Wright-Carr - 2016 - Art in The Embodied Mind A Bibliography (Updated
Wright-Carr - 2016 - Art in The Embodied Mind A Bibliography (Updated
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1. PRIMATOLOGY, EVOLUTIONARY AESTHETICS AND PALEONEUROAESTHETICS
BARRETT, Justin L.
2011 “Metarepresentation, Homo religiosus, and Homo symbolicus,” in Homo symbolicus; the dawn of
language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors,
Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 205-224
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bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29
March 2015).**
BEDNARIK, Robert G.
2003 “A figurine from the African Acheulian,” in Current Anthropology (The University of Chicago Press),
vol. 44, no. 3, pp. 405-413
(http://www.jstor.org/stable/pdf/10.1086/374900.pdf?acceptTC=true&jpdConfirm=true, access: 5
April 2015).*
2011 “The origins of human modernity,” in Humanities (MDPI AG), vol. 1, no. 1, pp. 1-53
(http://www.mdpi.com/2076-0787/1/1/1/htm, updated: 2 September 2011, access: 6 April 2015).
2013 “Pleistocene paleoart of Asia,” in Arts (MDPI), vol. 2, no. 2, pp. 46-76 (http://www.mdpi.com/2076-
0752/2/2/46, updated: 19 June 2013, access: 26 July 2013).
2015 “The significance of the earliest beads,” in Advances in Anthropology (Scientific Research
Publishing), no. 5, pp. 51-66 (http://www.scirp.org/Journal/PaperDownload.aspx?paperID=54515,
updated: 10 March 2015, access: 1 April 2015).
BOLY, Melanie; SETH, Anil K.; WILKE, Melanie; INGMUNSON, Paul; BAARS, Bernard; LAUREYS, Steven; EDELMAN,
David B.; TSUCHIYA, Naotsugu
2013 “Consciousness in humans and non-human animals: recent advances and future directions,” in
Frontiers in Psychology (Frontiers Media), vol. 4, article 625, pp. 1-20
(http://journal.frontiersin.org/Journal/10.3389/fpsyg.2013.00625/abstract, updated: 31 October 2013,
access: 30 January 2015).
CELA-CONDE, Camilo J.
2005 “Did evolution fix human values?,” in Neurobiology of human values, Jean-Paul Changeux, Antonio
R. Damasio, Wolf Singer, and Yves Christen, editors, Heidelberg, Springer-Verlag, pp. 11-15.
CHIMPANZEES AS ARTISTS
2006 “Chimpanzees as artists,” in Artists Ezine, vol. 1, no. 6 (http://www.artistsezine.com/WhyChimp.htm,
access: 21 March 2015).
CLOTTES, Jean; LEWIS-WILLIAMS, David
1998 The shamans of prehistory, trance and magic in the painted caves, Sophie Hawks, translator, New
York, Harry N. Abrams.
CONSOLI, Gianluca
2012 “A cognitive theory of the aesthetic experience,” in Contemporary Aesthetics (Michigan Publishing,
University of Michigan Library). vol. 10 (http://quod.lib.umich.edu/c/ca/7523862.0010.006/--
cognitive-theory-of-the-aesthetic-experience?rgn=main;view=fulltext, access: 26 March 2015).
2014 “The emergence of the modern mind: an evolutionary perspective on aesthetic experience,” in The
Journal of Aesthetics and Art Criticism (The American Society for Aesthetics), vol. 72, no. 1, pp. 37-
55 (http://onlinelibrary.wiley.com/doi/10.1111/jaac.12059/abstract, access: 25 March 2015).*
D’ERRICO, Francesco; BOUILLOT, Laure Dayet; GARCÍA-DIEZ, Marcos; MARTÍ, Africa Pitarch; GARRIDO PIMENTEL,
Daniel; ZILHÃO, João
2016 “The technology of the earliest European cave paintings: El Castillo Cave, Spain,” in Journal of
Archaeological Science (Elsevier), vol. 70, pp. 48-65
(http://www.sciencedirect.com/science/article/pii/S0305440316300012, access: 30 April 2016).*
D’ERRICO, Francesco; HENSHILWOOD, Christopher S.
2007 “Additional evidence for bone technology in the southern African Middle Stone Age,” in Journal of
Human Evolution (Elsevier), vol. 52, no. 2, pp. 142-163
(http://www.sciencedirect.com/science/article/pii/S0047248406001576, access: 25 March 2015).*
2011 “The origin of symbolically mediated behaviour, from antagonistic scenarios to a unified research
strategy,” in Homo symbolicus; the dawn of language, imagination and spirituality, Christopher S.
Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John Benjamins Publishing
Company, pp. 49-73
3
(https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym
bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29
March 2015).**
D’ERRICO, Francesco; HENSHILWOOD, Christopher S.; VANHAEREN, Marian; NIEKERK, Karen van
2005 “Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behavious in the
Middle Stone Age,” in Journal of Human Evolution (Elsevier), vol. 48, no. 1, pp. 3-24
(http://www.sciencedirect.com/science/article/pii/S0047248404001307, access: 25 March 2015).*
D’ERRICO, Francesco; NOWELL, April
2000 “A new look at the Berekhat Ram figurine: implications for the origins of symbolism,” in Cambridge
Archaeological Journal (Cambridge Journals), vol. 10, no. 1, pp. 123-167
(http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=76619&fileId=S0959774
300000056, access: 5 April 2015).*
DAHL, Cristoph D.; ADACHI, Ikuma
2013 “Conceptual metaphorical mapping in chimpanzees (Pan troglodytes),” in eLife (eLife Sciences
Publications), pp. 1-7 (http://www.ncbi.nlm.nih.gov/pmc/articles/PMC3798977/pdf/elife00932.pdf,
access: 16 November 2015).
DEACON, Terrence W.
1998 The symbolic species, the co-evolution of language and the brain, reprint, New York/London, W. W.
Norton & Company.
DEHAENE, Stanislas
2005 “How a primate brain comes to know some mathematical truths,” in Neurobiology of human values,
Jean-Paul Changeux, Antonio R. Damasio, Wolf Singer, and Yves Christen, editors, Heidelberg,
Springer-Verlag, pp. 143-155.
DRAWINGS BY THE APES
undated “The drawings by the apes,” in Chimpanzee AI, Primate Research Institute, Kyoto University
(http://langint.pri.kyoto-u.ac.jp/ai/en/album/the_drawings_by_chimpanzees.html, access: 20 March
2015).
DUBREUIL, Benoît
2011 “The other middle-range theories,” in Homo symbolicus; the dawn of language, imagination and
spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia,
John Benjamins Publishing Company, pp. 185-203
(https://www.academia.edu/8249416/Henshilwood_C._and_d_Errico_F._editors_._2011._Homo_sym
bolicus_The_dawn_of_language_imagination_and_spirituality._Amsterdam_Benjamins, access: 29
March 2015).**
DUNBAR, Robin Ian MacDonald
2003 “The social brain: mind, language, and society in evolutionary perspective,” in Annual Review of
Anthropology (Annual Reviews), vol. 32, 2003, pp. 163-181
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4, access: 8 April 2015).*
2009 “The social brain hypothesis and its implications for social evolution,” in Annals of Human Biology
(Society for the Study of Human Biology), vol. 36, no. 5, pp. 562-572
(http://www.ncbi.nlm.nih.gov/pubmed/19575315, access: 8 April 2015).*
ELLIS, George F. R.
2011 “Biology and mechanisms related to the dawn of language,” in Homo symbolicus; the dawn of
language, imagination and spirituality, Christopher S. Henshilwood and Francesco d’Errico, editors,
Amsterdam/Philadelphia, John Benjamins Publishing Company, pp. 163-183
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March 2015).**
FREIWALD, Winrich A.; TSAO, Doris Y.
2010 “Functional compartmentalization and viewpoint generalization within macaque face-processing
system,” in Science (The American Association for the Advancement of Science), vol. 330, no. 6005,
pp. 845-851 (http://www.sciencemag.org/content/330/6005/845.abstract, access: 9 April 2015).
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GANNON, Megan
2014 “Cave carving may be 1st known example of Neanderthal rock art,” in livescience
(http://www.livescience.com/47640-abstract-neanderthal-cave-engraving-discovered.html, updated: 2
September 2014, access: 20 March 2015).
GORILLAS AS ARTISTS
2006 “Gorillas as artists,” in Artists Ezine, vol. 1, no. 6 (http://www.artistsezine.com/WhyGorilla.htm,
access: 21 March 2015).
HEINRICH, Bernd
2013 “The biological roots of aesthetics and art,” in Evolutionary Psychology, vol. 11, no. 3, pp. 743-761
(http://www.epjournal.net/wp-content/uploads/EP11743761.pdf, access: 26 March 2015).
HELVESTON, Patricia A.; HODGSON, Derek
2010 “The neuropsychology of ‘animism:’ implications for understanding rock art,” in Rock Art Research
(Australian Rock Art Research Association/International Federation of Rock Art Organisations), vol.
27, no. 1, pp. 61-94
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mplications_for_Understanding_Rock_Art, access: 30 January 2015).**
HENSHILWOOD, Christopher S.
2014 “Decoding the Blombos engravings, shell beads and Diepkloof ostrich eggshell patterns,” in
Cambridge Archaeological Journal (Cambridge Journals), vol. 24, no. 1, pp. 57-69
(http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9193116&fileId=S09597
74313000450, access: 30 March 2015).*
2014 “Origins of symbolic behaviour,” in McGraw-Hill Yearbook of Science & Technology, New York,
McGraw-Hill (preliminary version:
https://www.academia.edu/14618608/Origins_of_symbolic_behaviour, access: 3 August 2015).**
HENSHILWOOD, Christopher S.; D’ERRICO, Francesco
2011 “Middle Stone Age engravings and their significance to the debate on the emergence of symbolic
material culture,” in Homo symbolicus; the dawn of language, imagination and spirituality,
Christopher S. Henshilwood and Francesco d’Errico, editors, Amsterdam/Philadelphia, John
Benjamins Publishing Company, pp. 75-96
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March 2015).**
HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; MAREAN, Curtis W.; MILO, Richard G.; YATES, Royden
2001 “An early bone tool industry from the Middle Stone Age at Blombos Cave, South Africa: implications
for the origins of modern human behaviour, symbolism and language,” in Journal of Human Evolution
(Elsevier), vol. 41, no. 6, pp. 631-678
(http://www.sciencedirect.com/science/article/pii/S0047248401905159, access: 25 March 2015).*
HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; WATTS, Ian
2009 “Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa,” in Journal of
Human Evolution (Elsevier), vol. 57, no. 1, pp. 27-47
(http://www.sciencedirect.com/science/article/pii/S0047248409000207, access: 25 March 2015).*
HENSHILWOOD, Christopher S.; D’ERRICO, Francesco; YATES, Royden; JACOBS, Zenobia; TRIBOLO, Chantal;
DULLER, Geoff A. T.; MERCIER, Norbert; SEALY, Judith C.; VALLADAS, Helene; WATTS, Ian; WINTLE,
Ann G.
2002 “Emergence of modern human behavior: Middle Stone Age engravings from South Africa,” in Science
(The American Association for the Advancement of Science), new series, vol. 295, no. 5558, 15
February 2002, pp. 1278-1280
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HENSHILWOOD, Christopher S.; MAREAN, Curtis W.
2003 “The origin of modern human behavior,” in Current Anthropology (The University of Chicago Press),
vol. 44, no. 5, pp. 627-651
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odels_and_Their_Test_Implications, access: 22 November 2015).**
5
HENSHILWOOD, Christopher S.; NIEKERK, Karen Loise van; WURZ, Sarah; DELAGNES, Anne; ARMITAGE, Simon;
RIFKIN, Riaan F.; DOUZE, Katja; KEENE, Petro; HAALAND, Magnus M.; REYNARD, Jerome; DISCAMPS,
Emmanuel; MIENIES, Samantha S.
2014 “Klipdrift Shelter, southern Cape, South Africa: preliminary report on the Howieson Poort layers,” in
Journal of Archaeological Science (Elsevier), vol. 45, May 2014, pp. 284-303
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HENSHILWOOD, Christopher S.; NIEKERK, Karen Loise van
2011 “Middle Stone Age chemists: a 100,000 year old pigment processing workshop at Blombos Cave,
South Africa,” in The Digging Stick (The South African Archaeological Society), no. 29, pp. 1-5
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HIMELFARB, Elizabeth J.
2000 “Prehistoric body paint,” in Archaeology (Archaeological Institute of America), vol. 53, no. 4,
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HODGSON, Derek
2000 “Art, perception and information processing: an evolutionary perspective,” in Rock Art Research
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2003 “The biological foundations of Upper Paleolithic art: stimulus, percept and representational
imperatives,” in Rock Art Research (Australian Rock Art Research Association/International
Federation of Rock Art Organisations), vol. 20, no. 1, pp. 3-22
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lithic_Cave_Art_Stimulus_Percept_and_Representational_Imperatives, access: 11 April 2015).**
2006 “Understanding the origins of paleoart: the neurovisual resonance theory and brain functioning,” in
PaleoAnthropology (PaleoAnthropology Society), 2006, pp. 54-67
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2008a “An ‘aesthetic’ explanation for the symmetry of Acheulian handaxes: some neuropsychological
insights,” in Plasticities Sciences Arts (http://www.plasticites-sciences-
arts.org/PLASTIR/Hodgson%20P12.pdf, updated: 22 September 2008, access: 2 April 2015).
2008b “The visual dynamics of Upper Paleolithic cave art,” in Cambridge Archaeological Journal
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2008c “The visual dynamics of Upper Paleolithic cave art,” in ResearchGate (preliminary version:
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2011 “The first appearance of symmetry in the human lineage: where perception meets art,” in Symmetry
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2012a “Accommodating opposing perspectives in the ‘modern human behavior’ debate,” in Current
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2012b “Cognitive evolution, population, transmission, and material culture,” in Biological Theory (Springer),
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2010 “The neuropsychological basis of rock art: hyperimagery and it significance for understanding the
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2011 “Pan symbolicus: a cultural primatologist’s viewpoint,” in Homo symbolicus; the dawn of language,
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MERRITT, Dustin J.; CASASANTO, Daniel; BRANNON, Elizabeth M.
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MILLER, John P.; ROBINSON, Peter
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