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Astor Piazzolla-La Muerte Del Angel Dueto

This musical composition is titled "La Muerte del Angel" (The Death of the Angel) by Astor Piazzolla. The sheet music contains the violin part and indicates that it should be played Allegro with a tempo of 120 beats per minute. It includes performance markings throughout and indicates sections that should be played Cantabile ed lento (in a singing and slow style) with varying tempos between 45-85 beats per minute. The piece concludes with indications to return to the original tempo of 120 beats per minute.

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joao silva
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0% found this document useful (1 vote)
916 views3 pages

Astor Piazzolla-La Muerte Del Angel Dueto

This musical composition is titled "La Muerte del Angel" (The Death of the Angel) by Astor Piazzolla. The sheet music contains the violin part and indicates that it should be played Allegro with a tempo of 120 beats per minute. It includes performance markings throughout and indicates sections that should be played Cantabile ed lento (in a singing and slow style) with varying tempos between 45-85 beats per minute. The piece concludes with indications to return to the original tempo of 120 beats per minute.

Uploaded by

joao silva
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Violin LA

MUERTE DEL ANGEL

   
Astor Piazzolla


Allegro

    
 
 
     
        
 = 120

                  

    

     
                            
5
1

 
 
                 

                         

8


         
               
              
2

       
 
12

  
    
     
             
            

16

   
                   3  

  
  

       

       
19

        
                               

    
24

     4
             
   
 
      

         
  
28

      
 
             
 

 
5

        
32

      
             = 50
                
 = 50

       
 = 115
rall 6 Cantabile ed lento

 3
38

  3
   
2  = 50

              
 = 60

  
 = 45

    
43  = 47  = 50

 3

    3
7 
3 3

                   
  
 = 55

  
8

    
  
48

 3 3  

       
 

     
        
10


9 = 55


   
 = 77  = 120

   
55  = 85

    3  3
       
                               

  
   
63

      
        
       
11

        
 = 120


               
67


             

           


 

                  


72

  
          
   
                   
12


75

   
     




                                       
13

      
79

    
          
            
               
   
glis
s.

            
83

              14  
         
 

  

                               
87

       


3

    
92



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