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Portfolio App Edu

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api-549472024
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
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1

Cortney Hedlund

Edinboro University of Pennsylvania

Portfolio of Technological Artifacts


2

Table of Contents

Facilitates Student Learning

Artifact 1……………………………………………………………………3

Artifact 2……………………………………………………………………6

Technology as Learning Tools

Artifact 1……………………….…………………………………………...8

Artifact 2…………………………………………………………………..11

Assessment.…………………………………………………………………...…..15

Technology Integration Knowledge.……………………………………………17

Digital Citizenship.………………………………………………………………20

Self-Reflection……………………………………………………………………22

Bibliography……………………………………………………………………..25
3

Facilitates Student Learning: Candidate uses knowledge of subject matter to create

learning experiences which integrate technology in order to promote, support, and model creative

and innovative thinking using digital tools and resources. Experiences connect to real-world

issues or authentic problem. Promote student reflection and facilitate collaboration.

Artifact

Twitter's Uses in the Secondary English Classroom

Content Standard(s)

 CC.1.2.9-10.D- Determine an author’s particular point of view and analyze how

rhetoric advances the point of view.

 CC.1.2.9-10.H- Delineate and evaluate the argument and specific claims in a

text, assessing the validity of reasoning and relevance of evidence.

 CC.1.4.9-10.A- Write informative/ explanatory texts to examine and convey

complex ideas, concepts, and information clearly and accurately.

 CC.1.4.9-10.B- Write with a sharp distinct focus identifying topic, task, and

audience.

 CC.1.4.9-10.E- Write with an awareness of the stylistic aspects of composition. •

Use precise language and domain-specific vocabulary to manage the complexity

of the topic. • Establish and maintain a formal style and objective tone while

attending to the norms of the discipline in which they are writing.


4

 CC.1.4.9-10.G- Write arguments to support claims in an analysis of substantive

topics.

 CC.1.4.9-10.H- Write with a sharp distinct focus identifying topic, task, and

audience. • Introduce the precise claim.

 CC.1.5.9-10.A- Initiate and participate effectively in a range of collaborative

discussions on grades level topics, texts, and issues, building on others’ ideas and

expressing their own clearly and persuasively.

Overview

Every year students learn about banned books and controversial topics. When these

books are produced into movies debates spring up about key topics, themes, and ideas in

storytelling. Twitter’s hashtag and trending features sometimes touch on these

controversies. This provides educators with the opportunity to take advantage of the next

banned or controversial book-turned-movie coming out in theatres to help teach students

how to participate in discourse and debate online, while also helping to teach brevity,

audience awareness, clarity, analysis, and author’s purpose in an authentic way.

Description

Twitter has the opportunity for students to participate in real time discussions about

literature and its’ role in the world. Every student brings with them a unique social media

skillset and giving students the opportunity to participate in social media discourse about

a topic they are knowledgeable about is a great way to encourage students to bring skills
5

from outside and inside the classroom together. The live debate will encourage students

to constantly update their arguments as they are challenged by other members, while also

collaborating and building off the communities’ arguments.

Artifact:

Fostering Creativity through Shakespearean Fanfiction in the Secondary English Class

Content Standard(s)

 CC.1.2.9-10.A- Determine a central idea of a text and analyze its development

over the course of the text, including how it emerges and is shaped and refined

by specific details; provide an objective summary of the text.

 CC.1.2.9-10.B- Cite strong and thorough textual evidence to support analysis of

what the text says explicitly as well as inferences and conclusions based on an

author’s explicit assumptions and beliefs about a subject.

 CC.1.2.9-10.C- Apply appropriate strategies to analyze, interpret, and evaluate

how an author unfolds an analysis or series of ideas or events, including the

order in which the points are made, how they are introduced and developed, and

the connections that are drawn between them.

 CC.1.3.9-10.C- Analyze how complex characters develop over the course of a

text, interact with other characters, and advance the plot or develop the theme.

 CC.1.3.9-10.H- Analyze how an author draws on and transforms themes, topics,

character types, and/or other text elements from source material in a specific

work.
6

 CC.1.4.9-10.L- Demonstrate a grade-appropriate command of the conventions of

standard English grammar, usage, capitalization, punctuation, and spelling.

 CC.1.4.9-10.M- Write narratives to develop real or imagined experiences or

events.

 CC.1.4.9-10.N- Engage and orient the reader by setting out a problem, situation,

or observation, establishing one or multiple points of view, and introducing a

narrator and/or characters.

 CC.1.4.9-10.O- Use narrative techniques such as dialogue, description,

reflection, multiple plot lines, and pacing, to develop experiences, events, and/or

characters; use precise words and phrases, telling details, and sensory language

to convey a vivid picture of the experiences, events, settings, and/or characters.

 CC.1.4.9-10.S- Draw evidence from literary or informational texts to support

analysis, reflection, and research, applying grade-level reading standards for

literature and literary nonfiction.

 CC.1.4.9-10.U- Use technology, including the Internet, to produce, publish, and

update individual or shared writing products, taking advantage of technology’s

capacity to link to other information and to display information flexibly and

dynamically.

Overview

For many students Shakespeare seems daunting and larger than life. He is ancient, even

his writing doesn’t sound the same. Thus, many students enter the unit believing his
7

work is dated and they couldn’t possibly relate to these works that are centuries old. One

thing many students don’t always realize is that Shakespeare wrote a lot of fanfiction,

including one of his more famous works, Hamlet.

It’s imperative as educators that we modernize Shakespeare in such a way that

is interesting, attainable, and challenging for the students while fostering a modern-day

appreciation for one of the most important contributors to the English language. This

involves and 4 part approach that will utilize media and technology and

encourage creativity. 

Description

Students will be able to participate in the centuries’ old traditions of writing

Shakespearean fanfiction and publishing it online. This encourages creativity, as well

utilizing skills in inferencing and analysis. Students will be engaging in discussion

about Shakespearean fanfiction in the online community, collaborating and critiquing

each other’s work on public platform.


8

Technology as Learning Tools: Candidate designs or adapts learning experiences that

incorporate digital tools to address students' diverse learning styles, working strategies, and

abilities using digital tools and resources. Experiences are student centered – students are active

participants in setting their own educational goals, managing their own learning, and assessing

their own progress.

Artifact

*Directions on how to use the artifacts listed in

https://www.youtube.com/watch?v=2fvVo7eN2SA  

https://www.youtube.com/watch?v=G9qaVXE30FU

https://www.youtube.com/watch?v=AXb9N2cVUs4

https://www.pdesas.org/ContentWeb/Content/Content/283/Activity

https://www.pdesas.org/module/content/resources/284/view.ashx

Content Standard(s)

 CC.1.2.7.C: Analyze the interactions between individuals, events, and ideas in

a text.

 CC.1.2.7.D: Determine an author’s point of view or purpose in a text and

analyze how the author distinguishes his or her position from that of others.
9

 CC.1.2.8.F: Analyze the influence of the words and phrases in a text including

figurative and connotative, and technical meanings; and how they shape

meaning and tone.

 CC.1.3.7.B: Cite several pieces of textual evidence to support analysis of what

the text says explicitly as well as inferences, conclusions, and/or

generalizations drawn from the text.

 CC.1.3.7.C: Analyze how particular elements of a story or drama interact and

how setting shapes the characters or plot.

Overview (detailed)

Teaching poetry/POV 7th grade English with different learning styles and modalities

 Analysis and discussion: Have students read Sarah Kay’s Hiroshima individually

and annotate the poem (talk to the text), marking literary devices, figurative

language, important words, or phrases. Then students will go over their

observations as a class and have a guided discussion about the main idea of the

poem and how the author arrives at that idea. How does she establish her POV and

why is it significant to the poem every time a new pronoun is introduced? What is

the role of “you”.

o https://www.youtube.com/watch?v=2fvVo7eN2SA

 Watching Sarah Kay preform her poem- As a class we will watch Hiroshima read

by the author and then discuss how it changes the poem. How does the role of

“you” change now that it’s a recording? How would it be different if you were in
10

the audience? What additional techniques does she arrive at to deliver her message

that go beyond the words on the page?

o https://www.youtube.com/watch?v=G9qaVXE30FU

o https://www.youtube.com/watch?v=AXb9N2cVUs4

 Synthesis- Students will create a poem that utilizes four of Hiroshima’s literary

techniques that were brainstormed in class along with at least one of the

Hiroshima’s allusions, as well as incorporating the audience in the poem as Sarah

Kay had. Their poems will have to make some sort of observation about the world

and then argue that observation with various examples as Kay does. Then they will

peer review each other’s poems and brainstorm ways to perform their poem.

Lastly, students will share their students with the class .  

o https://www.pdesas.org/ContentWeb/Content/Content/283/Activity

o https://www.pdesas.org/module/content/resources/284/view.ashx

Description

The discussion and poetry writing portion of the lesson focus on teaching poetry analysis

to tactile learners as it gives them the opportunity to actively dissect and create literature

from both a reader’s point of view and a writer’s. The individual analysis that kicks off

the lesson is meant to engage visual learners, and this is accompanied by the video of

Sarah Kaye preforming her poem in which she uses a lot of hand gestures to tell her

story. Auditory learners are appealed to in this lesson through the video as well because

the way in which the authors narrates the poem may help some students better analyze

her message.
11

Giving students the opportunity to create their own poem allows for a more

individualized approached to literature. Literature is personal and this gives students the

opportunity to understand it when they are asked to incorporate their own experiences

into Sarah Kaye’s style. The writing, editing, and rewriting process that comes with

literature requires students to be their own critics before handing their papers’ off to be

peer edited.

Artifact:

Fostering Creativity through Shakespearean Fanfiction in the Secondary English Class

Content Standard(s)

 CC.1.2.9-10.A- Determine a central idea of a text and analyze its development

over the course of the text, including how it emerges and is shaped and refined

by specific details; provide an objective summary of the text.

 CC.1.2.9-10.B- Cite strong and thorough textual evidence to support analysis of

what the text says explicitly as well as inferences and conclusions based on an

author’s explicit assumptions and beliefs about a subject.

 CC.1.2.9-10.C- Apply appropriate strategies to analyze, interpret, and evaluate

how an author unfolds an analysis or series of ideas or events, including the

order in which the points are made, how they are introduced and developed, and

the connections that are drawn between them.


12

 CC.1.3.9-10.C- Analyze how complex characters develop over the course of a

text, interact with other characters, and advance the plot or develop the theme.

 CC.1.3.9-10.H- Analyze how an author draws on and transforms themes, topics,

character types, and/or other text elements from source material in a specific

work.

 CC.1.4.9-10.L- Demonstrate a grade-appropriate command of the conventions of

standard English grammar, usage, capitalization, punctuation, and spelling.

 CC.1.4.9-10.M- Write narratives to develop real or imagined experiences or

events.

 CC.1.4.9-10.N- Engage and orient the reader by setting out a problem, situation,

or observation, establishing one or multiple points of view, and introducing a

narrator and/or characters.

 CC.1.4.9-10.O- Use narrative techniques such as dialogue, description,

reflection, multiple plot lines, and pacing, to develop experiences, events, and/or

characters; use precise words and phrases, telling details, and sensory language

to convey a vivid picture of the experiences, events, settings, and/or characters.

 CC.1.4.9-10.S- Draw evidence from literary or informational texts to support

analysis, reflection, and research, applying grade-level reading standards for

literature and literary nonfiction.

 CC.1.4.9-10.U- Use technology, including the Internet, to produce, publish, and

update individual or shared writing products, taking advantage of technology’s

capacity to link to other information and to display information flexibly and

dynamically.
13

Overview

For many students Shakespeare seems daunting and larger than life. He is ancient, even

his writing doesn’t sound the same. Thus, many students enter the unit believing his

work is dated and they couldn’t possibly relate to these works that are centuries old. One

thing many students don’t always realize is that Shakespeare wrote a lot of fanfiction,

including one of his more famous works, Hamlet.

It’s imperative as educators that we modernize Shakespeare in such a way that

is interesting, attainable, and challenging for the students while fostering a modern-day

appreciation for one of the most important contributors to the English language. This

involves and 4-part approach that will utilize media and technology and

encourage creativity. 

Description

The exploration of the internet helps visual learners obtain examples of fanfiction and

kickstart their creativity. The brainstorming portion as a class, and the writing itself

helps teach writing, analysis, and inferencing skills to tactile learners by giving them a

hands-on way to explore literature. Audio, visual, and tactile learners will all be suited

by the video example because they can see examples of how the dialogue,

characterization, setting, and overall tone of the story is capable of changing by a few

tweaks to the story.


14

Giving students the opportunity to create their own fanfiction allows for a more

individualized approached to Shakespeare who can often seem daunting and ancient.

Student’s will best understand writing is an ongoing conversation between the reader

and the writer, and that is why we still learn Shakespeare today because literature is

personal. In addition, the writing, editing, and rewriting process that comes with

literature requires students to be their own critics before handing their papers’ off to be

peer edited.
15

Assessment: Candidate designs an appropriate assessment tool to evaluate student learning

aligned with content and technology standards and uses data collected to make informed

decisions.

Artifact

https://create.kahoot.it/v2/share/the-lottery-formative-assessment/2afd504a-7957-4c51-

a934-6302b262f332

Content Standard(s):

 Standard - CC.1.3.8.A: Determine a theme or central idea of a text and

analyze its development over the course of the text, including its relationship to

the characters, setting, and plot; provide an objective summary of the text.

Overview:

After reviewing vocabulary concepts such as theme, plot elements (exposition, rising

action, climax, falling action, resolution), characters, and setting we will begin reading

Shirley Jackson’s The Lottery as a class. As a class we will take the Kahoot’s game to

act as a formative assessment and to lead us into various discussions about how the

answer contributes to the theme.

Description:
16

This is a formative assessment because it will be used to both understand how much

the students currently understand while also guiding the lessons direction and speed.

It will not be a graded assignment.


17

Technology Integration Knowledge: Candidate demonstrates fluency in technology

systems and uses it to model and facilitate effective use of digital tools to support teaching and

learning. Candidate demonstrates strong ability to facilitate digital communication with

students, peers, parents, and community members using digital tools and resources to support

student success.

Artifact

https://classroom.google.com/c/MjA3MTQ4OTM5NzQ0 Classroom code: drxdmnj

Content Standard(s)

ISTE Standards:

 Students communicate complex ideas clearly and effectively by creating or using a

variety of digital objects such as visualizations, models or simulations.

PDE Standards:

 Standard - CC.1.2.9-10.F: Analyze how words and phrases shape meaning and

tone in texts.

 Standard - CC.1.3.9-10.G: Analyze the representation of a subject or a key scene

in two different artistic mediums, including what is emphasized or absent in each

treatment.
18

 Standard - CC.1.3.9-10.H: Analyze how an author draws on and transforms

themes, topics, character types, and/or other text elements from source material in

a specific work.

 Standard - CC.1.4.9-10.U: Use technology, including the Internet, to produce,

publish, and update individual or shared writing products, taking advantage of

technology’s capacity to link to other information and to display information

flexibly and dynamically.

 Standard - CC.1.5.9-10.F: Make strategic use of digital media in presentations to

add interest and enhance understanding of findings, reasoning, and evidence.

Overview

Poetry has both aesthetic and musical elements to it that are key to interpreting and

analyzing a poem. Students will be given the opportunity to hone their skills in digital

movie making while also creating an interpretation of Audre Lorde’s Hanging Fire that

emphasizes literary devices and the artistic interdependency of poetry.

Description

Student’s often find it difficult to express themselves in words and requiring them to

express with words what they think someone else is expressing with words can seem

completely terrifying. This inability of students to believe they are capable of reading,

interpreting, and ultimately enjoying poetry results in many of them never trying.

By giving students the opportunity to interpret poetry in ways that are novel for the

classroom but authentic to life they can truly understand the poet’s artistry. Students have

been exposed to music videos their entire life; they have seen digital story telling in
19

actions since they’ve been old enough to hold phones. It’s time we tap into the potential

students have in understanding and appreciating poetry for not just its literary elements,

but also, it’s aesthetic and musical qualities. I am confident students will walk away

having a newfound appreciation and familiarity with poetry.


20

Digital Citizenship: Candidate promotes and models safe, legal, and ethical use of digital

information and technology, including respect for copyright, intellectual property, and the

appropriate documentation of sources.

Artifact

https://share.nearpod.com/Mqd7VeeKW9

Content Standards

 CC.1.5.9-10.A- Initiate and participate effectively in a range of collaborative

discussions on grades level topics, texts, and issues, building on others’ ideas and

expressing their own clearly and persuasively.

Overview

 Felmlee research based in Long Island NY found that 17.2% of students (grade 8-12)

were involved in cyber aggression in the past week (2016).

o 9.1% agressors 

o 5/8% victims 

o 2.3% both 

 Cyberbullying Research Center found that almost 34 percent of students in middle and

high school had been cyberbullied (Petchin, 2016)

Description
21

The choose-you-own-ending at the end of the presentation is meant to show students how

easy it is to accidentally participate in cyber bullying. Especially online, the lines between

harassment and teasing are increasingly blurred. It also highlights the ability to be both a

victim and an aggressor of bullying, or the ways in which we can go wrong when we are a

bystander and inevitably exacerbate the situation and ultimately become a cyberbully

ourselves.
22

Self-Reflection: Candidate reflects up the effectiveness of the technology tools used to

enhance student learning. Discussion of the data collection was used to make strong connections

between student learning and the effectiveness of the technology used.

Artifact

https://docs.google.com/presentation/d/1qznKfS7MI2rdh1LOpESZEqdffiFU-

Z0JKk0JPvpR6kQ/edit?usp=sharing

Content Standard(s)

Content Standard(s) ISTE Standards:

 Students communicate complex ideas clearly and effectively by creating or using a

variety of digital objects such as visualizations, models or simulations.

PDE Standards:

 CC.1.2.9-10.F: Analyze how words and phrases shape meaning and tone in texts.

 CC.1.3.9-10.G: Analyze the representation of a subject or a key scene in two

different artistic mediums, including what is emphasized or absent in each

treatment.

 CC.1.3.9-10.H: Analyze how an author draws on and transforms themes, topics,

character types, and/or other text elements from source material in a specific work.

 CC.1.4.9-10.U: Use technology, including the Internet, to produce, publish, and

update individual or shared writing products, taking advantage of technology’s

capacity to link to other information and to display information flexibly and

dynamically.
23

 CC.1.5.9-10.F: Make strategic use of digital media in presentations to add interest

and enhance understanding of findings, reasoning, and evidence.

Overview

Poetry has both aesthetic and musical elements to it that are key to interpreting and

analyzing a poem. Students will be given the opportunity to hone their skills in digital

movie making while also creating an interpretation of Audre Lorde’s Hanging Fire that

emphasizes literary devices and the artistic interdependency of poetry.

Description

Toby Emert designed the lesson plan and implemented it in a 9th grade Language Arts

classroom that was finishing off a school year in which students had gone through three

different teachers and expressed apathy towards the subject. Though unfamiliar with the

software students pushed themselves uncharacteristically of their previous assignments

and they struggled but persevered. He also noted that it gave them the confidence in

ability to handle complex multi-step assignments. Despite students once believing

themselves to be “troublemakers” they were enthusiastic and proud of their

presentations. In the end they had a more rounded, thorough understanding and

appreciation for poetry with the focus on mimicry, expression, aesthetic, and

rhythmic/musical elements

References
24

C. (Director). (2011, April 30). Spoken word: The roots of poetry [Video file]. Retrieved

November, 2020, from Spoken word: The roots of poetry

Emert, T. (2015). Pairing Poetry and Technology: Teaching from the "Outside Inward". The

English Journal, 104(4), 59-64. Retrieved August 28, 2020, from

http://www.jstor.org/stable/24484323

Felmlee, D., & Faris, R. (2016). Toxic Ties: Networks of Friendship, Dating, and Cyber

Victimization.  Social Psychology Quarterly, 79(3), 243-262. Retrieved September 20,

2020, from http://www.jstor.org/stable/44078245

Finn, K., & McCall, J. (2016). Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the

Alternate Universe. Critical Survey, 28(2), 27-38. Retrieved September 7, 2020, from

http://www.jstor.org/stable/26382275

Patchin, J., Says:, A., Adrian, Says:, H., Heman, Says:, T., . . . Peschina, L. (2019, July 10).

Summary of Our Cyberbullying Research (2004-2016). Retrieved September 20, 2020,

from https://cyberbullying.org/summary-of-our-cyberbullying-research

Peterson, S. (Director). (2019, October 06). 2:01 / 4:42 How to Analyze a Poem Using TPCASTT

[Video file]. Retrieved November 09, 2020, from 2:01 / 4:42 How to Analyze a Poem

Using TPCASTT

T. (Director). (2011, April 18). 'Hiroshima' by Sarah Kay [Video file]. Retrieved November 09,

2020, from https://www.youtube.com/watch?v=AXb9N2cVUs4


25

Writers, S. (2020, September 10). Addressing Cyberbullying in School: Prevention and Victim

Support. Retrieved September 20, 2020, from

https://www.accreditedschoolsonline.org/resources/cyberbullying-prevention-and-support/

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