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Creep/Trip: Siopao Na Special

1. Creep/trip refers to time-dependent plastic deformation or fatigue of a material under constant stresses or cyclic stresses below the yield stress. 2. It describes how metals slowly deform over time under load, even when the applied stress is less than the yield stress. 3. This deformation occurs as a result of long-term stresses distorting the crystal structure of metals on an atomic level.

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Patov
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160 views5 pages

Creep/Trip: Siopao Na Special

1. Creep/trip refers to time-dependent plastic deformation or fatigue of a material under constant stresses or cyclic stresses below the yield stress. 2. It describes how metals slowly deform over time under load, even when the applied stress is less than the yield stress. 3. This deformation occurs as a result of long-term stresses distorting the crystal structure of metals on an atomic level.

Uploaded by

Patov
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Creep/Trip


Siopao na special
Hammond/Hazlewood/Miranda, arr. Earl Fausto

  = 100 Depressing
   
  
           
                        


 


 

     

5
1.




    

           

            

 


 2.
 

                 
 
9

          
    
           

 


  


            
  
13

              
     
         

  
 



()  

       
         
  
17

         
                  

     
  

Universal Records, 1992, 1998



  
2

          
21

             
                 
    
 


       
             
     
()

   
25

       
           
    

   
      
     


 
                 
29   

    
 
 
    
     
  
                  
    


   
 ()    

34
 

               
             
      


   
     
 

 
38




     
    
            
 
 


 
   
       
      
42   

              
             
  

 

Universal Records, 1992, 1998




3

                  
 
46

   
      
   

          
    
     



  


  
        

50

               
             

 


 

    
     
           
 
54

 
        
         


     
     


   
  

           
         
58

         
 
        
              
  
 


    

 


               
    
62

 
  
      

 
              


       
        
   

Universal Records, 1992, 1998



    
    
        


 
   
4

   
67



 

      
           
       
   



              
     
             
()  

          

71

       
        
        
        
      


       
      
 
()  

    

75

             
         
  
  
  
          
    
 


 
()  

             
  
80

   

 
 





         


 
 


  
 

    
       
84

          
            
           
  
 
 

Universal Records, 1992, 1998



       
5

             
    
88


        
            
  

 
       
     
  


  
           
     
92


   
   
      

              
   
 
 


  
             
96  = 90  = 80


   
  
    

 
 
 
  

Universal Records, 1992, 1998

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