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Fantasiestucke Sax Alto

This musical piece is for contralto saxophone composed by Robert Schumann. It is in 3 movements and provides the tempo, time signature, and other musical notation for each movement. The piece moves from a lively and light first movement to a passionate second movement and concludes with a fiery third movement.

Uploaded by

Rita Bianco
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© © All Rights Reserved
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100% found this document useful (4 votes)
4K views4 pages

Fantasiestucke Sax Alto

This musical piece is for contralto saxophone composed by Robert Schumann. It is in 3 movements and provides the tempo, time signature, and other musical notation for each movement. The piece moves from a lively and light first movement to a passionate second movement and concludes with a fiery third movement.

Uploaded by

Rita Bianco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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- II -

                   
Sassofono contralto

   
R. SCHUMANN

       
Lebhaft, leicht  = 132

  
 
                
        
        
  

  
8

                 
           
        
 

     
16


     
       3          
        


            
25

                 
                  


3 3 3 3 3



3

  
30

   
                
   
3 3 3 3 3 3 3 3 3

  
34

                          
       
    
43

           
        
             


3 3 3 3 3 3


47

           

  
          
3 3 3 3 3 3

             
50

  
                                           
3 3
 

   
58

                 
        
    
 


67
- III -

                 
Sassofono contralto in Mib

       
R. SCHUMANN

             
Rash und mit Feuer  = 144

           
      
          
          
6

         
             
       
 
11

                
        
        
17

       
            2.            
       
24 1.

                               
 
     
1. 2.
31

                           


    
 
39

                 
 
           
        
48 1. 2.

                 
        
     
53

               
                         
   
57

   
           
       
       
63
         
      

   
         
   
    
70

   
               
    
      

77

              
               

 
84

       
  
                  
         
90

     
                 
       
95

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