"Gradus Ad Mikrokosmom": 30 Uncommented Examples of Béla Bartók's Counterpoint From Mikrokosmos 1 - 4
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stephane46"Gradus Ad Mikrokosmom": 30 Uncommented Examples of Béla Bartók's Counterpoint From Mikrokosmos 1 - 4
Uploaded by
stephane46"Gradus ad Mikrokosmom"
30 uncommented examples of Béla Bartók's counterpoint from Mikrokosmos 1 - 4
Selected by Bartók forever
Contents
C = Canon S = Subject-centered D = Double Counterpoint Q = Quodlibet F = Four-part
1 Reflection
2 Contrary Motion (1)
3 Imitation and Counterpoint
4 Imitation and Inversion (1) D
5 Pastorale Q
6 Imitation and Inversion (2) D
7 Repetition C
8 Canon at the Octave C
9 Imitation Reflected
10 Canon at the Lower Fifth C
11 Dance in Canon Form C
12 In Dorian Mode Q
13 In Phrygian Mode Q
14 Chorale
15 Free Canon C
16 Staccato and Legato (Canon) C
17 Minuetto Q
18 In Transylvanian Style S
19 Accents S
20 In Oriental Style C
21 Major and Minor Q
22 Hommage à J. S. B. Q
23 Wandering Q
24 Two Major Pentachords S Q
25 In Four Parts (1) F
26 Chromatic Invention (1) S
27 Chromatic Invention (2) S
28 In Four Parts (2) F
29 In Folk Song Style S
30 Theme and Inversion S
2
1 Reflection
(1,12)
= 100
7
13
3
2 Contrary Motion (1)
(1,17)
= 96
9
4
3 Imitation and Counterpoint
(1,22)
= 136
8
5
4 Imitation and Inversion (1)
(1,23)
= 96
7
6
5 Pastorale
(1,24)
=120
6
12
18
7
6 Imitation and Inversion (2)
(1,25)
= 150
10
21
30
39
8
7 Repetition (2)
(1,26)
= 128
9
9
8 Canon at the Octave
(1,28)
= 112
7
10
9 Imitation Reflected
(1,29)
= 112
7
11
10 Canon at the Lower Fifth
(1,30)
Moderato, = 112
9
17
12
11 Dance in Canon Form
(1,31)
Allegro, = 160
9
13
12 In Dorian Mode
(1,32)
Lento, = 104
, legato
4
7
11
14
13 In Phrygian Mode
(1,34)
Calmo, = 80
, legato
7
13
cresc.
19
dim.
15
14 Chorale
(1,35)
Largamente, = 88
legato
5
10
16
22
16
15 Free Canon
(1,36)
Teneramente, = 132
, legato
7
14
22
17
16 Staccato and Legato (Canon)
(2,39)
Comodo, = 88
4
8
18
17 Minuetto
(2,50)
Tempo di Minuetto, = 100
6
12
15
19
18 In Transylvanian Style
(2,53)
Risoluto, = 108
6
più
11
16
20
22
più
27
21
19 Accents
(2,57)
Non troppo vivo, = 112
, molto marcato
8
16
23
22
30
37
23
20 In Oriental Style
(2,58)
Assai lento, = 46
, espr.
, espr.
6
11
poco ritard.
16
24
21 Major and Minor
(2,59)
Lento, = 76
5
10
14
25
22 Hommage à J. S. B.
(3,79)
Calmo, = 69
, legato
4
7
poco rit.
cresc.
10
26
12 a tempo
dim.
14
ritard.
16
27
23 Wandering
(3,81)
Non troppo lento, = 76
7
14
più
più
21
28
ritard.
più
più
28
24 Two Major Pentachords
(3,86)
Andante, = 84
5
9 Più andante, = 120
13
29
17
cresc.
21
25
Tempo I.
29
30
25 In Four Parts (1)
(3,89)
Largo, = 48
poco rit.
Un poco più mosso
6
11
allarg.
16
31
26 Chromatic Invention (1)
(3,91)
Lento, = 71
, espr.
4
7
dim.
10
più
più
14
rallentando
smorzando
32
27 Chromatic Invention (2)
(3,92)
Allegro robusto, = 138
, marcato
4
7
10
13
33
16
più
20
23
26
29
34
28 In Four Parts (2)
(3,93)
Molto moderato, sonoro, = 66 - 69
5
9
12
35
29 In Folk Song Style
(4,100)
Andante, = 152
tutte le due voci con molta espressione, sempre legato
5
9
14
19 calando
36
30 Theme and Inversion
(4,114)
Molto moderato, = 60 a tempo
rallentando
4
6
rallentando
8
dim.
37
a tempo
11
13
15
dim.
rallentando
17
38
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