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Baritone Sax Solo: Better Get It In Your Soul

This document is a musical score for the Charles Mingus composition "Better Get It In Your Soul". It consists of solo sections for baritone saxophone played by Leo P. over a repeating rhythmic pattern. The score uses symbolic notation of lines, dots and triangles to represent the soloist's melodic and rhythmic improvisation over the backing rhythm.

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Jeremiah Annor
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315 views4 pages

Baritone Sax Solo: Better Get It In Your Soul

This document is a musical score for the Charles Mingus composition "Better Get It In Your Soul". It consists of solo sections for baritone saxophone played by Leo P. over a repeating rhythmic pattern. The score uses symbolic notation of lines, dots and triangles to represent the soloist's melodic and rhythmic improvisation over the backing rhythm.

Uploaded by

Jeremiah Annor
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Better Get It In Your Soul Solo

                   

Charles Mingus

  
 = 240

 
Solo: Leo P

Baritone Saxophone   
        

 
      
      

        

9

                    
     
   
14

   
3

           
         
20

                        
          
26

                    
          
30


             
         
34

    

                           
  
      
38

   
                     
             
43

 
       
                   
         
49
    
         
2

              
     
54


   
         
 
     
   
    
59


   
                     
   
65

   
            
          
  

70

 

             
   
77

                 

     

81

                         

83

          

       
     
85

                  
           
90 3

3 
                
             
95

        
        

   
101
        
 3

              

111

     

     



     



    
 

122

                             
windmill arm

   
129

         
              
134
2 2

     
2 2

    
2 2



     
138

           
2 2 2

  
            
       

145

   
            
 
          
151

     
         
         

157

           
           
2 2 2 3


3

 
161

          

166


                        
169 Straight
Bar. Sax.

rhythmically notated,
pitch generally rising.
               
4
175


Bar. Sax.

              
183

Bar. Sax.

3 3

        
191

Bar. Sax.

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