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Gregory Crewdson: P H o T o G R A P H y

Gregory Crewdson is exhibiting new large-scale photographs at Luhring Augustine gallery. The photographs were taken over three years and depict solitary figures in suburban and small town settings, focusing on atmosphere rather than drama. Crewdson aims to draw viewers into images of loneliness and displacement through his use of lighting and framing devices like windows and mirrors. The photographs were made during four productions spanning winter and summer seasons.

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100% found this document useful (2 votes)
271 views25 pages

Gregory Crewdson: P H o T o G R A P H y

Gregory Crewdson is exhibiting new large-scale photographs at Luhring Augustine gallery. The photographs were taken over three years and depict solitary figures in suburban and small town settings, focusing on atmosphere rather than drama. Crewdson aims to draw viewers into images of loneliness and displacement through his use of lighting and framing devices like windows and mirrors. The photographs were made during four productions spanning winter and summer seasons.

Uploaded by

Carles
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Gregory Crewdson

P h o t o g r a p h y
Gregory Crewdson

Gregory Crewdson April 5-May 3, 2008

Luhring Augustine is pleased to announce an exhibition of new large-scale photographs by Gregory Crewdson. In this latest body of work, made over the past three
years, the artist continues his exploration of the fertile edges of the American vernacular - now with less of a focus on character and drama and a greater emphasis on
atmosphere and setting.

Here, Crewdson steps back from the themes of confrontation and psychological turmoil that marked much of his earlier work to create a more subdued take on his
trademark terrain of small-town disquiet. His careful orchestration of light in both interior and exterior scenes serves to draw the viewer into the images, deepening
the sense of displacement and solitude. The windows, doorways and mirrors in these settings act as framing devices, creating a layer of separation; inviting, yet ultimately
inaccessible. The exterior images, which predominate here, present small figures adrift in still and silent vistas, while the interiors depict people in moments of deep
reflection. Throughout these scenes, Crewdson's subjects are captured at points of liminal anticipation - perched between the "before" and "after"- drawing upon a
notion of voyeurism.

These haunting images were made over four productions, in a cyclical process - from winter, into summer, back to winter and into summer again. Crewdson's first ever
winter pictures portray barren snow-covered landscapes diffused by a cold gray light. In contrast, the summer images are intensely lush and colorful and depict romantic
scenes of youthful adventure, discovery, and sexual exploration. In all of Crewdson's pictures, the choice of location- desolate passageways, dimly lit houses, hotel
rooms, railroad tracks, trailer parks- underscores the inherent theme of rootlessness and loneliness. Crewdson's photographs bring to mind the austerity of American
realists such as Edward Hopper and Walker Evans, filtered through the damp, saturated colors in the work of American Luminist painters such as Thomas Cole and
Albert Bierstadt.

Gregory Crewdson is an internationally exhibited artist whose photographs are included in numerous museums and public collections around the world. From 2005 to
2008 a retrospective of his work traveled to museums across Europe, including the Kunstverein Hannover, Germany, the Fotomuseum Winterthur, Switzerland, and the
Hasselblad Center, Sweden. He is on the faculty of the Department of Photography at Yale University and lives in New York City.

This body of photographs concludes Crewdson's Beneath the Roses series, the entirety of which is being published in a book by Harry N. Abrams in conjunction with
this exhibition.

For more information please contact the gallery at 212.206.9100 or by email at [email protected].
Gregory Crewdson
Untitled, Summer 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Summer 2006
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Untitled, Winter 2007
Archival inkjet print
58 1/2 x 89 1/2 inches
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
Gregory Crewdson
Luhring Augustine Installation View
Archival inkjet prints
58 1/2 x 89 1/2 inches each
END

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