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Technical Rider for Live Performance

This technical rider summarizes the band's stage setup and audio equipment requirements. It includes a channel list with the microphones needed for each instrument, monitor mix preferences for each member, power and audio connection needs. The document requests that the venue provide all listed equipment, including microphones, sufficient PA system coverage and volume, effects processors, and safe storage of gear, to ensure a successful performance.

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Ashley Green
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292 views3 pages

Technical Rider for Live Performance

This technical rider summarizes the band's stage setup and audio equipment requirements. It includes a channel list with the microphones needed for each instrument, monitor mix preferences for each member, power and audio connection needs. The document requests that the venue provide all listed equipment, including microphones, sufficient PA system coverage and volume, effects processors, and safe storage of gear, to ensure a successful performance.

Uploaded by

Ashley Green
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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TECHNICAL RIDER

Channel Number Placement Microphone

1 Kick In Shure Beta 91a


2 Kick Out Shure Beta 52a
3 Snare Top Shure Beta 57
4 Snare Bottom Sennheiser e904
5 Hi Hat sE Electronics SE1A
6 Rack Tom Sennheiser e904
7 Floor Tom Sennheiser e904
8 Over Head L sE Electronic sE4400a
9 Over Head R sE Electronic sE4400a
10 Backing Track L Radial ProD2
11 Backing Track R Radial ProD2
12 Bass DI Direct (SansAmp)
13 Bass Cab Shure Beta 52a
14 Guitar L Shure SM57
15 Guitar L Sennheiser e906
16 Guitar R Shure SM57
17 Guitar R Sennheiser e906
18 Vocals Shure Beta 58
19 Vocals Spare Shure Beta 58

​PLEASE MAKE EVERY EFFORT TO ENSURE THAT ALL OF THE


FOLLOWING ARE PROVIDED, AS ALL ARE CRUCIAL TO OUR
PERFORMANCE

● FOH SYSTEM TO REACH FREQUENSIES 50Hz – 20Khz.

● FOH SYSTEM TO REACH VOLUMES OF 129dB.

● GRAPHIC EQ ON THE L&R OUTPUT.

● TWO POWER SOURCES (UK 3 PIN PLUG) BEHIND EACH GUITAR STACK,
BASS STACK, DRUM KIT AND AT EACH MONITOR SL & SR.

● 4 AUX RETURNS FOR MONITOR SENDS WITH GRAPHIC EQ’S ON EACH


SEND.
● 2 FX RETURNS FOR REVERB AND DELAY (AT LEAST).
● 4 NOISE GATES.

● 6 COMPRESSORS.

● MICROPHONES THAT ARE LISTED IN THE CHANNEL LIST.

● EASY ACCESS TO AND SAFE STORAGE OF ALL EQUIPMENT.

STAGE POSITION NAME MONITOR MIX MIC? DI? Notes


(Y/N) (Y/N)

BASS Stage Left (Inner) James Kick & Snare (50%), Bass N Y DI into
(30%) & Vox (20%) SansAmp

GUITAR Stage Left (Outer) Scott N N

GUITAR Stage Right Chris N N


(Outer)

DRUMS Centre Ashley *AUX IN SEND FOR IN EARS* N Y DI box


40% KICK behind kit
40% SNARE
20% REST OF DRUMS
NOTHING ELSE, ONLY
DRUMS

VOCALS Centre Lucas Y N

FOR ANY ENQUIRIES OR ISSUES WITH WHAT IS REQUESTED, PLEASE EMAIL


HOLDING ABSENCE SOUND ENGINEER:

THOM PIKE – ​[email protected]

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