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Music Theory Placement Test

This document contains a music theory placement test with 8 parts for a student to complete. It includes matching Italian musical terms to their English meanings, multiple choice questions about music theory concepts, rewriting musical examples, inserting bar lines, identifying key signatures, constructing major scales and chords, writing 7th chords and inversions in different keys, and writing specific chords and scales in given keys. The test is assessing the student's knowledge of foundational music theory topics.
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0% found this document useful (0 votes)
525 views6 pages

Music Theory Placement Test

This document contains a music theory placement test with 8 parts for a student to complete. It includes matching Italian musical terms to their English meanings, multiple choice questions about music theory concepts, rewriting musical examples, inserting bar lines, identifying key signatures, constructing major scales and chords, writing 7th chords and inversions in different keys, and writing specific chords and scales in given keys. The test is assessing the student's knowledge of foundational music theory topics.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Music Theory Placement Test

Student Name __________________________________


Student ID # ____________________________________

Part I. Match the Italian term to its English meaning by writing the correct letter in the blank

1) ___________Gradually slower A. Moderato


2) ___________Lively and fast B. Vivace
3) ___________Moderately C. Adagio
4) ___________Moving along (walking speed) D. Ritardando
5) ___________Very slow E. Accelerando
6) ___________Gradually faster F. Largo
7) ___________Slow G. Andante
8) ___________Quickly, cheerfully H. Allegro

Part II. Multiple Choice. Circle the best answer.

1. The enharmonic note E# is:


a) D# b) E c) Db d) F
2. The enharmonic note for Fb is:
a) Gb b) E c) Eb d) G#
3. The enharmonic note for Cb is:
a) D# b) B c) Bb d) B#
4. Three or more notes sounded together is called a(n)
a) Tonic b) chord d) primary triad d) interval
5. When a chord consists of a root, 3rd, and a 5th, it is called a(n):
a) Interval b) triad c) dominant chord d) primary chord)
6. The primary chords or primary triads of a major key are:
a) I, IV, and VI b) I, ii, and iii c) I, IV, and V d) I, V, and III
7. The first degree of a scale is called the:
a) Leading tone, b) tonic c) supertonic d) mediant
8. The fifth degree of a scale is called the:
a) supertonic b) dominant c) tonic d) leading tone
Part III. Rewrite the following example using a repeat sign. Name the notes.

Part IV. Insert bar lines and write the beats under the following.
Part V. Identify the following Major key signatures.
Part VI. Construct Major scales, and the I, IV, and V chords using accidentals as needed.
Part VII. Construct V7 chords and inversions, in root position, in the following keys. Write the
key signature for each exercise.

A minor

B flat Major

F minor

C # minor

G flat Major

E Major
Part VIII. Write the following chords and scales in the keys indicated. (Write key signatures)

1) D major – Neapolitan chord

2) F minor – German Augmented Sixth Chord

3) A - Lydian

4) F - Phrygian

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