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02 - Piano - La Cumparsita - Tango

The document contains sheet music for La Cumparsita, a famous tango piece. It is written for solo piano and contains the melody and chord progressions notated across five pages. The tempo is marked as Tango = 125 beats per minute. The piece is in the key of G minor and utilizes common tango chord progressions including Gm, D7, Cm, and G7.

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Manuel López
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0% found this document useful (0 votes)
892 views2 pages

02 - Piano - La Cumparsita - Tango

The document contains sheet music for La Cumparsita, a famous tango piece. It is written for solo piano and contains the melody and chord progressions notated across five pages. The tempo is marked as Tango = 125 beats per minute. The piece is in the key of G minor and utilizes common tango chord progressions including Gm, D7, Cm, and G7.

Uploaded by

Manuel López
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Piano

La Cumparsita - tango

1. Daniel P. H.

           
A D7 Gm D7

          
Tango  = 125

                 

       
                        
Gm G7 Cm Gm

             

7

Gm
     
B

  
1. 2.

               
      
D7 Gm D7 Gm Gm A7 D7 Gm

             
14


   Cm     
    
                
  
D7 Gm
      

21


    Cm
               
                       
A7 D7 Gm G7 Gm D7 Gm D7 Gm
  
 
28

 
   Cm  D7     
B 2

              
    
      
Gm C Cm
   

35


Gm C Cm G7     Cm 
         
                   
    
Gm
  

42

  
A 2
   
           
D7 Gm F E D7 Gm D7

          
                    

49


       
                           
Gm G7 Cm Gm

               
56
2 Piano

       
C

  
                         
D7 Gm Gm Cm Gm


63

  

                   D
        
   

71 Cm Gm 7

 
 


A 3

               
       
Gm D7 Gm D7

                
78

  

      
          
Gm D7 Gm G7 Cm

                            
85

                
                    
   
Gm D7 Gm D7 Gm


92


D

                   
                      
Gm Cm D7 Gm Cm

 
98

         

        
           
 
                   
  
 
  
D7 Gm G7 Cm Gm


104

       
A 4

    
 
 
  
             
                     
A D
dim 7 Gm F E

    
111

 

      

              
                  
118

                  


             
Gm

    
124

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