red Rees BRe RRR Rae RRG-RRo RRS RRS RRe BRR RRR BRE RwASTRA THUUGT U Teqaeata: OSESims aa TEE CEs a SSID armidediigartreneaateray | HATTA OTA SATTSTAE Ut SU AMP ATAHFARIAT A ISATT | aifeartrdes saraareer ga i & Ul MAMTA eVNTAATgIgy: | Aaa AAT TAT | 3 qanigaiieaan adteearadate: | ATS AAT AAG WY stasmrenaeTi aaa | anangat aegaate gt war 4 1 BE ay WaTITaN: FaTATTTAN a ATATA-2 FaTATT (at. &. o aazarasait: atraaagaerand sara foighaz- aa aae— * eqarat weTRTAT | 2 Ul wa AARETA AAAAGSTA TTA ATI AT | HA: aaa arqaageret AaaaT | ‘mefrarar’ gat 2. figrar waraaa Facer, aaae vats face | cary, HEI ad wate | ww Hea aagcarnenaaairanines arecarateet at TIGA AAA FIT data: | frarcrraa- raged: ritterareatena afeemia: | et aiat garni afadiatasea | Parra aeacaeTA- qa ro aeaF TATA SAT, AAA HATA: | waaast sresitfrea 1‘ aendt aerfarstrent? garfete: a: Ba Aaa FATT gT warqasta- grata, Sars, AEA waraarearedaia: | verre epaategiat arearat Parana arg Tee: | srerearqearirentoren aTtreecoreianfa: | SACI STT- dng Tea aise | TAT arr FHISUTCATATEAT BPC: | fagra g aqeraaary,a 2%] qaaSeaa: | g ardinartsata gee cewe: | wa Fara areata fea: | a a aden: wie af vas- Hardvardaaat az, ake afert asia qe Panera ; aa epeadrasaeaTaa- wefan, aatargeaTaaTas a aaraq | adtsdaeateattar, tereaarera- Grad a wider sft qa: oa: | frag —afarea- ama aeNaeraaaa AeA aea- Reed asa ar aaeameaiat: wast:—eft | qarkeg— aI ga agaesdaratieqiegs geagay a ‘masa’ sft qaneTedsay | aaaAcTadey az- aaa, TETAS: BAeTaAraaSha aa, 39 2s: ; wa swat adlyd aeataETaT, ATE Bead; eveta zeararea fren sega Shas; sates daar jercaeat Pave a ord; wa aT aadnat araageraraeritranton | aerarerarsrerradiarenr- amt ageaneateae: pier zie art adore rqTaar—— a2 FATA (ar. 2 arrest aarecraaged farerarz, AERA; TINT RISA AS anaes — WrATAS WA Ul RU wer galfracarratiant date: | rr qaqa ae wentga grakns:, Rad g aaers ae- R wma. a: | ata Saat ar ganh aarie. fecn gareared ea: | aa Amaro seats seen a 3 a, wees ae fear agReeAT | a Cael aTAAAay reareaanies wat cares ina; sre RehenieraerreaaaaSs a: oar: Rerg— we saargreantas aae:, sane ara sat: anger seafeituge at aca, wat sera, Reo waa; TET ARTO STRATE ae AIAN, TIMES VITA | aT datietrriaataaacamamasha atray ; waamevsiaa weraartaan warm aaaar— ft ul afaet aero smeprdta aasareleartr,aq 2-2] TARISEATA: 1 & aquoiag ; Fae aaa TaeereaTaTear- Breie— areratifarcare tl 3 ae yaitaaatat dat: 1) ae g gare aan: wager, fagird afraatat z- Q. meena. | re aE yeT fread aaa: aqevae:’ gantaret Prez: | ay sat Taga wast a aaa, sa arses Ha, ‘ars freq faa’ eff aera Heese aaa wae a arrada ga: va: | Rrarer Gaeta: TATHeTET, AT: HIT TET Wa: aed aeNeeadear, aes aaah | ae ave qaaftar aaa fran, aang; wey aed yo...” guitadiahgageaa fa- aaa | Tae aad feta anitft ana; aduesaaamgiema— fa | sf srracrng | Wal aaa aero SA aeT ATATRATT- TAMIA AMS — area irae | Sa7 FATATT (at 2. penton aa: | wa gaa agamda - oo bbe SerraareaTa a wae: 1 eat IH... BSc tindd | afer t Srtag aatert, va afr G8, Aa: Rare Taro sara Aa ae a 72: | geag— aren aateny aie: ei Te They ger aT RTA, THUS SETA SMS ania | aq mara Aa isan, Taj wea wade agerardwar— at 1 ate fate aha 11 Wee sem, TaN, TANT ; WEST Renee — AY aaeqTaTE Il Il a Bonar aaa: 1 as g gaa BoA sacagueta:, (erat waPahares % wa gesagt) wae ae Raat free: | free) 3 ee paareaea:, sa ale beak af WR, aeugudatagamaes fies TSGR area aldara waft ghlL i—2] TAISEAT: | ° a) frerng— dragaes: qaqssaaead: | aa, Feeay whraaa) Fa, AAT, aeaAT- gaa Faraat Aaoaaqa waa, aa raat frafeerec:, a wateam:, fare TAAL AT HUNT TTAUaer Te eT ectsTAy 5 rarenrdat Marg agegreet: | ae Fea iimaagray, dager; waits: sais TAT | za aaa , aa; waleetaeq Faro: TOTaaaa TeTeRsaeaal aTaaare- TAM | Taga efestera Aaa wale sw ft sera | wet get wall Aaataash, afefracuvig- ia upaita ad sagiariene— ad aera TT | Tones vegeta: | wa Gat STAT ate, fare arafeia Gets: | aa aera: sfa- usar ze aTiata, sa asa Gaz, Tawra fas ater vafafata- rea meda free atari Stra date ya: va: | agrag—aq ae ava Aga: aAé aaqaTT [at. 2. ata) @a:, warsary aaa Ae aaaTATT | ay fre sararefegrraa a ating eft, aa; safattadt wa feafhte a fded:, ‘gaer sia:’ zarey eaten ataeaar | TY FETT eee areata, aett a; Sageary Feaai orerarara:— ef fee | efe fader aceeg 1 sa aga: wana wdd watery waa saa? | aa aiea— geeraa Barer Fa we a aren ; ale ae Boar feratansaeata sreerog— af oy: ; aed free freare— PAAATSETA I & qorenarea: | ae g FAT saeTaTg- ate: fara ater areca) ore e. dwafe FFI aaa? THT ae aug: AT...” eft | wa aeoted saga am & carey, va wale aes, asia ga: va: | era —a Ta sIgUEy | BATT: x Seas aw wreay , Eqniliraaq, serena aaeaATOHa y—w] saaiseT: | 8 ar; Bea, Sart, aga AEE: aieas:, Seas; a ataner saraeTtar- wa Guat, wer Gaara | aa gee amber: aaa aaeargqga: | wa: aq afte tad waa sagaetterd: 1 ag ‘ads tae’? ‘ar amg tara’ gegaasft faqaraoa a Tas Tora aa TATA ASAT | FHI sass sm Yagi ao gf an, A; we, MMT, ada...” Cadera’ sft sad adifag ‘eet tan? aft tacneda WaT ‘aaa Sitar’ gareasreraamzarst: araRHaee: TaASeIeg, a aTsHareea- agae—— zt ain ATASTT APATITE ANT |! 9 Il a warmer, a ara...’ ft sat aeftrramar ‘avant’ sf aaaderanear af pat awaecaryaitss ‘err Suet? aft srzeaar-a aaqara (mt. 8. gaat qa | aaa TTT: ~ « 7 ns 3 ASU AYA Aaa AKAAETA- aaq aft faeq ag eperaradearaa TAAGSTST THT zausiramergae— wareaaaars tl é |! [Ra TI ASEETART AO AeA afa’ sfidiifs ear. a aguzeeoneaeagtaT atin yet geanenaaritg aed ae aed aa: a ae aa: wa Paes waka , wary WEaEata AAAI: I Bel MIRA TATA TA mene rea, aya aettgheata Rtg yaaa ATS 8 1 ale spearohs Rerafa, scr -aar ara az dav vata” gf eaesonq, afiqder roan | aa ae atai ciarat gydtq ste] WAAISeaTa: | ee sTtEatwmaga:, wat aeqared wera HRB , aA TATA: 1 aferararcara ll %° 1 ma: aay aaa steer: caye:? gemfesar- aig aaaroraaTy: aa, Waa TT arcoftera: 11 warara 220 gad f& Areratiate atadiat age a ar sonfanad ¢ area aiashar a area.’ aft | dary waa Ae Tae: SRG , aaa TATA waste fem | sa waet Seraat aarefiarssecrog sokatiart sera fafeiraeer resis, agar fatrtrareatrareatrantracraaa— MASA FAT ATA tl YF Al iqaeut ‘aaa tae’ ragehaoraqrsr aa wea a eae: 7 aM MATA Fat azar Wasa sadist ea yET Teq-qe FTAA (at. 2. mecndn: | qe Sarena: FST, &. aaeaaar- rere g falasrendeaBatea fraorm qeafigiragarta: ; wHeraat g saa Pee: | aha qe ora: ” saquara ‘ogiseac wremaeqaa:” gfe) aa Ral argue ‘ae ara...” ger apT Te wedisat, fe ar wanaftay sevtisaleat sia aff fara, watractafa 9a: va: | Pagiraeg— sarare- Aa: Waa | Ge, SAL AIRTEETET wa- vata Aga TATA AT: | warranty Preareatearrge— frarcaeqrata Fa orgara 23 are ararqaaaeeay | Ba, Perererny Frer- WTA, Aaa: ge Aq, A; AML, WPA eA aae APE arreenrat: wae: agate Fearacae— ASQeaIs aa | Le IHe (RRs) TATSEMTA: | a aaaed off ‘uy a@ararcara’ sft we 8g- MOTs, AARTAT: WT CATT: I Zaalaeqaa: Ww watE— aresraprnaa a tray uke ‘maframte aay’ seqaerr ca aTaaaed na’ satarnes aq aaa aareat aayaa- By, aa Aeaalies aaa ‘ oracqaa:’ efe areor aad, aeaareaarsa eae: qearrqaa: wi a sia gE— FATSTTIT 12H UI Sqattad sat aWaeTaT: | FI, ATTTA: ‘ ais- ama ag at sari’ genfiyanoer |e: WE SHAT AA HA TIT LTT: gaa aarqaay sia see— Wesaqsaragy tt 29 Ul wat 3 a: canard seared wale’ sft weg- wera Sfararcaaaitea «= saaiegaaracariz- aa: ula8 FOGaTa (at. 8. ag delaras TIAA, TE — TATA ATATATAAT | LS A agniad gagaMy agate waa, TT alia aareHaaara a ABIL: | Bes, BAT Ts frat (aisarraa’ ef srafracasaonfrad: | tat sara sreganrate area 1 gaa Aaequay sa zeare— witaaer oy arate arrfeer i 2% 11 after arrears THe He, TIRE He Ta, agnt aaewat ain: aati: agate: ata: aT, ‘gar aaa waftareisaeasterd’ genes anita ; denrarerqaat sfa:, fa conaaerd: 11 aq GaaBraaq | anaadiaaa aa qaarar— arrcaatisvarang | aaatiact geiaorg, satis Moraceae sa, a Tears WUATASA: FETUS SAHA TATA ANSE Rearaneie Farr weyaewraMa: | He aT amafaay | ma ged waar’ saa faraeerara-A 8-88.) gaaTSeara: | ey st FaAA AGIA, Sa TTA Fs, TATA wa: ta: | faerang— deracaaeta sare WTA SeMaIAAEe, Swed; A a SAAARITT: | GA:, ALATA , TRAT § TATBAT ST TTT’ aft ate aerated: 1 al Perea sTatE—— FRTA- sara Fa wrgaig | Renae sarayss- Tear TeaATATaUTAME FATT Eft A, a yal, sarang qeetiequaa ; aaratagar | ata: sfasmaafreaarad, gesae- II ATTA AMAT STF: 1 wa Pera — TIeaT- ANT | eT aa: walaered afs Fgeaa ‘ geva- nasa’ ef area sagzenfeers: t aa read wat eae —— yearera- Ray waa | aa aed arawacay’ geiearaa- sofa Fel, ada ‘ae greg’ sie mrerarer emaraa wae wermenateeanzerd: |] a Pores wera: asada afta: Frrg ARISTA (mr. 2. a eniter ae— Aatisgyya: | gat sraeza- asa a aaa, Rertarrniaarearagear- garetts: 1 PeaMeTaaISa A MAT FTE —-TSTIT ATT | ‘waaart seataeat walt’ geararqaamarnte- sqecqoraa Sa Agerqsarfsers: 11 ag ‘ aaedt aa’ aA AEaaAEAT- anf ageangaiag saa ME— RAT ATYATAT- Far wera gh Sra: ares: cer aaa 4 aguiad sarqaaeat weaatracag , Aare aagareniea: aaistt aaeqaaisa afr sae— aye aq aant afta | air gesareire walt, ag- wer wer ararqaaer ‘aar @a—’ sft are aant agai gia; sdlsarcareamiraraear g- sara eoraedt faat safeties Re zea qitvrahiaaanrenaarangaeare— WeAASATTSIATT | Xe IHQ] TaAIseaTA ve qa nea, TTT, TARGA qertaresagiamaaa isis azar, . aay. = Ta BaATANeagaATaE dard” Rac ferwa: gets garerag- Fal Taras Garer eerTaTT: | HE | qa ALITALITTTTAM TANT FEET STA sq — ‘ay gy utisrauea Ream: ges...’ ene) aa feat gedt Aerealftaaameniet: sired ard, sa fafa: varaz sft ate, dais qa: oa: | Rreraeg— a UPisraeey....” aq wdiseaz- fat...” gi a yaa: TAT wa, F GET Fa:, agaiar, cea Wwe y warnutane- ant: darafeaas satay | Roses J airs qa sarangi saftire: | aeargenitasieea: WaPat wagTT: I fe q——- AASUIITATATHT: 1 VL srgarenea: qT: gee: orate ta frat cfiaara: | gai, AreaTa, aera B2te aaah (at. 2. Bente sngaer qererditsecatfraat ‘a a fet fae...” garrett aitigsrarara | ‘FAUIFATAET TET aaaMAITAT | WaT feeatretes eft fra ag qaaeaakaganmaaateya wT araleaaeaat dtd aat, a ade feqrarereraee- ater Ag we; Ten awatagaa TE— BTATARAGRTT XR tl qaorer TTT: | HE | GAT wares zuar vgidiorfer:, feared aeestte zesaq | < ener BRST qua ‘wer StHeT aT feo Weta ga art’ ges 1 aa ferarerraera yareranshrdtaa, sa ot wai fara, qarmrar aft 9a: a: Rraeaeg— arene eta adalyad | Ea: alsa, wer wa ates aaREaeMes sears SAT | TT feargtriciaeita, wa | yaredrat aafeyaden- agTer THT ABTATATET THAT | «aTA 2-23] SAAISEAA: | ae at aha: gt garaus aerated atrarat- AS screafafe fear u ararerearaaraa ate BA TT ATA RB waraeraeaaraeaaa | rar Gaara aaatrataaeR grt TM ae: A aE ATT , mmf, Aaardt ge: darssyer sro FH araroraa «= wareaArarennanetr saree: | ws gy TAT storesat weal. aif: fare aeeeafe zea era sae sgta— ‘oediaal @aar....’ sft vege, ‘waar at Faafe snot gfe dara’ sane aa fe oogeta rafratad, va agen sft daa, arafiarc afa q&: var: 1 frgrag—swmeta aaarediaa Bt: Fa wa Ggareaegrea, cer watt afsay “_ aomatatara’ gaged a eritararee Tra aT oot ME aaTeala’ gar far aghast gafife aeaq; aa ghgrdaa- aata aaa | aaisaeaeneaerSera, aoeRo FAIATS [at 8. frat adatreafe Raz Ge sera aerePART ANITA sz, 7 wig eared waaTa aquranehe wqgecRTa- qa — sarfeeacorfrararey | Be aa Gate slat saa onftenesdrantta:, frara aeeeatt wees: | ores qaa— ‘ary Qo. shan ara: Fe at ehfadiert Pera: feo ogBy..! gat iaa fe sates siante astishrdad, sa vale daa, anfrar- free ga: va: 1 faeraeg— eat sR...’ aft saiftaeta ada gaa | ga:, sonra stimaleaeaaat ‘adiser wat yas Parzer- ad fa? ft agearcarfrarary | erat mata sarhr:- afeattrad: | ag ‘madt a sg aq...” eft arasqreass qa: THITATTMaETAA, qT gE Beara Ba car Barter. 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