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REDE DEDEDE SEE BEE BE BSS DE BE BE EEE DE EE OE EEE EES
ROSSI
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OO
35 SELECTED
STUDIES
FOR STRING BASS
(THOMAS MARTIN)
“
SOE MED SSSA DA PE BEE
No. 3422
ESE OSH EC BE HSH EO SESH SHE BE COE,
INTERNATIONAL MUSIC COMPANY
NEW YORK
DEDEDE HEED EE I RO
paper
I SH
XXX:
>
x”PREFACE
Luigi Rossi followed his teacher Andreoli as professor at the Milan conservatory in 1830. He is
remembered for his scholastic works, which include a method for 3 stringed bass, a number of
duets based on violin studies and this collection of transcriptions. ‘They are advanced even by
today’s standards and, viewed historically, one can well see why the Milanese school produced
so many fine players including Bottesini (who entered Rossi’s class in 1835). Bottesini always
spoke in glowing terms of his teacher throughout his life and dedicated his Three Grand Duets
for two string basses to Rossi
I am glad to see these important transcriptions by Bottesini’s famous teacher appear in print for
us all to study, enjoy and gain from. One has to remember that when they were transcribed, the
studies were not long in existence. Even now they present a challenge and only attest to the
forward looking attitude and advanced thinking of Rossi in his time. The studies are progressive
in the challenges they present and are well arranged.
I have respectfully added some fingering ideas but want to encourage the player to use these
excellent studies to explore the many other ways around the problems presented. I have not used
the double bracket usually used to denote an extended position leaving the use of pivots,
extensions, or the 3 finger to the individual.
Thomas Martin
Former Principal Bassist, London Symphony Orchestra
Professor: Guildhall School of Music, LondonRossi’s 35 Selected Studies
For String Bass
Transcribed by LUIGI ROSSI RODOLPHE KREUTZER
Edited by THOMAS MARTIN (1766-1831)
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