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Don't Get Around Much Anymore

The document is a musical transcription for tuba of the Duke Ellington song "Don't Get Around Much Anymore" as played by Sam Pila. It contains musical notation written using symbols for tuba across 18 staves with time signatures indicated at the bottom of some staves.

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Douglas Holcomb
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369 views3 pages

Don't Get Around Much Anymore

The document is a musical transcription for tuba of the Duke Ellington song "Don't Get Around Much Anymore" as played by Sam Pila. It contains musical notation written using symbols for tuba across 18 staves with time signatures indicated at the bottom of some staves.

Uploaded by

Douglas Holcomb
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Tuba

Don’t Get Around Much Anymore


As Played by Sam Pila an
Transcribed by Joseph Kelemen Duke Ellington

               
 

       

   
          
           
4

        

  

              
9

 
     
             

13

 

         
  
18

         


           
   
23

     

 
                
28

     

           
33

        

Joseph Kelemen
2 Don’t Get Around Much Anymore

          
38

       
     

         
43

            
 
                      

48
1:30

             
              
52

  
       
56

         

 
       
      
60

       

               
 
65

    


          
70

         

      
  
75

           
Joseph Kelemen
Don’t Get Around Much Anymore 3

                
        
80
2:27

 

       
            
    
83

       
87

          
      

        
91

            

    
     
96

            

           
     
101

     

         
         
106

    


   
111


Joseph Kelemen

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