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Carl Frühling Trio Op.40 Score

This document contains musical notation for a trio for clarinet, cello, and piano in A minor by Carl Frühling. The trio is dedicated to Herrn Dr. Paul Saborsky. The musical notation includes tempo markings, dynamics, and other performance instructions across 100 measures of music scored for the three instruments.

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0% found this document useful (0 votes)
132 views8 pages

Carl Frühling Trio Op.40 Score

This document contains musical notation for a trio for clarinet, cello, and piano in A minor by Carl Frühling. The trio is dedicated to Herrn Dr. Paul Saborsky. The musical notation includes tempo markings, dynamics, and other performance instructions across 100 measures of music scored for the three instruments.

Uploaded by

orsolya meszaros
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Herrn Dr PAUL SABORSKY freundschaftlichst zugeeignet

TRIO
Violoncell A-moll
für Klarinette (oder Violine), Violoncell und Pianoforte Carl Frühling, Op.40
(1868-1937)
a tempo
Mäßig schnell
                        
    

p poco cresc. ed accel. f mf

             
         
     
19


mf

25               
     

                              
  
30

      
mf cresc.

          
  
               
40
           
 
cresc.

  
f
50
              
    
       

ff ff f p

 
    
A
         
   
59

  
     
 p espress.

             
mf

72               
       
p f

                    
 
               

    
82 animato
  

cresc. ff sf f

                    
    
              
90


    
sf ff

       
99
     
      
         
  
 

 
dim.
sf p
Violoncell

     

               
2 Tempo I

   
B
           
    
   

   
f appassionato

 
         
      
 

119

    
   
 

 

ff marcato

      
130
          C
 
     
   

dim.

    
   
   
p
      
141
    
   dolce
155 
                          
     
p
172 
 
   
            D
     
p pp
            
a tempo
181
          
   
p poco a poco cresc. ed accel. f mf
190
          E a tempo

poco rit.
                       
        
p espress. f

                  
mf
 
      
200
       

p
  cresc.
               
f

     animato         


      
210
        

  
ff f
      
                 
 
218
              
          

                 
             
F Tempo I  
  
           
                    G   
p dolce

     
p
239
          
cresc. f appassionato
Violoncell

  
    

 
     
3
249
      
     
  

     
   
ff

p cresc.
 
260

           
             
ff dim. molto
269  
 
   
p dolce

                  
Anmutig bewegt
       
  
       
p mf
                     
    
  

10 1. 2.
     
p

              


mf p
21   
   
        
cresc. 
    
   
 
   
p

arco

                    


34
 pizz.
  
 
 dim.   
pp
   
pA
         
44

     
              
gemächlich

p
    
 
                 
         
53

       
f
                                    
dim.
  
      
62
       
p poco accel. e cresc.
1. 
2. 
a tempo
    

70
  B         
                 
p p

         
            
78
              

                                  
dim. f
87
  
        
p wie früher mf mf
Violoncell

                             
4
98    
       
      
p p
110

        
         
pizz.
     
 p  
dim. C
  
cresc.
 
  
     
                
arco         
123



p espress.
 
pp
         
              
134

      

                          1.


p

 
2.

      
146
              
 
                    
p
 
sf f f
            
  
   
155
       
1. 2.

    

   cresc.   
             
ff
pizz.     
164
                              


p
 
p
     
         arco     
mf
173
   
                         

p espressivo
mf
     
              
184
        
195      D          
          

                            
p
205
     
         
mf mf p

                 
  gemächlich   
     
215
            

p mf dim.
      
        
             
225

  

  
p p
     
f

 
234    
     
      
pp ppp
Violoncell

                         
Andante 5
psalmodirend
     
    
         
p sf p p
   zögernd
espress. 4

                 
9
        
 
p p eilend

                  
sf f
20 A             
a tempo 
 


p cresc. accel. mf

          
                 
    
 
28 a tempo
     

  
p p mf

       
f f

  
39                 
      

p p


sf f

                               
47 accel.
  
  

 
cresc.
B  
                  
       
54

    

  
        
f a tempo ff poco sostenuto

               C    


60

     

f ff f appassionato p

                        
   
   
67
         
sf p sf

 
      
74
                               
    
accel

p cresc.

             
       
   poco
Tempo I (poco più mosso)
80
 rit.
    a tempo

            
f cresc. ff p

      
    
88

              
   
cresc.

               
p espress. p
98
D
       

   
dim.
   
ff f f
Violoncell

                               
6

espress.

 
109
         

                       
p

         
dim.
118
       

   
p dolce

                 
mf
          
Tempo I

126
   E
  

                           
p
dim.
accel.

a tempo

 

142
        
cresc.
     mf    f  
              
dim.
151
 
        
p dolente dim. pp


Più lento
                
psalmodirend
 
162
   
pizz.
        
 

p sf p molto rit. pp

         
    
Allegro vivace
          

arco

p mf
   
8                                   
 
    
p mf
                     
pizz arco

  
16
     

             
f p cresc.
25   
             
    
p grazioso
     
f
    
      
34    
A    
   
breiter

    ff  
    
f espress.
          
  
43
           
mf espress.
52          
       wie früher        
                 
cresc. f
Violoncell

    
7

             
   
61

          

      B           
       
70
     
        
f f

          


79
      
             
  ff  
cresc.

          
88         C   
     
 

f f ff p

   
     
cresc.
    
     
  
98

     
     
gedehnt   
p

   
107

                    
    
  
p dolente

      
 mf

      Langsamer
116
  
       
pp

                
D

Tempo I
        
128
   
 p

            
p cantabile cresc. cresc.

  
    
dim.
139
           

dim. p
E                   
149
 
      
marcato   
    
p cresc. f sempre cresc.

              
                     
  
159
 
ff 3 3 3 3 3 3 3 3 3 3 3

                       



   
164

       
3 3 3 3 f dim.

          
F                  
170
     
p mf p
Violoncell

                    
8
 
       
pizz
  
     
179
   
mf f
            
                   
pizz.
188
        
arco

   

               
p f

   breiter            
G
  
197 arco
      
 
f espress.
 
                               
207

mf espress.

           wie früher
         
 

216
                 

       
cresc. f

     
       
      
         
225

       

  
            
234H  
               
     
f f cresc.

                               
  
243


  ff sf sempre ff

sf
      
                  
252  
      
marcato

    
sf mf cresc.
              
                 

261
 
 
f
    Maestoso  
sf p cresc. molto
   
               
270
      

ff

      

Quasi Presto
       
   

              
277

 

sempre ff
   
  
282
  
          

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