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Liz & Blue Bird - Snare Drum, Bass Drum, Cymbals

The document is a musical score for snare drum, bass drum, and cymbals. It contains notation for four movements played by Akito Matsuda. The score provides instruction for tempo, dynamics, and techniques across various sections and indicates when each instrument should play.
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© © All Rights Reserved
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0% found this document useful (0 votes)
184 views11 pages

Liz & Blue Bird - Snare Drum, Bass Drum, Cymbals

The document is a musical score for snare drum, bass drum, and cymbals. It contains notation for four movements played by Akito Matsuda. The score provides instruction for tempo, dynamics, and techniques across various sections and indicates when each instrument should play.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Snare

Drum Liz and the Blue Bird


Movements I - IV
Bass Drum
Cymbals

  
Akito Matsuda

    
I - Ordinary Days

 
 = 120

    
Snare Drum

 
      
Bass Drum
Sus.Cym. 
Cymbals

   
  


A
15 B

 
 = 190

  
S. D.

      
B. D.

Cym.


   
C
39 D

    
S. D.

      
B. D.
C.Cym.

 
Cym.

  
                  
48 E

       
S. D.
 

    
B. D.
 

         
Cym.

                              
65

     
S. D.

     
B. D.

Cym.
       
                        
70

    
S. D.

    
B. D.

Cym.

 
                
74

        
S. D.

   
B. D.

 

Cym.

     
F
79 G

     
S. D.


     
B. D.

Cym.

 


      
H
111

  
S. D.


  
B. D.

Cym.
 

      
119

    
S. D.

  
B. D.

Cym.

2
 
      
127

      
S. D.


      
B. D.

Cym.


133

              
S. D.

      
B. D.

Cym.

          
139

       
S. D.

    
B. D.

Cym.

      
I
143
Meno mosso

      
S. D.
 rall.

      
B. D.

Cym.


 
    
161
  = 96 J Più mosso K

 

rall.

     
S. D.

 
    
B. D.

Cym.

3
  
L
 
M
  
179

            
S. D.


choke

             
B. D.
choke 
Cym.

 
 

      

194 N

        
      
S. D.
choke
 

      
B. D.

Cym.

                  
200

     
S. D.

     
B. D.

Cym.

  
       
205 O

      
S. D.

     
B. D.
C.Cym.

Cym.

       
P


225

 
                   
   choke
S. D.


choke


                           
B. D.

Cym. 

4
    
II - New Family
238

    
S. D.

      
B. D.
S.Cym.

Cym.
   

      
A
248

      
S. D.

       
B. D.

Cym.
  

 
B
260


Più mosso


S. D.

 
B. D.

Cym.

 
C
   
269

     
S. D.

        
B. D.

Cym.
  

 
             
D
280 E 3 3 3

      
S. D.

    
B. D.

Cym.

5
             
F


290 3 3 Presto

          
S. D.
choke

    
B. D.

Cym.

        
G
300 H

        
S. D.

        
B. D.

Cym.
 

           
I
318 Andante

         
S. D.
 

       
B. D.
 
Cym.

   

         
325


S. D.

          
 

       
B. D.
 
Cym.

   

6
  
III - Decision for Love
333 A

  
S. D.

  
B. D.

Cym.

    
B
347

    
S. D.

       
B. D.
S.Cym.

Cym.
 

    
C
360 D E F

    
S. D.

    
B. D.

Cym.

7
    
G
393

    
S. D.

      
B. D.
To Cym

Cym.
 

   
H
401 I

    
S. D.

   
B. D.
 
Cym.

   rall. 
 
408 J

    
 
S. D.

    
 
B. D.

Cym.

8
 
IV - To The Far Sky
427

 
S. D.

 
B. D.

Cym.

     
A
433 A tempo
Più mosso rit.
S. D.

   


     
B. D.

Cym.
 

  B
 C

436

   
S. D.

   
B. D.

Cym.

 
D
 
461

   
S. D.

     
B. D.

Cym.


  rit.  
E
474 F

 
A tempo

  
S. D.

      
B. D.

Cym.


9
            
G
493 3 3 3 3

            


S. D.
3 3 3 3

    
B. D.
C.Cym.
Cym.


               


497 3 3 3 rit. 3

               


S. D.
3 3 3 3

      
B. D.

Cym.

        
H


501  = 108

        

S. D.

        

B. D.
S.Cym.

Cym.



  =    

511
I

   

S. D.

    
  
B. D.

Cym.

     
                
517 J

       
S. D.

       
B. D.

Cym.
 

10
        2
                        
521

      
S. D.
2

   
B. D.

Cym.

   2 
                 
524

       
S. D.
2 

   
B. D.
 

Cym.
 

                         
K
527

                         
S. D.

       
B. D.

Cym.

             
531

              
S. D.

        
B. D.

Cym.

11

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