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Africa in The Origins of Binary

1. The modern binary code that digital circuits are based on was first introduced by Leibniz in 1670, inspired by Raymond Lull's "logic machine" which was in turn inspired by the alchemists' practice of geomancy. 2. Geomancy originated in North Africa in the 9th century and was introduced to Europe through Spain, using patterns drawn in sand based on random lines and summing their results modulo two to represent divination symbols. 3. The mathematical basis of this binary-based geomancy is strikingly similar to systems found in ancient Egypt and sub-Saharan Africa, suggesting the cultural origins of digital computing lie in indigenous African knowledge traditions rather than European sources.

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0% found this document useful (0 votes)
108 views1 page

Africa in The Origins of Binary

1. The modern binary code that digital circuits are based on was first introduced by Leibniz in 1670, inspired by Raymond Lull's "logic machine" which was in turn inspired by the alchemists' practice of geomancy. 2. Geomancy originated in North Africa in the 9th century and was introduced to Europe through Spain, using patterns drawn in sand based on random lines and summing their results modulo two to represent divination symbols. 3. The mathematical basis of this binary-based geomancy is strikingly similar to systems found in ancient Egypt and sub-Saharan Africa, suggesting the cultural origins of digital computing lie in indigenous African knowledge traditions rather than European sources.

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Derek
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We take content rights seriously. If you suspect this is your content, claim it here.
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Cybernetic culture research unit

e-mail abstract culture syzygy archive id(entity) links occultures

swarm 1
1. Nick Land-Meltdown
2. Kodwo Eshun-Motion Capture
3. R.Mackay/M.Fisher-Pomophobia
4. Rohit Lekhi-Futureloop/ Black Bedlam
5. Ccru-Swarmachines

swarm 2

digital hyperstition
1. Steve Metcalf-Killing Time/Strife Kolony/NeoFuturism
2. Angus Carlyle-Amortal Kombat/No UFOs
3. Rob Heath & Christina Paouros-Destination 3000 Degrees
4. David Cole-Post-Cybernetic Judicial War
5. Iain Hamilton Grant-Burning AutoPoiOedipus

5. Ron Eglash - Africa in the Origins of Binary swarm 3


1. S.Livingston/L.Parisi/
Code A.Greenspan-Amphibious Maidens
2. Kodwo Eshun-Abducted by Audio (Live)
3. Steve Goodman-Darkcore
4. Tom Epps-The Body of Foucault
"The relationship between what we do as physicists today and the future that our work engenders is
5. Switch-Flee Control
dialogical in the sense that not only do our present actions determine what our future will be, but we
must be ever mindful of the impact of our present actions on the future... Through our moral digital hyperstition
responsibility and awareness of signals and trends, we in effect, 'listen' to what the future has to tell 1. Ccru- Barker Speaks
us." (Donnell Walton, Chair, National Conference of Black Physics Students 1995.) 2. Melanie Newton-Y2Panik
3. Steve Goodman- Hyper-C: Breaking the Net
4. Ron Eglash - Recursive Numeric Sequences in Africa
While the temporal traditions of African societies were frequently cited by colonialists as evidence for 5. Ron Eglash - Africa in the Origins of the Binary Code
primitive superstition, they appear today in quite the opposite context: mathematical analyses of 6. Ccru - Tales from the Cthulhu Club: The Vault of Murmurs,
Leaks from the Miskatonic Bunker-Hotel, The Templeton
traditional African designs, techniques and knowledge systems indicate a wide array of sophisticated Episode
indigenous inventions. Like Paul Gilroy's fractal Atlantic, Donnel Walton's invocation of African 7. Ccru - Pandemonium
divination traditions- of listening to the future- is not only useful in its call for greater ethical 8. Ccru - Glossary

responsibility, but also as a reminder fo the surprising links between traditional knowledge and
modern science.

The modern binary code, essential to every digital circuit from alarm locks to super computers, was first introduced by Leibniz around 1670.

Leibniz has been inspired by the binary-based 'logic machine' of Raymond Lull, which was in turn inspired by the alchemists' divination practice fo geomancy (Skinner 1980). But geomancy is
Clearly not of European origin. It was first introduced there by Hugo of Santalla in twelfth century Spain and Islamic scholars had been using it in North Africa since at least the 9th century,
where it was first documented in written records by the Jewish writer Aran ben Joseph.

Geomancy is traditionally practiced by drawing patterns in the sand. It begins with four sets of random dashed lines. These are paired off (i.e. summed by addition module two), and the
even/odd results recorded with two strokes or one stroke. Four of these binary digits represents one of 16 possible divination archetypes (ruler, travel, desire, etc.) Although the first four are
generated by this random process, the following 12 are created by recursively applying the same pairing operation on the binary digits making up the four symbols (a process which can be seen
in many other areas of African knowledge systems, c.f. Eglash 1995).

The nearly identical system of divination in West Africa associated with Fa and Ifa was first noted by Trautman (1939), but he assumed that geomancy originated in Arabic society, where it is
known as ilm alraml ("the science of sand"). The mathematical basis of geomancy is however, strikingly out of place in non-African systems. Like other linguistic codes, number bases tend to
have an extremely long historical persistence. The ancient Greeks held 10 to be the most sacred of all numbers; the Kabbalah's Ayin Sof emanates by 10 Sefirot and the Christian west counts
on its "Hindu- Arabic" decimal notation.

In ancient Egypt, on the other hand, base 2 calculation was ubiquitous, even for multiplication and division, and Zaslavsky (1973) notes archeological evidence linking it to the use of doubling
in the counting systems of sub-Suharan Africa. Kautzsch (1912) notes that both Diodorus Siculus and Oblian reported that the ancient Egyptian priests "employed an image of truth cut in
halves."

Doubling is a frequent theme in African divination and many other African knowledge systems, connecting the sacredness of twins, spirit doubles, and double vision with material objects, like
the blacksmith's twin bellows and the double iron hoe given in bridewealth. In a recent interview in Wired, Brian Eno claimed that the problem with computers is that they "don't have enough
African in them". Eno was, no doubt, trying to be complimentary, saying that adaptive rhythm and flexibility is a valuable attribute of African culture. But in doing so he obscured the cultural
origins of digital computing, and did an injustice to the very concept he was trying to convey. Take, for example, Henry Louis Gates' (1988, pp. 30) use of a recursive doubling description when
discussing the relations between divination and sexuality in West African traditions:

The Fon and Yoruba escape the Western cersion of discursive sexism throught he action of doubling the double; the number 4 and its multiples are sacred in Yoruba metaphysics. Esu's two
sides "disclose a hidden wholeness," rather than closing off unity, through the opposition, they signify the passage from one to the other as sections of a subsumed whole.

The binary coding of traditional African knowledge systems, like that of their antecedents in modern computing networks, is neither rigid nor arhythmic; its beat is a heritage heard by those
who listen to the future.

References

Eglash, R. 'African Influences in Cybernetics." In C.H. Gray (ed) The Cyborg Handbook.
Gates, H.L. The Signifying Monkey.
Gilroy, P. The Black Atlantic.
Kautzsch, T. "Urim", Encylopedia of Religious Knowledge.
Skinner, S. Terrestrial Astrology.
Trautmann, R. "La divination a la Cote des Esclaves et a Madagascar, Le Vodou, le Fa, le Sikidy." Memories de l'institut Francais d'Afrique Noire.
Zaslavsky, Cladia. Africa Counts.

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