STUDIO OUTTAKES: 1963 - 1970: Abbey Road
STUDIO OUTTAKES: 1963 - 1970: Abbey Road
page 95
a, Jaby's
Rawl
fizzy;
r Ma n /
4ary Jane
Boy
11 'ludo ABBEY ROAD
'L audio
Or Want
Do That NO. 3 ABBEY ROAD N.W.8
VIGOTONE (VT 116) CD 1994
Source: Tape?
Sound Quality: Very good stereo/mono
Rating: ***
Total Time: 58:00
oiiSt How Do You Do
Gets B lackbird
The Unicorn
__Jving;
Lalena
it It first
Heather
Mr. Wind
The Walrus And The Carpenter
Land Of Gish
Octopus's Garden
Her Majesty
Golden Slumbers, Carry That Weight
You Never Give Me Your Money
Oh! Darling
Maxwell's Silver Hammer
NOT FOR SALE page 96 par
7
Something -
Because
)(,"
A Huge Melody (Pt. 1)
July i
A Huge Melody (Pt. 2)
52: 1'2
Simon) /
The songs on this disc have been bootlegged numerous times, but the best versions can Too,
be found on this disc and on Yellow Dog's UNSURPASSED MASTERS VOL. 5. The Kin • 1'
McCartney/Donovan material here is the best you'll find. Tracks 1-8 Paul and Donovan Mr. Nius
during sessions for Mary Hopkin's POSTACARD LP Nov. '68 - Jan. '69. Tracks 9_18 Car, I 1'
early mono mixes and takes recorded between Apr. and Aug. 1 '69. A Huge Meloril Aw2 s, 7
(PT.1) consists of the melody as originally intended: You Never Give Me Your Money/sim
R:
King/Mean Mister Mustard/Polythene Pam/ She Came In Through The Bathroo m
Window. A Huge Melody (PT. 2): Golden Slumbers/Carty That Weight/ The End. These NO. 1 A
are especially interesting because we can now know for certain that these melodies were ADt_..I '
planned ahead of time and were not an afterthought.
Your Mo
dub,
ABBEY ROAD 'ANTHOLOGY'
Capitol (fake) DPRO-79961 CD earl,- mi.
Copy of NO. 3 ABBEY ROAD. What sets this release apart from others is its packagiii Ilnal illy
The insert folds out to reveal 6 different ABBEY ROAD cover photos and excellent liner Blac ire
notes. These same people also produced a bogus YESTERDAY AND TODAY featuring with Pall
an alternate 'Butcher Cover' photo and mono & stereo versions of the album. wi t h .
Dar'
lead voc4.!
ABBEY ROAD NW3
APPLE PCS 7124 (j an.. 1 !
All Things Must Pass/ You Never Give Me Your Money; At The Hop/ Mean Mr, to G
Mustard/ She Came In Through The Bathroom Window/ Golden Slumbers; Carry That (jam (iii
Weight/ Her Majesty [ l ey , I c
R: Exm. S: '69 outtakes. C: Dcc. on IR' T
Frost ,)1t4
ABBEY ROAD TALKS IJK "s
NEBULOUS RECORDS ALTSW-383 Track,
S1: John talks about recording album/ Something (take #37)/ John talks about out c.
`Something' & 'Maxwell's Silver Hammer'! Maxwell's Silver Hammer/ John about
playing live/ Oh! Darling (alt. vocal)/ John about 'Octopus's Garden'! Octopus's Garden RETLJ R
(no backing vocals) NW
52: John about Paul on piano/ You Never Give Me Your Money (alt. vocals)/ John talks SI: ',Ili
about 'Sun King' & 'Mean Mr. Mustard'! Mean Mr. Mustard/ John talks about 'Golden Octopus'
Slumbers'! Golden Slumbers/ Carry That Weight (Paul on piano, bass & drums)/ John S72.
talks about 'Golden Slumbers'/ The End (extend. fade)/ John talks about 'The End' & Sun KU-1,,
`Her Majesty')/ Her Majesty (with fmal chord)
Bath )1-1
R: Interviews Gm. Music Vg-Exs. S: Interviews from BBC radio. Music July '69.
C: Two color cover. DL. CV. Limited edition of 500. Majc
R;
ABBEY ROAD WEST-MINSTER 1
BLACK DISC 2441
51: Come Together (4:07 - Aug. 30 '72 MSG)! Something (3:09 - take 37 May 2,5 &116
11 '69)/ I Need You (1:37 - source unknown. Beatles?)/ Maxwell's Silver Hammer (3:36
nage 96 page 97 STUDIO OUTTAKES
- take
21 July 9,10,11 '69)1 Oh! Darling (3:25 take 26. Alternate lead vocal)/ Ringo tells all
(0:06 - 'Mike Douglas Show')/ Octopus's Garden (2:47 - take 32, EMI Apr. 26,27 & July
17 '69)/ I Want You (She's So Heavy)(4:27 - Feb. 22 '69. Paul vocals)
v: Here Comes The Sun (3:26 - Nov. 18 '76 'Saturday Night Live'. George with Paul
its Can Simon)/ Instrumental (0:47 - Sept. '67. Tape loops & dialogue from Magical Mystery
L. 5. The Tour)/ You Never Give Me Your Money (3:50 - take 30 May 6 & July 1,11 '69)1 Sun
.novan King (1:19. Originally part of 'Don't Let Me Down')*! Polythene Pam (0:53)*/ Mean
rar's 9-1 8 .
Mr. Mustard (3:02)*1 She Came In Through The Bathroom Window*/ Golden Slumbers-
g-e Carry That Weight (3:02 - takel3 July 2 '69)/ The End (2:01 - EMI take 7. July 23 &
Aug. 5,7,8,15,18 '69)1 Her Majesty (0:23 - take 3 July 2 '69. With final chord)
y/Sun
2
fflp-t liner final missing chord)! How Do You Do? (Paul with Donovan, Mary Hopkin & Linda)/
Blackbird (Paul with Donovan, Mary Hopkin & Linda)/ The Unicorn, Lalena (Donovan
featuring
with Paul)/ Heather (Paul with Donovan, Mary Hopkin & Linda)/ Mr. Wind (Donovan
with Paul)/ The Walrus & The Carpenter, Land Of Gisch (Donovan with Paul)/ Oh!
Darting (vocal booth, no backing instruments)/ Dig It (full vers. with George on shared
lead vocal & later Paul)/ The Walk (stereo unreleased track from 'Let It Be')! Hey Jude
(jam)/ I Hate To See The Evening Sun Go Down (full start)/ Hey Jude (George's defense
Mean Mr. to George Martin re: argument with Paul)/ Interlude (George Martin's opinion)/ Hey Jude
:,1aL, That (jam on mid section)/ Hey Jude (with Paul's 'Hey Hey Hey' intro to find correct ke y)/
Hey Jude (run through mid to end section)/ David Frost Theme, It's Now Or Never (live
on UK TV's David Frost Show '68)/ Hey Jude (color vers.) (live on UK TV's David
Frost Show '68) (note-visual totally diff & diff vocal)/ Hey Jude (B&w vers.) (live on
UK TV's David Frost Show '68) (more John on vocals)
bout R: Tracks 1-7 Vg-Exs. Tracks 9-16 Vgm. Tracks 17-29 G-Vgm. Surface noise through-
Ain about out. C: ACD. Dec. Time 70:28.
i's k,arden
RETURN TO ABBEY ROAD
John talks NW-8
JIden
S 1: Something (take #37)1 Maxwell's Silver Hammer/ Oh! Darling (alt. vocals)/
' Iohn
Octopus' Garden (no backing vocals or effects)
le End' &
S2: Because (Gm. backing vocals only)/ You Never Give Me Your Money (alt. vocals)/
-
Sun King (GET BACK sessions)! Mean Mr. Mustard (GET BACK sessions - 'Sister
ly '9. Shirley' vers.)/ Polythene Pam (GET BACK sessions)/ She Came In Through The
Bathroom Window (Vgs. - GET BACK sessions)/ Golden Slumbers; Carry That Weight/
Her Majesty (with final chord)
R: Exrn. except were noted. 5: Alt. tracks EMI July '69. C: Dec. DL.
July
rner (3:36
1r
NOT FOR SALE
IN ABBEY ROAD'
B FR PRO-003
S I : I Saw Her Standing There; One After 909 (PLEASE PLEASE ME session)/ Don't
Bother Me (WITH THE BEATLES session)/ A Hard Day's Night (A HARD DAY'S
NIGHT session)/ Leave My Kitten Alone; She's A Woman (BEATLES FOR SALE ses-
sion)/ Help (HELP! session)
52: Norwegian Wood; I'm Looking Through You (RUBBER SOUL session)/ Strawberry
Fields Forever (SFF single session)/ Lady Madonna (single session)! Hey Jude; While
My Guitar Gently Weeps (WHITE ALBUM session)/ Because (ABBEY ROAD session)
R: Vgm. S: 'The Beatles In Abbey Road' Show at Abbey Road Studios July 18 - Sept.
s) I I '83. C: Eb. Dcc. 1500 numbered.
Saw Her There's A Place (take 10, true stereo)/ Misery (takes 2,3,4, & 5)/ She's A Woman (take
71. My 7)/ I Feel Fine (Oct. 8 '64)1 Yes It Is (takes 1&2)/ Ticket To Ride (take 2)/ Help! (takes
Fi- -/ Yer 1-5)/ Day tripper (takes 1,2 & 3)/ We Can Work It Out (takes 1&2)/ This Bird Has Flown
(take 1 of 'Norwegian Wood')! Paperback Writer (takes 1&2)/ Hello, Hello (take 1 of
/ Lo You Hello Goodbye)/ Magical Mystery Tour (take 8)! Jessie's Dream (MMT soundtrack)/
s is 'Live Blue Jay Way (take 1)/ Hey Jude (take 9)/ I Hate To See (from Hey Jude rehearsal ses-
sion)
R: Exm/s. 5: Outtakes & alt. mixes. C: Dec. More from ULTRA RARE sources.
CHALLENGER ONE
VULTURE 011/1/213 2CD
CD1: I Saw Her Standing There (take 2)1 One After 909 (take 2)/ She's A Woman
(take 2)1 I'm Looking Through You (take 2)! If You've Got Troubles! How Do You Do It!
Penny Lane! Strawberry Fields Forever/ From Me To You! Besame Mucho! The Fool
On The Hill/ Paper Back Writer! Can't Buy Me Love! There's A Place (take 3)/ There's
A Place (take 30/ That Means A Lot/ Day Tripper (I)/ Day Tripper (E)/ I Am The
Walrus/ Misery (take 1)! Leave My Kitten Alone! We Can Work It Out! A Hard Day's
Night/ Norwegian Wood (take 4)/ Do You Want to Know A Secret/ Aerial Tour (inst.)/ A
Hard Day's Night/ I'm A Loser/ I Feel Fine/ Money/ Twist & Shout
CD2: Ob-La-Di-Ob-La-Da! Tomorrow Never Knows/ A Day In The Life/ Yes It Is! I Saw
Her Standing There (take 10)! Norwegian Wood (take 1)! Not Guilty/ Across The
Universe/ While My Guitar Gently Weeps/ Ticket To Ride/ One After 9091 A Taste Of
Honey (take 7)/ I Feel Fine (take 7)! Yer Blues! Blues Jam! Not Guilty! Get Back/
Mailman, Bring Me No More Blues/ Do You Want To Know A Secret? (take 8)1 All You
Need Is Love! Yesterday! Paperback Writer/ She's A Woman! Day Tripper
CD3: Christmas Time Is Here Again/ Because! Revolution/ I Me Mine/ Strawberry
Fields Forever (take 1)! Hey Jude (rehearsal take 9)1 Magical Mystery Tour/ What's The
New Mary Jane?! Lady Madonna/ One After 909/ Ob-La-Di-Ob-La-Da/ Christmas
Time Is Here Again/ Come & Get It! Hold Me Tight! I'll Be On My Way! Strawberry
Fields Forever (take 7)! It's All Too Much! 12 Bar Original/ I Hate To See/ She's A
Woman (take 7)/ What's the New Mary Jane?! Dig It
R: Vg-Exs/m. 5: Unreleased from '63-'69. CD2 tracks 21-24 Budokan Hall, Tokyo
June 30 '66. C: ECD. Deluxe cover.
Free As A Bird (full length video version with 'wings' intro & backward message
STUDIO OUTTAKES
page U
T he B eatl es
- Hick
•'on 1/
e FY of
te rDs in
46.,7.
man (take
L en n y ,
)1 The
TS Place
, Is'
isery Tor
,
egian -y's
.olight/
t Is/ I Saw
The
T *e Of
3et Back/
)1 _ You
trawberry ABBEY ROAD SHOW 1983
1h The
ma ‹. Time
rr .t qelds
m (take
111, Tokyo
The tracks on this disc are from an off-line recording taped from studio monitors during
the preliminary mix. The Beatles often recorded their sessions in this manner to be taken
home as reference tapes. Across The Universe is John alone on guitar. The REVOLVER
cuts feature Paul on some alternate mixes. Lady Madonna is an unused backing track
)n. . ocals) being played over the monitors with Paul adding vocals while listening to the track in the
control room. Happiness Is A Warm Gun and the takes of I'm So Tired appeared on
yal Albert NOTHING BUT AGING. There is some tape drag on the takes of I'm So Tired. Overall,
a very nice disc with new versions of these songs in a way we have not heard before.
i ns are
GONE TOMORROW HERE TODAY
?gutter by MIDNIGHT BEAT RECORDS (MB CD 113) CD 1997
hi is cerd Source: Studio outtakes/film
.os all . Sound Quality: Excellent stereo/mono
their own Rating: ****
to those Total Time: 51:32
tw- `ZEAL
Hey Jude
Dear Prudence
t 0'c: with Blackbird
)GI video Blackbird/Congratulations
:d , were Blackbird
)ur T.,oving Blackbird/Studio Chat
Clack (the Studio Chat/Helter Skelter/Gone Tomorrow Here Today
Studio Chat
Blackbird
Blackbird/Studio Chat
Mother Nature's Son
Blackbird (5 takes)
Organ Play/Drinking Tea
Blackbird (2 takes)
Hey Jude here is a previously unheard version. It is probably from July 30, 1968, and
features Paul on vocals minus George on electric guitar. Dear Prudence is an alternate
mix with the bass more `up front', the fadeout is longer, and John's vocals heavily
NOT FOR SALE page 106
echoed. This track is in mono. The numerous mono takes of Blackbird are evidently --
from the Tony Bramwell film which Apple had filmed on July 11, 1968, and used as a n Cor
Apple promo. Only one of the takes of Blackbird and the short Helter Skelter had been BERRY
bootlegged previously (see Yellow Dog's THE ULTIMATE COLLECTION VOL. 1)
And while listening to all these takes and 'breakdowns' of Blackbird gets a bit monoto- 110"i 1)4
nous, there are some interesting bits. The most notable bit is when Paul breaks into a new SFF/001
song (Gone Tomorrow Here Today) which lasts only a very brief half minute. There is SI: 3"
also some interesting chat between John & Paul, George Martin & John, and John & 52: Pity°
Yoko. Many will find these sessions to be an excellent opportunity to 'sit in' with Paul R:
-
and friends during the recording of one of his nicer ballads. My y
dear. Db
An exciting release for collectors but a difficult one to locate in the United States. In the KA '1 0
spring of 1997 there was a major bust in Florida where several of the major players in THE RO
the bootleg scene were 'set up' and busted by the authorities. This came right at the time YE. 0\
when the man from Midnight Beat was about to import his newest releases (tapes from The 0011
recently defunk Yellow Dog perhaps?) into the U. S.. Unfortunately, he was nabbed and Ruby lir
his product was delayed. However, persevering collectors were able to locate the new 5)11 10 1
discs which were being distributed in Europe and the Far East. And it was a short time Bon's Tr
later that CDR 'knockoffs' on the Repro Man label were soon available in the U.S. for
fans who couldn't find the originals. This is no doubt the wave of the future. C: !-
release 11-
erio !
HELP! don.' km
B4 RECORDS (CT-004) CD 1994
This disc features the mono version of Help! (LP mix), Ticket To Ride (no fade out), Yes LE 'E
It Is (take 14), Help!(takes 1-9), You've Got To Hide Your Love Away (alt. mix),Another LUNA R
Girl (alt. mix) and You're Gonna Lose That Girl (alt. mix). All but the last three track had Mis-y/ Kit'
been previously booted. The last three tracks are in mono and could be forgeries - albeit AL ;
good ones. The jury is still out on these. There's A
Nit. I
Nor
HODGE-PODGE
11(4/ I-6
BLACK DOG RECORDS BD001 CD
Yo(
Yesterday (take 1 June 14 '65 - 1:43)/ Norwegian Wood (This Bird Has Flown) (take I
S,
excerpt, take, 2 -3:07)/ 12 Bar Original (takes 1,-2 and an unnumbered take - 8:51)/ That
Means A Lot (take 24, up tempo remake Mar. 30 '65 - 3:01)/ I'm So Tired (take 14 Oct.
8 '68 - 2:05)/ Penny Lane (overdub session Jan. 9 '67 - 2:19)1 The Inner Light (backing L(
track Jan. 12 '68 - 2:33)/ Revolution (video soundtrack - 3:31)/ I'm So Tired (take 14 MP Ti
Oct. 15 '68 - 2:19)/ I'm So Tired (remixes Oct. 15 '68 - 2:15)/ I Am The Walrus (take 7 Source:
Sept. 5 '67 - 4:42)/ Instrumental (3:46)/ The Long And Winding Road (2:07)/ Paperback Sou. 1 Q
Writer (Apr. 13 '66 - 2:04) Rat:
R: G-Vg. Some surface noise. C: ECD. Dcc. Time 44:41. .1(I,
Rev-11.11k 1.
HOLD ME TIGHT in 0o 1
TOASTED CONDOR 1990 CD Evt
Do You Want To Know A Secret (track 2, take 3)*/ Hold Me Tight (re-mix)/ Ticket To Soo,- Mi!
Ride (count in - no fade)/ There's A Place (early complete take)/ Taste Of Honey (take Circ—s
7)/ I Saw Her Standing There (take 10)*/ Misery (takes 2-6)*/ Day Tripper (takes 1-3)' /
We Can Work It Out (takes 1&2)*/ Yes It Is (takes 1&2)*
R: Vg-Ex. S: Original masters. *PLEASE PLEASE ME sessions. C: Dec. Part of
age 106 page 107 STUDIO OUTTAKES
vicienti y Condor's well documented 7 CD Beatles collection: NOT FOR SALE, DIG IT, STRAW-
e s an BERRY FIELDS, NOT GUILTY, SESSIONS, & SOMETHING TO HIDE.
.ate'been
1). HOW DO YOU DO IT/REVOLUTION
n ioto- SFF/SOK21
to a new Si: How Do You Do It (1:57) (`62 England studio)
1—,:xe is S2: Revolution (3:27) (`68 England, orig. soundtrack)
In c& R: Exm. C: A special souvenir record of the 3rd annual Convention of Beatles Fans
'ith Paul
Mystery Tour '76. Pressed on 5 different colors of vinyl - red, yellow, blue, green &
clear. Dbw.
in the KARAOKE
rs in THE ROLLING STONES & THE BEATLES
time YELLOW DOG (YD 033) CD
ies from The Rolling Stones: Let's Spend The Night Together/All Sold Out/Yesterday's Papers/
5', I and Ruby Tuesday/Complicated/Please Go Home/ My Obsession. The Beatles: Help (take
the new 5)/Hello Goodbye/Strawberry Fields Forever/Yes It Is/Day Tripper/ We Can Work It Out.
time Bonus Tracks: Get Your Self Together (Stones) & Help (takes 6 & 7) (The Beatles).
7. for
C: OK, boys and girls, get ready to sing along! Why Yellow Dog thought it necessary to
release this idiotic disc of common instrumental outtakes is beyond me. They were kind
enough, though, to include a lyric sheet (in English and Japanese!) for those of us who
don't know the words. Total time: 48:34.
c ), Ye s
1,A 'other
- LEAVE MY KITTEN ALL ALONE
track had LUNA RECORDS LU 9311 CD
s: Misery/ A Taste Of Honey/ I Saw Her Standing There/ How Do You Do/ Leave My
Kitten All Alone/ Do You Want To Know A Secret/ That Means A Lot/ From Me To You/
There's A Place/ I'll Be On My Way/ She's A Woman/ Can't Buy Me Love/ A Hard Days
Night/ I Feel Fine/ I'm Looking Through You/ Daytripper! We Can Work It Out!
Norwegian Wood/ Yes It Is/ Ticket To Ride/ Paperback Writer/ Tomorrow Never Knows/
,_ake 1 Help/ Rain/ I'm A Loser! Here There Everywhere/ Hold Me Tight/ One After 909/ If
5 ' That You've Got Troubles
,e i4 Oct. R: Ex. Soundboard. S: Outtakes from various sources. C: ECD. Dcc. Time 77:17.
( .king LORDS OF MADNESS
(+-Ice 14
.1sake 7 MASTERDISC (MFCD 001) CD 1995
'a :back Source: Various
Sound Quality: Very good stereo/mono
Rating: **
Japanese import disc of WHITE ALBUM outtakes, alternate mixes and demos. These i s
Sourcc N
nothing here that hasn't been out before. Basically an unremarkable collection except for
Sou; ")‘'
the nice upgrade of While My Guitar Gently Weeps. Masterdisc did some playing around
with some of the tracks, but generally did little to improve the music. Tota[
Masterdisc (OMR) followed up this release with PRIMAL COLOURS (MDCD 009), I 6: From
-
More WHITE ALBUM outtakes which had all been previously released. Nothing to rec- 8-13 WI
'68) (1:44)
PSYCHEDELIC YEARS II
LSD RECORDS (LSD-004/5/6) 3CDs 1994
Reissue of previously available material - at least no outfakes which plagued the first vol.
ume (THE PSYCHEDELIC YEARS: 1966-1968, Banzai BZBX0021-3 , 3CD box set)
in the series. Included on this set are the mono versions of RUBBER SOUL and
REVOLVER, Run For Your Life (take 5), This Bird Has Flown (takes 1 & 2, and two
alternate mixes), Norwegian Wood (take 4), Day Tripper (takes 1-3), We Can Work It Our
(demo, takes 1 & 2, and alternate mix), I'm Looking Through You (four different takes
and alternate mix), 12-Bar Original (four takes and jam), Think For Yourself(studio
chat), Tomorrow Never Knows (two takes), Paperback Writer (takes 1 & 2 and two alter-
nate mixes), Rain (two alternate stereo mixes), For No One(takes 1,2, and 10) and Here
There And Everywhere (monitor mix and remix session). The cover is the rejected
REVOLVER concept montage. The two volumes of PSYCHEDELIC YEARS are the
types of collections you could easily do yourself just by pulling tracks from bootlegs,
Avoid these.
REVOLVER MONO -
PMCD 7009 CD
Taxman/ Eleanor Rigby/ I'm Only Sleeping/ Love You To/ Here, There And Everywhere/
Yellow Submarine/ She Said She Said/ Good Day Sunshine/ And Your Bird Can Sing/
For No One/ Doctor Robert/ I Want To Tell You/ Got To Get You Into My Life/
Tomorrow Never Knows
R: Exm. S: Studio. C: Japanese CD. Excellent cardboard-sleeve copy of original
album jacket. Original mono mix of REVOLVER. Time 35:51.
rst vol-
) oox set)
TL and
and two
it OW
CONTROL ROOM MONITOR MIXES HOW DO YOU DO/ REVOLUTION
Tt takes
elf(studio
alter-
! —A. Here
e rejected
.tre the
J--Notlegs,
e vhere/
Can Sing/
1,Life/
)f original
TO BE EXPECTED .,„,ii:
app
`1111',-LI'Ei
STRAWBERRY RECORDS (Sampler - 001) CD1995
Source: Various Likfil -C1`
Sound Quality: Excellent stereo/mono
Rating: **** chanL ot_
What's this? A bootleg sampler disc? Clever idea. Strawberry Records (a subsidiary of
Yellow Dog Records) hyped some upcoming releases with this very cool sampler. The
disc features solo and group songs (slightly edited to prevent them from being boot-
legged by someone else) which would be featured on Strawberry's new releases as well
as new Orange Records, Yellow Cat and Yellow Dog Records. This disc sold out quick-
ly and became a highly sought after release. Laugh is available only on this disc and was
meant for an unreleased Lennon/Ono album to be called UNFINISHED MUSIC #3. Al
the time of this book the two Beatles tracks (from LET TT BE rehearsals) had yet to see
the light of day.
WHAT A SHAME MARY JANE HAD A PAIN AT THE PARTY
R8028
Si: Version 1 (6:35) S2: Version 2 (7:04)
R: Exs. S: Reference disc cut from original master tapes. C: 12" 45. Dbw. This has one of my favorite
covers of all time. Who cannot appreciate an album cover which has four 'short-haired 1963 era' Beatles
surrounded by 16 photos of a nude woman wearing a variety of masks?! Truly an avant garde cover for
some far out music. Oh, yeah? The music... (I almost forgot, sorry.) Four takes of What A Shame Mary
Jane Had A Pain Al
page 112 STUDIO OUTTAKES
Page -113
, it is still
ersion. (aka: What's The News Mary Jane, Mary Jane or What's Yer New Mary Jane) were
The Party
s over recorded August 14, 1968, and was meant for possible inclusion on the WHITE ALBUM.
act sound Only John and George were present for the taping. Take 4 would appear on the ANTHOLOGY
t Jffs by
series and featured John, George, Yoko and Mal Evans. The versions on this disc are
Takes 1 & 2. Edited and remixed versions (probably of Take 4) would later appear on
UNSURPASSED MASTERS VOL. 4 and SESSIONS. Believe it or not: I am told that a
small cult following formed around this record during the Eighties. Members were said to
have created a "magic chant" from the song's refrain - believing that the chant would
release them from the bonds of earthly existence. Members wore masks of disfigurement
during their ceremonies and danced naked around bonfires in the woods near Racine,
Wisconsin. It is unknown what became of the Mary Jane Cultists. Here are the lyrics to
Mary Jane:
The- .%;
ULTRA RARE TRAX VOL. 1 Thai ;vie,
:117'
THE SWINGIN' PIG (TSP CD 001) CD 1989
Source: Master tapes Day' Trig:
Sound Quality: Excellent stereo oc,
Rating: ***** I A TIC
Total Time: 33:08 vocals - I
Mis
I Saw Her Standing There (take 2 - recorded Feb. 11 '63, no effects) (2:44) L ea — i
One After 909 (take 2 - Mar. 5 '63) (2:41) take
She's A Woman (take 2 - Sept. - Oct. '64, very primitive version) (3:08) We
I'm Looking Through You (take 1 - Oct. '65) (2:50) A Hard I:
If You've Got Troubles (February '65 unreleased song from HELP! session) (2:12)
How Do You Do It (Sept. 4 '62 - unreleased song from PLEASE PLEASE ME session) 11).
(1:51) (2:09)
Can't Buy Me Love (Jan. 29 '64 - no echo, unused '...Best Take' - #1) (2:04)
There's A Place (take 3 - Feb. 11 '63, false start from PLEASE PLEASE ME session)
age 114
r page 115 STUDIO OUTTAKES
(0:06)
There's A Place (take 4 - no harmonica or piano) (1:46)
That Means A Lot (Feb. '65 - unreleased song from 2nd HELP! session - take 2) (2:15)
Day Tripper 1 (Oct. 16 '65 - instrumental basic track - take 2, incomplete) (0:21)
Day Tripper 2 (countdown - same as previously released vers. except for additional
vocals by Paul - take 3, no fade) (2:55)
I Am The Walrus (Sept. '67 - unedited long vers. without strings, bass, choral or side
vocals - take 17) (4:10)
Misery (take 1 - Feb. 11 '63, no piano or effects) (1:40)
Leave My Kitten Alone (Aug. 5 '64 - previously unreleased from FOR SALE session,
take 5, John lead vocals) (2:42)
We Can Work It Out (Oct. 20 '65 - countdown, cliff. mix - take 2) (2:03)
A Hard Days Night (Apr. 16 '64 - live in studio) (2:25)
Norwegian Wood (take 4 - Oct. '65, unedited vers. - take 4, same as released except for
mistakes by John on acoustic & exchange between John & George Martin)
CZ:12)
(2:09)
6ession)
More fantastic outtakes and alternate versions. Another must have. C: Original has green
insert. Ruralized with Dcc. Also available on vinyl in a two record set (ULTRA RARE
TRAX VOL. 1 & 2 - Stash Records 637) taken from the CD. Dcc. DL.
Across The Universe (no orchestration, no animal noises, no harmony vocal, lots of
backwards guitar - known as the 'Hums Wild' version) (3:37)
While my Guitar Gently Weeps (acoustic vers. - June-Oct. '68, same as on SESSIONS)
(3:22)
Ticket To Ride (raw take of cv - Feb. '65) (3:21)
Though not as mind blowing as the first two volumes, this disc offers up some nice rar-
ities in excellent sound quality. This was the first appearance of this take of Ob-La-Di,
Ob-La-Da. C: ECD. Dcc.
NOT FOR SALE page 116
Fags 11 -
ULTRA. RARE TRAX VOL. 3 & 4 ULT
THE SWINGIN' PIG RECORDS (TR 2190 S) 2LP 1988
THE S' -N(
Source: Master tapes
Source: Sound
Sound Quality: Excellent stereo/mono
Rating:
Rating: ****
Time: 32.33
Side One: On .A1'"
12-Bar Original (Nov. 4, 1965 - excerpt from acetate) (3:48) A Taste of
Help! (take 1 - false start) (0:13) Feel 1
Help! (take 2 - false start) (0:16) st'er
Help! (take 3 - false start) (0:55) Blues
Help! (take 5 - instrumental) (2:22) Not G1 y
I Fell Fine (take 6 - instrumental) (2:32) Get Back (rc
I Feel Fine (take 9)(2:28) Mad l ', RI
Do )(op vs a!
Side Two: AllYouiNkni
Day Tripper (takes 1&2 - false starts - instrumental) (1:55)
Herr is whei
Day Tripper (take 3) (3:05)
We Can Work It Out (take 1- false start - instrumental) (1:36) rial 6.4
Hee.
We Can Work It Out (take 2)(2:18)
Yes It Is (take 1)(2:39) ,(A
Yes It Is (take 2 - false start)(1:09)
S 1N
Souro- Ma;
Side Three:
Sound Quill
One & One Is Two (Paul's demo acetate) (1:50) Rating
Do You Want To Know A Secret (take 8) (1:57)
She's A Woman (take 7 with jam) (5:28) Christn,ds `I
Hold Me Tight (Sept. 63 - unknown take) (2:31) Recall
Ticket To Ride (take 2) (3:17) Revolution
I Me
Side Four: Strawl-
Yes It Is (take 14) (2:43) I ley RICIC
There's A Place (Feb. 11, 1963 - take 1?) (2:01) ivlitgic 1/1
A Taste Of Honey (take 7) (2:01) What', The
There's A Place (take 11) (1:51) Mitch)
I Saw Her Standing There (take 10) (2:50) One r
Misery (take 2 - false start) (0:32) (
R:
Misery (take 3 - false start) (0:15)
Misery (take 4 - false start) (0:33)
Misery (take 5 - false start) (0:32) U '
Misery (take 6) (1:47) THE NWIN
Some .112:
An excellent vinyl collection of outtakes. This was the first time we got to hear One And Sound nu:,
One Is Tivo and 12-Bar Original. No longer an essential piece as this material was reis- Rating.
sued in better quality on the UNSURPASSED series. C: Dcc.
page 117 STUDIO OUTTAKES
Here is where The Swingin' Pig start to let us down. They evidently ran out of new mate-
rial so they reissued previously released outtakes. Not really worth the effort. C: ECD.
Dec.
Christmas Time Is Here Again (fifth fan club Xmas record - Nov. 28 '67)
Because (vocals only - Aug. 1 & 4 '69)
Revolution (early rough mix of Hey Jude B-side - July 10-12 '68)
I Me Mine (original short basic vers. - Jan. 3 '70)
.
One And
s reis- ULTRA RARE TRAX VOL. 5 & 6
THE SWINGIN' PIG RECORDS (TR 2191 S) 2LP 1988
Source: Master tapes
Sound Quality: Excellent stereo/mono
Rating: ****
NOT FOR SALE page 118
Side One:
Lady Madonna (take 3) (2:10)
Rain (take 7) (3:02)
A Day In The Life (remix #5 - edit) (0:21)
A Day In The Life (remix #6 - edit) (2:28)
What's The New Mary Jane (take 4) (6:44)
Side Two:
All You Need Is Love (`Our World' version) (6:57)
Norwegian Wood (take 1) (1:57)
Not Guilty (take 102) (4:20)
Because (vocals only - August 1969) (2:13)
Side Three:
Hello Goodbye (take 1 - instrumental) (4:36) _ Tl
Paperback Writer (take 1 - false start) (0:28)
Paperback Writer (take 2) (2:36)
Hey Jude (take 9 - from rehearsal for 'Experiment in Television' - July 30, 1968) (5:30)
I Hate To See The Evening Sun Go Down (from rehearsal for 'Experiment in TV')
(0:35)
Side Four:
Strawberry Fields Forever (take 1) (2:35)
Strawberry Fields Forever (take 2 - instrumental) (2:41)
Strawberry Fields Forever (false start - instrumental) (0:11)
Strawberry Fields Forever (take 4) (3:07)
Strawberry Fields Forever (take 5 - false start) (0:18)
Strawberry Fields Forever (take 6) (3:51) Strawberry
Fields Forever (take 7) (3:09) Strawberry Fields Forever
(overdub onto take 25) (3:24)
Strawberry Fields Forever (take 26) (3:22)
Another wonderful collection of rare Beatles. At the time of its release this set really
knocked some socks off folks. All the songs on these LPs would eventually be reissued
on compact disc by numerous other bootleggers and hi superb quality. Still, it is another
important historical piece. C: Dcc.
t\v
ULTRA RARE TRAX VOL. 6
THE SWINGIN' PIG (TSP-CD-036) CD 1990
Source: Master tapes
Sound Quality: Excellent stereo w.
Rating: ***
Come And Get It (previously unreleased song - recorded on July 24 '69 by Paul in just
one hour as a demo for Badfinger)
Hold Me Tight (recorded on Sept. 12 '63 during WITH THE BEATLES sessions)
I'll Be On My Way (prey. unreleased song - recorded Apr. '63 for BBC)
STUDIO OUTTAKES
U\SIESSEDMATER
Q962.1963)
*TH
UNSURPASSED MASTERS VOL. 1
-t really
)e reissued
another
Yi
in just
Loris)
UNSURPASSED MASTERS VOL. 2 UNSURPASSED MASTERS VOL. 5
NOT FOR SALE Page 120
pa gP1 2 I
Strawberry Fields Forever (take 7 - Nov. 29 '66) affe t1
It's All Too Much (May 25-26 '67 - alt. vers. with extra verse)
faeni - v,
12 Bar Original (prey. unreleased inst. from RUBBER SOUL sessions Nov. 4 '65) N,vit it
I Hate To See (prey. unreleased song, recorded sometime during the Hey Jude sessions 1 in
July, Aug. '68)
She's A Woman (take 7 Oct. 8 '64 - extra long take) UhS1 I
What's The New Mary Jane? (early long mix of previously unreleased song - Aug. 14 `68) YE,_ -0 '
Dig It (Jan. '69 - longest known vers. - more than 8 minutes) Sot
Sound C
Again, all previously released material. Look to Yellow Dog's UNSURPASSED Ws_ Rat.
TERS for the best copies of this material.
R: Exs/m. C: ECD. Dec. A Hard 1
Le, I V
She 'v
UNSURPASSED MASTERS 1 17(-„,
IiYou'v
UNSURPASSED MASTERS VOL. 1
YELLOW DOG (YD 001) CD 1990 v
Source: Master tapes T h . vk
Sound Quality: Excellent mono/stereo 1-le' ((I
Rating: ***** Norweg
Da.
Besame Mucho (June 6 '62 - artist test) (2:27) We '-"an
How Do You Do It? (take 1 Sept. 4 '62) (1:56) 1 2-uar
There's A Place (takes 5, 6) (0:06 & 1:52) I 'r . 0 0
I Saw Her Standing There (takes 6, 7, 8, 9) (0:48, 0:06, 0:13, 2:49)
Do You Want To Know A Secret? (take 8) (1:56) in ed
A Taste of Honey (take 6) (2:01)
Night.
There's A Place (takes 12 & 13) (0:05 & 1:49)
I Saw Her Standing There (takes 11 & 12) (0:16 & 2:52) C: rCD
Misery (takes 2,3,4,5,6) (0:32, 0:16, 0:03, 0:32, 1:49)
From Me To You (takes 1, 2 & 8. takes 9-13 - edit pieces) (1:04, 1:43, 1:56, 0:15, 0:15, L_ IS
0:08, 0:09, 0:06, 0:09) Y:
Thank You Girl (takes 2, 3 & 4. takes 7-13 - edit pieces) (0:02, 0:05, 1:58, 0:07, 0:22, Soiirce:
0:22, 0:15, 0:20, 0:22, 0:22)
One After 909 (takes 1 & 2) (0:50 & 2:48) R 7
Hold Me Tight (re-make - 22, 23 & 24) (0:31, 0:09, 2:30)
Don't Bother Me (re-make 11 & 12 & 13) (0:12, 0:36, 2:27) Pa, sba
R:-. (ta
Mark 1
S: Cuts 3-9 Feb. 11 '63. Cuts 10-14 Mar. 5 '63. Cuts 15-16 Sept. 12 '63. C: ECD. Dee. SL .vb.
Yellow Dog Records picked up where The Swingin' Pig left off. Many superb outtakes
Str7-7whc.
are heard here for the first time. The first copies of this disc were mastered incorrectly
and had to be redone. Unfortunately, the first discs did not come with a money back guar- S:
antee so a lot of folks paid twice what they should have. Originally released in mono but re-
Srrmvh:
released in mono/stereo. Yellow Dog de-noised and de-clicked these discs (as they did with
A ...a)
nearly all of their releases). Some collectors find this irritating as it somewhat
A:
1 Affl
1
.
7
vuge 120 -.
- 14
UNSURPASSED MASTERS VOL. 2
YELLOW DOG (YD 002) CD 1990
Source: Master tapes
MAS- Sound Quality: Excellent mono/stereo
Rating: ****
The main drawing card here is the complete 12-Bar Original. Previously available only
in an edited form. Also appearing for the first time were takes 6 & 7 of A Hard Day's
Night. A very good but not essential disc.
out. A good collection but not essential. Dcc. Originally released in mono but re-released Sonlethir
in mono/stereo. Volumes 1-3 of UNSURPASSED MASTERS was released on UNIQUE Y
TRACKS (UT CD 001, 002, 003). poi%..1,en
(1U:-3r)
UNSURPASSED MASTERS VOL. 4 Mc. Y I
Tier rvlajk
YELLOW DOG (YD 004) CD 1990 Stan_ Ei■
Source: Master tapes & other I ' L
Sound Quality: Excellent mono/stereo 1-V O) 01
Rating: ****
1701 J LI
Let B e
Lady Madonna (3-6 Feb. '68 takes 2 &3) (3:20)
Across The Universe (4-8 Feb. '68 - 'Hums Wild' version) (3:45) Thi h
Brian Epstein Blues (19 July '68) (1:02) we iT't to
Hey Jude, Las Vegas Tune (Tues. July 30 '68 - TV rehearsal) (5:18) ing „Jen
I Hate To See The Evening Sun Go Down (same as above) (0:59) lern art
original
Back In The USSR (22-23 Aug. '68 - this and the following from the PETER SELLERS
SE.. .i0i
TAPE) (2:46)
Rocky Raccoon (Thurs. Aug. 15 '68) (3:46)
Wild Honey Pie (Tues. Aug. 20 '68) (1:06)
UNS1
Mother Nature's Son (9-20 Aug. '68) (2:46) YELLO1
Sexy Sadie (July 19 - Aug. 21 '68) (3:52) So( 2: I
Don't Pass Me By (June 5 - July 22 '68) (4:09) Sot—r1 Q
Yer Blues (13-20 Aug. '68) (4:08)
Good Night (June 28 - July 22 '68) (3:03) There's I I
Everybody's Got Something To Hide Except Me & My Monkey (June 27 - July 23 '68) S,,.. 1-I,
(2:25) Fr:- !VI;
Ob-La-Di, Ob-La-Da (July 3-15 '68) (3:13) Thank Y
Blackbird (Tues. June 11 '68) (2:21) Do. l i c -
Not Guilty (Aug. 7-12 '68) (4:08) A I
What's The New Mary Jane (take 4 - Aug. 14 '68, not from Peter Sellers tape) (6:33) I'm rk Li
Sh A
The Hey Jude on this disc is different than on the NOT GUILTY bootleg and is probably Yr,u
from later in the day. R: Exs except tracks 6-17 Exm. 5: Tracks 6-17 also known as I let,, (Lit
the 'Peter Sellers Tape' (a tape given to the actor by Ringo). The tape was a two-sided I-1 c T h
reel which was sold at a Phillips auction in 1988 for 2300 pounds. I An Iii
O. —a r
He 'Mr '
UNSURPASSED MASTERS VOL. 5 Not liar
YELLOW DOG (YD 005) CD 1991 Le B._
Source: Various
Sound Quality: Very good to excellent mono
Rating: *****
This is by far the best sounding outtakes from ABBEY ROAD you will hear. In addition,
we get to hear the Huge Melody as it was originally envisioned. There are different back-
ing vocals, different mixes and instrumentation. A real find. Golden Slumbers still suf-
fers from the 'tape stretch' as found on all bootlegs to date. The Huge Melody was the
',ERS original working title for side two of ABBEY ROAD. The final five cuts are GET BACK
SESSIONS rehearsals and new to disc. This is a must have Beatleg. C: ECD. Dcc.
at this track, refer to Black Market Beatles (How's that for a shameless plug!?). *New
to disc. C: ECD. Dec.
1'O It 11',l A
SG-I 67'
S 1'
In SI,
1,cx, r I
N":1.1-n
Clut,c,
Day Ti
1 ill` 'r)L;
hcr.
PER D
page 125 STUDIO OUTTAKES
SERGEANT PEPPER
A.K.A. SGT. PEPPER'S LONELY HEARTS CLUB
BAND: 1967
p,,s,RLOPHONE (FAKE) PCS 1967 LP 1988
Source: Various
Sound Quality: Very good mono/stereo
hating: *x'
Side 1:
Sgt. Pepper Inner Groove
A Day In The Life (take 6)
Strawberry Fields Forever (John's demo)
Only A Northern Song (mono mix)
penny Lane (take 9 with trumpet ending)
All You Need Is Love (broadcast version)
its All Too Much (with extra verse)
A Day In The Life (comm. vers)
/010 Side 2:
Magical Mystery Tour (take 9)
The Fool On The Hill (demo)
Instrumental loops from MMT
Blue Jay Way (mono mix)
Your Mother Should Know (basic tracks) I Am The
Walrus (take 17)
Christmas Time Us Here Again)
ning.
-
Various familiar outtakes but a satisfying bootleg of the 'psychedelic era.' It's All Too
user look Much is lifted from MAGICAL MYSTERY TOUR and is not the complete version.
New Alternate PEPPER cover photo.
FORETASTE
SGT19670
Si: Sgt. Pepper's Lonely Hearts Club Band/ With A Little Help From My Friends/ Lucy
In The Sky With Diamonds/ Getting Better/ Fixing A Hole/ She's Leaving Home/ She's
Leaving Home/ Being For The Benefit Of Mr. Kite!! The Benefit Of Mr. Kite!
S2: Within You Without You! When I'm 64/ When I'm 64/ Lovely Rita/ Good Morning,
Good Morning/ Sgt. Pepper's Lonely Hearts Club Band (reprise)! A Day In The Life! A
Day In The Life (Vgs - no orchestration, alt. vocals for Paul)/ Sgt. Pepper inner groove
(backwards or forwards depending where your starting from)
This album has won the title of 'Worst Beatleg EVER'. Outfakes are the name of the
game here. Avoid this at all cost. R: Poor to fair except *Vgs. S: Bad rernix of PEP -
PER CD. C: Dcc. Clear vinyl. Alt. PEPPER cover.
NOT FOR SALE page 126
1967
ADAM VIII LTD CD 49-019
A Day In The Life (acetate, early mix, no orchestra)'! Strawberry Fields Forever (take
one)/ SFF (take two)/ SFF (take three)/ SFF (false start)! SFF (take four)/ SFF (false Sf TF
starts)/ SFF (take five)/ SFF (ending only of take six)/ SFF (take seven)/ SFF (backing LUNA I
track with George Martin's score)/ SFF (alt. early mix with full ending)! Only A Northern SE-",
Song (original mono mix - not 'processed' as is the CD)/ Penny Lane (promo 45 mix, fa L.
extra trumpets at end, true stereo)/ All You Need Is Love (live T.V. broadcast intro se g. 4:37)/
ments)! All You Need Is Love (live T.V. broadcast with alt. vocals & full end)/ It's All f 111. 2zii
Too Much (edited vers. from film with extra verse not on LP)! It's All Too Much (vocal -.()1 al
booth - mainly vocals & brass overdubs)/ A Day In The Life (full start, alt. mix)/ Magical
Mystery Tour (original vocals, mix from TV film)/ MMT, Hello Goodbye (reprise Tri ed_
t
ley from 'credits' of TV film)/ The Fool On The Hill (original demo - from an acetate)!
(Nov. ?-
Blue Jay Way (stereo mix of original vers. without extra sound effects)/ Your Mothe r
I t o -
Should Know (basic original vers. - before overdubs)/ I Am The Walrus (basic track
without overdubs)*
This is
R: Exs/m except *G-Vgm. A good collection of outtakes from The Beatles 'psychedelic
years'. C: ACD. Dcc - alt. PEPPER cover. Time 73:10.
Iroui VLI
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A t
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111
ormd in
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.aat's
lrst five
s. ..ck!
of r of
['ye list-
NOT FOR SALE page 128
1
pa,
Come and experience the magic of Number 2 Studio where The Beatles recorded from
1962-b9. This is a unique opportunity to see an exciting and unusual video, with original
sound recordings of The Beatles at Abbey Road.
There will be a display of recording equipment; souvenirs, records and memorabilia will
be on sale and refreshments provided.
Open seven days a week with three shows per day, 10.30 a.m., 3.30 p.m. and 7.30 p.m.
Tickets £4.50 each.
Shows
(please tick appropriate box)
A11)1L,
Choice Preferred Date Number of
Seats
Ei
10.30 3.30 7.30
VgL.
1st
YFLLO
2nd
Sr At1
3rd Rattrq:
Please state dearly second and third choices
Geurge
Name .......................................................................................................................... A Thin•
Address ...................................... 011 Bro
You
I enclose a Postal Order/International Money Order (in sterling) for E ...............................
made payable to EMI Records Ltd and a stamped addressed envelope. Send to: PO L 't
Box 72, London NWS 9AY. Telephone enquiries: 01-269 6342.
Please allow 2 weeks for delivery of tickets. I Shall I
SF T
H vl\ik
I Me Iv1;
S R.
A" Thir
LCD It D