Gen Ed English 2021
Gen Ed English 2021
I. VOCABULARY
Vocabulary knowledge implies a rich understanding of the word. It means knowing a word by definition and associating experiences
with that word.
1. Structural Analysis. Words are made up of the smallest meaningful units called morphemes. The visual scrutiny of unfamiliar
words to identify morphemes is called structural analysis. Knowing the roots, prefixes, and suffixes of words helps reveal the
meaning of the total word form.
a) Root words are words from which other words are formed by adding a beginning part (prefix) or an ending part (suffix)
active (move) porter (carry) contradiction (to speak)
b) Prefixes are word parts added to the beginning of a word
benevolent (good) decline (from) nonsense (not)
c) Suffixes are syllables added at the end of a word to form a new word with a different meaning
Biology (study of) homeless (without) scientist (one who does)
2. Word Formation. Words undergo changes. The following are five processes of word formation:
a) Clipping means to cut off the beginning or the end of the word. It may mean cutting from both ends, leaving a part to stand
for the whole.
phone photo psycho trigo chem
b) Blending is formed by fusing or putting two words together. Usually the first part of one word is blended or fused with the last
part of another. The blended word then gets its meaning from the two words put together.
Eurasian Philhealth cosmonaut smog telecast
c) Compounding uses two or three words put together to make a full form. Most often the meaning of the word is different from
its parts. Sometimes it is the meaning of the two words put together.
tightwad blackout first aid runner-up trigger-happy
d) Acronymy is the use of initial letter or syllables of several words in succession.
UNESCO AWOL scuba radar
e) Reduplication- full or partial repetition of a free morpheme; sometimes with variation
full with variation
so-so zigzag
bye-bye dilly-dally
hotch potch
hodge podge
In Filipino
Bili (BUY) – bibili (WILL BUY)
Kain (to eat) – Kakain (WILL EAT)
Pasok (to go) – papasok (WILL GO)
f) Coining (Coinage): Creating a completely new free morpheme, which is unrelated to any existing morphemes; a rare thing
pooch nylon pantaloon
g) Loan Words – can be French, Latin, Italian words
French: a la carte, bon voyage, buffet, de luxe, coup d’ etat, etc.
Latin: alter ego, bona fide, cum laude, mea culpa, per se, etc.
Italian: a cappella, alto, bravo, piano, opera, etc.
h) Slang – do not have the same meaning as Filipino words
Papa (English – dad); papa (English – boyfriend); stand by (English – stick by) – istambay (English hang around)
i) Folk or Popular Etymology results from changing a word in part or in whole to make it more like a familiar word.
belfry isle bachelor barbeque caesarian
3. Context Clues. The meaning of a word may be determined by its environment – the words that surround it, either coming before
or after it in the sentence of in the paragraph.
j) Definition is considered the simplest and most obvious way by which the meaning of a word is revealed. The be verb is
used to equate the term to be defined to the familiar word in the sentence.
Psychiatry is the branch of medicine that deals with the diagnosis, treatment, and prevention of mental disorders.
k) Restatement may be in the form of synonyms, examples, elaboration by the use of modifiers, and pairing closely related
words. It is usually introduced by signal words: that is, for example, such as, like, in the way, that, in other words, what this
means, etc. It may also be signaled by the dash and the parentheses.
He was a true peripatetic, like the walking philosophers who followed Aristotle and the wandering Jews of Israel.
l) Synonym is a word that means essentially the same thing as another word. It is usually preceded by the function word or.
Sometimes the synonym may be found in another sentence within the paragraph.
God is omniscient, or all-knowing.
m) Antonym is the opposite or contrasting word that may serve as a clue to the unfamiliar word.
Julia’s remarks are generally not nebulous, but clear.
n) Inference requires reading between lines to see connections and relationships not explicitly stated in a particular passage.
The practicing physician as a rule is completely unskilled in obstetrics. His preliminary training contains little or
nothing concerning the details of pregnancy and childbirth.
o) Homophones & Words with Multiple Meanings indicate several meanings that a word has in English.
Susan bought a bar of soap.
The soldiers tried to bar the enemies.
The brilliant student passed the bar examination.
• Homophones are a type of homonym that also sound alike and have different meanings, but have different
spellings. HOMOGRAPHS are words that are spelled the same but have different meanings. Heteronyms are a type
of homograph that are also spelled the same and have different meanings, but sound different.
p) Words of Various Disciplines are the basic meaning of specialized vocabulary in a particular subject area.
The capital of the Philippines is Metro Manila. (Social Science)
His capital for the new business is one million pesos. (Math)
q) Multiple Context make the meaning of unfamiliar words clearer and easily understood.
Butterflies fly from flower to flower.
How high did the boy fly his kite?
HAND-OUT LET REVIEW 2019 DCT Page 1
Airplanes fly regularly from Manila to Hongkong.
4. Idioms. An idiom is an expression peculiar to a language. It usually has several associated meanings which are not readily
understandable from its grammatical construction and cannot be derived from the meaning of its separate elements.
cross to bear – endure a kind of burden
close-fisted – a miser
cold-reception – unfriendly
blackmail – money extorted by threat of intimidation
Argus-eyed – jealously watchful
blue-blood – noble blood
chicken-hearted – a timid, cowardly fellow
absent-minded – to be inattentive of what is going on
fair weather friend – a friend who deserts you in time of difficulties
henpecked husband – a submissive husband
greenhorn – an inexperienced person
by heart – from memory
burn the midnight oil – study or work far into the night
bundle from heaven – new-born baby
came to terms – deal with misunderstanding
5. Figures of Speech. These forms of expressions are used to convey meaning or heighten effect, often by comparing or identifying
one thing with another that has meaning or connotation familiar to the reader or listener.
BASED ON RESEMBLANCE:
a) Simile – a comparison between two unlike objects by using like or as
His mind is like a sponge.
b) Metaphor – an indirect comparison of unlike objects
She is a phantom of delight
c) Personification – the giving of human characteristics & capabilities to nonhuman things such as inanimate objects, abstract
ideas, or animals
The clouds cried a torrent of tears.
d) Apostrophe – an address to the absent as if present or to the inanimate as if human
“O wind, if winter comes, can spring be far behind?”
e) Allusion is a reference in a work of literature to another work of literature, or to a well-known person, place or event outside
of literature
i. Mythological Allusion: Magnus is the Adonis of the class.
ii. Literary Allusion: Political Pied Pipers try everything.
iii. Historical Allusion: Some call Marcos a modern day Hitler.
iv. Biblical Allusion:
I took my power in my hand
And went against the world
‘Twas not as much as David had,
But I was twice as bold.
BASED ON EMPHASIS:
g) Hyperbole – the use of excessive exaggeration for effect
Waves mountain high broke over the reef.
I think of you every minute of the day.
h) Litotes – makes a deliberate understatement used to affirm by negating its opposite
Regine Velasquez is not a bad singer.
Edgar Allan Poe is no mean writer.
i) Meiosis is a positive understatement intended to suggest a strong affirmative.
I am a bit worried because I am falling in almost all of my subjects.
We were a little disappointed to learn that the guest of honor could not come.
j) Repetition is repeating words, phrases, or whole construction in order to intensify feeling or meaning.
Never give in. Never give in. Never, never, never, never yield to force.- Winston Churchill
BASED ON PARALLELISM/CONTRAST
k) Irony is the use of words to convey the opposite of their literal meaning.
You’re so beautiful; you look like a Christmas tree!
You gave ma a good plan. Its only problem is that it can never be done.”
GRAMMAR. It is important to recognize common errors in grammar and usage based on the basic rules of grammar.
A. Verb Errors
1. Verb Tense. Check if the correct verb tense has been used in the sentence.
When I came home, the children still didn’t finish dinner.
When I came home, the children still hadn’t finished dinner.
In reported speech, check that the rule of sequence of tenses has been observed.
She promised she will come.
She promised she would come.
2. Tense Formation. Know the past participle of irregular verbs.
He throwed it out the window.
He threw it out the window.
3. Subject-Verb Agreement. Check if the verb agrees with the subject in number.
There is many reasons why I can’t help you.
There are many reasons why I can’t help you.
4. Conditional Sentences. The word if will NEVER be followed by the words will or would.
If I would have known, I wouldn’t have gone.
If I had known, I wouldn’t have gone.
5. Expressions of Desire. Unfulfilled desires are expressed by the form “had hoped that ________ would (or could, or
might) do ________.”
I wish I heard that story about him before I met him.
I wish I had heard (or could have heard or would have heard) that story about him before I met him.
6. Verbs Followed by Verb Words. A verb word is the infinitive without the to.
She ignored the doctor’s recommendation that she stops smoking.
She ignored the doctor’s recommendation that she stop smoking.
7. Tag Endings. Check for three things in tag endings: a) Does the ending use the same person as the sentence verb? b)
Does the ending use the same tense as the sentence verb? c) If the sentence verb is positive, is the ending negative; if
the sentence verb is negative, is the ending positive?
She’s been there before, isn’t she?
She’s been there before, hasn’t she?
8. Negative Imperatives. There are two forms for negative imperatives.
B. Pronoun Errors
1. Pronoun Subject-Object. Check if a pronoun is the SUBJECT or the OBJECT of a verb or preposition.
All of us – Fred, Jane, Alice, and me – were late.
All of us – Fred, Jane, Alice, and I – were late.
2. Who and Whom. When in doubt about the correctness of WHO/WHOM, try substituting the subject/object of a simpler
pronoun to clarify the meaning.
I don’t know who Sarah meant.
I don’t know whom Sarah meant.
3. Pronoun Subject- Verb Agreement. Check if the pronoun and its verb agree in number.
Jessa is absent, but a few of the class is here.
Jessa is absent, but a few of the class are here.
4. Possessive Pronoun Agreement. Check if possessive pronouns agree in person and number.
If anyone calls, take their name.
If anyone calls, take his name.
5. Pronouns After the Verb To Be. TO BE is an intransitive verb and will always be followed by a subject pronoun.
It must have been her at the door.
It must have been she at the door.
6. Position of Relative Pronouns. A relative pronoun refers to the word preceding it. If the meaning is unclear, the
pronoun is in the wrong position.
He could park right in front of the door, which was very convenient.
His being allowed to park right in front of the door was very convenient.
7. Parallelism of Impersonal Pronouns. In forms using impersonal pronouns, use either “one… one’s/his or her” or “you…
your.”
One should take your duties seriously.
One should take one’s/his or her duties seriously.
or You should take your duties seriously.
Notes: Adjectives may be transformed into adverbs with –ly or –ily e.g.: aimless – aimlessly, careful – carefully
Nouns may be transformed into adverbs with –ways or –wise e.g.: side – sideways, cross – crosswise
Common adverbs have the same form as their adjective counterparts: late, fast, hard, right
Do not be confused with adverbs and adjectives. Adjectives modify nouns and pronouns. Adverbs modify verbs,
adjectives and other adverbs. Example: good versus well. That is a good computer. (good – adjective, modifies
computer (noun). That computer is functioning well. (well – adverb, modifies is functioning, verb phrase).
2. Adjectives with Verbs of Sense. Intransitive verbs are described by adjectives while transitive verbs are modified with
adverbs.
She looked very well! She looked very good!
3. Comparatives. In using adjectives of one or two syllables ending in –y, add –er. Other words of more than one syllable
use more. Adverbs of one syllable add –er; longer adverbs use more.
This exercise is harder then the last one
This exercise is harder than the last one.
4. Parallel Comparisons. Check if the correct form is used in parallel comparisons.
The more you practice, you will get better.
The more you practice, the better you will get.
5. Illogical Comparatives. Check comparisons to make sure they make sense.
Texas is bigger than any state in the United States.
Texas is bigger than any other state in the United States.
6. Identical Comparisons. Something can be the same as or like something else. Do not mix up the two forms.
Adverb Classifications:
D. Errors in Usage
1. Connectors. Do not mix different forms in connecting ideas.
She speaks not only Spanish but French as well.
She speaks Spanish and French.
She speaks Spanish. She also speaks French.
She speaks Spanish and French too.
She speaks not only Spanish but also French.
She speaks both Spanish and French.
She speaks Spanish as well as French.
Conjunctive Adverbs. These are also known as words of transitions, sentence connectors, or sentence adverbs which
indicate particular semantic relationship between the preceding and succeeding sentences.
a. Addition – furthermore, also, likewise, moreover, in addition to
b. Restatement/emphasis – actually, in fact, indeed
c. Comment – besides, anyhow, in any case
d. Contrast – instead, nevertheless, on the other hand, otherwise, yet
e. Result – accordingly, consequently, hence, therefore, thus
f. Time sequence – afterwards, finally, eventually, meanwhile, hereafter
g. Parallel ideas – in other words, in short, that is
h. Example – for instance, namely, next, for example
i. Condition – perhaps, probably
2. Question Word Connectors. When a question word such as when or what is used as a connector, the clause that
follows is not a question. Do not use the interrogative form.
Do you know when does the movie start? Do you know when the movie starts?
3. Because. It is incorrect to say: The reason is because… Use: The reason is that…
The reason he was rejected was because he was too young.
The reason he was rejected was that he was too young.
He was rejected because of his young age.
He was rejected because he was too young.
4. Purpose Connectors. The word so by itself means therefore. So that means in order to or in order that.
We took a cab so we would be on time. We took a cab so that we would be on time
5. Dangling Modifiers. An introductory verbal modifier should be directly followed by the noun or pronoun that it modifies.
Such a modifier will star with a gerund of participial phrase and be followed by a comma. Look for the modified noun or
pronoun immediately after the comma.
Seeing that the hour was late, it was decided to postpone the committee vote.
Seeing that the hour was late, the committee decided to postpone the vote.
Dangling Modifiers are subordinate phrases which appear to modify something other than the one intended. These are
largely caused by faulty positioning of the modifier or failure to supply the noun which is supposed to be modified.
Examples: Going up the stairs, the reports were read by me. (incorrect)
Going up the stairs, I read the reports. (correct)
Before she was born, Marissa’s mother died. (incorrect)
Before Marissa was born, her mother died. (correct)
6. Parallel Construction. In sentences containing a series of two or more items, check to see if the same form has been
used for all the items in the series. Do not mix infinitives with gerunds, adjectives with participial phrases or verbs with
nouns.
The film was interesting, exciting, and it was made well.
The film was interesting, exciting, and well-made.
7. Unnecessary Modifiers. In general, the more simply an idea is stated, the better it is.
E. Transformations
1. Emphatic form – is constructed by adding the auxiliaries do, does, and did before the verb stem.
Examples: They do love you. / Erish does want to see you. / She did try to do it.
2. Exclamatory form (exclamative)- by using what followed by the principal noun phrase in the predicate.
Example: That was a brilliant idea. – What a brilliant idea that was! / What a brilliant idea!
3. Inversion – a sentence with the verb be may be recast in the inverted form to postpone the subject for greater emphasis.
Example: The topic sentence is at the end of the paragraph. - At the end of the paragraph is the topic sentence.
4. Existential form. A sentence with the be verb an indefinite subject may also be recast as an existential sentence –
beginning with there followed by the be verb phrase, then the subject and the rest of the original sentence – to focus on
the meaning of location or existence.
Example: Many students are in the covered court. – There are many students in the covered court.
5. Cleft. Any declarative sentence, except an existential, may be transformed into cleft sentence – beginning with IT followed
by the BE verb phrase, the fronted word or phrase, and the relativized form of the rest of the original – to focus attention
on the component word or phrase.
Example: The teacher recorded the scores. – It was the teacher who recorded the scores.
Words and Expressions Commonly Misused. Many words and expressions are not so much bad English as bad style, the
commonplaces of careless writing.
1. Narration: Reveals what a reader should learn. This type of paragraphs uses the past from of the verb and usually written in
chronological order.
2. Description: Rich descriptive words that put a picture of a person, place or an object in a reader's mind
3. Definition: A paragraph explaining a term of subject so your audience comprehends the topic of the paragraph. This can be
done in three ways: synonyms, class and negation
4. Synonym: Explaining the term by using the words that mean the same thing
5. Class: When you put your topic in a broad category to explain your term
6. Negation: Means that the writer first says something is not, and they say it is.
7. Exemplification: It develops a general statement — the topic sentence with one more concrete examples illustrate and explain the
topic sentence, but they also make your writing more convincing.
8. Classification: This paragraph clearly defines something and place it in a group according to some basis or rules so that it only fits in
one group. To be successful at this, you have to be very detailed.
9. Topic Sentence: It has two parts, the topic and the basis of classification, which is the controlling idea, it controls how the writer
approaches the subject
CAPITALIZATION RULES
Rule 1. Capitalize the first word of a document and the first word after a period.
Rule 2. Capitalize proper nouns—and adjectives derived from proper nouns. Examples: the Golden Gate Bridge, the Grand Canyon
Rule 3. In the case of brand names, companies are of little help, because they capitalize any word that applies to their merchandise.
Ex: Domino's Pizza
Rule 4. Capitalize titles when they are used before names, unless the title is followed by a comma. Do not capitalize the title if it is used
after a name or instead of a name. Example: The president will address Congress.
Out of respect, some writers and publishers choose to capitalize the highest ranks in government, royalty, religion, etc.
Example: The President arrived.
Rule 5. Titles are not the same as occupations. Do not capitalize occupations before full names.
Example: director Steven Spielberg
Rule 6. Capitalize a formal title when it is used as a direct address. The more formal the title, the more likely it is to be capitalized.
Example: Will you take my temperature, Doctor?
Rule 7. Capitalize nicknames in all cases. Example: Meet my brothers, Junior and Scooter.
Rule 8. Capitalize specific geographical regions. Do not capitalize points of the compass.
Example: We had three relatives visit from the West.
Rule 9. In general, do not capitalize the word the before proper nouns.
Example: We visited the Grand Canyon.
Rule 10. It is not necessary to capitalize city, town, county, etc., if it comes before the proper name.
Examples: the city of New York / New York City
Rule 11. Always capitalize the first word in a complete quotation, even midsentence.
Example: Lamarr said, "The case is far from over, and we will win."
Rule 12. Do not capitalize quoted material that continues a sentence.
Example: Lamarr said that the case was "far from over" and that "we will win."
Rule 13. Capitalize the names of specific course titles, but not general academic subjects.
Example: I must take history and Algebra 101.
Rule 14. Do not capitalize the first item in a list that follows a colon.
Example: Bring the following: paper, a pencil, and a snack.
Rule 15. Do not capitalize "the national anthem."
Rule 16. Many books have subtitles. When including these, put a colon after the work's title and follow the same rules of composition
capitalization for the subtitle.
Example: The King's English: A Guide to Modern Usage
Note that A is capitalized because it is the first word of the subtitle
LITERATURE
Literature is derived from the Latin word litera which means letter. It refers to any printed matter written within a book or magazine. It is
a reproduction of man’s manifold experiences blended into one harmonious expression. It relates to man’s love, griefs, dreams, and
aspirations coached in a beautiful language. It is a story of man.
TYPES OF LITERATURE
The Prose
The NOVEL is a long narrative divided into chapters. The events are taken from the true-to-life stories and spans a long period
of time.
SHORT STORY is a narrative involving one or more chapters, one plot and one single impression.
PLAYS are presented on stage divided into acts and each act has many scenes.
LEGENDS are fictions, narratives and usually about origins.
FABLES are stories about animals and inanimate things that speak and act like people and their purpose is to enlighten the
minds of children to events that can mold their ways and attitudes.
ANECDOTES are products of the writer’s imagination and the main aim is to bring out lessons to the reader.
ESSAY expresses the viewpoint or opinion of the writer about a particular problem or event. Best example is an editorial.
BIOGRAPHY deals with the life of a person which may be about himself or that of others.
The Poetry
Narrative
EPIC is an extended narrative about heroic exploits often under supernatural control.
Examples: Biag ni Lam-ang of Ilocos, Phl
Beowulf of England
Iliad and Odyssey of Greece
Ramayana and Mahabarata of India
TALES are stories about supernatural beings.
BALLADS are short poems, adapted for singing, simple in plot and metrical structure.
Lyric poetry expresses emotions and feelings of the poet. It is usually short, simple and easy to understand.
Folksongs/Awiting Bayan are intended to be sung poems about love, despair, grief, doubt, joy, hope and sorrow.
Famous Works
BEOWULF by Homer
This is the England’s oldest epic. It is about the heroic deeds Beowulf who helps save the Kingdom of Heorot.
The CID
A great folk-epic of Spain- tells the deeds of the great Cid or “lord” Rodrigo in his wars with the Moors.
THE CANTERBURY TALES by Geoffrey Chaucer- a large collection of isolated stories. It features the different people of Medieval
England
The DECAMERON by Giovanni Boccaccio- a collection of tales told by a group of young people escaping the black death from the City
A DOLL’S HOUSE by Henrik Ibsen- the husband in the story treats Nora, the wife, as a doll, a plaything, a pet, instead as a person
American Literature
Colonial Period:
1. William Bradford – wrote Of Plymouth Plantation
2. Anne Bradstreet – wrote The Tenth Muse lately Sprung Up in America
3. Edward Taylor
4. Jonathan Edwards – wrote the powerful sermon “Sinners in the Hands of an Angry God”
Period of Enlightenment
1. Benjamin Franklin
Wrote the Autobiography, a self-help book written to share pieces of advice to his son
An important figure in the 1787 Convention which drafted the US Constitution
Was President of the Anti-slavery Association
2. Thomas Paine – wrote the pamphlet The Common Sense in which he wrote, “The cause of America is in great measure the
cause of all mankind.”
3. Philip Freneau – the poet of the American Revolution
4. Washington Irving – wrote Legend of the Sleepy Hollow and Rip Van Winkle
5. James Fennimore Cooper – wrote The Leatherstocking Tales that feature the life of frontiersman Natty Bumpo. His
masterpiece is the Last of the Mohicans
6. Phyllis Wheatley was the second published African American poet whose writings helped create the genre of African
American literature
Realism
1. Mark Twain (Samuel Clemens) 5. Bret Harte 9. Henry James
2. Edith Wharton 6. Stephen Crane 10. Jack London
3. Theodore Dreiser 7. Willa Cather 11. Carl Sandburg
4. Edwin Arlington Robinson 8. Langston Hughes
American Realism
1. F. Scott Fitzgerald 4. Ernest Hemingway 7. William Faulkner
2. Sinclair Lewis 5. John Steinbeck 8. Sylvia Plath
3. Richard Wright 6. Zora Neale Hurston
Modernist Poets
1. Ezra Pound 3. T.S. Eliot 5. Robert Frost
2. Wallace Stevens 4. William Carlos Williams 6. Edward Estlin (E.E.) Cummmings
Rebirth of Freedom
American returned in 1945.
Proliferation of newspapers such as FREE PRESS, MORNING SUN, MANILA TIMES, PHIL. HERALD, CHRONICLE,
BULLETIN
Famous work: ‘Kwento ni Mabuti’ by Genoveva Edroza- her first Palanca Award
PERIOD OF ACTIVISM
Because of the ills of society, the youth moved to seek reforms.
Martial Law
Writings were rebellious.
Period of terror and wrath
Age of Ninoy’s martyrdom
People Power
Rebirth of newspapers and books
Chinese literature
Chinese literature is one of the major cultural heritage of the world.
Poetry was characterized by compactness and brevity.
Confucius or Kung Fu-tze was the first sage of China who wanted to make education available to all men. He was the great
teacher who founded Chinese literature.
SHIH CHING was the first anthology of Chinese poetry
Five Books of Confucius
YIKING (Book of Changes) – divination
LIKING (Book of Ceremonies) – etiquette
SHUKING (Book of Historical Documents) – political ideals and good governance.
SHIKING (Book of Poetry) – best poems
CHUN CHIU (Spring and Autumn) – history of Confucius’s native province.
Teachings of Confucius: Principles of Courage and Prudence, Filial Duty, Selecting friends
Arabic literature
‘A Thousand and One Night’ was a collection of stories and folk tales compiled in Arabic.
Example: Alladin, Ali Baba and the Forty Thieves, Sinbad, The Sailor
Kahlil Gibran – great poet
Indian literature
The oldest sacred literature found in four VEDAS (knowledge)
Rigveda – Veda of Praise (oldest)
Brahmanas – rituals and prayers
Upanishads – discourses between teachers and pupils
Puranas – history of the Aryan race
Mahabharata Hindu epic – the longest poem in the world about the bitter quarrel of two brothers- Pandu and Kuru
Ramayana – defects the duties of relationship portraying ideal characters like the ideal servant, ideal brother, ideal
wife and ideal king.
Kalidasa – poet known for Sakantula/greatest Sanskrit playwright and poets
Rabindranath Tagore – best known of all writers in India
Hebrew literature
Bible- book of all books with 39 Old Testament books and 27 New Testaments. This is a literature that provokes another
literature.
ENGLISH LITERATURE
WILLIAM SHAKESPEARE
1. wrote more than 35 plays as well as 154 sonnets and 2 narrative poems –Venus and Adonis and The Rape of Lucrece
2. His sonnets, also known as the Elizabethan sonnet, are composed of three quatrains and one heroic couplet with the rhyme
scheme - abab-cdcd-efef-gg.
SONNET 18
Shall I compare thee to a summer's day? a
Thou art more lovely and more temperate: b
Rough winds do shake the darling buds of May, a
And summer's lease hath all too short a date: b
Sometime too hot the eye of heaven shines, c
And often is his gold complexion dimmed, d
And every fair from fair sometime declines, c
By chance, or nature's changing course untrimmed: d
But thy eternal summer shall not fade, e
Nor lose possession of that fair thou ow'st, f
Nor shall death brag thou wander'st in his shade, e
When in eternal lines to time thou grow'st, f
So long as men can breathe, or eyes can see, g
So long lives this, and this gives life to thee. G
FRANCIS BACON
He that hath wife and children hath given hostages to fortune; for they are impediments to great enterprises, either of virtue or
mischief. Work: Of Marriage and Single Life
JOHN MILTON
Famous for his epic poem On His Blindness, Paradise Lost and its sequel Paradise Regained.
WILLIAM BLAKE
William Wordsworth (1770-1850), British poet, credited with ushering in the English Romantic Movement with the publication of
Lyrical Ballads (1798) in collaboration with Samuel Taylor Coleridge.
JOHN KEATS
A thing of beauty is a joy forever:
Its loveliness increases; it will never
Pass into nothingness;
LITERARY TERMS
ALLEGORY is a story or tale with two or more levels of meaning-literary level one or more symbolic levels
ANECDOTE is a brief story about an interesting, amusing, or strange event
ANTAGONIST is a character or force in conflict with a main character.
BALLAD is a songlike poem that tells a story
CHARACTER is a person or animal who takes part in the action of a literary work.
CHARACTERIZATION is the act of creating and developing a character
CHRONOLOGICAL ORDER refers to the way that events follow each other as they happen in time.
CONFLICT is a struggle between opposing forces.
CONNOTATION refers to the emotions and associations that a particular word or phrase brings forth.
DENOTATION is the literal or dictionary definition of a word.
DRAMA is a story written to be performed by actors
ELEGY is a solemn and formal lyric poem about death
EPIGRAM is a brief, pointed statement, in prose or in verse, often characterized by use of some rhetorical device or figure of
speech.
FANTASY is a form of writing that is highly imaginative
FICTION is writing in which characters, plots, and settings are invented by the writer.
FLASHBACK is a section of literary work that interrupts the chronological presentation of events to relate an event from an
earlier.
FORESHADOWING is a writer’s use of hints and clues to indicate action that will occur later in the narrative. It creates
suspense and makes the reader eager to find out what is going to happen next.
FREE VERSE is poetry that lacks a regular rhythmical pattern or meter
HERO/HEROINE is a character whose actions are inspiring or noble.
An IMAGE is a word or phrase that appeals to one or more of the five senses-sight, sound, hearing, touch, taste, or smell.
IMAGERY is the descriptive or figurative language used in literature to create word pictures for the reader.
INFERENCE is a reasonable conclusion drawn from clues provided by the writer.
LYRIC POEM is a melodic poem that expresses the observations and feelings of a single speaker.
METER is the rhythmical pattern of a poem
MOTIVATION is a reason that explains a character’s thoughts, feelings, actions or speech
NARRATIVE is a story in fiction, nonfiction, poetry or drama.
NARRATIVE POETRY tells a story.
NONFICTION is prose writing about real people, real places, real happenings.
PARODY is a humorous imitation of a literary work, one that exaggerates or distorts the characteristic features of the original.
PLOT is the sequence of events in the story.
POINT OF VIEW is the perspective from which a story is told.
PROTAGONIST is the main character in a literary work.
REFRAIN is the repetition of a word, phrase, or line in a poem.
RHYME is a poetic technique that repeats syllable sounds at the end of the lines in a poetry stanza.
SETTING is the time and place of the action of a story.
SATIRE is writing that ridicules or criticizes individuals, ideas, institutions, or other works of art or literature.
SURPRISE ENDING is a conclusion that violates the expectations of the reader.
SUSPENSE is the excitement a reader feels about the outcome, or solution to the problem the writer has posed.
TONE is the attitude the writer takes toward a subject