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GALLUS - Di Tempo in Tempo (SATB)

This document appears to be sheet music containing the lyrics and musical notation for a piece titled "Di tempo in tempo mi si fa men dura" composed by Francesco Petrarca. The lyrics describe the poet's increasing longing and despair over time as an angelic face and bright eyes grow less clear in his memory. His sighs of sorrow and restless life are also mentioned.
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0% found this document useful (0 votes)
46 views2 pages

GALLUS - Di Tempo in Tempo (SATB)

This document appears to be sheet music containing the lyrics and musical notation for a piece titled "Di tempo in tempo mi si fa men dura" composed by Francesco Petrarca. The lyrics describe the poet's increasing longing and despair over time as an angelic face and bright eyes grow less clear in his memory. His sighs of sorrow and restless life are also mentioned.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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(Francesco Petrarca) Di tempo in tempo mi si fa men dura

 
Eustachius De Monte Regali Gallus

                    
CANTUS   

Di tem -po_in tem - po mi si fa men du - ra l'an - ge - li - ca fi - gu - ra e'l


     
ALTUS              
   
 
                 

TENOR

              
BASSUS
       

    
7

                     
dol - ce ri - so, e l'a - ria del bel vi - so et de- gli_o - chi le - gia -dri me - no_ob scu
 
       
                
 
             
               

                    
   


14

                         

ra. Che fan me -co_ho - mai que sti so - spi - ri che na-scan di do - lo - re, et mo - stra -

       


      

  
   

      

                 

                    
    

  
21

                 
      
van di fo - re la mi -a_an - go - scio - sa_e de - spe - ra - ta vi - ta? S'a - ven che'l vol- to_in quel - la par

                          

                           

 

    
                      
2

    
28

                        
- te gir - ri per a - que - tar el co - re, par - mi ve - der A - mo - re man - te - nir mi - a ra -
 
                             
 

                           

                         
   

   
35

                  
     
gio - ne,_e dar - me_a - i - ta: né pe - rò tro -vo_an - cor guer - ra fi - ni - ta, né tran -quil -

    

        
       
          
             

      
               

   
42

                    
la_o - gni sta - to del cor mi - o, ché più m'ar - de_el di - si - o, quan - to più la spe -

        

          

                      

                  
    

   
49

                 
ran - za m'a - se - gu - ra, quan - to più la spe - ran - za m'a - se - gu - ra.

      
 
 
             
     
           

         
             

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