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Caminos - Jose Luis Lara

This document contains musical notation for a piece titled "Valse". It includes standard notation symbols like clefs, time signatures, key signatures, dynamics, and other markings. The piece seems to be for solo guitar and follows a waltz-like structure with 3/4 time signature. It moves through several sections labeled with Roman numerals and includes performance instructions like tempo changes.

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arodys albornett
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70 views2 pages

Caminos - Jose Luis Lara

This document contains musical notation for a piece titled "Valse". It includes standard notation symbols like clefs, time signatures, key signatures, dynamics, and other markings. The piece seems to be for solo guitar and follows a waltz-like structure with 3/4 time signature. It moves through several sections labeled with Roman numerals and includes performance instructions like tempo changes.

Uploaded by

arodys albornett
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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VALSE

Caminos José Luís Lara


a mi maestro Douglas Esteves rev. Douglas Esteves

q= 80
   
      
CII
     
2

               
3 0

     
3
1

  
Guitar

        
mf
espress.


     31  43
C II-------

          4    
5 4

     
        
 
  
            2  
0
 
3

1
 2

 
C.VII-------------CVI----------------
C.I

        
   
4

  
10

         




        
       
  

   
1. 2.


                  4 3
     2 2
15

           
    poco rall.    
   1  1
  f  

Preparar Bar.IV

 
CIV.1/2___________ hasta la cuerda C VI-----------------------------------

 
            
C.IV-----------

     
19 90 3
3 4

          
3 4


     
 



mf
2

  
          
 
  
    
1
          
23

   



3
  
  
f

4--4 C.IX
  
4 1 1 4 1

            
C.VI----------------------------

 
C.IV
      
27

            
3

   
4

    


 

2

 
mf

C.IX---------------------------------------------

             
1. 2.

       
           
32
   
4 4 2

        
 
poco rit.

C III-----------------------------------------
C III-----------------------------------------
4 1



                           4 0


37









   


    
espress. e dolce

Arm.8vados.........................................................................................
19 19 18 16 19 16 19


  

 
CIII -----------
   
          
19

 
42






      
          

 

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