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012-The Hills 大山 PDF

The document contains sheet music for an arrangement of "The Hills" by The Weeknd for alto saxophone, soprano saxophone, baritone saxophone, and saxophone quartet. The sheet music provides the musical notation, including the melody, harmony, and instrumentation for each part. Tempo and expression markings are included to guide the performance.

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0% found this document useful (0 votes)
83 views11 pages

012-The Hills 大山 PDF

The document contains sheet music for an arrangement of "The Hills" by The Weeknd for alto saxophone, soprano saxophone, baritone saxophone, and saxophone quartet. The sheet music provides the musical notation, including the melody, harmony, and instrumentation for each part. Tempo and expression markings are included to guide the performance.

Uploaded by

a478458120
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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The

Hills

                    
 4 Slightly rubato at soloist's discretion
Arr. Dorian Hemerick the Weeknd

 4     
 = 111

        
Alto Saxophone

 4  
          


 4
 4
Soprano Saxophone

 4              

Play Multitone (opt.) 

Baritone Saxophone

 

                         

7

                
A. Sax.



S. Sax.

Bar. Sax.         

              
            
11

          
    
  
A. Sax.

    
  



S. Sax.

            
  
 

Bar. Sax.


                             
 
15

               
 
A. Sax.



S. Sax.

Bar. Sax.         

                      
      
19

 
                        
A. Sax.

  



S. Sax.

         
   
 

Bar. Sax.

                              


23

               
 
A. Sax.



S. Sax.

Bar. Sax.          

                  
             
    
27

              
   
A. Sax.

  



S. Sax.

       
    

Bar. Sax.



2
                         

32

       
        
A. Sax.



S. Sax.

Bar. Sax.         

           1.   
            

36
2.

                         
A. Sax.

    
1. 2.


S. Sax.

                
 

Bar. Sax.

                              


41

               
 
A. Sax.



S. Sax.

Bar. Sax.          

                                 
      

45

            
A. Sax.

   

 
S. Sax.

Bar. Sax.                

3
       
   
      
    
50


A. Sax.

      


S. Sax.

Bar. Sax.             

                

        

56


                  
  
A. Sax.

   


S. Sax.

          

Bar. Sax.

           
       
 
61

              
    
A. Sax.

   

         
S. Sax.

         


Bar. Sax.




            
65

                
A. Sax.


        
S. Sax.

Bar. Sax.                        

4
          
  
    
69

  
                   
A. Sax.

  

   
S. Sax.

             
               
 

Bar. Sax.


          
73

                
A. Sax.


                                  
S. Sax.

Bar. Sax. 

 
          
    
77

     
                 
A. Sax.

  

    
S. Sax.

                      
 

Bar. Sax.

5
Alto Saxophone The Hills

 4                                          
Arr. Dorian Hemerick the Weeknd

 4 
 = 111 Slightly rubato at soloist's discretion

                                        
 

  
9

                                       


 
15

                                     

      
20

                         
        


      
26

                                           



31

 1.     2.     


                         
 
37

                              


            
  
44

                   
             

50
                   
               

57

            
                   
64

 

        
                  
73

2
Soprano Saxophone The Hills

 4                      
Arr. Dorian Hemerick the Weeknd

 4           

 = 111 Slightly rubato at soloist's discretion

          
                 
    
 

     
10

 
                                      
 

 
17

                                    
 

   

24

                          1.      2.     

 
32

                                
      
  
39

          8                     
 

    
46

               
              

   
60

              

                 


 
67

 
 
                                     
  
74

 

2
Baritone Saxophone The Hills

 4 Play Multitone (opt.)


Arr. Dorian Hemerick the Weeknd

 4                            
 = 111

    
Slightly rubato at soloist's discretion

        
 

    
               
12

        

                 

    
21


        
 

    
      
         
31
1. 2.

 

                              
41

 
                      
52

                 
                        
63

                               


      
69

                  
                       
74
    
            
78

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