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Franz Liszt - Happy Birthday If It Were Written-1

The document is a musical score titled "Happy Birthday if it were written by Liszt". It contains the musical notation for a complex, virtuosic piano arrangement of the "Happy Birthday" melody in the dramatic and ornate style of composer Franz Liszt. The score spans 16 pages and includes various tempo, dynamic, and expression markings to showcase Liszt's dramatic and technically demanding compositional approach.

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0% found this document useful (0 votes)
574 views4 pages

Franz Liszt - Happy Birthday If It Were Written-1

The document is a musical score titled "Happy Birthday if it were written by Liszt". It contains the musical notation for a complex, virtuosic piano arrangement of the "Happy Birthday" melody in the dramatic and ornate style of composer Franz Liszt. The score spans 16 pages and includes various tempo, dynamic, and expression markings to showcase Liszt's dramatic and technically demanding compositional approach.

Uploaded by

오승은
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Happy

Birthday if it were written by Liszt

 
Scored by. MiNard


       
Adagio

      
           
     


 
7

    
7 7


      

2

  
     
      
   
  
 6 7 6 7

 
6

       
 
6

   
4

       
        
      
    
 
7

     
7 7


  
5

  
              
    

 


 
6


6 6

    

         

6

   
        


6


  
6

 
8


Rousseau
   
                    
Lento

    
7

         
    
            


   


  
rit.

 
6

        
 
6 6

  

     

         
 
         
  
11

          


        

    
dim.

      


       
                       

6

 
 
Adagio


16


    
      

 6

 
6

6

 
    
    
                               
7 6

      a tempo.   
18

 
       
   
rit. 6
6 6



 

   
   
                            
7 6

  
6

    a tempo.  
20



    
    
       
rit.


6 6






2 Rousseau
   
   
          
          
Lento

 
       
    
22

  
     
 9         
  


         
  
6

     

 
                   
                 

25 Adagio

              
5

     
            
5

  
cresc.

  
accel. 5

 

                       
5

                    
      

27

        
             
                  
 a tempo.

       

               
                 
  
     
     
 
29

  
   
        
         
              
           

Rousseau 3
 
  
             
33

                 


4 Rousseau

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