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Fear Poetry Anthology

The poem describes a man wandering through the streets of London and observing marks of weakness and suffering on the faces of everyone he meets. In just 3 lines, it captures the speaker's somber mood as he walks through the city and sees signs of hardship in the people around him. The repetitive word "charter'd" emphasizes the rigid social and economic structures that may be contributing to the townspeople's troubles. In short, the summary conveys that the poem reflects on observing human suffering in the urban setting of London.

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0% found this document useful (0 votes)
107 views15 pages

Fear Poetry Anthology

The poem describes a man wandering through the streets of London and observing marks of weakness and suffering on the faces of everyone he meets. In just 3 lines, it captures the speaker's somber mood as he walks through the city and sees signs of hardship in the people around him. The repetitive word "charter'd" emphasizes the rigid social and economic structures that may be contributing to the townspeople's troubles. In short, the summary conveys that the poem reflects on observing human suffering in the urban setting of London.

Uploaded by

juan pablo
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Fear Poetry

Anthology
Attack
BY ​SIEGFRIED SASSOON

At dawn the ridge emerges massed and dun


In the wild purple of the glow'ring sun,
Smouldering through spouts of drifting smoke that shroud
The menacing scarred slope; and, one by one,
Tanks creep and topple forward to the wire.
The barrage roars and lifts. Then, clumsily bowed
With bombs and guns and shovels and battle-gear,
Men jostle and climb to, meet the bristling fire.
Lines of grey, muttering faces, masked with fear,
They leave their trenches, going over the top,
While time ticks blank and busy on their wrists,
And hope, with furtive eyes and grappling fists,
Flounders in mud. O Jesus, make it stop!
One need not be a Chamber -- to be Haunted --
By Emily Dickinson

One need not be a Chamber -- to be Haunted --


One need not be a House --
The Brain has Corridors -- surpassing
Material Place --

Far safer, of a Midnight Meeting


External Ghost
Than its interior Confronting --
That Cooler Host.

Far safer, through an Abbey gallop,


The Stones a'chase --
Than Unarmed, one's a'self encounter --
In lonesome Place --

Ourself behind ourself, concealed --


Should startle most --
Assassin hid in our Apartment
Be Horror's least.

The Body -- borrows a Revolver --


He bolts the Door --
O'erlooking a superior spectre --
Or More --
Judith Wright, ‘Hunting Snake’

Sun-warmed in this late season’s grace


under the autumn’s gentlest sky
we walked, and froze half-through a pace.
The great black snake went reeling by.

Head down, tongue flickering on the trail


he quested through the parting grass,
sun glazed his curves of diamond scale
and we lost breath to see him pass.

What track he followed, what small food


fled living from his fierce intent,
we scarcely thought; still as we stood
our eyes went with him as he went.

Cold, dark and splendid he was gone


into the grass that hid his prey.
We took a deeper breath of day,
looked at each other, and went on.
Lament
Gillian Clarke

For the green turtle with her pulsing burden,


in search of the breeding-ground.
For her eggs laid in their nest of sickness.

For the cormorant in his funeral silk,


the veil of iridescence on the sand,
the shadow on the sea.

For the ocean's lap with its mortal stain.


For Ahmed at the closed border.
For the soldier in his uniform of fire.

For the gunsmith and the armourer,


the boy fusilier who joined for the company,
the farmer's sons, in it for the music.

For the hook-beaked turtles,


the dugong and the dolphin,
the whale struck dumb by the missile's thunder.

For the tern, the gull and the restless wader,


the long migrations and the slow dying,
the veiled sun and the stink of anger.

For the burnt earth and the sun put out,


the scalded ocean and the blazing well.
For vengeance, and the ashes of language.
Edwin Muir, ‘Horses’

Those lumbering horses in the steady plough,


On the bare field - I wonder, why, just now,
They seemed terrible, so wild and strange,
Like magic power on the stony grange.

Perhaps some childish hour has come again,


When I watched fearful, through the blackening rain,
Their hooves like pistons in an ancient mill
Move up and down, yet seem as standing still.

Their conquering hooves which trod the stubble down


Were ritual that turned the field to brown,
And their great hulks were seraphims of gold,
Or mute ecstatic monsters on the mould.

And oh the rapture, when, one furrow done,


They marched broad-breasted to the sinking sun!
The light flowed off their bossy sides in flakes;
The furrows rolled behind like struggling snakes.

But when at dusk with steaming nostrils home


They came, they seemed gigantic in the gloam,
And warm and glowing with mysterious fire
That lit their smouldering bodies in the mire.

Their eyes as brilliant and as wide as night


Gleamed with a cruel apocalyptic light,
Their manes the leaping ire of the wind
Lifted with rage invisible and blind.

Ah, now it fades! It fades! And I must pine


Again for the dread country crystalline,
Where the blank field and the still-standing tree
Were bright and fearful presences to me.
Never Stronger

Again in conversations
Speaking of fear
And throwing off reserve
The voice is nearer
But no clearer
Than first love
Than boys’ imaginations.

For every news


Means pairing off in twos and twos,
Another I, another You,
Each knowing what to do
But of no use.

Never stronger
But younger and younger,
Saying good—bye but coming back, for fear
Is over there,
And the centre of anger
Is out of danger.
While we were fearing it, it came
By Emily Dickinson

While we were fearing it, it came --


But came with less of fear
Because that fearing it so long
Had almost made it fair --

There is a Fitting -- a Dismay --


A Fitting -- a Despair
'Tis harder knowing it is Due
Than knowing it is Here.

They Trying on the Utmost


The Morning it is new
Is Terribler than wearing it
A whole existence through.
“Fear no More”
W. Shakespeare

Fear no more the heat o' the sun;


Nor the furious winter's rages,
Thou thy worldly task hast done,
Home art gone, and ta'en thy wages;
Golden lads and girls all must,
As chimney sweepers come to dust.

Fear no more the frown of the great,


Thou art past the tyrant's stroke:
Care no more to clothe and eat;
To thee the reed is as the oak:
The sceptre, learning, physic, must
All follow this, and come to dust.

Fear no more the lightning-flash,


Nor the all-dread thunder-stone;
Fear not slander, censure rash;
Thou hast finished joy and moan;
All lovers young, all lovers must
Consign to thee, and come to dust.
Dulce et Decorum Est
by Wilfred Owen

Bent double, like old beggars under sacks,


Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! Gas! Quick, boys! – An ecstasy of fumbling,


Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace


Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,–
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
In Flanders fields by John McCrae

In Flanders fields the poppies blow


Between the crosses, row on row,
That mark our place: and in the sky
The larks still bravely singing fly
Scarce heard amid the guns below.

We are the dead: Short days ago,


We lived, felt dawn, saw sunset glow,
Loved and were loved: and now we lie
In Flanders fields!

Take up our quarrel with the foe


To you, from failing hands, we throw
The torch: be yours to hold it high
If ye break faith with us who die,
We shall not sleep, though poppies grow
In Flanders fields
Invictus by William E Henley

Out of the night that covers me,


Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance,


I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears


Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,


How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.
THE SOUL'S CAPTAIN [The Answer]
by Elder Orson F. Whitney of the Quorum of the Twelve

Art thou in truth? Then what of him


Who bought thee with his blood?
Who plunged into devouring seas
And snatched thee from the flood?

Who bore for all our fallen race


What none but him could bear. –
The God who died that man might live,
And endless glory share?

Of what avail thy vaunted strength,


Apart from his vast might?
Pray that his Light may pierce the gloom,
That thou mayest see aright.

Men are as bubbles on the wave,


As leaves upon the tree.
Thou, captain of thy soul, forsooth
Who gave that place to thee?

Free will is thine -- free agency


To wield for right or wrong;
But thou must answer unto him
To whom all souls belong.

Bend to the dust that head "unbowed,"


Small part of Life's great whole!
And see in him, and him alone,
The Captain of thy soul.
The Jabberwocky by Lewis Carroll

’Twas brillig, and the slithy toves


Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!


The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand;


Long time the manxome foe he sought—
So rested he by the Tumtum tree
And stood awhile in thought.

And, as in uffish thought he stood,


The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! And through and through


The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?


Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

’Twas brillig, and the slithy toves


Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.
LONDON
By William Blake

I wander thro’ each charter’d street,


Near where the charter’d Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,


In every Infant’s cry of fear,
In every voice, in every ban,
The mind-forg’d manacles I hear.

How the Chimney-sweeper’s cry


Every black’ning church appalls;
And the hapless Soldier’s sigh
Runs in blood down Palace walls.

But most thro’ midnight streets I hear


How the youthful Harlot’s curse
Blasts the new born Infant’s tear,
And blights with plagues the Marriage hearse.

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