Se ol wey Cd eae) eigen Photography by Anton Corbijn Cg eae ge Re ed ee aes ea Ce gece Re ued OULU DC ee ale pee Ser asaekuL endured center cL ast ree) ee metre cnet reat Lonestar ineinonrae ements Cia ee eoaneet naa e tad Ce eer ete riINTRODUCTION Ce Dea leashed for more than two decades—ten ‘uncompromising albums, marking an un- Nee ee oa ng band in history—you learn a thing or two about Pe eT ey ‘making oftheir fist studio album since 1997's ReLoad, the primal, ratorial, St. Anger, found Dee To Sec en em ey Cee ac) ee my beginning to show. Bassist Jason Newsted’s nebulous exit from the group. James Hettild's voluntary sojourn into rehab and much- Pea ee ilegal downloading quagmire. All of these Pe Re ass that even the Metallica juggemaut could nat navigate—could not negotiate away. Se un Rd an een ce Ree Lu along with their frequent producerfcollaborator Ce ee crossroads worthy of the themes in many a Metallica song—the kind of foreboding scenario Ulrich and Hetfield could wit in their sleep. The irony was, if this was Metallica's oft- Cee) to face it in his own way. And from the inside Ce Cee) ee Oe eee) ee Ee eer ee) James on an indefinite hiatus, the group Ce Lg Pee Rac) was headed for a rebirth or would wither away Coes Gee ee Re Lars Ulrich begins, with atypical under- statement. “A very different three years for us. ee cc Te ee Inside the potential of human beings and the CE a ee Deer Scr ay imagine existed. But if you asked me then, | See aCe ‘Metallica, | was starting to prepare myself that CO a en Se Re Pe ent indeed be found in the sweat and biood and Ce ae ae See | magnitied guitar and drums, to the colossal ce ee CE een tnd Sermo ad ee eae CO Cron The three band members, who gingerly refer to Se ee ad ‘emerged from the other side of thit journey Se ume ra an album that invariably will draw comparisons Deore See re Ci) ee ee ee See ee a eee Se un ESL at See hhave been made 20 years ago, Not even a Cee ec try eer Fe nme ad Sete od a ee ed only the greatest artists are able to sustain Se ed Seen Ce ee Re) Ce nT experienced with all their personal journeys, PEE eee te Soe aT el vision was to almost take them back to where Coe mt Ce ee CO eee ee ay ee SeeCae ey ‘band members, but also as friends. “The early eR ee sy survival mode, relying on each other and stuf ed about the friendship part and start worrying SC ee ey litle more protective, a litte more isolated. Certain factors ignited the need to look inward ‘again and just get to be friends. Now we're See ed we're doing and we have experience on our Ca Ue an eal with was the departure of Newsted and the Pe eee Cee Ree ny ‘of the masterminds behind the '90s cult band Te med Dm er Doo ee om Cee Ree a) Metalic’ musical armor was filed. Trujillo came aboard too late to appear on St. Anger. ae ee ey PCa ae) eee ‘SL Anger, was considered the fourth member of the band. Bob even filed in (quite Seer a ea But, as Metalca guitarist Kirk Hammett points OT ee aU Ne Lh Pe ace a ey huge sound and he pulled with his fingers, ee ery Ce ey fronts. He hada big sound and on top ofthat CR oa esa See Peet) See ey Cn a a) me ua strength of Metalica and helping it shine.” Another aspect of Metallica's rejuvenated Se ey on the lyric writing, teritory previously oe ea is Fee Ree ad Re eR ee Ce ean) Dee en ears) would scribble down some lines. and James Ce eee Se ed Ce ee ue theme, which is just being rue to yourself and coe ‘Which leads to what is sure to be another topic of discussion among Metallica-watchers when poring over the epic arrangements and knife- edged nuances of St. Anger. For a band that is in the throes of introspection, and in a larger See ea) CoM ects For hardcore fans who patiently waded through their all-covers release, 1998's Garage Inc, a Se ne Cae a Se eee) Dem ema CCU ee Symphony, St. Anger is a thirst-quencher, But Ce ay nr} eee Ge a aa Cen a ee ancy DR Re Se au Cnc aa) Seu Ra eae oe Seen) Ce eu er ey Cee ny band was excited by the challenge—something Metalca has always embraced. "But now that SO es is the purest, itis the most natural, it is the Cn ee ed challenging here is the perception most people a a energetic, they can only come from negative Ce CCS Ce working on ourselves and on our relationships, and we've turned that around. Now Metalca is fueled by positive energy that has manifested Cee TS re Lay bristing, time bomb refrain, and yet, under DU ed Ty silence no more.” You begin to understand the complex dynamics required for a world- CO Ree ne ce Oe eC oe ge CE ae Ed obviously begins in a much quieter place than ‘a recording studio. “It comes from us realizing Cee noe De ue ae Cane ‘ound our serenity we're capable of making this ‘monster of an album going full throttle all the time. Anger is an energy. It's a feeling. It's Coon eS ny Ree aa | See ees Se eee ee Sa eee eae ee a ad Ce ReeDISCOGRAPHY me CO a See ClaL Ned MASTER OF PUPPETS GARAGE DAYS RE-REVISITED Per O18 e -e ee Via \Mmlor LIVE SHIT: BINGE & PURGE LOAD RELOAD GARAGE INC. 1) ST. ANGER Aart) ene rd ot RE} eR ELd eee} cera Pee mE) SRI) ena November 1998 Deu) ST 0) Ie eR aa oo) Metallica Fan Club: www.metclub.com Pere ue eco ‘The Metallica Club Seer era ‘San Rafael, CA 9490114 21 eI cy 46 54 65 74 85 $210) 103 contents frantic St.anger some kind of monster dirty Window invisible kid my world shoot me again sweet amber pica Ul eMC Att Cel purify, CR TEM Samar tarot guitar notation legendFRANTIC Words and Music by James Hetfield, Lars Ulrich, Kirk Hammett and Bod Flock intro Moderately fast Rock 4 ~ 168 eis = 3 eid 2 > pa ee) = tog nk 6 wwe oe eo ee we R000 oT 0 oO oOo wh NRO oO Oe CCopyriant © 2009 Creeping Death Music (ASCAP), EMI Blackwood (Canada) Music Lid and Mahina Hoku Publching ‘Al Pigs fo EWI Blackwood (Canada) MisleL'. ans Marina Hoku Pubtshing Goro ana Aamniiore by EM Bacxwo0d Musk ne: 6 Tniemaions! Gopyeght Secured AllRights Resawed2 = = we 0 8 0 0 8 8 8 eo el SS Ne ee ee ee ee Ne. rd tie, halftime fel NC.Verse Abs Fs ps ee 1 could wom out al Abs rs ps wast ot ays he ng a ask fra Abs FS Ds would 1 we them | tm endless Steam fear i Rae eee MRS tt pt gt ppp = Ge ae mt = ae ee Titty seat Sato ae Abs FS Ds Abs FS Ds ts ES look ns bend tates tum = ing?) 7. ae eh i , fan - eek, tick, a tir od Deh Ie hee sea g 7 iy Fa Fo Rhy FEret Can 1 Gnd tim = side to deal with what 1 ghauld-'t know? nd halftime feet Abs FS DS ADS FS DS Abs FS DS ADS FS DS & = ——— 3 Poe ee ee ee Wore Ree Se eS Se Re Rca] eet oe Sses lie sole He = ters inc deh — yy > le de = ter mines my doh = syle Sree Chors Halim fst cho . ~ === oe foe ee = hepa od kino! tee ip = SS |1.2 ms sear gue oe a a = This seach goes onFd halftime feet i Weds Space 1% {itis euh— goon = SSS j 7 Fes 2h ic, tich tics sick tic tic woo a “ew ev 9 6 6 ww oo 0 ws 0 0 ole we Te Fran i, tek, tok, lok, ek, ok, tok Fran fie, ick, 2.Y've tk, yok tak! Interlude 2nd time, half-time fel srs 1 2 Bi ‘rd time, end halftime feettits ir + ee co 1 fmt tin side deal— with what shuld = thw oN eee ee HES ~ asin > = = SSS Set bs (with is painE ee) ie = syle DS. al Coda on = er o ree Rew an 3d pane f Ss Death is pain ride ek, tek! 22 pew TSS we Ne eee ew eee Ree 0 ee aa veut ee eee we Pe We 4) | 13ST. ANGER Words and Music by James Hotfield, Lars Ulrich, Kirk Hammett and Bob Rock ffwnveocraD Intro Fast Rock = 196 NC. Ne. mom Ff od eS ri © 2003 Creeiog Daath Ml |ASCAP), EM! lavas (Canad) Muse Land Maina Hoa Publi A itso Eb Backood (Cahec SeLa a Mana Hoka rblstng Gost and drinaoed ye Buco Mase 4 ‘rtornatonal Cop Secured Al Fighs Reservesoe 1a zwRenre ewe z Is Pre-Chorus pe s fee toe $e a Fonte ame gai eo You flush ito Saint You sh it out, you flush it He you Aish You fiush it out, EEE EEE ee aSeeee ee my peck eck, — (eS a=S====s ebsyab AS \ r spect as n an ser round y eck. — As ‘ ey er eee spect1 2: why 1A bs cs ibsyBb As 1. Woe: acer} 200k! | SKeverus Double-time fel bs cs 165) as EEE ge eee =e RSS R rE PEE EEE EEE PT yy loc? war ees wubs nibsynb aS bs ibs as oe ap et tt oe puke Abs, alten ASS ae ape i Oe gt tes a Me bs Ss = Ebsypb as * . patra a pt gt te LS. ‘: 6 = 3 _ f aviae feats Tif ame, Get) ae TA Soe es Vea ee bs cs EbbsyBb as ) SS SSS ¢ fo it F - fly e the aka oun wbsyph____ AS = == itt BGsyab foal ly in aa = ger with yo. Pm a ty in an = ger with 300 tm oa ree Oat ane eee = 2 ep = === A= madly nan = ger wh you wad yin an = ger with you ToCota! © DS. al Coda 1 eS za == z = aInterlude NC. Bri ses ee 1-4 it Bs tbs ES Es ES BS NC. =e ¥ 4 eb nt - ———— = = E — + ESS ES BASING MOUNDS BS BS EDS ES EDS ES EDS NC 4 = mG + $4 ridge 26 x ——_s = I eat eta es my an ger ot ptt fe——_ And 1 need wo st my an = ger foe, Interlude DSS. al Code2 ouble-time fee, End double-time fel NC = ——$—$——ef 4 Set ee! © Coda 2 BOsynb As Pm mad = ty ina er with you tmSOME KIND OF MONSTER Words and Music by James Hetfield, Lars Ulich, Kirk Hammett and Bob lock tt tt te Het bed {ern © 20 Creeping Daath use (ASCAP) EMI Biacod (Cana) Musi Li. and Mahina Fok Publishing Al Fight for EM Blackwood (Gara) Musi Lid ane Mana Hoku PuBlshing Contoled ana Acmislred by EMI Blchword Must nc Intemational Copyright Secured Al Rights Reserved 21ouble-time fet 2 Fg 2 ind dentin bt SDS rs oD rs ts 4 on panty ao a ks, pee 2 Fi} BOGS DS FS GS DSS GSS oc! GSDs 22. ao loocvvve 3 veveees 5Gsps ee or DS Pay ins or ewe wee © owe @ wee 8 Verse ie —_ SS SSS eThese are the boots tht hick you 8 round, These ate the clive thal serach these” wound, this isthe tongue tha this isthe pain thar speaks. in = sie oe 3 . rr & — + —— = — Tike ay, Sam t= oie cee ee bape rime wie Jo “Te ote This ik the fi fat grinds you down) These we the scrcams— that perce your shin, f this isthe face that this isthe bar > den of wll ia voIntertde 1. Woe. tacet 2. Yeah! Yeah! Yeah! Yeah! Yeah! Yeah! ee Verse Gee THRIA oes) 2Mese are the legs incr esa, this is the beat — ing you'll nev = er kw This is the tet of ech and sou, this is the tap that amells poh pe oe — ‘Those are the lips that taste noice = dom, this isthe feel__ that’s at__ wos, This i the Mood that drains these eyes, these ae the looks that chill the bonegod that ait ao pur. tat hold you down, this isthe face you'll nev = er change, ver head, these are the weights This is the ‘These are the | fears that swing @ ts. vi pore, | this is the voice of si - bene po This the god thats This the end that will ae - er(on. 2 W/RIC HCL (ir 142 0 Ry Fas 4848 Ds. D#s ES DS ‘DFS ES ee ar aa Care ae a ee oe = wows eae ee eT oti: Aca, RN Hal é a = Some kindof Interlude Ds FS GS DS FSGS DS FS GS DS FS GS DS. FSGSDS. FSGS DS FS Gs DS Fs Gs ‘This mon - ster tives 7 PS a ps FS Gs Ds FS GS.DS FS Gs Ds FS GS. DS (iy 142 wR A AI ee) bs ieee peBridge eg RN ns Oe = SS Se ee is ‘ yee Me Os pe E Seis : =Sss=— fer InterludeNc. ps Bs psn pbs horas pS FSGSDS FSGSDSFSGS DS FS GS DS ‘FSGSDS FSGSDSESGS DS FS GS _ Some tnt of Ds FS GSDS——FSGSDSFSGSDS FS GS DS -FSGSDS—_—FSGSDS FS GDS FS GS ee ? spn Kash ag Sy ag —=s fine pape de ede State Gr _— SSS : See Samet Seat Wad gf Reins Tis eon-ter tes. ‘outro (Ge | 22: w/ Rhy Fer 38 3A 2) bs FS GS Ds FS GS DS FS GS DS FS GS. DS or — in 12/6 REA AL FS GS DS FS GS DS FS GS DS wow 30‘rp D sing dows 12: tena wee Intro Moderate Rock = 136 4,144 EP oy Si Pt DIRTY WINDOW 23 Words and Music by James Hotfiold, Lars Ulrich, Kirk Hammett and Bob Rock ofete tee —S oo008 333 333 35 ‘Copyright© 2003 Creeping Dest Music (ASCAP), EM Blackwood (Canada) Musi Lid. and Mahioa Ho Pushin ‘A Pgh for Ei Blackoou (Canad) Mase Lid. ane Maine Hoko Publishing Contoled and Adrnisteedby EM Sacawood Music Ie Intemational Copyright Secured. Al Rights Resoved ataouble-time fel NC. fe Fs os = —- 4 ant ld ——sf x ~ yy x . ~ x the win dow. ft Jooks it Pret, wo it Fret thin what you see, Timi win = dow, clean in side, dim yon the out Ing judg meat om the kl ing ferent thane nd double-time fel mors Gs ons FR as Ds FS GS DS Abs GS. DS FSGS DS sOFS GSS FSGS DS ADS osnd double-time feel,my gw Atempo Dowble-time fe! (ir 12 n/Rife BAC HE NC cs al FA BS fudge ond fm ju = oy = JGs Ds Ne. Ds FS = gag Sa SSS Po soe) == $ $3 5 bs FSGS Ds NC Ds FS GS Ds NC bs fs GS ps NC eee ras Ey ne. @ tert C142 iy FL ‘Ore 2W/Ris AB A ine fs GS NC. ED =o eee —— ———— de feet ee De erESD yD ad Inert Double-time feel (i182: Ry Fa Gir, 1 ZARA AT Ger 1 WF RATE Pes) Gir 2 STAT Cine) DS FS GS NG ESD Es Ve Fi ese ‘outro ‘Bhat Nor Ma (ime) yD Fy ESD FD et 1 dink — fromthe cup of de =o a yD tae et — — Pm. jmle - ing the world fom my throne eT (1 wR ESD E50. ESDINVISIBLE KID Words and Music by James Hetfield, Lars Ulrich, diel ciated We Kirk Hammett and Bob Rock Ge oe Intro “Moderately fast Rock + = 164 Gas er 2st» (3) — weyers ers — © 330 330 ae = a3 0 330 330 {pyr 2009 eepng Deat Mue (ACA). StacycodCarade Mui, ang ania Ha Pung AY Rights for Ei lacknoos (Cana) Mus Lida Marina Hoku Pubishing Conroed and Administered by EM Blacewoos Mus le. ‘ntemaional Copyegit Secured Al Righls Reserved 37Géspt yg é fy 5 : "S Z s Bs fs) us) ots bs) Ln Bs cts 3) (DS) os 38BS Ges BS chs BS Gts sats (FS) [DS 8) (cs) 3) ts) 8) (bs) a © ——— sok where he hid, — eee Bs cts Bs ats Bs cts Bs ats a5) 9) 3) () i) (G3) Ibs) place of his own where he'll ney = er be known, a wd nes gmt i as cis ps cts ps cts as ts es cts ps ts & 6 88 8 & O53 6 BS é = ee —— <— = want tes gown, Hvene mk tye 2 ‘i142 wnt Ag 8 ney BS Gs Bs Gas BS Gts Bs Gts a5 BS GhS BS Gs BS EB BBS SS $3 BSS & 8S Bs ats BS. chs Bs Gks Bs cts = Se = == BS Gas BS Gas BS cts Bs gi I ——— of your ‘ouch, dom't__ wan't no cmuch_ but its all, tao uch, be place “of his own. where hel) nev = er be known. in ward he's grown, boBs Gts as cts Bs Gets Be BS &e BS cts BS Gas BS Obs BS Gas & Ba BS Be == 3 21g 3 —- Bs Ges ‘BS cts BS G5 BS G85 BS Ges B85 & & Bae & B a or + ae ee a eee ee aue ees «le fet yoga | BS Gas BS Gas BS Gas BS ats Gas 63 5&5 & 88 & & l= + h : : > >} 0 Wey Pa eins asa#s ps _ ats psots ps _ats psais ps ats pscts ps _ats EAU BA ELDDAE AVTATALAAGTALA DY Is Oi eg ee ——— Pe eM. 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Copy 08 Creing Dea Muse (ASGAP) EM Sucinoed (Canada) Muse Lt and Maina Yoh Pushing |AV Fights fo EM Blackwood (Canada) Muse L1. ond Manna Holes Publishing Contalea ang Adminstored by EW Blackwood Musk nc Inieraional Gopyrght Secured Al Fights Reservedgegag33 PM ps Bone koa wi vei NC fuck charge moth ~ er 3.Who's in Ds FS Gs fs head. ay? es ain my of omy head to Tye FE Ws Ws 47Hale-sime-fet 1 Bagh os ath bs SS SSS SS Ste ° ° ° End halftime feet Verse Gin 2 0/ RET ies) NC. 2M = ma, why’ itn = ing im my room? Look out, moth er = fuck = ers, here come, rm Cheer wp, boys look will move on som yor emake my ead myhome The Heat = y fog gat sms =f = bitch — es aya ost in = ste Vm gon - take mye, Ty’ © 88 sit right bck. en ~ joy this tide. make me some one eb, n= Sead oh,Chorus bs FS as iy. Fig 3A ot Rh. le 38 Wes my worl you can't have Ws my world. 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FSDS-” Gs AbSDS Ds mire 2 arp)r- + aa) = = ele te ———— — o te — a — 7 = Getvem out!SHOOT ME AGAIN Words and Music by Jarmes Hettol, Late Urich bs. DSH EbSxt Kirk Hammett and Bob Rock Bey | Intro Moderate Racks =116 ie aS fe so pecesteeeetisisteteree Jee | f ee ee Ds NC. be oe be 8 ee CCopyngnt © 2008 Creeping Dea Muse (ASCAP), EM Blackwood (Canada) Music Lid. and Mahina Hoku Puts ‘NI Rights or Et Elackwooe (Cena) Musle Liana Mahima Hoku Pubtelg Conte’ and Administered by EM Blackwood Musk Ino Interaional Gopyeght Secured Al Rights ReservedPa PM sgh PMtem REA bs bibs) Ds. way, igh, Interlude (12 Ry igs 1 A Ds pbs ps bss EDS DS Bos Ds Verse bs 87Bb) NC. ps obs = —— 5 = t KER Lge TH; es {Come 00 VG on} stone me a= wnat end wo Come on Ne pss bbs bss = — » stootme = pain aint deat wh eave ont | a 3 5 Sees ‘ sy Pe EET ELITES ERK thts FLEET EEE = ps oo = SS SS Stoot me = ain shot me agri {SBP Soot me a= enn shook me a= m,——me ont‘Shoot me a = gain,— boot me a = gain, shoot me, Shoot me a ~ gain, shoot me a-sain [SOME] AN he haste Tpit back at Le, se sane ao ee ts Cola Fe ee Phen enw B ee ee OD Ds FS bs. DS E>S DS ES DSEDS Pe =F ¢ 2 A he shit you fae come back whan you bs Re . 2 Fay sf - —=— = Tai ~ VTITTIITIL > om nt All the shots. al the showBbs sig Frence did 1___ ae? AU the sho Ete oo re Kao xox Be agg 9 19 19 19-1279 19:19: 19 1912719: 19: 193 ———=——_= Se oe ee Interade Tools @ Ds ES DS bs DS BPS DS bs DS BPS DS bs DS EPS DS kbs re S55 on we — = = ig £: * (Wit t= frome laVerse (with a bul ket in my ack Right wih @ bl-tet in my back) Interlude Ds EbSDs bs ps bSDs Bbs ps Ebsps bbs ‘Shoot me, Shoot me. Mm, shoot me. Shoot ine (Take «shot Take a shot Take a shot Take a. show) Verse “Gs (42/0) A.C) Ds $ with a bullet in my hack ah 0 Coda Ds NC. Ne 1. hy Fa End HY FLY Gy}pbsps bsp bea Ds Ebs ps oe Bridge ps ebs hy Pe S| POPPI TIE IVITAI TTA FULT EET (1 2 Hy gs 44k DS BPS DS bs ps ps ebs psebs —DsEbs ps ebs DsEbs Ss SS SS SS SS Se S. 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SS} = ~ a the ton AL eats (a 142 why. 8 bas. vac: w/Yoo Fi bs rs BPs + £ = J=f=f AM ht il gh keh BL ee a DsEbs SEDs DS Es Ds fs ep * s+ aa , i = = et ? ? = Yea AD te we, ‘ outro yf Chen 12 why Fes 118 pbs bs bs bs bs tbs oy SSS stot ou bs bbs Ds bss bss ES DS EDSDS EDS DS NC.SWEET AMBER Words and Music by James Hetfield, Lars Ulrich, AS AEDS Kirk Hammett and Bob Rock ee te a SPRUBTESE AS tne “cs bs csp _ps ts a ‘Copyright © 2003 Crecping Death Music (ASCAPI, EMI Blackwood (Canada) Music Lid. and Marina Hoku Pubching ‘Ni Fights for EM Blackwood (Canada) Musi Lg, ana Marina Hoku Publehing corwoled and Adrinstred by EM Blackwood Musi Ine Interationl Copyright Secured "Al Fights Reserved 65Dooubletime fet cyp DS cy ps Fscp ps csp ps Fs cp os 2d time, end double-time fee cyp ps cyp_ ps bs cs bs e Rt ecco cp Ds cyp_ bs 5 - = a z 1.Wash your ick you won't ab mine, 2Cue the ab it, ach the ick SheLive your tite so you don't. sick — She deals “in hab its, eats — — ne ce in wih your om kind = te Sk ste lls me vr Tm sick She cy cyo ps fs é = 7+ Ss Lise your ie so yon dont see rine as ‘mtb is dea in nn 1 — 9. “htt tas nt.PM PMent PM Foo Boo Boles a3 aa 2 Be oboe d ont waite ER Ge bs => SS = = + — = Ck ten aie hyd Min medaka eee (Ga 1826 Ry Fig? 2m) Ds Ps Bs Us = ng what 1 want wget what you want BB era Sein / Lead Vor: ibe me) HowFs os Ds How eweet How set Fs Gs cyp Ds Bs cp bs cyp Ds FsDS. at Coda 1 nd double-time fel sua, sua nmi Ii ~ AS Ebsypb AS AS eibsypb as ; wae Senger bw As eb as ¢- a + = x a ve = fe - + = + E : SI Dsus? Bibsypb AS AS EADS ymb AS 2 = f 4 —— a ws & lex x ov ire é set am er2nd time, DSS. al Coda 2 t ZF —— | = 73Intro THE UNNAMED FEELING Gawd Gs Words and Music by James Hetfield, Lars Ulrich, Kirk Hammett and Bob Rock eoneeeab “Moderately fast Rock «= 144 —=- (1: 0/ Rhy Fie Pe? Fas2D 2 Rhy. 2 Ds Fous2/D .© 2008 Creeping Death Music (ASCAP), EM! Blackwood (Canada) Music Lic. and Mahina Hou Put ‘ign EM eaeovoon Cana sii, Maria Wok Pasi Cones and ‘ei smavena\ Capyrght Secured Al Fights Pesowves Fy Esp nd hy. 2 yD ishing {EMI Blackwood Mosc feit aT ‘on,3 DS FsusyyD bs (emia) bbs AS bs Rip Ped edt Fes a 3 s Ee aa, oS ag ? 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