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Hijo Ausente Piano PDF

This document contains musical notation represented by symbols. It is a piano piece titled "El Hijo Ausente" or "The Absent Son" composed by Alessandro Navas and Pastor Lopez. The sheet music contains multiple lines of musical notes and symbols laid out across 32 measures indicating the melody, harmony, and rhythm of the song when played on piano.

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0% found this document useful (0 votes)
147 views2 pages

Hijo Ausente Piano PDF

This document contains musical notation represented by symbols. It is a piano piece titled "El Hijo Ausente" or "The Absent Son" composed by Alessandro Navas and Pastor Lopez. The sheet music contains multiple lines of musical notes and symbols laid out across 32 measures indicating the melody, harmony, and rhythm of the song when played on piano.

Uploaded by

ale
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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El

Hijo Ausente
Piano

                                 
          
Alessandro Navas Pastor Lopez

                             
 = 100

                 
                                 


                       
               
    
6

            
                         
 

     
                      
 
 
         
10


                     
 

         


      
                                     
    
13

          


        
        
       
       

                 
                
     

                              
17

                           
                  
 
        
  
                                       
   
21

        
                                      
          
     
                                  
      
26

  
             
               
       

                   
                         
               
32

                       
                      


                      
                      
               
36

           
                           
  
       

           
 
                
 
       
40

         


          
        

        
     
       
                               
  
44

            
                        
         
       

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