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Ang Tanging Pag-Asa by Tricia Amper (Piano Accompaniment)

The document is a piano sheet music titled "Ang Tanging Pag-asa". It contains musical notation for the piano accompaniment of the song, including the notes, tempo, and other musical markings across 26 lines. It provides the piano part for playing along with the vocal melody of the song.

Uploaded by

John Paul Guites
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
200 views3 pages

Ang Tanging Pag-Asa by Tricia Amper (Piano Accompaniment)

The document is a piano sheet music titled "Ang Tanging Pag-asa". It contains musical notation for the piano accompaniment of the song, including the notes, tempo, and other musical markings across 26 lines. It provides the piano part for playing along with the vocal melody of the song.

Uploaded by

John Paul Guites
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
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Ang Tanging Pag-asa

piano accompaniment
Tricia Amper
transcribed by John Paul Guites
 = 62

                   
           
Piano 
  
            

5



            
           
   
Pno.
    
             
    
9
      
      
      
      


Pno.
 
    
      
              
   
14

 
                             


 
 
Pno.
               
   
        
    
 
19  
    
   
  
 

      
    
Pno.
       
      
   
 
22
  
           
      
   

  
Pno.
     
   
          
    
26
     
            

 
Pno.
      
        
      
    
 
29
       
                           
 

 
Pno.
         
               

33

    

       
                 

Pno.
         
              
      
 
38 
        
    
                 
   
Pno.
    
    
          
  
2
42
   
                  

      
Pno.
     
   
        
     
   
46

                           
                
Pno. 
                     
               
    
50
    
         
                  

Pno.
          
            
    
 
55
                    
   
     
          
Pno. 

 
        
     
      
  
59
       

     
Pno. rit.
  
    

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