Understanding light

shapers with 50 examples

lighting school
Introduction
In this eBook, you will discover the potential of broncolor light shapers with simple 1-light setups. Get
inspired by 50 photographs of the same object lit differently. broncolor lighting instructor Urs Recher
provides you with valuable insights on what a single light can do. The classic white egg on white
background challenge will have no secrets for you anymore.

Happy reading,
your broncolor team
About the Author
For more than 20 years, Urs Recher has been the
photographic eye of broncolor. He is responsible
for the company‘s advertising photography and
shares his fascination for light with his professional
colleagues around the world who attend his
seminars and workshops.

Urs helps the company develop new products, tests

light shapers extensively, and uses them virtually
every day as part of his studio work. It comes as no
surprise, then, that he is intimately familiar with the
lighting characteristics of each light shaper and also
knows how to use creative positioning to achieve
interesting and perhaps unusual lighting situations.

That‘s what this eBook is about.

© Deborah Recher van Gurp

About broncolor
Bron Elektronik AG, founded in 1958, with its well-known broncolor brand, has developed over the
past half-century into a global player in the international market for professional lighting systems.

Light is our passion

The challenge of consistently meeting your needs and repeatedly surprising you with innovations is
our motivation – and light our passion.

Our goal is to produce state of the art products, housing in a corporate and modern design including
broncolor‘s technological innovations and guaranteeing an unbeatable quality standard. This is also
what you expect from us in your daily work in the studio or on location.
01 02 03 04 05 06 07

08 09 10 11 12 13 14

15 16 17 18 19 20 21

22 23 24 25 26 27 28

29 30 31 32 33 34 35

36 37 38 39 40 41 42

43 44 45 46 47 48 49

50 Content
 The Litepipe P can be used with
a light angle of 360 degrees. In
this situation, however, I only use
01
a very small opening made with
the included counter reflectors,
creating nice gradations towards
both sides of the egg.

At the same time, the counter

reflector blocks indirect light,
increasing the contrast and
making these gradations clearly
more visible.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Litepipe P with counter reflector
 A snoot on a Unilite lamphead is used in the
lowest possible position. The light is just reaching the
entire egg while the table is only illuminated by the
02
reflections of the white object itself.

The subtle white ring around the egg comes from

the black, but not absolutely matt, inside coating of
the snoot. This can be an issue if an absolute even
illumination is required, but most of the time, it adds
some pleasant effects to the light.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Snoot
ƒ Small mirror
 This shot is realized with nothing
else than a standard reflector P70.
The perfect parabolic shape and
03
the right amount of texture of the
reflector guarantees a very even
illumination without stains and a
nice light gradation towards the
edges.

The direct hard light from the flash

tube creates an additional clearly
visible core shadow.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Standard reflector P70
 A very mystical and lovely illumination. A Picolite with
narrow grids is positioned very low, just above the
table‘s surface and aiming at the top of the egg.
04
Lovely gradations that are typical for honeycomb
grids shape the object. A larger light source such as
a P70 standard reflector, would never create such
precise and fast gradations on an object of only a
few centimeters, even when combined with the most
narrow grids.

Adjusting the size of the light shaper to the size of the

object is essential, when the illumination should be
precise and controllable.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with narrow grids
 The Litestick is basically nothing
else than a linear flash tube of
about 30 cm length. It is shipped
05
with a reflector, but here I remove
this part to increase the hardness
and the precision of the light.

I use the integrated heat protection

to block the light that would
otherwise hit the table behind the
egg.

You can easily identify the different

shadows (hard vs soft) both on the
table and on the egg itself.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Litestick with reflector removed
 The Picobox can be understood as a very small but
super precise softbox. Here I tilt the acrylic diffuser
away from the object and more towards the camera.
06
The edge transfer of the Picobox creates a lovely
gradation on the illuminated side of the egg, increasing
the three dimensionality of the shot.

To ensure that the shape of the egg is also visible on

the other side, I reflect some of the light of the Picobox
with a small mirror.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with Picobox
ƒ Small mirror
 The softlight reflector P is a classic
light shaper for portrait and beauty
photography.
07
Due to its form it is not reflecting
the light evenly like a parabolic
shaped reflector or a softbox. The
reflections have rather the form
of concentrical circles, revealing
a lot of texure and nice, soft but
contrasty gradations.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softlight reflector P
 Here a Para 88 is set up with the lamphead in the
defocused position. Therefore, the centre of the
parabolic reflector becomes darker. This means, that
08
when the Para is positioned right behind the camera,
the flat light in the camera axis is reduced and the
object appears soft, but nicely shaped.

Compared to the large Para 222 and 177 the reflective

material of the small ones with diameters of 88 and
133 cm is more textured. The three-dimensional effect
is therefore somewhat reduced, but the shadows are
more even and natural looking.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Para 88
 This shot may represent the
normal use of the Balloon. With
the distance between the Balloon
09
and the object you can easily
and very fast define the contrast
between the light that hits the
object directly and the indirect
fill-in light. As the light shaper is
perfectly round, the shadows are
very pleasant in all directions.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Balloon
ƒ Black cardboard
 When working with a snoot, you basically only use
the light coming directly from the flash tube. There
is no “softening“ reflector or diffuser around. Beside
10
this, all the light that might hit the set indirectly via
reflections from the studio walls, is eliminated. The
result are razor sharp, dark shadows.

Here the snoot is not directed towards the egg but

more in the direction of the camera. This explains the
dark area on the top of the photograph.

That‘s an
easter egg.
broncolor equipment
ƒ Scoro 1600S WiFi Happy you!
ƒ Unilite
ƒ Snoot Congrats ;-)
 Another example illustrating
the unlimited possibilities to
create graphic effects with the
11
Picolite. Here, this tiny lamphead
is combined with a projection
attachment. The integrated
templates block the light closest
to the camera, leaving the egg‘s
belly in a shadow.

These shadows are completely

black (even on a white egg) unless
you provoke some reflections by
placing a white cardboard on the
other side.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with projection attachment
ƒ White cardboard
 Even if the Striplite is a very narrow
light shaper, its acrylic diffuser has
a light angle of 180 degrees. In order
12
to increase light control by limiting
this light angle, I use the Striplite
here with honeycomb grids.

I place the light shaper slightly

behind the object and make sure
that the illuminated area of the
egg is in front of a dark background
and vice versa.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Striplite with grids
 The Edge Mask is available for all
rectangular softboxes. They are
used for continuous contour lights
13
all around an object (e.g. hair light).

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softbox 60 x 100 with Edge Mask
 Certainly not a typical use of the
Litepipe P. But playing with light
shapers and setting them into
14
the strangest positions often
reveals new and unseen light
characteristics.

I use the Litepipe P here with its

full 360 degrees light angle but
in a vertical position so that the
mirroring reflector creates a round
shadow separating the white egg
from the white table.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Litepipe P without counter reflector
 The size of the Ringflash C is
increased by mounting the Beauty
reflector. This makes the light
15
somewhat softer (essential when
you shoot not a matt egg but
maybe rather shiny skin) and the
typical shadow contours wider.

Beside this the light is comparable

with a common ringflash,
less shadows and with subtle
gradations to both sides of the
object.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Ringflash C with Beauty reflector
 Here I use a Picolite with narrow
grids as backlight. Even when
using the extra narrow grids on a
16
standard reflector, the illuminated
area would be much larger. So,
if light control on small sets is
required, the Picolite system with
all its accessories is the right (and
possibly the only) solution.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with narrow grids
 The Litestick is shipped with a
reflector. To position the linear
flash tube as low as possible, I
17
remove the reflector here. I simply
put the Litestick on the table and
as the flash tube is so narrow,
almost no direct light reaches
the table. Horizontally, the light
shaper is long enough to create a
pleasant soft gradation around the
egg. To separate the egg from the
background I use a mirror on the
left.

The Litestick can be used very

beneficially as an effect lamp or
to reach the most hidden spots in
a narrow set like for example car
interiors.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Litestick with reflector removed
ƒ Mirror
 Unbelievable light control with
the Picolite and its projection
attachment. Here I use a round
18
aperture mask inside the
projection attachment. The
integrated template blocks the
rear part of the perfect light circle.
By defocusing the device, the
edges of the spotlight could be
made softer as well.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with projection attachment and round aperture mask
 Having a large Fresnel lens, the Flooter can be used to
receive dominant and strong spotlights. Also, it is my
preferred way to imitate sunlight in the studio.
19
By changing the lamphead’s position inside the
Flooter (focusing) you can fine-tune the shadow
characteristics until they look like natural sunlight.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Flooter
ƒ White cardboard
 It‘s always interesting to analyze and understand the
light and especially the shadows of a super narrow
softbox. A 30 x 120cm Softbox can actually only be
20
called “soft” when you refer to the long side. In the
other direction the box has just the dimension of a
standard reflector - the fact that the light is diffused
does not mean, the light is soft.

Looking at the picture you will see the relatively

sharp shadows from left to right while in the vertical
dimension, the shadows are very soft, the light even
reaches over the top of the egg to the other side.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softbox 30 x 120
 Having a light angle of 360 degrees,
the Balloon is normally used for a
very even illumination. However,
21
when you bring the light shaper
very close to your object, you
receive a fall-off according to the
inverse square law. At the same
time the shadows become nicely
soft and perfectly round.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Balloon
 A Picobox is positioned just like a “light emitting
extension“ of the table. As the light shaper is very
precise, the surface of the table itself is not reached
22
by the light in contrast to the object.

The light comes from very low, so the top of the egg
remains in the shadow.

The light of the entire Picobox reaches the centre of

the egg, while the two sides only receive about half
of the light - as a result I get nice dark edges on both
sides of the egg.

A white cardboard is used to reflect some light into

the area behind the object. This guarantees a proper
separation of the dark contours of the egg and the
table.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with Picobox
ƒ White cardboard
 Here, the smallest member of the
Para family is positioned on the
side and directed slightly away
23
from the object. This explains the
slow light fall-off on the table
behind the egg. As the lamphead
is in a defocused position, the light
still shows three-dimensionality
that is unique for this type of light
shapers.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Para 88
 The diameter of a Litestick‘s
linear flash tube is just about
1 cm. Therefore, the light is very
24
hard and precise in one direction
(and relatively soft in the other
direction). Here I position it just
below the table: The egg receives
all the light while the table itself
remains almost completely in the
shadow.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Litestick with reflector removed
 The Sunlite set is a linear U-shaped flash tube with a
four-wing barn door. 25
If this flash tube is directed exactly at the object,
the shadows are extremely hard and sharp. A larger
distance between the light shaper and the object is
beneficial for this effect.

With the positions of the four wings of the barn door,

you can vary the amount of indirect light in the studio,
controlling the contrast of the shadows very precisely.

Obviously, a reflective environment (non-black studio

walls) is needed for this technique.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Sunlite set
 A big stage for a small object!

When creating spot effects on

26
small objects it is essential, that
the light shaper is small as well,
otherwise the light will hit the
entire set rather uncontrolled.

Here a Fresnel spot attachment

that has just about the size of
the egg, is used on a Picolite.
Additionally, I focus the small spot,
putting the egg in a dominant,
narrow spot light with very
pleasant shadows and light
fall-offs.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with Fresnel spot attachment
 The Fresnel lens of Pulso Spot 4
is here replaced by the 150 mm
optical snoot. This snoot has 4
27
integrated templates which allows
to project any shape or pattern of
light onto the object. In principle,
you can almost illuminate every
single pixel individually, if needed.

Here the templates are open

only a few millimeters, leaving
all the non-illuminated areas in a
complete dark.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Pulso Spot 4 with 150 mm optical snoot and
integrated templates
 When working with a broncolor
Balloon in a reflective environment,
you can easily and fast adjust the
28
contrast between the soft light
hitting the object directly and the
diffused indirect light.

In this specific example, however,

I block all the direct light with a
white cardboard and only allow
indirect reflections from the studio
walls to hit the egg. The result
is a photograph with the lowest
possible contrast.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Balloon
ƒ White cardboard of around 60 x 90 cm
 A light shaper with a diameter
of 222 cm (87.4 in) illuminating
an object of just about 7 cm
29
(2.75 in)? sounds like the flattest
of all possible lights - if it‘s not a
Para. Para reflectors, especially
when used with the lamphead in a
defocused position, surprise with
a very three-dimensional light,
which shapes objects very nicely,
even when used right behind the
camera, like in this situation.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Para 222
 The Ringflash C is used here without any accessories.
This light shaper is known for its shadowless
illumination. However, if you look closely at it, it is a
30
slightly different story:

The centre of the egg receives the light from the

entire Ringflash while the two sides are hit by a
reduced amount of light. These half shadows are
responsible for the subtle gradations and add three-
dimensionality to the object.

As the Ringflash is used here over a rather short

distance, the light fall-off according the inverse
square law is quite obvious.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Ringflash C
 A Striplite with its precise acrylic
diffuser is positioned as a light
emitting extension of the table.
31
The light shaper is tilt in an angle, so
that no light hits the table directly.
This position illuminates mainly
the centre of the egg, creating nice
contours in all directions, which
shapes the object nicely.

A reflective cardboard is used to

brighten up the table a little bit in
order to see the contours of the
object.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Striplite
ƒ Reflective carboard
 The Litepipe P can be used with
or without the textile counter
reflectors. When these parts are
32
removed, the light angle is fully
360 degrees and the indirect light
can be used as a diffused fill-in.
Here, however, I use the counter
reflectors to limit the light angle
and to get a dark background
behind the egg.

The Litepipe P can be seen as a

single-ended softbox. The handling
is very convenient as the light can
be positioned right above the table
while a normal stand stays safely
on the floor.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Litepipe P with counter reflectors
 The Boxlite 40 can be understood
as an extremely even and
seamlessly lit acrylic light shaper.
33
It creates perfect reflections
on shiny objects or can even
be integrated in the photo as
a graphical element or shine-
through light.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Boxlite 40
 When you need light control over
small sets, it is essential to have
the corresponding small light
34
shapers.

If you use an average-sized

Fresnel spot to illuminate an egg,
the light source would be several
times larger than the object and
the light would look like the one of
a softbox.

Here, the Fresnel lens for Picolite

is smaller than the object and
allows to create a classic, strong
spot light.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with Fresnel spot attachment
 The Satellite Staro can be
understood as a perfectly round,
acrylic softbox.
35
But unlike the textile softboxes
and Octaboxes, the Staro is heavily
centre-weighted. As a result, the
light appears stronger, and the
shadows have a better definition.

The acrylic diffuser makes the

light a perfect choice even for a
shiny object: No wrinkles are seen
in the reflections, which show nice
gradations due to the hotspot of
the Staro.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Satellite Staro
 A snoot limits the light angle
drastically. But unlike honeycomb
grids, it does not do this gradually,
36
but very harsh. The edge transfer
of a snoot is even sharper than the
one of a Fresnel. Only a projection
attachment is even more precise.

Even if the inside coating of a

snoot is black, you can still see
some multiple shadows of the
egg on the left. Obviously, these
shadows become invisible as soon
as you use the snoot over a larger
distance.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Snoot
ƒ Mirror
 The softness of a light shaper
depends on its subjective size.
When using a softbox far away
37
from the object, it converts the
softbox into a hard box. Diffusion
alone does not soften the light.

Here I use a relatively large softbox

over a very short distance, which
softens the light to the maximum.
But unlike a diffused illumination
you can still see a direction in the
light.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softbox 90 x 120
 A Picobox is set up just out of the
picture frame. Even if it can be
seen as a very small softbox, this
38
short distance makes the light
relatively soft. A lot of reflection
from the white table back to the
egg reduces the contrast and
makes the light look even softer.

As the Picobox is a very precise

light shaper, tilting it just a few
degrees towards the camera,
allows to control the light fall-off
behind the egg very precisely.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Picolite with Picobox
 The light of the Ringflash is
known to be shadowless and
very even over the entire set.
39
Adding honeycomb grids to a
Ringflash C, however, allows you
to direct the light and to illuminate
certain areas more than others.
The light can be understood as a
directable spot without disturbing
shadows.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Ringflash C with honeycomb grid
 The Pulso Spot 4 is originally a
Fresnel spot. The Fresnel lens,
however, can be replaced by a
40
150 mm optical snoot.

The high quality of the lenses used

in this attachment in combination
with the special flash tube, provides
a sharpness that is unreached by
any other flash equipment.

You can project slides or, like in

this example, Gobo patterns on
your object.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Pulso Spot 4 with 150 mm optical snoot
ƒ Linear Gobo
 This is the smallest softbox of
broncolor, just about double the
size of a standard reflector.
41
The fact that the light is diffused,
does not mean, that the light
becomes soft at the same time.
Softness comes from the size of
the light shaper, not from diffusion.

The shadows in this picture are

very clear, and as the softbox is
used over a very short distance
to the object, these shadows are
relatively dark and the light fall-off
towards the back is fast.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softbox 35 x 60
 The Litestick is a linear flash tube
with a length of 30 cm. It comes
with a reflector that allows to limit
42
the light angle and to direct the
light. Here, however, I use it open to
get clearer shadows.

According to the orientation of the

Litestick you can clearly see that
the shadows are very hard from
left to right but rather soft in the
other direction.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Litestick with reflector removed
 Certainly not the standard use of a
Ringflash C. I mounted the grids to
the Ringflash C and placed it very
43
low above the egg, just outside the
picture angle.

Thanks to the grids, only light

beams, which are almost parallel,
can leave the Ringflash. This
creates the halo of light all around
the object. Only the very top of the
egg receives some direct light,
while the rest of the egg is only
illuminated by light reflecting from
the white table.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Ringflash C with narrow grids
 The spot effect of a projection
attachment is not as sharp as the
one of a Pulso Spot 4 or Picolite
44
but certainly more precise than
any Fresnel lens. I position the
egg here at the very beginning of
the illuminated area to show the
rather soft edges of the light beam.
The light angle is very narrow, no
indirect light illuminates the black
shadows.

The projection attachment can

be used in combination with
Gobos and the sharpness of the
projection can be adjusted.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Projection attachment
 In this example, the templates of the 150 mm optical
snoot for a Pulso Spot 4 are relatively wide open. The
spot is perfectly focused and illuminates only the
45
very top of the egg and a few centimetres of the table
right below and behind the object.

For me, this light shaper is like a joker in the studio.

It illuminates even the most hidden and unreachable
areas in any setup or allows to play with strong
graphical light effects.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Pulso Spot 4 with 150 mm optical snoot and integrated templates
 A Striplite is positioned very low,
just out of the picture angle and
slightly behind the egg.
46
Due to this position and its narrow
acrylic diffuser, the Striplite cannot
illuminate the front of the object
but it creates nice highlights on the
top and around the “shoulders“.

As I tilt the Striplite towards the

camera, the background turns
dark and even black much faster,
separating the illuminated areas
of the egg perfectly from the table.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Striplite
 Here I use the Litepipe P without
its counter reflector and, therefore,
with a light angle of 360 degrees.
47
But as I position it very close, just
next to the egg, I do not have to
worry about the indirect light.
Light falls off with the square of
the distance and the reflections via
the studio walls are so weak, that
they will not lower the contrast.

Working with this relatively large

light shaper over such a short
distance makes the light very soft
and creates a beautiful gradation
around the egg.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Litepipe P with the counter reflector removed
 The largest of all broncolor
softboxes is placed in a way that
about two-thirds of the light
48
source is behind the object. This
accounts for the uniform, beautiful
and long gradation that perfectly
shapes the egg.

Even though there is no reflector

placed on the other side, the broad
stray light still strongly brightens
the soft shadows.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Softbox 120 x 180
 Here you see the light from a
P70 standard reflector equipped
with its very narrow grids. The light
49
leaves the reflector in an extremely
narrow angle and almost parallel.
The light fall-off is very fast and
as there is almost no indirect light
bouncing back from the table or
the environment, the shadows are
as dark as possible.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Standard reflector P70
ƒ Extra narrow grid
 When high contrast and perfectly
centrical gradations are needed, it
can make sense to use a bare flash
50
tube as light shaper.

This can be the case when

shooting very small, shiny
objects. To guarantee a perfect
light distribution I definitively
recommend using a matt
protecting glass.

broncolor equipment
ƒ Scoro 1600 S WiFi
ƒ Unilite
ƒ Matt protecting glass
Product index
B R
Balloon 09, 21, 28 Ringflash C 15, 30, 39, 43
Boxlite 40 33
S
F
Scoro 01-50
Flooter 19 Snoot 02, 10, 27, 36, 40, 45
Fresnel spot 26, 34 Sunlite set 25
Softbox 13, 20, 37, 41, 48
G Softlight reflector P 07
Striplite 12, 31, 46
Gobo 40 Standard reflector P70 03, 49
Satellite Staro 35
L

Litestick 05, 17, 24, 42

Litepipe P 01, 14, 32, 47 U
Unilite 01-03, 07-10, 13, 14, 19-21, 23, 25,
P 28, 29, 32, 35-37, 41, 44, 47-50

Para 88 08, 23
Para 222 29
Picobox 06, 22, 38
Picolite 04, 06, 11, 16, 18, 22, 26, 34, 38
Pulso Spot 4 27, 40, 45
Projection attach. 44
Discover the largest choice of
photography lighting equipment
broncolor.swiss
Now, it‘s your turn!
If you like this eBook or if you have any recommendations, send us your
feedback by clicking the button below.

Don’t miss any new educational content

Subscribe to our newsletter and stay updated

Imprint
Bron Elektronik AG
Hagmattstrasse 7
4123 Allschwil
Switzerland
[email protected]

2021 Copyright © 04/2021, Bron Elektronik AG, Switzerland – All rights reserved.
Every effort has been made to ensure that the contents of this publication are fully up-to-date at the
time of going online. As part of its ongoing improvement of products, Bron Elektronik AG reserves the
right to modify existing models at any time. Any use of this publication or of parts thereof as well as
any reproduction of images must have the written consent of Bron Elektronik AG.

95.006.03
broncolor is a registered trademark. ISSN 2673-9054